Difference between revisions of "The Dub Room Special! (The Album)"
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|valign="top"|'''Tracks 1, 3, 4, 5, 7, 8, 9, 10 & 11''' | |valign="top"|'''Tracks 1, 3, 4, 5, 7, 8, 9, 10 & 11''' | ||
[[74/08/27 Los Angeles CA US KCET-TV Studio|KCET, Los Angeles, 27 August, 1974]] | [[74/08/27 Los Angeles CA US KCET-TV Studio|KCET, Los Angeles, 27 August, 1974]] | ||
| − | *[[Frank Zappa]] (lead guitar, percussion, vocals) | + | *[[Biography|Frank Zappa]] (lead guitar, percussion, vocals) |
*[[Napoleon Murphy Brock]] (tenor sax, flute, vocals) | *[[Napoleon Murphy Brock]] (tenor sax, flute, vocals) | ||
*[[George Duke]] (keyboards, zil, tambourine, vocals) | *[[George Duke]] (keyboards, zil, tambourine, vocals) | ||
| Line 26: | Line 26: | ||
|valign="top"|'''Tracks 2 & 6''' | |valign="top"|'''Tracks 2 & 6''' | ||
[[81/10/29-11/01 New York NY US Palladium|The Palladium, NYC, Halloween, 1981]] | [[81/10/29-11/01 New York NY US Palladium|The Palladium, NYC, Halloween, 1981]] | ||
| − | *[[Frank Zappa]] (lead guitar, vocals) | + | *[[Biography|Frank Zappa]] (lead guitar, vocals) |
*[[Ed Mann]] (percussion, vocals) | *[[Ed Mann]] (percussion, vocals) | ||
*[[Tommy Mars]] (keyboards, vocals) | *[[Tommy Mars]] (keyboards, vocals) | ||
| Line 54: | Line 54: | ||
==Release Notes== | ==Release Notes== | ||
| − | *Produced, mixed & edited by [[ | + | *Produced, mixed & edited by [[Biography|FZ]] |
*Enthusiasm, insistance & thumbs up by [[Ahmet Zappa]] | *Enthusiasm, insistance & thumbs up by [[Ahmet Zappa]] | ||
*Vaultermeisterment by [[Joe Travers]] | *Vaultermeisterment by [[Joe Travers]] | ||
| Line 64: | Line 64: | ||
*Production containment by [[Melanie Starks]] | *Production containment by [[Melanie Starks]] | ||
*Cover picture "In the Dub Room" (oil on canvas) by [[Eric White]] | *Cover picture "In the Dub Room" (oil on canvas) by [[Eric White]] | ||
| − | *Title Script by [[ | + | *Title Script by [[Biography|FZ]] |
==Liner Notes== | ==Liner Notes== | ||
| − | <blockquote>"When I was 14 years old I made the decision that I was going to find and purchase every [[Frank Zappa]] record. In 1984, this took some doing since all of his records from the 60's and 70's were out of print. I would take buses all over L.A. and the Valley for these records, every one of which had a huge, powerful effect on me. Each one, upon finding it, would seem like the most perfect microcosm of feeling to me. Everything about each one, the smell, the cover, the inner sleeve and especially the music were pure magic to my mind. I also soon started regularly calling his [[818 PUMPKIN]], ordering stuff whenever I had money. This included [[The Old Masters, Box I|the Old Masters box]] (which contained re-masters of his first 5 records), the film [[Baby Snakes (The Film)|Baby Snakes]] and a video called [[Dub Room Special|The Dub Room Special]]. I watched these two videos over and over, constantly showing them to anyone willing to watch. | + | <blockquote>"When I was 14 years old I made the decision that I was going to find and purchase every [[Biography|Frank Zappa]] record. In 1984, this took some doing since all of his records from the 60's and 70's were out of print. I would take buses all over L.A. and the Valley for these records, every one of which had a huge, powerful effect on me. Each one, upon finding it, would seem like the most perfect microcosm of feeling to me. Everything about each one, the smell, the cover, the inner sleeve and especially the music were pure magic to my mind. I also soon started regularly calling his [[818 PUMPKIN]], ordering stuff whenever I had money. This included [[The Old Masters, Box I|the Old Masters box]] (which contained re-masters of his first 5 records), the film [[Baby Snakes (The Film)|Baby Snakes]] and a video called [[Dub Room Special|The Dub Room Special]]. I watched these two videos over and over, constantly showing them to anyone willing to watch. |
By the time I was 15 I owned all of the records and was spending about 70% of my muscial life studying and learning his music. For me, striving for the perfection he was known for demanding from his bands was a powerful motivation and force behind the huge amount of practicing I was doing back then. I taught myself to read music by comparing the written notes in [[The Frank Zappa Guitar Book]] to the recordings of those songs. The poly-rhythms in that book (brilliantly transcribed by [[Steve Vai]]), as well as those in his instrumental compositions, opened up my mind a great deal. I believe this instilled in my brain the wide open, infinite possibilities of creating shapes with music."</blockquote> | By the time I was 15 I owned all of the records and was spending about 70% of my muscial life studying and learning his music. For me, striving for the perfection he was known for demanding from his bands was a powerful motivation and force behind the huge amount of practicing I was doing back then. I taught myself to read music by comparing the written notes in [[The Frank Zappa Guitar Book]] to the recordings of those songs. The poly-rhythms in that book (brilliantly transcribed by [[Steve Vai]]), as well as those in his instrumental compositions, opened up my mind a great deal. I believe this instilled in my brain the wide open, infinite possibilities of creating shapes with music."</blockquote> | ||
<div align=right>— [[John Frusciante]], [[The Dub Room Special! (The Album)|The Dub Room Special!]] liner notes (abridged), 2007.</div> | <div align=right>— [[John Frusciante]], [[The Dub Room Special! (The Album)|The Dub Room Special!]] liner notes (abridged), 2007.</div> | ||
Revision as of 20:01, 24 July 2021
| Album History | |
|---|---|
| Previous | Next |
| Released August 2007 | |
| See also: IINK,KUR Dub Room Special (The Video) 74/08/27 TV show 81/10/29-11/01 concerts in NYC | |
Players
| Tracks 1, 3, 4, 5, 7, 8, 9, 10 & 11
KCET, Los Angeles, 27 August, 1974
|
Tracks 2 & 6
The Palladium, NYC, Halloween, 1981
|
Tracks
CD
- A Token of My Extreme (Vamp) (2:29)
- Stevie's Spanking (5:54)
- Dog Breath Variations (1:41)
- Uncle Meat (2:16)
- Stinkfoot (3:58)
- Easy Meat (6:50)
- Montana (4:24)
- Inca Roads (9:46)
- Room Service (9:15)
- Cosmik Debris (7:44)
- Florentine Pogen (10:13)
Release Notes
- Produced, mixed & edited by FZ
- Enthusiasm, insistance & thumbs up by Ahmet Zappa
- Vaultermeisterment by Joe Travers
- FZ Engineers: Kerry McNab, Bob Stone
- Mastered by Steve Hall at Future Disc, April 2003
- Liner Notes by John Frusciante
- Art direction & text by GZ
- Package renderment by Michael Mesker
- Production containment by Melanie Starks
- Cover picture "In the Dub Room" (oil on canvas) by Eric White
- Title Script by FZ
Liner Notes
"When I was 14 years old I made the decision that I was going to find and purchase every Frank Zappa record. In 1984, this took some doing since all of his records from the 60's and 70's were out of print. I would take buses all over L.A. and the Valley for these records, every one of which had a huge, powerful effect on me. Each one, upon finding it, would seem like the most perfect microcosm of feeling to me. Everything about each one, the smell, the cover, the inner sleeve and especially the music were pure magic to my mind. I also soon started regularly calling his 818 PUMPKIN, ordering stuff whenever I had money. This included the Old Masters box (which contained re-masters of his first 5 records), the film Baby Snakes and a video called The Dub Room Special. I watched these two videos over and over, constantly showing them to anyone willing to watch. By the time I was 15 I owned all of the records and was spending about 70% of my muscial life studying and learning his music. For me, striving for the perfection he was known for demanding from his bands was a powerful motivation and force behind the huge amount of practicing I was doing back then. I taught myself to read music by comparing the written notes in The Frank Zappa Guitar Book to the recordings of those songs. The poly-rhythms in that book (brilliantly transcribed by Steve Vai), as well as those in his instrumental compositions, opened up my mind a great deal. I believe this instilled in my brain the wide open, infinite possibilities of creating shapes with music."
— John Frusciante, The Dub Room Special! liner notes (abridged), 2007.
Background Information
Conceptual Continuity
Versions
| ZFT # | Version # | # discs | Format | Catalog # | Release (YYYY-MM-DD) |
Barcode (EAN-13) |
Artwork | Comment |
|---|---|---|---|---|---|---|---|---|
| 81 | Unknown | 1 | CD | Zappa ZR 20006 |
2007-08-24[1] | 0824302000625 | In the Dub Room | US release, encoded using HDCD technology. Matrix # IFPI 4121 ZR20006 1W01 V IFPI L244 |
Notes
- ↑ The first reported copies were sold during the ZPZ shows around August 3rd. The first shipping confirmation emails from Musictoday were received on August 24th. A limited number are packaged with a 10 cm cut off piece of magnetic tape stuck between the media tray and the back card. According to Gail Zappa, these 'Tape Worms' come from the Vault.
