Lumpy Gravy
Album History | |
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Released May 1968 | |
See also: IINK, Patio, KUR The Old Masters, Box I The Lumpy Money Project/Object Lumpy Gravy & Elsewhere |
Players
The ABNUCEALS EMUUKHA electric SYMPHONY orchestra & CHORUS
with maybe even some members of the mothers of invention
PIANO, CELESTE, ELECTRIC HARPSICHORD: Paul Smith, Mike Lang, Lincoln Mayorga, Pete Jolly
DRUMS: Johnny Guerin, Frankie Capp, Shelly Manne
PERCUSSION (Gongs, Bells, Vibes, Marimba, Timpani, Timbales & assorted insanity): Emil Richards, Gene Estes, Alan Estes, Victor Feldman, Kenneth Watson (uncredited), Thomas Poole (uncredited)
WOODWINDS (Flute, Bass Flute, Piccolo, Oboe, English Horn, Eb Clarinet, Bb Clarinet, Bass Clarinet, Contrabass Clarinet, Alto Sax, Bass Sax, Bassoon & Contrabassoon): Ted Nash, Jules Jacob, John Rotella, Bunk Gardner, Don Christlieb, Gene Cipriano
FRENCH HORNS: Arthur Maebe, Vincent De Rosa, Richard Perissi, Arthur E. Briegleb (uncredited), David A. Duke (uncredited), George F. Price (uncredited)
TRUMPET: Jimmy Zito
TROMBONE: Kenneth Shroyer, Lew McCreary (uncredited)
GUITARS: Jim Haynes (prob. James Helms), Tommy Tedesco, Tony Rizzi, Al Viola, Dennis Budimir
BASS: Bob West, John Balkin, Jimmy Bond, Lyle Ritz, Chuck Berghofer
STRINGS: Sid Sharp-violin; Alexander Koltun-violin; Tibor Zelig-violin; Ralph Schaeffer-violin; Bernard Kundell-violin; William Kurasch-violin; James Getzoff-violin; Arnold Belnick-violin; Leonard Malarsky-violin; Harold Ayres-violin; Jerome J. Reisler-violin; Phillip Goldberg-viola; Leonard Selic-viola; Harry Hyams-viola; Joseph DiFiore-viola; Jerome A. Kessler-cello; Raymond J. Kelley-cello; Joseph Saxon-cello; Jesse Ehrlich-cello; Harold G. Bemko-cello
CHORUS: Louie The Turkey, Ronnie Williams, Dick Barber "Foon The Younger", Roy Estrada, Spider, Motorhead, J.K. & Tony, Gilly and the girls from Apostolic (Maxine, Becky), All Night John, The Other John, Cal, Pumpkin, Larry Fanoga, Monica, Jimmy Carl Black (the Indian of the group)
ALSO: Sammy, Harold, Charlie, Bruce, and the rest of the guys from Atlanta
Tracks
LP
Side One
Side Two
1986 CD,
coupled with We're Only In It For The Money
|
Current CD
Lumpy Gravy Part One (15:51)
Lumpy Gravy Part Two (15:51)
|
Orchestral Version
| |
---|---|---|---|
Side One
| |||
Tableaux I | Sink Trap (3:06) | ||
II | Gum Joy (3:44) | ||
III | Up & Down (1:52) | ||
IV | Local Butcher (2:33) | ||
Side Two
| |||
Tableaux V | Gypsy Airs (1:41) | ||
VI | Hunchy Punchy (2:06) | ||
VII | Foamy Soaky (2:34) | ||
VIII | Let's Eat Out (1:48) | ||
IX | Teen-Age Grand Finale (3:29) |
Release Notes
Orchestra recorded: Capitol Studios, Hollywood, February 13 & March 14-16, 1967.
People inside the piano recorded: Apostolic Studios, NYC, October, 1967.
Produced by Frank Zappa.
Original sessions produced by Nick Venet.
Engineered by: Joe, Rex, Pete, Jim, Bob, Gary & Dick Kunc.
Liner put together by Cal Schenkel.
SPECIAL THANKS TO: Sid Sharp conductor, Bob Ross arranger, Smiling Jack, Ben Barrett contractor, Normal and Max, my pumpkin, Hurby, John Judnich
Liner Notes
Background Information
Zappa formed the one-off Abnuceals Emuukha Electric Symphony Orchestra & Chorus to record Lumpy Gravy.
The Chorus was a speaking cast, its members' dialogue taking the place of any sung lyrics. They were recorded conversing with their heads inside a Steinway grand piano during several sessions at Apostolic Studios in New York. The dialogues were improvised, but they followed Zappa’s general thematic guidelines.
Zappa amassed several hours of recorded conversations to edit into Lumpy Gravy; some snippets were heard on following albums, and the original recordings were featured on Civilization Phaze III, which continued the plot from where it left off on Lumpy Gravy, using both old characters from the original sessions and freshly recorded voices.
The album features three Mothers: Bunk Gardner plays woodwinds and brass, while Roy Estrada and Jim “Motorhead” Sherwood, sometimes using the voice of his alter-ego, Larry Fanoga are listed as members of the Chorus. Other parts are played by studio staff members, Louie The Turkey from the Garrick Theatre audience and Spider Barbour of Chrysalis, another group recording at Apostolic at the time.
Completed in 1967, this featured the earliest commercial appearance of Frank’s symphonic music. Some of the material was recorded with a fifty-piece Los Angeles orchestra.
The album was commissioned by Nick Venet of Capitol Records. It had been assumed that Zappa was contractually free to compose and conduct, since MGM had only signed him as a musician and vocalist along with the rest of The Mothers. MGM disagreed, threatened to sue, and finally bought the master tapes. As Capitol's engineers had reworked Zappa's original edit he had to reconstruct the album, assisted by Gary Kellgren at Mayfair Studios in New York City. This caused the release of the album to be delayed for over a year.
In a 1974 interview for Melody Maker Zappa revealed that the name originally came from a television commercial for Loma Linda Gravy mix. Loma Linda is a town just south of San Bernardino.
The front-cover photo features Zappa wearing a shirt that advertises Pipco - a Santa Barbara pipe company. The original Verve Records release had FZ's name shown as "Francis Vincent Zappa", which is incorrect. The Old Masters, Box I release of the album had the original cover artwork, but corrected FZ's first name.
Conceptual Continuity
Alternate Artwork
Versions
ZFT # | Version # | # discs | Format | Catalog # | Release (YYYY-MM-DD) |
Barcode (EAN-13) |
Artwork | Comment |
---|---|---|---|---|---|---|---|---|
3 | 0.1 Original "Orchestral" Stereo w/ Intro A[1] |
1 | LP | Capitol STAO-2719 |
Unreleased[2] | None | Demo acetate available as a bootleg in Lumpy Gravy & Elsewhere. | |
Not Sure, Original "Orchestral" Stereo w/ Intro A or B |
1 | 4T | Capitol/Muntz 4CL-2719 |
1967-08-07 | None | Withdrawn due to a legal dispute between MGM and Capitol. Very few copies reported to exist. | ||
1.1a Original Stereo |
1 | LP | MGM Verve V6-8741 |
1968-05-13 | None | US edition. | ||
1 | LP | MGM Verve SVLP 9223 |
1968-10[3] | None | UK edition. | |||
1 | LP | MGM Verve/Polydor 2317 046 |
1972-06[3] | None | UK 2nd edition. | |||
1.2 Original Mono |
1 | LP | MGM Verve V-8741 |
1968-05? | None | US edition. | ||
1 | LP | MGM Verve VLP 9223 |
1968-10[3] | None | UK edition. | |||
1.1b Remaster Stereo sounds worse according to the Zappa Patio |
1 | LP | Barking Pumpkin BPR 7777-4 |
1985-04-19 | Included in The Old Masters, Box I set. | |||
1 | CD | Rykodisc RCD 40024 |
1986 | 0144314002425? 0014431002427? (not printed) |
US edition, AAD, coupled with We're Only In It For The Money. Matrix # 818 PUMPKIN RYK-CD40024 SOI01 | |||
1 | CD | Zappa CDZAP 13 |
1988-12? | 5016583601324 | UK edition, coupled with We're Only In It For The Money. | |||
1 | CD | VideoArts VACK 5023 |
1994-10-26 | 4988112405264 | Japanese edition, coupled with We're Only In It For The Money. | |||
1.1c Remaster Stereo sounds best according to the Zappa Patio |
1 | CD | Rykodisc RCD 10504 |
1995-04-18 | 0014431050428 | US edition. made from original edited master and other raw mix segments (for better sonics). 1993. Matrix # IFPI L501 IFPI 8702 DISCTRONICS RCD 10504 01 | ||
1 | CD | VideoArts VACK 5105 |
1995-09-25 | 4988112406995 | Japanese edition | |||
1 | CD | VideoArts VACK 5240 |
1997-02-28 | 4988112408401 | Japanese edition | |||
1 | CD | VideoArts VACK 1205 |
2001-09-21 | 4988112412613 | Japanese edition, mini-album papersleeve | |||
1 | CD | Rykodisc RCD 10593 |
2005-07-19 | 0014431059322 | = VideoArts VACK 1205, the barcode is a sticker, the Ryko reference is not printed | |||
1 | CD | VideoArts VACK 1329 |
2008-06-18 | 4988112417724 | Japanese edition, mini-album papersleeve. | |||
0.2 Original "Orchestral" Mono w/ Intro B[1] |
1 | CD | Zappa ZR 20008 (CD1) |
2009-01-21 | n/a | US edition, included in The Lumpy Money Project/Object. Matrix # CD1: IFPI 4150 ZR200081 2A 01 V IFPI L245 | ||
2 Important Remix |
1 | CD | Zappa ZR 20008 (CD2) |
2009-01-21 | n/a | US edition, included in The Lumpy Money Project/Object. Matrix # CD2: IFPI 4121 ZR200082 2A 01 V IFPI L245 | ||
1.1c Remaster Stereo sounds best according to the Zappa Patio |
1 | CD | Zappa/UMe ZR 3836 |
2012-07-31 | 0824302383629 | US edition, manufactured and distributed by UMe[4]. Source: 1993 1630 Digital Master. Digitally Re-Edited by Frank Zappa circa 1993. | ||
1 | CD | Zappa/UMG Intl 0238362 |
2012-07-31 | 0824302383629 | EU edition = Zappa/UMe ZR 3836, manufactured in Germany. | |||
1 | CD | Zappa/Universal Music Japan UICY-75352 |
2012-11-28 | 4988005737519 | Japanese edition, audiophile SHM-CD, mini-album papersleeve with an obi strip and liner notes in Japanese. | |||
Unknown | 1 | LP (180 g) |
Zappa/UMe ZR 3836-1 |
2016-12-09[5] | 0824302383612 | US edition, pressed in Germany by Pallas-USA. Source: 1968 Analog Master Safety. Mastered by Bernie Grundman, Bernie Grundman Mastering, 2016. | ||
1 | LP (180 g?) |
Zappa/UMG Intl ZR 3836-1 |
2016-12-09 | 0824302383612 | EU edition = Zappa/UMe ZR 3836-1. |
Notes
- ↑ 1.0 1.1 Intro A is a cut from King Kong in Foamy Soaky. Intro B is a cut from How Did That Get In Here?.
- ↑ The record labels indicate September 18th, 1967, 11:12 on side 1, and 11:33 on side 2.
- ↑ 3.0 3.1 3.2 Martin C. Strong, 2004, The Great Rock Discography, p. 1720.
- ↑ Email announcement by the ZFT on July 31st, 2012.
- ↑ Official announcement at zappa.com