Difference between revisions of "Patrick O'Hearn"
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[[Patrick O'Hearn]] born 9/6/1954 in Los Angeles, CA (raised in Oregon), the son of working musicians. Studied cello, violin, and flute, and gained early experience playing bass with his parents' lounge act. | [[Patrick O'Hearn]] born 9/6/1954 in Los Angeles, CA (raised in Oregon), the son of working musicians. Studied cello, violin, and flute, and gained early experience playing bass with his parents' lounge act. | ||
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During Patrick's tenure with Zappa he had a very distinctive fretless electric bass tone which he explains here: "Live", I used an MXR digital delay with a short delay (80 - 120ms) with a slight, slow sine wave modulation to achieve a doubled and subtle de-tuned effect. For "Live" recording or studio, Frank would, in post, use an Eventide H-910 to create the same effect. | During Patrick's tenure with Zappa he had a very distinctive fretless electric bass tone which he explains here: "Live", I used an MXR digital delay with a short delay (80 - 120ms) with a slight, slow sine wave modulation to achieve a doubled and subtle de-tuned effect. For "Live" recording or studio, Frank would, in post, use an Eventide H-910 to create the same effect. | ||
| − | On early performances with Zappa, Patrick made what is now commonly called a Ramp. When asked about this Patrick wrote: "A device I fashioned to make playing bass guitar feel a bit closer to upright, which I was more accustom to at that time . (right hand pizz off the fingerboard) I eventually removed it as was no longer needed for feel. Also moved to playing closer to neck and fingerboard anyway. -- fuller, rich and darker tone for me." | + | On early performances with Zappa, Patrick made what is now commonly called a Ramp. When asked about this Patrick wrote: "A device I fashioned to make playing bass guitar feel a bit closer to upright, which I was more accustom to at that time . (right hand pizz off the fingerboard) I eventually removed it as was no longer needed for feel. Also moved to playing closer to neck and fingerboard anyway. -- fuller, rich and darker tone for me."<ref>[https://www.talkbass.com/threads/patrick-o-hearn-bass-tone.540970/ "Patrick O'Hearn bass tone???" Talkbass.com]</ref> |
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*[[Joe's Garage Acts II & III]] | *[[Joe's Garage Acts II & III]] | ||
*[[Tinseltown Rebellion]] | *[[Tinseltown Rebellion]] | ||
| − | *[[Shut Up ' | + | *[[Shut Up 'n Play Yer Guitar]] |
*[[Ship Arriving Too Late To Save A Drowning Witch]] | *[[Ship Arriving Too Late To Save A Drowning Witch]] | ||
*[[Baby Snakes]] | *[[Baby Snakes]] | ||
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*[[An Evening In Detroit]]. | *[[An Evening In Detroit]]. | ||
| − | In the early 1980s he became bassist and keyboarder of the band [[Missing Persons]] which also included [[Terry Bozzio]] and [[Warren Cuccurullo]] | + | In the early 1980s he became bassist and keyboarder of the band [[Wikipedia:Missing Persons (band)|Missing Persons]], which also included [[Terry Bozzio]] and [[Warren Cuccurullo]] |
Patrick can be seen in the [[:Category:Videography|Zappa movies]]: | Patrick can be seen in the [[:Category:Videography|Zappa movies]]: | ||
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*[[Video From Hell]]. | *[[Video From Hell]]. | ||
| − | Patrick O'Hearn was also mentioned and thanked in the liner notes of ''[[The MOFO Project/Object]]'' (2006) album. <ref>http:// | + | Patrick O'Hearn was also mentioned and thanked in the liner notes of ''[[The MOFO Project/Object (Fazedooh)|The MOFO Project/Object]]'' (2006) album. <ref>http://donlope.net/fz/notes/The_MOFO_Project_Object.html#Contributors</ref> |
==Sources== | ==Sources== | ||
Latest revision as of 14:27, 17 December 2022
Patrick O'Hearn born 9/6/1954 in Los Angeles, CA (raised in Oregon), the son of working musicians. Studied cello, violin, and flute, and gained early experience playing bass with his parents' lounge act.
In early 1976, he won an audition to play bass in The Mothers.
Instrument & Gear
During Patrick's tenure with Zappa he had a very distinctive fretless electric bass tone which he explains here: "Live", I used an MXR digital delay with a short delay (80 - 120ms) with a slight, slow sine wave modulation to achieve a doubled and subtle de-tuned effect. For "Live" recording or studio, Frank would, in post, use an Eventide H-910 to create the same effect.
On early performances with Zappa, Patrick made what is now commonly called a Ramp. When asked about this Patrick wrote: "A device I fashioned to make playing bass guitar feel a bit closer to upright, which I was more accustom to at that time . (right hand pizz off the fingerboard) I eventually removed it as was no longer needed for feel. Also moved to playing closer to neck and fingerboard anyway. -- fuller, rich and darker tone for me."[1]
Zappa Performance Discography
O'Hearn provided bass and/or vocal for:
- Zappa In New York
- Sleep Dirt
- Sheik Yerbouti
- Joe's Garage Act I
- Joe's Garage Acts II & III
- Tinseltown Rebellion
- Shut Up 'n Play Yer Guitar
- Ship Arriving Too Late To Save A Drowning Witch
- Baby Snakes
- Them Or Us
- You Can't Do That On Stage Anymore Vol. 1
- You Can't Do That On Stage Anymore Vol. 4
- You Can't Do That On Stage Anymore Vol. 6
- Läther
- Frank Zappa Plays The Music Of Frank Zappa
- Halloween
- Quaudiophiliac
- Conceptual Continuity
- Trance-Fusion
- An Evening In Detroit.
In the early 1980s he became bassist and keyboarder of the band Missing Persons, which also included Terry Bozzio and Warren Cuccurullo
Patrick can be seen in the Zappa movies:
Patrick O'Hearn was also mentioned and thanked in the liner notes of The MOFO Project/Object (2006) album. [2]
