Difference between revisions of "Monday Show 2 Start"
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<br>[[Marty Perellis]]: Testing. Okay, your eight closest relatives, The Mothers. | <br>[[Marty Perellis]]: Testing. Okay, your eight closest relatives, The Mothers. | ||
| − | <br>[[Biography|FZ]]: Hello. Hey, what's happening? . . . Good evening. Hello hello hello hello hello hello hello hello hello hello hello hello hello. Okay. Ladies and gentlemen, [[The Fowler Brothers|Bruce Fowler]] on trombone. [[Napoleon Murphy Brock]] on tenor sax, and lead vocals. [[Ruth Underwood]] on percussion. [[Ralph Humphrey]] on drums. [[Chester Thompson]] on drums. [[Tom Fowler]] on bass. [[George Duke]] on keyboards. | + | <br>[[Biography|FZ]]: Hello. Hey, what's happening? . . . Good evening. Hello hello hello hello hello hello hello hello hello hello hello hello hello. Okay. Ladies and gentlemen, [[The Fowler Brothers|Bruce Fowler]] on trombone. [[Napoleon Murphy Brock]] on tenor sax, and lead vocals. [[Ruth Underwood]] on percussion. [[Ralph Humphrey]] on drums. [[Chester Thompson]] on drums. [[The Fowler Brothers|Tom Fowler]] on bass. [[George Duke]] on keyboards. |
<br>Well, so much for our dynamic opening event. We're gonna start off with a, ah, a song that, ah, is about— well, it's not exactly about, but— actually, I'll wait until they're finished tuning up. | <br>Well, so much for our dynamic opening event. We're gonna start off with a, ah, a song that, ah, is about— well, it's not exactly about, but— actually, I'll wait until they're finished tuning up. | ||
Latest revision as of 05:39, 30 September 2021
(Monday night, Show 2.)
Marty Perellis: Testing. Okay, your eight closest relatives, The Mothers.
FZ: Hello. Hey, what's happening? . . . Good evening. Hello hello hello hello hello hello hello hello hello hello hello hello hello. Okay. Ladies and gentlemen, Bruce Fowler on trombone. Napoleon Murphy Brock on tenor sax, and lead vocals. Ruth Underwood on percussion. Ralph Humphrey on drums. Chester Thompson on drums. Tom Fowler on bass. George Duke on keyboards.
Well, so much for our dynamic opening event. We're gonna start off with a, ah, a song that, ah, is about— well, it's not exactly about, but— actually, I'll wait until they're finished tuning up.
This is a song called "Penguin In Bondage," and it's about, um, not a real penguin, but a person that sounds like a penguin, and not exactly bondage, but a conceptual sort of bondage that, well, it's not really like tying somebody up and— well, it's just sorta like a bond of age with a penguin. You ready?
