Difference between revisions of "The Leaves"
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| − | <blockquote><p>The scene in [[Los Angeles]] was far more bizarre. No matter how 'peace-love' the [[San Francisco]] bands | + | [[File:The Leaves.jpg|500px|thumb|right|The Leaves.]] |
| − | might try to make themselves, they eventually had come south to evil ol' [[Hollywood]] to get a record | + | |
| − | deal. | + | '''The Leaves''' were an early 1960s American garage rock band, who released the earliest version of ''Hey Joe'' (1966), which would later be covered by [[Jimi Hendrix]] as one of his signature songs. They were active between 1964 and 1967, and again between 1970 and 1971. |
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| − | the [[Jefferson Airplane]] -- an astounding, staggering, twenty-five thousand dollars, an unheard-of sum of | + | The Leaves' first actual show was in a school gym, together with [[Captain Beefheart]] and his Magic Band. |
| − | money. | + | |
| − | + | ==Frank Zappa and The Leaves== | |
| − | called [[Love (The Band)|Love]] was 'It.' There were a few 'psychedelic' groups that never really got to be 'It,' but they | + | |
| − | could still find work and get record deals, including the [[The West Coast Pop Art Experimental Band|West Coast Pop Art Experimental Band]], Sky | + | Frank Zappa included both The Leaves' [[Robert Lee Reiner]] and [[John Beck]] in his list of influences in the sleeve of ''[[Freak Out!]]''. Their bass player, [[Jim Pons]], would join [[Flo & Eddie|The Turtles]] in 1968 and played bass with Frank Zappa during the early 1970s. |
| − | Saxon and the Seeds, and [[The | + | |
| + | Zappa referenced ''Hey Joe'' in his song ''[[Flower Punk]]''. | ||
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| + | ==Frank Zappa about The Leaves== | ||
| + | |||
| + | <blockquote><p>''"The scene in [[Los Angeles]] was far more bizarre. No matter how 'peace-love' the [[San Francisco]] bands might try to make themselves, they eventually had come south to evil ol' [[Hollywood]] to get a record deal. My recollection is that the highest cash advance paid for signing any group during that time was for the [[Jefferson Airplane]] -- an astounding, staggering, twenty-five thousand dollars, an unheard-of sum of money. [[The Byrds]] were the be-all and end-all of [[Los Angeles]] rock then. They were 'It' -- and then a group called [[Love (The Band)|Love]] was 'It.' There were a few 'psychedelic' groups that never really got to be 'It,' but they could still find work and get record deals, including the [[The West Coast Pop Art Experimental Band|West Coast Pop Art Experimental Band]], Sky Saxon and the Seeds, and [[The Leaves]] (noted for their cover version of [[Hey Joe|Hey, Joe]])."''</p> | ||
</blockquote> | </blockquote> | ||
| − | <div align=right>[[The Real Frank Zappa Book]]</div> | + | <div align=right>Frank Zappa in [[The Real Frank Zappa Book]]</div> |
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[[Category:The Real Frank Zappa Book (The List)|Leaves]] | [[Category:The Real Frank Zappa Book (The List)|Leaves]] | ||
[[Category:Rock Artists|Leaves]] | [[Category:Rock Artists|Leaves]] | ||
| + | [[Category:Favorite Rock Artists|Leaves]] | ||
| + | [[Category:Musicians covered by Frank Zappa|Leaves]] | ||
Latest revision as of 10:12, 29 June 2026
The Leaves were an early 1960s American garage rock band, who released the earliest version of Hey Joe (1966), which would later be covered by Jimi Hendrix as one of his signature songs. They were active between 1964 and 1967, and again between 1970 and 1971.
The Leaves' first actual show was in a school gym, together with Captain Beefheart and his Magic Band.
Frank Zappa and The Leaves
Frank Zappa included both The Leaves' Robert Lee Reiner and John Beck in his list of influences in the sleeve of Freak Out!. Their bass player, Jim Pons, would join The Turtles in 1968 and played bass with Frank Zappa during the early 1970s.
Zappa referenced Hey Joe in his song Flower Punk.
Frank Zappa about The Leaves
"The scene in Los Angeles was far more bizarre. No matter how 'peace-love' the San Francisco bands might try to make themselves, they eventually had come south to evil ol' Hollywood to get a record deal. My recollection is that the highest cash advance paid for signing any group during that time was for the Jefferson Airplane -- an astounding, staggering, twenty-five thousand dollars, an unheard-of sum of money. The Byrds were the be-all and end-all of Los Angeles rock then. They were 'It' -- and then a group called Love was 'It.' There were a few 'psychedelic' groups that never really got to be 'It,' but they could still find work and get record deals, including the West Coast Pop Art Experimental Band, Sky Saxon and the Seeds, and The Leaves (noted for their cover version of Hey, Joe)."
