Difference between revisions of "Albert Collins"
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| − | Albert Collins (1932-1993), name-checked on the cover of "[[Freak Out!]]" (1966) under the heading "These People Have Contributed Materially In Many Ways To Make Our Music What It Is. Please Do Not Hold It Against Them", is concidered by many as the "Master of the Telecaster". There has never been and may never be again a bluesman quite like him. Born in Leona, Texas, as a cousin of the legendary [[Lightnin' Hopkins]], Collins emerged with a blues sound and style all his own, featuring a combination of icy echo, shattering, ringing, sustained high notes, an ultra-percussive right-hand attack, and an unheard-of minor key guitar tuning (taught to him by his cousin | + | Albert Collins (1932-1993), name-checked on the cover of "[[Freak Out!]]" (1966) under the heading "These People Have Contributed Materially In Many Ways To Make Our Music What It Is. Please Do Not Hold It Against Them", is concidered by many as the "Master of the Telecaster". There has never been and may never be again a bluesman quite like him. Born in Leona, Texas, as a cousin of the legendary [[Wikipedia:Lightnin' Hopkins|Lightnin' Hopkins]], Collins emerged with a blues sound and style all his own, featuring a combination of icy echo, shattering, ringing, sustained high notes, an ultra-percussive right-hand attack, and an unheard-of minor key guitar tuning (taught to him by his cousin Willow Young). Deeply influenced by [[wikipedia:T-Bone Walker|T-Bone Walker]], [[John Lee Hooker]] and [[Clarence "Gatemouth" Brown]] ((also name-checked on the cover of "[[Freak Out!]]"), Collins absorbed the sounds of Mississippi, Chicago, and especially Texas. |
He formed his own band in 1952, packing clubs around Houston. In the early 60s, Collins' "cool sound" instrumentals like the million-seller "Frosty" (recorded with a young [[Johnny Winter]] and [[Janis Joplin]] in attendance at the studio) and follow-ups "Sno Cone" and "Thaw Out" were all over R&B radio. Soon he was sharing stages with his idols Gatemouth Brown and T-Bone Walker. Then, in the mid-'60s (following a move from Texas to Kansas City to California), Collins broke into the rock 'n' roll world, releasing three albums produced by members of [[Canned Heat]], and began playing the San Francisco psychedelic circuit. | He formed his own band in 1952, packing clubs around Houston. In the early 60s, Collins' "cool sound" instrumentals like the million-seller "Frosty" (recorded with a young [[Johnny Winter]] and [[Janis Joplin]] in attendance at the studio) and follow-ups "Sno Cone" and "Thaw Out" were all over R&B radio. Soon he was sharing stages with his idols Gatemouth Brown and T-Bone Walker. Then, in the mid-'60s (following a move from Texas to Kansas City to California), Collins broke into the rock 'n' roll world, releasing three albums produced by members of [[Canned Heat]], and began playing the San Francisco psychedelic circuit. | ||
| − | But Albert's greatest success came after he signed with [[Alligator]] in 1978 and cut "Ice Pickin'". It won the Best Blues Album of the Year Award from the [[Montreux Jazz Festival]], and was nominated for a [[Grammy]]. His following Alligator albums helped earn Collins every award the blues world had to offer. And, along with [[Johnny Copeland]] and [[Robert Cray]] (who decided on a career as a bluesman after seeing Collins play his high school prom) Collins cut the Grammy-winning "Showdown!". | + | But Albert's greatest success came after he signed with [[Wikipedia:Alligator Records|Alligator]] in 1978 and cut "Ice Pickin'". It won the Best Blues Album of the Year Award from the [[Wikipedia:Montreux Jazz Festival|Montreux Jazz Festival]], and was nominated for a [[Wikipedia:Grammy Awards|Grammy]]. His following Alligator albums helped earn Collins every award the blues world had to offer. And, along with [[Wikipedia:Johnny Copeland|Johnny Copeland]] and [[Wikipedia:Robert Cray|Robert Cray]] (who decided on a career as a bluesman after seeing Collins play his high school prom) Collins cut the Grammy-winning "Showdown!". |
Even after he was firmly established as a major modern bluesman, Collins never got too big for his fans and friends, and never took things easy. And he never relinquished the wheel of his battered tour bus that he loved to drive so much. Along with his band, The Icebreakers, Collins' live shows - driven by his kinetic stage presence - were legendary testaments to the power of the blues. With his untimely death in 1993, Albert Collins left behind a blues legacy that continues to amaze and delight blues fans all over the world. | Even after he was firmly established as a major modern bluesman, Collins never got too big for his fans and friends, and never took things easy. And he never relinquished the wheel of his battered tour bus that he loved to drive so much. Along with his band, The Icebreakers, Collins' live shows - driven by his kinetic stage presence - were legendary testaments to the power of the blues. With his untimely death in 1993, Albert Collins left behind a blues legacy that continues to amaze and delight blues fans all over the world. | ||
| − | [[ | + | ==External links== |
| − | [[Category:Influences]] | + | * [[Wikipedia:Albert Collins]] |
| − | [[Category: | + | |
| − | [[Category:Freak Out! (The List)]] | + | [[Category:Influences|Collins, Albert]] |
| + | [[Category:Favorite Artists|Collins, Albert]] | ||
| + | [[Category:Freak Out! (The List)|Collins, Albert]] | ||
| + | [[Category:Blues singers|Collins, Albert]] | ||
| + | [[Category:Singers|Collins, Albert]] | ||
| + | [[Category:Guitarists|Collins, Albert]] | ||
Latest revision as of 12:31, 15 September 2021
Albert Collins (1932-1993), name-checked on the cover of "Freak Out!" (1966) under the heading "These People Have Contributed Materially In Many Ways To Make Our Music What It Is. Please Do Not Hold It Against Them", is concidered by many as the "Master of the Telecaster". There has never been and may never be again a bluesman quite like him. Born in Leona, Texas, as a cousin of the legendary Lightnin' Hopkins, Collins emerged with a blues sound and style all his own, featuring a combination of icy echo, shattering, ringing, sustained high notes, an ultra-percussive right-hand attack, and an unheard-of minor key guitar tuning (taught to him by his cousin Willow Young). Deeply influenced by T-Bone Walker, John Lee Hooker and Clarence "Gatemouth" Brown ((also name-checked on the cover of "Freak Out!"), Collins absorbed the sounds of Mississippi, Chicago, and especially Texas.
He formed his own band in 1952, packing clubs around Houston. In the early 60s, Collins' "cool sound" instrumentals like the million-seller "Frosty" (recorded with a young Johnny Winter and Janis Joplin in attendance at the studio) and follow-ups "Sno Cone" and "Thaw Out" were all over R&B radio. Soon he was sharing stages with his idols Gatemouth Brown and T-Bone Walker. Then, in the mid-'60s (following a move from Texas to Kansas City to California), Collins broke into the rock 'n' roll world, releasing three albums produced by members of Canned Heat, and began playing the San Francisco psychedelic circuit.
But Albert's greatest success came after he signed with Alligator in 1978 and cut "Ice Pickin'". It won the Best Blues Album of the Year Award from the Montreux Jazz Festival, and was nominated for a Grammy. His following Alligator albums helped earn Collins every award the blues world had to offer. And, along with Johnny Copeland and Robert Cray (who decided on a career as a bluesman after seeing Collins play his high school prom) Collins cut the Grammy-winning "Showdown!".
Even after he was firmly established as a major modern bluesman, Collins never got too big for his fans and friends, and never took things easy. And he never relinquished the wheel of his battered tour bus that he loved to drive so much. Along with his band, The Icebreakers, Collins' live shows - driven by his kinetic stage presence - were legendary testaments to the power of the blues. With his untimely death in 1993, Albert Collins left behind a blues legacy that continues to amaze and delight blues fans all over the world.
