Difference between revisions of "Roland Kirk"
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− | [[ | + | "Rahsaan" [[Roland Kirk]], born: Ronald T. Kirk (August 7, 1936, Columbus, OH - December 5, 1977, Bloomington, IN), is name-checked on the cover of "[[Freak Out!]]" (1966) under the heading "These People Have Contributed Materially In Many Ways To Make Our Music What It Is. Please Do Not Hold It Against Them". |
− | [[Roland Kirk]] | + | Exhilarating multi-reed playing jazz musician, sideman with [[Charles Mingus]] (name-checked on the cover of "[[Freak Out!]]") in 1960, and the leader of his own groups until suffering a stroke in 1976. Arguably the most exciting saxophone soloist in jazz history, Kirk was a post-modernist before that term even existed. Kirk played the continuum of jazz tradition as an instrument unto itself; he felt little compunction about mixing and matching elements from the music's history, and his concoctions usually seemed natural, if not inevitable. Kirk was born with sight, but became blind at the age of two. |
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+ | He is also mentioned in "[[The Real Frank Zappa Book]]" (1989): "''The first time we played with Rahsaan [[Roland Kirk]] was at the 1968 [[Boston Globe Jazz Festival]]. After his performance, when introduced to him backstage, I said I really liked what he was doing, and said that if he felt like joining us onstage during our set, he was more than welcome. In spite of his blindness, I believed we could accommodate whatever he wanted to do. We began our set, wending our atonal way toward a medley of 1950s-style honking saxophone numbers. During this fairly complicated, choreographed routine, [[Roland Kirk|Rahsaan]], assisted by his helper (can't remember his name), decided to join in. In 1969, [[George Wein]], impresario of the [[Newport Jazz Festival]], decided it would be a tremendous idea to put the Mothers of Invention on a jazz tour of the East Coast. We wound up working in a package with [[Roland Kirk|Kirk]], [[Duke Ellington]] and [[Gary Burton]] in [[Miami]] at the [[Jai Alai Fronton]], and at another gig in [[South Carolina]].''" | ||
[[Category:Supporting Cast]] | [[Category:Supporting Cast]] | ||
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[[Category:Influences]] | [[Category:Influences]] | ||
[[Category:Musicians]] | [[Category:Musicians]] | ||
+ | [[Category:Bandmembers]] | ||
[[Category:Freak Out! (The List)]] | [[Category:Freak Out! (The List)]] | ||
[[Category:The Real Frank Zappa Book (The List)]] | [[Category:The Real Frank Zappa Book (The List)]] |
Revision as of 13:55, 4 June 2005
"Rahsaan" Roland Kirk, born: Ronald T. Kirk (August 7, 1936, Columbus, OH - December 5, 1977, Bloomington, IN), is name-checked on the cover of "Freak Out!" (1966) under the heading "These People Have Contributed Materially In Many Ways To Make Our Music What It Is. Please Do Not Hold It Against Them".
Exhilarating multi-reed playing jazz musician, sideman with Charles Mingus (name-checked on the cover of "Freak Out!") in 1960, and the leader of his own groups until suffering a stroke in 1976. Arguably the most exciting saxophone soloist in jazz history, Kirk was a post-modernist before that term even existed. Kirk played the continuum of jazz tradition as an instrument unto itself; he felt little compunction about mixing and matching elements from the music's history, and his concoctions usually seemed natural, if not inevitable. Kirk was born with sight, but became blind at the age of two.
He is also mentioned in "The Real Frank Zappa Book" (1989): "The first time we played with Rahsaan Roland Kirk was at the 1968 Boston Globe Jazz Festival. After his performance, when introduced to him backstage, I said I really liked what he was doing, and said that if he felt like joining us onstage during our set, he was more than welcome. In spite of his blindness, I believed we could accommodate whatever he wanted to do. We began our set, wending our atonal way toward a medley of 1950s-style honking saxophone numbers. During this fairly complicated, choreographed routine, Rahsaan, assisted by his helper (can't remember his name), decided to join in. In 1969, George Wein, impresario of the Newport Jazz Festival, decided it would be a tremendous idea to put the Mothers of Invention on a jazz tour of the East Coast. We wound up working in a package with Kirk, Duke Ellington and Gary Burton in Miami at the Jai Alai Fronton, and at another gig in South Carolina."