Difference between pages "Zappa '80: Mudd Club/Munich" and "Denmark"
(Difference between pages)
Jump to navigation
Jump to search
| Line 1: | Line 1: | ||
| − | + | [[File:Denmark.gif|thumb|right]] | |
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | == | + | ==Articles referring to Denmark and other Danish topics== |
| + | * [[68/10/03 Copenhagen Denmark Tivoli Gardens]] | ||
| + | * [[70/12/02 Copenhagen Denmark K.B.-Hallen]] | ||
| + | * [[76/02/21 Aarhus Denmark Vejlby-Risskov Hallen]] | ||
| + | * [[77/01/13 Copenhagen Denmark Falkoner Theatret]] | ||
| + | * [[79/03/05 Copenhagen Denmark Falkoner Teatret]] | ||
| + | * [[82/05/11 Copenhagen Denmark Brondbyhallen]] | ||
| + | * [[88/04/25 Copenhagen Denmark Falkoner Teatret]] | ||
| + | * [[Copenhagen]] | ||
| + | * [[Copenhagen Night Music]] | ||
| + | * [[Dong Work For Yuda]] was inspired by translation problems between [[John Smothers]] and a Danish cab driver. Smothers wanted to be taken to the Falkoner Center, but the cab driver didn't understand his request: ''"Falcum. Take me to the Falcum."'' | ||
| + | * [[Ian Underwood Whips It Out (Live On Stage In Copenhagen)]] | ||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | + | <br>''"'[[Disco Boy]]' came about because we were in Denmark and we went to the place there called The Disc Club, and it was really poot. It was so make-believe sophisticated that it was embarassing. The place was decorated like a playboy-type living room would sorta be like - lowboy chairs and snackettes on the table, and everybody drinks and dances to these robots beat records, which I happen to like you know. I'm very fond of monotony. I think it's an integral part of contemporary civilisation and once you adapt to it you're better in phase with reality. I think that it's probably one of the funnier commentaries on the disco syndrome"'' <br><br> (Zappa in '''New Music Express''', 1977 interview ) | |
| − | + | [[Category:Countries]] | |
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
Latest revision as of 09:17, 24 November 2024
Articles referring to Denmark and other Danish topics
- 68/10/03 Copenhagen Denmark Tivoli Gardens
- 70/12/02 Copenhagen Denmark K.B.-Hallen
- 76/02/21 Aarhus Denmark Vejlby-Risskov Hallen
- 77/01/13 Copenhagen Denmark Falkoner Theatret
- 79/03/05 Copenhagen Denmark Falkoner Teatret
- 82/05/11 Copenhagen Denmark Brondbyhallen
- 88/04/25 Copenhagen Denmark Falkoner Teatret
- Copenhagen
- Copenhagen Night Music
- Dong Work For Yuda was inspired by translation problems between John Smothers and a Danish cab driver. Smothers wanted to be taken to the Falkoner Center, but the cab driver didn't understand his request: "Falcum. Take me to the Falcum."
- Ian Underwood Whips It Out (Live On Stage In Copenhagen)
"'Disco Boy' came about because we were in Denmark and we went to the place there called The Disc Club, and it was really poot. It was so make-believe sophisticated that it was embarassing. The place was decorated like a playboy-type living room would sorta be like - lowboy chairs and snackettes on the table, and everybody drinks and dances to these robots beat records, which I happen to like you know. I'm very fond of monotony. I think it's an integral part of contemporary civilisation and once you adapt to it you're better in phase with reality. I think that it's probably one of the funnier commentaries on the disco syndrome"
(Zappa in New Music Express, 1977 interview )
