Difference between revisions of "The Leaves"
| Line 6: | Line 6: | ||
money.</p> | money.</p> | ||
<p>[[The Byrds]] were the be-all and end-all of [[Los Angeles]] rock then. They were 'It' -- and then a group | <p>[[The Byrds]] were the be-all and end-all of [[Los Angeles]] rock then. They were 'It' -- and then a group | ||
| − | called [[Love]] was 'It.' There were a few 'psychedelic' groups that never really got to be 'It,' but they | + | called [[Love (The Band)|Love]] was 'It.' There were a few 'psychedelic' groups that never really got to be 'It,' but they |
could still find work and get record deals, including the [[The West Coast Pop Art Experimental Band|West Coast Pop Art Experimental Band]], Sky | could still find work and get record deals, including the [[The West Coast Pop Art Experimental Band|West Coast Pop Art Experimental Band]], Sky | ||
Saxon and the Seeds, and [[The Leaves|the Leaves]] (noted for their cover version of [[Hey Joe|Hey, Joe]]).</p> | Saxon and the Seeds, and [[The Leaves|the Leaves]] (noted for their cover version of [[Hey Joe|Hey, Joe]]).</p> | ||
Revision as of 18:34, 7 December 2010
The scene in Los Angeles was far more bizarre. No matter how 'peace-love' the San Francisco bands
might try to make themselves, they eventually had come south to evil ol' Hollywood to get a record
deal.
My recollection is that the highest cash advance paid for signing any group during that time was for the Jefferson Airplane -- an astounding, staggering, twenty-five thousand dollars, an unheard-of sum of money.
The Byrds were the be-all and end-all of Los Angeles rock then. They were 'It' -- and then a group called Love was 'It.' There were a few 'psychedelic' groups that never really got to be 'It,' but they could still find work and get record deals, including the West Coast Pop Art Experimental Band, Sky Saxon and the Seeds, and the Leaves (noted for their cover version of Hey, Joe).
