Difference between revisions of "Frank Zappa Meets The Mothers Of Prevention"
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*[[Chad Wackerman]] (drums) | *[[Chad Wackerman]] (drums) | ||
*[[Ed Mann]] (percussion) | *[[Ed Mann]] (percussion) | ||
| − | *[[Moon Zappa]], [[Dweezil Zappa]], Senator Danforth (R-Missouri), Senator Hollings (D-South Carolina), Senator Trible (R-Virginia), Senator Hawkins (R-Florida), Senator Exon (D-Nebraska), Senator Gorton (R-Washington), Senator Gore (D-Tennessee), [[Tipper Gore]], Reverend Jeff Ling, [[Spider Barbour]], [[All Nite John]], unknown girl in piano (voices) | + | *[[Moon Zappa]], [[Dweezil Zappa]], Senator Danforth (R-Missouri), Senator Hollings (D-South Carolina), Senator Trible (R-Virginia), Senator Hawkins (R-Florida), Senator Exon (D-Nebraska), Senator Gorton (R-Washington), Senator Gore (D-Tennessee), [[Tipper Gore]], Reverend Jeff Ling, [[James "Spider" Barbour|Spider Barbour]], [[All Nite John]], unknown girl in piano (voices) |
==Tracks== | ==Tracks== | ||
Revision as of 01:05, 5 March 2007
| Album History | |
|---|---|
| Previous | Next |
| Released November 1985 | |
| See also: Chalk Pie | |
Players
- Frank Zappa (guitar, synclavier)
- Steve Vai (guitar)
- Johnny "Guitar" Watson (guitar, vocals)
- Ike Willis (guitar, vocals)
- Ray White (guitar, vocals)
- Bobby Martin (keyboards, vocals)
- Tommy Mars (keyboards)
- Scott Thunes (bass)
- Chad Wackerman (drums)
- Ed Mann (percussion)
- Moon Zappa, Dweezil Zappa, Senator Danforth (R-Missouri), Senator Hollings (D-South Carolina), Senator Trible (R-Virginia), Senator Hawkins (R-Florida), Senator Exon (D-Nebraska), Senator Gorton (R-Washington), Senator Gore (D-Tennessee), Tipper Gore, Reverend Jeff Ling, Spider Barbour, All Nite John, unknown girl in piano (voices)
Tracks
Release Notes
Liner Notes
WARNING/GUARANTEE: This album contains material which a truly free society would neither fear nor suppress.
In some socially retarded areas, religious fanatics and ultra-conservative political organizations violate your First Ammendment Rights by attempting to censor rock & roll albums. We feel that this is un-Constitutional and un-American.
As an alternative to these government-supported rpgrams (designed to keep you docile and ignorant). Barking Pumpkin is pleased to provide stimulating digital audio entertainment for those of you who have outgrown the ordinary.
The language and concepts contained herein are GUARANTEED NOT TO CAUSE ETERNAL TORMENT IN THE PLACE WHERE THE GUY WITH THE HORNS AND POINTED STICK CONDUCTS HIS BUSINESS.
This guarantee is as real as the threats of ther video fundamentalists who use attacks on rock music in their attempt to transform America into a nation of check-mailing nincompoops (in the name of Jesus Christ). If there is a hell, its fires wait for them, not us.
Background Information
In an e-mail to this writer [CF], Matt Koegler explained that he “watched the Senate hearings and had a conversation with friends that night, and ‘Mothers of Prevention’ kind of came out of my mouth. I wrote Frank a letter a few days later, requesting a Z-Pack [Frank’s anti-censorship collection of mental ammo]. The letter opened, ‘Mr. Zappa: Thanks very much for standing up against the Mothers of Prevention.’ A few months later, I was standing in line at Spec’s Music in Lakeland, Florida with my brand-new, hot-off-the-presses copy [of the Prevention album] in my hand, and while reading the back cover, I found my name.”
“Yo Cats” is a jaunt along Vegas-type musical lines that emphasize the lyrical jeers at aesthetically apathetic studio musicians, with Tommy Mars (who’s listed as co-composer Thomas Mariano, his real name) playing appropriately cheesy lounge organ. Session musicians’ stylishness-feigning word “yo” is turned into “yo-yo” (loony). “Blow” means cocaine, of course, and to “Play some footballs on your hole” means to play easy whole notes (shaped like footballs in music notation) while keeping the bow level with the widest part of the violin’s “F-holes” (F-shaped openings). Your Girl and Arlyn’s were studio musicians’ answering services.
The long musical collage “Porn Wars” is largely made up of Frank’s retorts to the oppressive politicians and their wives (in their own voices) to whom he spoke at the 9/19/85 hearings on the Parents’ Music Resource Center’s extortionate demands on the music industry. The “vocals” begin with a brilliantly exposed contradiction: Chairman John C. Danforth assures Frank that no legislation’s intended, just before South Carolina Senator Earnest F. Hollings vows, after an exemplary Zappa time-jump edit, to find “some Constitutional provisions, tax or approach...to limit this outrageous filth.” Hollings’ admission “Maybe I could make a good rock star,” initially spoken as a self-effacing comment on his own oft-unintelligible southern accent, floats into the piece on several occasions; Frank’s aligning Hollings’ secrets—his own “outrageous filth”—with the groupie-oriented activities narrated in many Zappa songs over the years. This exposes Hollings’ hypocrisy in attacking song lyrics. By including the phrase “inaudible filth,” Frank’s asking, “If he can’t hear it, why is it filthy?”
Throughout the piece, we’re made to hear how people twist words to fit them into predetermined contexts; Zappa’s revenge is to do the same thing to the senators. They’re heard scolding their own actions: “Now, the effects of such lyrics on a well adjusted child may not be cataclysmic.” A senator’s made to unwittingly call himself a product of bad parenting, the real reason for which kids turn out crazy: “Rather, the emotional damage is more subtle.” Paula Hawkins indicts her own agenda: “...in some twisted mind.” She sadistically enjoys the book-burning going on, illustrated by the evil-sounding music: “Burrrn...burrrn...burrrn!” Hollings is heard reciting “Willy-nilly old bear” a few times. Frank’s equating that harmless children’s lyric about Winnie the Pooh with the words deemed unsafe by the senators. He’s also saying that Hollings is a “willy-nilly old bear” himself.
”Objectionable” is attached to “issue.” “...in some twisted minds” is attached to “porn rock.” The message is clear. Senator James Exon asks, “What’s the reason for these hearings?” Hawkins replies with Frank’s answer: “Sex,” the tool of media distraction as well as the chief fear of these insecure fools. A round of applause follows her answer. The “Yeah!” often heard is from Johnny “Guitar” Watson’s vocals in “I Don’t Even Care” from the European version of the album (Frank didn’t think “Porn Wars” would make much sense outside the USA). Ike Willis as Thing-Fish interjects with transplanted words from “Galoot Up-Date.” His conclusion, “I am yo’ fuchum [future]!,” suggests that we’ll all wind up deformed and held back by the government’s actions if things continue the way they’re going.
- A great joke’s heard later
- “Drive my love inside you.” “Is this private action?”
See also: "PMRC List" for an overview of people & things involved in the PMRC saga.
Conceptual Continuity
Alternate Cover
Versions
| ZFT # | Version # | # discs | Format | Catalog # | Release (YYYY-MM-DD) |
Barcode (EAN-13) |
Artwork | Comment |
|---|---|---|---|---|---|---|---|---|
| 44 | 1.1 Original Stereo, Tracks 1, 2 & 10 Missing[1] |
1 | LP | Barking Pumpkin ST-74203 |
1985-11-21 | 0013347420318? | US edition. | |
| 1.2 Original Stereo, Track 9 Missing[1] |
1 | LP | EMI 2404921 |
1985? | European edition. | |||
| 1.3 Original Stereo, Track 10 Missing[1] |
1 | CD | Rykodisc RCD 10023 |
1986-09 | 0014431002328 | US edition. | ||
| 1.2 Original Stereo, Track 9 Missing[1] |
1 | CD | EMI CDP 7 90078 2 |
1986 | 0077779007820 | European edition, coupled with Jazz From Hell. Matrix # CDP 7 90078 2 · ·MASTERED· ·BY NIMBUS· | ||
| 1.4 Original Stereo, 1 Track Shortened[1] |
1 | CD | Zappa CDZAP 33 |
1990-09 | 5016583603328 | European edition. | ||
| Unknown | 1 | CS | Zappa TZAPPA 33 |
? | 5016583603342? | European edition. | ||
| 1.3 Original Stereo, Track 10 Missing[1] |
1 | CD | VideoArts VACK 5049 |
1994-11-25 | 4988112405882 | Japanese edition. | ||
| 1.5 Light Remaster, Complete Edition |
1 | CD | Rykodisc RCD 10547 |
1995-05-16 | 0014431054723 | US edition. Matrix # IFPI 2U4C WEA mfg. OLYPHANT ifpi L902 X14009 A4 P2 310547-2 01 M1S1 | ||
| 1 | CD | VideoArts VACK 5117 |
1995-09-25 | 4988112407770 | Japanese edition. | |||
| 1 | CD | VideoArts VACK 5252 |
1996-05-30? | 4988112408524 | Japanese edition. | |||
| 1 | CD | VideoArts VACK 1257 |
2002-11-27 | 4988112413566 | Japanese edition, mini-album papersleeve. |
Notes
- Considering the current CD edition as the reference version.
