Managua/ Police Car/ Drum Solo
Roy: Ay, ay, ay, ay, ay. Oy! Oh- oh, oh! This fucking s— somebody (coughs) . . . What is this? What is this fucking . . . ? It's slut! It's mutt! It's cock! Ahahaha . . . Why did they have to . . . Why? Why did they have to... be— why did they create this . . . wha— this stupid so— gu— ah— office call. Office call.
FZ: Disco.<br?
Roy: Off— oh! Oh sm—
FZ: Disco.
Roy: Smu— air. Air. Fuck.
FZ: Disco.
Roy: A— Disco Boy . . .
FZ: OK. You know, so right in the middle of that "ren-den-tun-den-ten-den-hun-den-ten-den" only use that, that wide vibrato on that thing. Now you can play that "den-den-dun-dun-den-den-den," only out. OK, try that. One, two, three, four . . .
Roy: Yeah . . . yeah-yeah-yeah . . . yeah . . . yeah-yeah-yeah
FZ: No, no, no. The idea is that they're still the, they're still the orchestra. They're orchestra, you know?
Band member: Yeah, I get ya.
Another band member: These two? Or do you wanna . . .
FZ: No, no. You're, you're orchestra. When I cue you to go into some rhythm under— What is that weird sound? Is that oscillating? . . . is the last . . . OK. Awright, try it again. Right from the beginning. Phew-ew. Start with the, start with the xylophone this time. A low cluster on there. Like a low octave of D minor 9.
Roy: Is this back again? Huh huh, huh! Is this again the . . . the same, uh . . . Ha ha ha . . . Why? Why did we ever, uh? When did we start?
FZ: Go, go on the organ with D minor like we did before. No, this organ here. D minor.
Roy: This is all, this is all we . . . We just wanted to, ah, he he heh. You know we just wanted, just to, uh, make everybody . . . ha ha ha ha. But then all those stupid son-of-a-bitches up in the fucking son-of-a-bitches. Those bastards . . . their fucking buildings. Them and their stupid big [mono dicks]. You know they just want to, uh, a-ha ha. They made this son-of-a . . . You must have been a beautiful— I don't want to. I don't want to. We just want . . . we wanna be, we wanna be! You have to do this. Ah ah ah ah a ha ha. Oh oh oh. I never thought that you were so cool. Thank you, man. Thank you, man. Oh more, more, oh, oh, oh, oh oh, oh, in, back, out, oh, in. Wha—
FZ: Return to Managua.
Roy: Sha— mi— ma— di— ma— ni— na. Your eyes were so full of it. Your eyes were just the cause of it. Aaahh. Aaahhh. A-ha ha. This is. A-ha ha. This is. A-ha ha. This is. A-ha ha.
"GIVE YOURSELF UP
YOU ARE COMPLETELY
SURROUNDED BY
POLICEMEN
IF YOU PULL DOWN YOUR GUNS
AND COME OUT
WITH YOUR HANDS UP
WE GUARANTEE
YOU WON'T BE HARMED"
"BANK ROBBERY
REPORTED AT THE NATIONAL BANK
PROCEED THERE IMMEDIATELY . . .
BANK ROBBERY
REPORTED AT THE NATIONAL BANK
PROCEED THERE IMMEDIATELY . . .
GIVE YOURSELF UP
YOU ARE COMPLETELY SURROUNDED BY
BANK ROBBERY REPORTED
GIVE YOURSELF UP
BANK ROBBERY REP . . .
BANK ROBBERY REP . . .
BANK ROBBERY REP . . .
BANK ROBBERY REP . . .
BANK ROBBERY
GIVE YOURSELF UP
GIVE YOURSELF UP
GIVE YOURSELF UP
GIVE YOURSELF UP
GIVE YOURSELF UP
GIVE YOURSELF UP
BANK ROBBERY
BANK ROBBERY
BANK ROBBERY
GIVE YOURSELF UP
BANK ROBBERY
GIVE YOURSELF UP
GIVE YOURSELF UP
YOU ARE COMPLETELY
SURROUNDED BY POLICEMEN
IF YOU PULL DOWN YOUR GUNS
AND COME OUT
WITH YOUR HANDS UP
WE GUARANTEE
YOU WON'T BE HARMED"
Players
Recordings On Which This Song Appears
CC Clues In This Song
- Mentions Nicaragua
- Includes elements of Prelude To The Afternoon Of A Sexually Aroused Gas Mask
