Eric Burdon
Eric Burdon (1941) is an English rock singer, best known as a member of The Animals. Zappa produced/arranged a track for The Animals album Animalism (1966). The experience was described by Burdon as like working with Hitler.[1]
As Burdon recalled:
“We were recording in the studio with Tom Wilson when he [Zappa] was doing the Freak Out album next door and he popped in to listen to us. He was friends with Tom Wilson and he just said to me, ‘I’ve got a couple of songs, do you want to try them out?’ and I said ‘yeah’. We got together after an Animals session and I recorded a couple of songs with him… My voice sounds ridiculously teenage, but it was fun. I got pretty close to Frank and later lived a few doors away from him in Laurel Canyon. I used to spend nights watching his 16mm experimental films which never came to light. I expected him to become one of the new world directors.”[2]
“Zappa is a very interesting character – about 28 years old. He makes these weird movies and puts the soundtracks on them himself. He showed me one of a guy picking spots on his leg, and another with a sequence taken by an infra-red camera of a guy necking with this typical Hollywood blonde, all ‘lipsticky’ and ‘high-heely’. It’s not meant to be entertaining so much as effective – and that it is!" [3]
To which Zappa responded:
“Gads! Spots on his leg! Oh, no! There’s a guy just had a motorcycle accident. I got a picture. He had scabs on his legs and he was squeezing them.”...
"“On July 4, 1966, on what you might describe as a moment’s notice, I was asked to manufacture, on behalf of Tom Wilson, for the Animals, a musical organization from England, a set of arrangements. I was told: just go in there, tell the musicians what you want and they’ll play it.
“I get to the studio at 11 o’clock. I’m the only one there. Then Tom Wilson comes in. He asks, ‘Where are the Animals?’ I say, ‘Gee, I don’t know, Tom.’
“I had called the musician’s union and I brought down a girl who plays the bass and 12-string guitar, who’s a monster named Carol Kaye. She’s really good ... one of the top studio players in L.A. Also, Don Randi on piano, Johnny Guerin on drums. I was playing guitar on one tune and the bass on ‘The Other Side Of This Life,’ and I had a guy on harmonica, the guy who originally wrote ‘Hey Joe.’ [2]
“Eric shows up with his drummer around 1:30 or so because they had been to a monster party the night before and they’d been out being spectacular celebrities having a wonderful time in show business all over town and paying very little attention to minding the store.
“They come walking in and everyone starts playing demos for them because they didn’t even know what they were going to record. Meanwhile we have all these union people sitting around at triple time because it was a holiday. They were waiting to find out what to do.
“Finally they decide what they’re going to cut, we make two tracks with the union guys, and then the Animals themselves show up around 4 o’clock in the afternoon and they run through four or five old R&B songs like ‘Long, Tall Sally’ and ‘Hit The Road, Jack.’
“The two songs the union cats played sounded pretty tight. They sounded better than the Animals. Different. It was a different mix.”
“After we did the session, I started talking with Eric. ‘Show business is wonderful.’ ‘Yes sir, Frank.’ ‘Yes, it is, Eric.’
“Anyway, they came over to my house that night. I had never entertained anybody at my new house. I live with about six people. They entertain me, but I had never had any groups over. One of the guys who had been coming over was Ray Elliot, the organ player from Them. He was really a groovy cat. I really dug him. But he’d get blotto and fall all over the furniture and just make a disaster.
“The Animals were there, just sitting around in the dimly lit room, getting wasted and having merry fun and grabbing girls as they walked by.
“Meanwhile, Eric is going through my collection of R&B records and going out of his mind with joy. ‘Here’s the original record of....’ ‘Oh, no....’ ‘Wow.’ And we played some of them.
“Then I set up my projector and screen and proceeded to show them my home movies, of an experimental nature, accompanying the movies with a collection of electronic music.
“Everybody sat there looking at the spots on the leg, not knowing how to take it. Some of them got very paranoid and wanted to leave, It made them very tense.
“Eric dug it. He stayed until 4 o’clock in the morning, then he split.
“Then, without notice, they all came back the next night and proceeded to almost demolish my house. In the middle of that, Roy Elliot of Them comes walking in and he really did demolish my house. We wheeled him out and put him in a cab.
“I didn’t know that it had affected Eric that much until I started reading all these things he said in the Hit Parader article, It must have really blown his mind. Ha Ha.” [4]
The group mentions Zappa in their song "Winds of Change".
Burdon can be seen on the cover of We're Only In It For The Money (1967), on the right of the red image of Max Schreck.
