Garrick Theatre

Poster (date was extended to 3 April)

With the reduction in venues to play in Los Angeles and having had a run of successful shows in New York's Balloon Farm throughout November and December 1966 the band returned to play at the Garrick Theatre, a small, 199 seat, performance space/cinema on the second floor above the Cafe Au Go Go, at 152 Bleecker Street, New York. This covered the Easter vacation period Thursday 23 March to Monday 3 April.

“We had to get out of California because we couldn’t get much more work there and on the East Coast there was a lot of opportunities to do so. There were so many big cities within a two-hour drive from New York and we had a contract to play at the Garrick Theater in Greenwich Village for two weeks over the Easter holiday.”

Herb Cohen rented the theater for the six months from March 23rd to September 5th, 1967. In 1968 Andy Warhol was renting it to show his films.

"One never knew what to expect, there were some nights that you just heard pure music, and other nights, Motorhead'd be talking about fixing his car, with Jim Black's drum beat in the background. Sometimes Frank would just sit in a chair and glower at the audience. Sometimes there were more people on stage than there were in the audience, and because of that, Frank even got to know some of us by name! There were so few hard-core Mothers freaks then, that we were all very noticeable to him. I remember Stravinsky being played, I remember droning music going on for ages, and then in the middle of all of that, the song that then became 'Oh No, I Don't Believe It', sort of breaking through the clouds, and I mean it just shocked me, how anything could be so beautiful, and how such beautiful music could come out of such bizarre looking people."

— Ruth Underwood

"During their stay in New York, the Mothers successfully performed for six months at the Garrick Theatre doing a cleverly animated, pornographically delightful musical review. Some people liked it so much they came back repeatedly. Two Long Island school boys, affectionately dubbed Loeb and Leopold, held ticket stubs for some sixty-five performances. A classic study in compulsive behavior. But there were those who reacted rather violently to the show. One flaccid matron was sure that the Mothers were secretly anti-christ Commie swine bent upon polluting crew-cut American pubertines. Here authoritative observation was made on the basis of one evening's performance (to the tune of $3.50)."

— C. R. Zappa, My Brother Is an Italian Mother (1968)

"New York weather in the summertime is pretty disgusting. Sometime around the first of June, the air conditioner died and the owner of the theater (David Lee Roth's Dad, I'm told) decided that it would be too expensive to fix it."

— Frank Zappa, The Real Frank Zappa Book

Note: If there was any Roth connection it would probably have been David Lee Roth's Uncle.