Difference between revisions of "Ravi Shankar"
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| − | In an interview for Guitarist magazine (published June 1993) FZ said: "I think my playing is probably more derived from the folk music records that I heard; middle eastern music, | + | In an interview for [[Guitarist]] magazine ("[[Unholy Mother]]", published June 1993) FZ said: "I think my playing is probably more derived from the folk music records that I heard; middle eastern music, Indian music, stuff like that. For years I had something called [[Music On The Desert Road]], which was an album with all kinds of different ethnic music from the Middle East. I used to listen to that all the time - I liked that kind of melodic feel. I listened to Indian music, [[Ravi Shankar]] and so forth, before we did the '[[Freak Out!]]' album. The idea of creating melody from scratch based on an ostinato or single chord that doesn't change - that was the world that I felt most comfortable with. If you listen to Indian classical music, it's not just pentatonic. Some of the ragas that they use are very chromatic, all sustained over a root and a fifth that doesn't change, and by using these chromatic scales they can imply all these other kinds of harmonies. The chords don't change; it's just the listener's aspect that gets to change, based on how the melody notes are driven against the ground bass." |
| + | [[Category:Supporting Cast]] | ||
[[Category:Influences]] | [[Category:Influences]] | ||
[[Category:Musicians]] | [[Category:Musicians]] | ||
| − | [[Category: | + | [[Category:Favorite Artists]] |
[[Category:Freak Out! (The List)]] | [[Category:Freak Out! (The List)]] | ||
{{stub}} | {{stub}} | ||
Revision as of 09:29, 3 May 2005
In an interview for Guitarist magazine ("Unholy Mother", published June 1993) FZ said: "I think my playing is probably more derived from the folk music records that I heard; middle eastern music, Indian music, stuff like that. For years I had something called Music On The Desert Road, which was an album with all kinds of different ethnic music from the Middle East. I used to listen to that all the time - I liked that kind of melodic feel. I listened to Indian music, Ravi Shankar and so forth, before we did the 'Freak Out!' album. The idea of creating melody from scratch based on an ostinato or single chord that doesn't change - that was the world that I felt most comfortable with. If you listen to Indian classical music, it's not just pentatonic. Some of the ragas that they use are very chromatic, all sustained over a root and a fifth that doesn't change, and by using these chromatic scales they can imply all these other kinds of harmonies. The chords don't change; it's just the listener's aspect that gets to change, based on how the melody notes are driven against the ground bass."
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