Difference between revisions of "Frank Zappa - The Negative Dialectics Of Poodle Play"
(added cover art) |
|||
Line 3: | Line 3: | ||
Bookcover endorsements: | Bookcover endorsements: | ||
− | "This is no less than a frontal assault on authoritarian capitalism from the perspective of Zappology...(It) is stocked with genuine insights and his case for Zappa as a hero of the avant garde - a force to challenge any reigning cultural or political assumptions - is ably made --''Independent on Sunday''" | + | ''"This is no less than a frontal assault on authoritarian capitalism from the perspective of Zappology...(It) is stocked with genuine insights and his case for Zappa as a hero of the avant garde - a force to challenge any reigning cultural or political assumptions - is ably made."'' --''Independent on Sunday''" |
− | "A book which cites Pamela Des Barres's ''I'm with the Band'' as often as it does Adorno is truly unique and...fucking essential -- Nick Terry ''The Lizard''" | + | ''"A book which cites [[Pamela Miller|Pamela Des Barres]]'s ''I'm with the Band'' as often as it does [[Theodor W. Adorno|Adorno]] is truly unique and...fucking essential."'' -- Nick Terry ''The Lizard''" |
− | "Like a dementia-seeking missile, it will pursue hard-core Zappaphiles wherever they hide. However, they can console themselves with the thought that, while they may be twisted enough to read a book like this, at least they weren't twisted enough to write it -- Charles Shaar Murray ''New Statesman''" | + | ''"Like a dementia-seeking missile, it will pursue hard-core Zappaphiles wherever they hide. However, they can console themselves with the thought that, while they may be twisted enough to read a book like this, at least they weren't twisted enough to write it."'' -- [[Charles Shaar Murray]] ''New Statesman''" |
− | "This book is a perfect match for it s subject: overblown, a work of obsession and adoration, but with much criticism of a intelligence rare in rock music writing -- ''The Observer''" | + | ''"This book is a perfect match for it s subject: overblown, a work of obsession and adoration, but with much criticism of a intelligence rare in rock music writing."'' -- ''The Observer''" |
[[Category: Books about Zappa]] | [[Category: Books about Zappa]] |
Revision as of 04:57, 14 September 2011
Ben Watson, Quartet Books 1994 - ISBN 0-7043-0242-X
Bookcover endorsements:
"This is no less than a frontal assault on authoritarian capitalism from the perspective of Zappology...(It) is stocked with genuine insights and his case for Zappa as a hero of the avant garde - a force to challenge any reigning cultural or political assumptions - is ably made." --Independent on Sunday"
"A book which cites Pamela Des Barres's I'm with the Band as often as it does Adorno is truly unique and...fucking essential." -- Nick Terry The Lizard"
"Like a dementia-seeking missile, it will pursue hard-core Zappaphiles wherever they hide. However, they can console themselves with the thought that, while they may be twisted enough to read a book like this, at least they weren't twisted enough to write it." -- Charles Shaar Murray New Statesman"
"This book is a perfect match for it s subject: overblown, a work of obsession and adoration, but with much criticism of a intelligence rare in rock music writing." -- The Observer"