Difference between revisions of "Ray Collins"

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Collins and Zappa would perform in bars as a mock folk duo called [[Sin City Boys]] and [[Loeb & Leopold]].
 
Collins and Zappa would perform in bars as a mock folk duo called [[Sin City Boys]] and [[Loeb & Leopold]].
  
Ray joined [[The Soul Giants]], a band that included [[Jimmy Carl Black]] and [[Roy Estrada]].  Collins brought in Frank when their guitar player left. [[The Soul Giants]] eventually became [[The Mothers]]. Ray provided vocal and minor percussion for [[Freak Out!]], [[Absolutely Free]], [[Cruising With Ruben & The Jets]], [[Uncle Meat]], [[Burnt Weeny Sandwich]], [[Weasels Ripped My Flesh]], [[Apostrophe (')]], [[You Can't Do That On Stage Anymore Vol. 5]], [[The Lost Episodes]], [[Mystery Disc]], and [[Joe's Corsage]]; also on the [[Beat The Boots]] series disk [['Tis The Season To Be Jelly (BTB)|'Tis The Season To Be Jelly]].
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Ray joined [[The Soul Giants]], a band that included [[Jimmy Carl Black]] and [[Roy Estrada]].  Collins brought in Frank when their guitar player left. [[The Soul Giants]] eventually became [[The Mothers]].  
 +
==Ray Collins Provided Vocal And Minor Percussion On==
 +
*[[Freak Out!]]
 +
*[[Absolutely Free]]
 +
*[[Cruising With Ruben & The Jets]]
 +
*[[Uncle Meat]]
 +
*[[Burnt Weeny Sandwich]]
 +
*[[Weasels Ripped My Flesh]]
 +
*[[Apostrophe (')]]
 +
*[['Tis The Season To Be Jelly (BTB)]]
 +
*[[You Can't Do That On Stage Anymore Vol. 5]]
 +
*[[The Lost Episodes]]
 +
*[[Mystery Disc]]
 +
*[[Joe's Corsage]]
  
 
From the "biographical trivia" section on the [[Freak Out!]] (1966) album: ''... Moved into my [[PAL Recording Studio | recording studio]], joined forces with [[Ray Collins | Ray]], [[Jimmy Carl Black | Jim]] and [[Roy Estrada | Roy]], schemed and plotted for a year, working in beer joints, blah, blah, starved a lot, etc... played a lot of freaky music & stayed vastly unpopular (though notorious). OWE OUR EXISTENCE to [[Mark Cheka]] for his initial encouragement and sterling example (and to a whole bunch of other people who are going to be bugged because their names aren't listed in detail, with addresses and pertinent facts about what they like about the government & their other fetishes). [[Ray Collins | Ray]] used to be a carpenter and a bartender and sing with [[Little Julian Herrera and the Tigers | Little Julian Herrera & The Tigers]] (note the falsetto part in 'I REMEMBER LINDA')... been singing R&B for ten to twelve years. [[Jimmy Carl Black | Jim]] got fired from some idiot band in [[Kansas]], forcing him to move to [[California]]. Lucky for us. Seems he just couldn't get turned on playing "[[Louie Louie | Louie, Louie]]" all night... it must have hurt him deeply when they rejected him. [[Roy Estrada | Roy]] is an asthmatic [[Pachuco]], good-natured excellent bass player, involved in the R&B scene here for about ten years. He is unbelievably tolerant. I don't understand it. [[Elliot Ingber | Elliot]] digs the blues. He has a big dimple in his chin. We made him grow beard to cover it up. He just got out of the Army. Lucky for the Army. THEY ARE ALL MUSICIANS.''
 
From the "biographical trivia" section on the [[Freak Out!]] (1966) album: ''... Moved into my [[PAL Recording Studio | recording studio]], joined forces with [[Ray Collins | Ray]], [[Jimmy Carl Black | Jim]] and [[Roy Estrada | Roy]], schemed and plotted for a year, working in beer joints, blah, blah, starved a lot, etc... played a lot of freaky music & stayed vastly unpopular (though notorious). OWE OUR EXISTENCE to [[Mark Cheka]] for his initial encouragement and sterling example (and to a whole bunch of other people who are going to be bugged because their names aren't listed in detail, with addresses and pertinent facts about what they like about the government & their other fetishes). [[Ray Collins | Ray]] used to be a carpenter and a bartender and sing with [[Little Julian Herrera and the Tigers | Little Julian Herrera & The Tigers]] (note the falsetto part in 'I REMEMBER LINDA')... been singing R&B for ten to twelve years. [[Jimmy Carl Black | Jim]] got fired from some idiot band in [[Kansas]], forcing him to move to [[California]]. Lucky for us. Seems he just couldn't get turned on playing "[[Louie Louie | Louie, Louie]]" all night... it must have hurt him deeply when they rejected him. [[Roy Estrada | Roy]] is an asthmatic [[Pachuco]], good-natured excellent bass player, involved in the R&B scene here for about ten years. He is unbelievably tolerant. I don't understand it. [[Elliot Ingber | Elliot]] digs the blues. He has a big dimple in his chin. We made him grow beard to cover it up. He just got out of the Army. Lucky for the Army. THEY ARE ALL MUSICIANS.''

Revision as of 10:17, 14 August 2008

Ray Collins (Born: 19th Novemeber 1936) started his musical career singing high falsetto backing vocals for various 'pachuco' and doo-wop styled groups in Southern California. He recorded with Little Julian Herrera and the Tigers in 1959. In 1962 he saw FZ playing guitar with a band at a bar "The Sportsman" in Pomona. Collins, at his request, sang a few songs with the band. He later told FZ about an idea he had for a song called How's Your Bird?. FZ went off and wrote the song then contacted Collins to arrange to record the song at Pal Studio.

Collins and Zappa would perform in bars as a mock folk duo called Sin City Boys and Loeb & Leopold.

Ray joined The Soul Giants, a band that included Jimmy Carl Black and Roy Estrada. Collins brought in Frank when their guitar player left. The Soul Giants eventually became The Mothers.

Ray Collins Provided Vocal And Minor Percussion On

From the "biographical trivia" section on the Freak Out! (1966) album: ... Moved into my recording studio, joined forces with Ray, Jim and Roy, schemed and plotted for a year, working in beer joints, blah, blah, starved a lot, etc... played a lot of freaky music & stayed vastly unpopular (though notorious). OWE OUR EXISTENCE to Mark Cheka for his initial encouragement and sterling example (and to a whole bunch of other people who are going to be bugged because their names aren't listed in detail, with addresses and pertinent facts about what they like about the government & their other fetishes). Ray used to be a carpenter and a bartender and sing with Little Julian Herrera & The Tigers (note the falsetto part in 'I REMEMBER LINDA')... been singing R&B for ten to twelve years. Jim got fired from some idiot band in Kansas, forcing him to move to California. Lucky for us. Seems he just couldn't get turned on playing " Louie, Louie" all night... it must have hurt him deeply when they rejected him. Roy is an asthmatic Pachuco, good-natured excellent bass player, involved in the R&B scene here for about ten years. He is unbelievably tolerant. I don't understand it. Elliot digs the blues. He has a big dimple in his chin. We made him grow beard to cover it up. He just got out of the Army. Lucky for the Army. THEY ARE ALL MUSICIANS.

  • Little Julian Herrera And The Tigers: I Remember Linda / True Fine Mama

(1957, 7", usa, starla records) - feat. Ray Collins on high falsetto backing