Uncle Meat
Album History | |
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Released April 1969 | |
See also: IINK, Patio, KUR The Old Masters, Box II Uncle Meat (The Film) |
Players
- Frank Zappa (guitar, 'low grade' vocals, percussion)
- Ray Collins ('swell' vocals)
- Jimmy Carl Black (drums, 'droll humor', 'poverty')
- Roy Estrada (electric bass, 'chesseburgers', 'Pachuco falsetto')
- Don (Dom De Wild) Preston (electric piano, 'tarot cards', 'brown rice')
- Billy (The Oozer) Mundi (drums 'on some pieces before he quit to join RHINOCEROS')
- Bunk (Sweetpants) Gardner (piccolo, flute, clarinet, bass clarinet, soprano sax, alto sax, tenor sax, bassoon '(all of these electric and/or non-electric depending)')
- Ian Underwood (electric organ, piano, harpsichord, celeste, flute, clarinet, alto sax, baritone sax, 'special assistance', 'copyist', 'industrial relations' & 'teen appeal')
- Artie (With the Green Mustache) Tripp (drums, timpani, vibes, marimba, xylophone, wood blocks, bells, small chimes, 'cheerful outlook' & 'specific enquiries')
- Euclid James (Motorhead/Motorishi) Sherwood ('pop star', 'frenetic' tenor sax 'stylings', tambourine, choreography, 'obstinance' & 'equipment setter-upper when he's not hustling local groupies')
Also:
- Pamela Zarubica as Suzy Creamcheese, uncredited (vocals)
- Ruth Underwood (marimba and vibes with Artie 'on many of the tracks')
- Nelcy Walker (soprano voice with Ray & Roy on Dog Breath & The Uncle Meat Variations)
Tracks
Release Notes
Released April 1969.
Recorded: Apostolic Studios, NYC, October 1967-February 1968.
Produced by Frank Zappa.
Engineer: Richard "Dynamite Dick" Kunc.
Percussion overdubs at Sunset Sound Recorders, LA, c. March-April, 1968.
Engineered by Jerry Hansen.
Package designed by Cal Schenkel.
Liner Notes
Background Information
The teeth motif on the front and back covers satirized the old teenybopper posters that had featured "kissable close-ups" of the Beatles' lips, gums and teeth.
Or It could be that Cal Schenkel had just moved into a new studio on Melrose Avenue that was formerly a dentist's office and had loads of dental stuff still in there just waiting to be used.
Conceptual Continuity
The liner notes for Uncle Meat explains the "origin" of the Ruben & The Jets album cover.
Versions
ZFT # | Version # | # discs | Format | Catalog # | Release (YYYY-MM-DD) |
Barcode (EAN-13) |
Artwork | Comment |
---|---|---|---|---|---|---|---|---|
6 | 1 Original Stereo |
2 | LP | Warner Bizarre/Reprise 2MS 2024 |
1969-04 | None | Cal Schenkel, NT&B | US edition. Matrix # Side1: MS-1-2024 WW1 #2 Side4: MS-4-2024 WW-1 #2 Side2: MS-2-2024 WW1 #3 Side3: MS-3-2024 WW-1 #●4 |
2 | LP | Warner Bizarre/Reprise CRV 2009 (RS 2024) |
1969? | None | Cal Shenkel | French edition - manufactured by Vogue - red sticker on top left of the cover: The Mothers Of Invention Deux Albums 30cm - Matrix # Side1: CR 2024 A Side4: CR 2024 D Side2: CR 2024 B Side3: CR 2024 C | ||
2 | LP | Warner Bizarre/Reprise REP 64005 (MS 2024) |
? | None | Cal Shenkel | German edition - manufactured by WEA Musik GMBH - Matrix # Side1: 030871 Side2: 030872 Side3: WEA - 64005-C PF Side4: 030874 | ||
2 | LP | Transatlantic TRA 197 |
1969-09[1] | None | Cal Shenkel | UK edition. | ||
1.2 Remaster Stereo Disc 1:Track 6 is reverbed mix |
2 | LP | Barking Pumpkin BPR 8888-1 |
1986-11-25 | Included in The Old Masters, Box II set. | |||
2 Important Remastering, CD1: Track 6 is reverbed mix, Track17 is remixed, CD2: Tracks 1, 2 & 3 are bonuses |
2 | CD | Rykodisc RCD 10064/5 |
1987-10 | 0014431006425 (not printed) |
US edition. | ||
2 | CD | Zappa CDDZAP 3 |
1987-10[1] | 5016583600327 (not printed) |
UK edition, ADD. | |||
2 | CD | Intercord i.r.s. 970703? i.r.s. 973703? |
? | German edition | ||||
2? | CS | Zappa TZAPPA 3 |
? | 5016583600341? | UK edition. | |||
Unknown | ? | CS | Barking Pumpkin D4 74210 |
1990-10-17? | 0013347421049 | US edition. | ||
2.2 Important Remastering, CD1: Track 6 is Original mix Track 17 is remixed CD2: Tracks 1, 2 & 3 are bonuses |
2 | CD | VideoArts VACK 5025/6 |
1994-10-26 | 4988112405288 | Japanese edition. | ||
2 | CD | Rykodisc RCD 10506/7 |
1995-05-02 | 0014431050626 | US edition. Matrix # CD1: IFPI 2U3K WEA mfg. OLYPHANT ifpi L903 Y11982 A4 P2 310506-2.1 02 M1S3 ; CD2: IFPI 2U3K WEA mfg. OLYPHANT ifpi L902 X12068 A4 P2 310506-2.2 01 M1S1 | |||
2 | CS | Rykodisc RAC 10506/7 |
1995-05-02 | 0014431050640 | US edition. | |||
2 | CD | Gravadora Eldorado/Rykodisc 968023 |
1995 | 7897181221705 | Brazilian edition. | |||
2 | CD | VideoArts VACK 5109/10 |
1995-09-25 | 4988112407732 | Japanese edition. | |||
2 | CD | VideoArts VACK 5244/45 |
1996-06-01 | 4988112408449 | Japanese edition = Rykodisc RCD 10506/07 repackaged with an obi strip and extra liner notes in Japanese | |||
2 | CD | VideoArts VACK 1208 |
2001-09-21 | 4988112412644 | Japanese edition, mini-album papersleeve. | |||
2 | CD | VideoArts VACK 1330/31 |
2008-06-18 | 4988112417731 | Japanese edition, mini-album papersleeve. | |||
2.2 Important Remastering, CD1: Track 6 is Original mix Track 17 is remixed CD2: Tracks 1, 2 & 3 are bonuses |
2 | CD | Zappa/UMe ZR 3839 |
2012-07-31 | 0824302383926 | US edition, manufactured and distributed by UMe[2]. Source: 1993 1630 Digital Master. | ||
2 | CD | Zappa/UMG Intl 0238392 |
2012-07-31 | 0824302383926 | EU edition = Zappa/UMe ZR 3839, manufactured in Germany. | |||
2 | CD | Zappa/Universal Music Japan UICY-75355 |
2012-11-28 | 4988005737540 | Japanese edition, audiophile SHM-CD, mini-album papersleeve with an obi strip and liner notes in Japanese. | |||
Unknown | 2 | LP (180 g) |
Zappa/UMe ZR 3839-1 |
2013-11-25 | 0824302383919 | US edition. Source: Original 1968 Analog Stereo Master Digital Transfer. Mastered by Chris Bellman, Bernie Grundman Mastering, 2013. | ||
2 | LP (180 g) |
Zappa/UMG Intl 0238391 |
2013-11-25 | 0824302383919 | GB Side2: -29120- P. USA FVZ-2013-4-B ZAPPA.COM GB Side3: -29121- P. USA FVZ-2013-4-C-2 Zappa.com GB Side4: -29121- P. USA FVZ-2013-4-D ZAPPA.COM GB |
Notes
See Also
In 2008, a Dutch magazine Wah-Wah asked some people which record they would like to take to a desert island - for some unexplained reason. The Dutch author Nanne Tepper chose this one.