Garrick Theatre
Pigs & Repugnant
With the reduction in venues to play in Los Angeles and having had a run of successful shows in New York's Balloon Farm throughout November and December 1966 the band returned to play at the Garrick Theatre, a small, narrow, 199 seat, performance space/cinema located on the floors above the Cafe Au Go Go, at 152 Bleecker Street, New York. This covered the Easter vacation period Thursday 23 March to Monday 3 April 1967.
“We had to get out of California because we couldn’t get much more work there and on the East Coast there was a lot of opportunities to do so. There were so many big cities within a two-hour drive from New York and we had a contract to play at the Garrick Theater in Greenwich Village for two weeks over the Easter holiday.”[1]
With so many people around during the holiday the shows had been very successful with weekends having three performances to accommodate the demand. Given this success Cohen and Zappa decided to rent the theatre for the summer from March 23rd to September 5th. The show, occasionally entitled Pigs & Repugnant, evolved into extended musical pieces interspersed with Dada, vaudevillian theatrics. But attendance declined with, on occasions, more people on stage than in the audience. Towards the end of May it was decided to re-launch the show as an off-off-Broadway revue[2] entitled Absolutely Free to tie in with the release of the album. For the launch MGM and Verve executives were called in as support and the press invited to review the show.
Gail Zappa likened the extended run at the Garrick to The Beatles in Hamburg[3] in that they were afforded the time to work out what they wanted to do, experiment with the audience, to be intimate with an audience to establish how much they could get away with on stage.
The Shows
A regular attendee was Ruth Underwood:
"One never knew what to expect, there were some nights that you just heard pure music, and other nights, Motorhead'd be talking about fixing his car, with Jim Black's drum beat in the background. Sometimes Frank would just sit in a chair and glower at the audience. Sometimes there were more people on stage than there were in the audience, and because of that, Frank even got to know some of us by name! There were so few hard-core Mothers freaks then, that we were all very noticeable to him. I remember Stravinsky being played, I remember droning music going on for ages, and then in the middle of all of that, the song that then became 'Oh No, I Don't Believe It', sort of breaking through the clouds, and I mean it just shocked me, how anything could be so beautiful, and how such beautiful music could come out of such bizarre looking people."
The Venue
"New York weather in the summertime is pretty disgusting. Sometime around the first of June, the air conditioner died and the owner of the theater (David Lee Roth's Dad, I'm told)[4] decided that it would be too expensive to fix it."[5]
The People
"During their stay in New York, the Mothers successfully performed for six months at the Garrick Theatre doing a cleverly animated, pornographically delightful musical review. Some people liked it so much they came back repeatedly. Two Long Island school boys, affectionately dubbed Loeb and Leopold, held ticket stubs for some sixty-five performances. A classic study in compulsive behavior. But there were those who reacted rather violently to the show. One flaccid matron was sure that the Mothers were secretly anti-christ Commie swine bent upon polluting crew-cut American pubertines. Here authoritative observation was made on the basis of one evening's performance (to the tune of $3.50)." [6]
Notes
- ↑ Jimmy Carl Black - For Mother's Sake
- ↑ Off Broadway Database
- ↑ Zappa - 2020 documentary
- ↑ David Lee Roth was the lead singer with the rock band Van Halen. Roth's father was an ophthalmologist. The confusion seems to relate to his uncle, Manny Roth, who ran Cafe Wha? in New York.
- ↑ Frank Zappa - The Real Frank Zappa Book
- ↑ C. R. Zappa, My Brother Is an Italian Mother
