Difference between revisions of "Genesis Breyer P-Orridge"

From Zappa Wiki Jawaka
Jump to navigation Jump to search
Line 1: Line 1:
 
'''Genesis Breyer-Orridge''' (February 22, 1950) is a British rock musician, best known for his work with the group Throbbing Gristle and Psychic TV.
 
'''Genesis Breyer-Orridge''' (February 22, 1950) is a British rock musician, best known for his work with the group Throbbing Gristle and Psychic TV.
  
''"After I dropped out of university in 1969 and moved to Islington to be in the Exploding Galaxy, around the corner were the Third Ear Band. I used to hang out with them and play violin with them too, just sort of jam. Later on I heard [[Jean-Luc Ponty]] with Frank Zappa. I still often take the violin with me on tour, in case I want to play it, it's kind of a talisman for me. I can't imagine not having a violin there... I still play it with Throbbing Gristle."''
+
''"After I dropped out of university in 1969 and moved to Islington to be in the Exploding Galaxy, around the corner were the Third Ear Band. I used to hang out with them and play violin with them too, just sort of jam. Later on I heard [[Jean-Luc Ponty]] with Frank Zappa. I still often take the violin with me on tour, in case I want to play it, it's kind of a talisman for me. I can't imagine not having a violin there... I still play it with Throbbing Gristle."'' <ref>http://www.thewire.co.uk/articles/57/print</ref>
  
(Quoted from a 2006 interview in ''"The Wire"'' http://www.thewire.co.uk/articles/57/print)
+
Genesis Breyer P-Orridge: ''"Ohh, I’m really happy with the new album. I really, really am. I think that "Hell is Invisible"… in a way, for me, encapsulates all the things I wanted Psychic TV to be from the very beginning. And I think it’s probably the most perfect album I have ever done. (...) I think it’s just got all the aspects that I’ve always played with and investigated. Cut-ups, and symphonic structures, strange edits like Frank Zappa and [[Lumpy Gravy]]. Sort of otherworldly film music, landscapes and ironic psychedelic stories and parables. I really think it’s the best thing I have ever done. I really do. I think my singing is better than ever."'' <ref>http://fnordboy.factotum23.com/index.php/archives/102</ref>
  
Genesis Breyer P-Orridge: ''"Ohh, I’m really happy with the new album. I really, really am. I think that "Hell is Invisible"… in a way, for me, encapsulates all the things I wanted Psychic TV to be from the very beginning. And I think it’s probably the most perfect album I have ever done. (...) I think it’s just got all the aspects that I’ve always played with and investigated. Cut-ups, and symphonic structures, strange edits like Frank Zappa and [[Lumpy Gravy]]. Sort of otherworldly film music, landscapes and ironic psychedelic stories and parables. I really think it’s the best thing I have ever done. I really do. I think my singing is better than ever."'')
+
==References==
 
+
<references/>
(Quoted from http://fnordboy.factotum23.com/index.php/archives/102)
 
  
 
==See also==
 
==See also==

Revision as of 02:59, 7 January 2013

Genesis Breyer-Orridge (February 22, 1950) is a British rock musician, best known for his work with the group Throbbing Gristle and Psychic TV.

"After I dropped out of university in 1969 and moved to Islington to be in the Exploding Galaxy, around the corner were the Third Ear Band. I used to hang out with them and play violin with them too, just sort of jam. Later on I heard Jean-Luc Ponty with Frank Zappa. I still often take the violin with me on tour, in case I want to play it, it's kind of a talisman for me. I can't imagine not having a violin there... I still play it with Throbbing Gristle." [1]

Genesis Breyer P-Orridge: "Ohh, I’m really happy with the new album. I really, really am. I think that "Hell is Invisible"… in a way, for me, encapsulates all the things I wanted Psychic TV to be from the very beginning. And I think it’s probably the most perfect album I have ever done. (...) I think it’s just got all the aspects that I’ve always played with and investigated. Cut-ups, and symphonic structures, strange edits like Frank Zappa and Lumpy Gravy. Sort of otherworldly film music, landscapes and ironic psychedelic stories and parables. I really think it’s the best thing I have ever done. I really do. I think my singing is better than ever." [2]

References

See also