Difference between revisions of "Loeb & Leopold"

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[[Loeb & Leopold]] were name-checked on the cover of "[[Freak Out!]]" (1966) under the heading "These People Have Contributed Materially In Many Ways To Make Our Music What It Is. Please Do Not Hold It Against Them".
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'''Loeb & Leopold''' was one of the names used by Zappa and [[Ray Collins]] when they performed as a duo during 1963.  The name came from the notorious teenage murderers [[Wikipedia:Leopold and Loeb|Nathan Leopold, Jr. and Richard Loeb]] who were convicted in 1924.
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<blockquote>You know, [[Memories Of El Monte]] was co-written by [[Ray Collins]] and myself, and a long time ago, 'bout the same time [[Memories Of El Monte]] was written, he and I worked at [[The Troubadour]] on 'talent night' as [[Loeb & Leopold]]. And we went down there and were singing songs about pimples and all kinds of other far out things that seemed like uh, well, that was the basis of some of the things [[The Mothers]] eventually wound up doing.</blockquote>
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<div align=right>-FZ in [[KPPC, Pasadena]] radio show (November 27, 1968)</div>
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The names [[Loeb & Leopold]] were later used as nicknames for a couple of regulars at the [[Garrick Theatre]].
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<blockquote>During their stay in [[New York]], the Mothers successfully performed for six months at the [[Garrick Theatre]] doing a cleverly animated, pornographically delightful musical review. Some people liked it so much they came back repeatedly. Two [[New York|Long Island]] school boys, affectionately dubbed [[Loeb & Leopold|Loeb and Leopold]], held ticket stubs for some sixty-five performances. A classic study in compulsive behavior.</blockquote>
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<div align=right>-[[Bobby Zappa|C. R. Zappa]] in [[My Brother Is an Italian Mother]] 1968</div>
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<blockquote><p>There were two suburban Jewish guys who attended the [[Garrick Theatre|Garrick shows]] relentlessly. They called themselves [[Loeb & Leopold]] (not the real 'Loeb & Leopold,' but an incredibly lifelike simulation). They came to at least thirty shows.</p>
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<p>At the end of our run they came backstage, opened up their wallets and, with tears in their eyes,
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showed me all their ticket stubs. They loved the Garrick shows.
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One of the guys – I'm pretty sure his name was '''Mark Trottiner''' – liked to run up the aisle, jump
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on stage, grab the microphone out of my hand and scream into it as loud as he could. Then he would
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fall on the stage, roll over like a dog and urge me to spit Pepsi-Cola all over his body. What a crowd-
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pleaser.<sup>[[#Note1|[1]]]</sup></p>
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<p>Ten years later, I was doing a [[77/10/28-31 New York NY US Palladium|Halloween show at the Palladium]], and I looked out into the audience
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and thought I saw him. It had to be him. I said, "Aren't you the guy who used to ...?" It was him. He
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grew up to become a record distributor in Queens.</p></blockquote>
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<div align=right>-[[The Real Frank Zappa Book]]</div>
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The Trottiner Halloween encounter is included on the [[Halloween]] album:
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'''FZ''': Wait a minute. You look… You look very familiar. Are you the guy? You’re the guy? C’mere. Get up here. Ladies and gentlemen, I don’t know how many of you people were at the Garrick Theater in ‘67, in the olden days. There’s probably very few of you left but, way back when, there were… there were these two guys that used to come to all the shows back then. Called themselves “Loeb and Leopold”. Well. Maybe it was their real name. I don’t know. What is your real name?
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'''Mark Trottiner''': Mark Trottiner.
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'''FZ''': Yes. It’s so nice to see you again. You know what this guy used to do? You know what his idea of a good time ▶ was in those days? He would run up onto the stage and he would take the microphone and he would scream into it as loud as he could and then he would lay on the stage and wait for me to spit Pepsi-Cola all over his body, right?
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Whaddaya say? Heh heh heh. No, never mind. He’s all grown up now. That was ten years ago. It’s OK. Yeah. OK. Well, it’s nice to see you again. Awright. Well, I’ll get a… I’ll get some Coca-Cola and give ya a little treat there in a while. OK.
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'''Loeb & Leopold''' were included in the [[:Category:Freak Out! (The List)|list of names]] on the cover of [[Freak Out!]]
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==See also==
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[[Sacco & Vanzetti]]
  
* FZ in 1968 (source: FZ in KPPC Pasadena radio show 1968 where he played doo-wop records); "''You know, [[Memories Of El Monte]] was co-written by [[Ray Collins]] and myself, and a long time ago, 'bout the same time [[Memories Of El Monte]] was written, he and I worked at [[The Troubadour]] on 'talent night' as [[Loeb & Leopold]]. And we went down there and were singing songs about pimples and all kinds of other far out things that seemed like uh, well, that was the basis of some of the things [[The Mothers]] eventually wound up doing.''"
 
* [[Bobby Zappa|C. R. Zappa]] in [[My Brother Is an Italian Mother]] ([[Jazz & Pop)]], 1968: "''During their stay in [[New York]], the Mothers successfully performed for six months at the [[Garrick Theater|Garrick Theatre]] doing a cleverly animated, pornographically delightful musical review. Some people liked it so much they came back repeatedly. Two [[Long Island]] school boys, affectionately dubbed [[Loeb & Leopold|Loeb and Leopold]], held ticket stubs for some sixty-five performances. A classic study in compulsive behavior.''"
 
* FZ in "[[The Real Frank Zappa Book]]" (1989): "There were two suburban Jewish guys who attended the [[Garrick Theater|Garrick]] shows relentlessly. They called themselves '[[Loeb & Leopold]]' (not the real 'Loeb & Leopold,' but an incredibly lifelike simulation). They came to at least thirty shows. At the end of our run they came backstage, opened up their wallets and, with tears in their eyes, showed me all their ticket stubs. They loved the Garrick shows. One of the guys - I'm pretty sure his name was [[Mark Trottiner]] - liked to run up the aisle, jump on stage, grab the microphone out of my hand and scream into it as loud as he could. Then he would fall on the stage, roll over like a dog and urge me to spit Pepsi-Cola all over his body. What a crowd-pleaser. Ten years later, I was doing a Halloween show at the Palladium, and I looked out into the audience and thought I saw him. It had to be him. I said, "Aren't you the guy who used to -?" It was him. He grew up to become a record distributor in Queens."
 
  
Anyway, the "real" [[Loeb & Leopold]] were mid twentieth century "thrill killers" famed for cooly plotting unmotivated murder, probably for shock/dada value. They were homosexual lovers convicted of some gruesome murder in the thirties. Subjects of Hitchcock's film "Rope" (though they're renamed).
 
  
 
[[Category:Supporting Cast]]
 
[[Category:Supporting Cast]]
 
[[Category:Freak Out! (The List)]]
 
[[Category:Freak Out! (The List)]]
 
[[Category:The Real Frank Zappa Book (The List)]]
 
[[Category:The Real Frank Zappa Book (The List)]]

Latest revision as of 05:20, 4 October 2021

Loeb & Leopold was one of the names used by Zappa and Ray Collins when they performed as a duo during 1963. The name came from the notorious teenage murderers Nathan Leopold, Jr. and Richard Loeb who were convicted in 1924.


You know, Memories Of El Monte was co-written by Ray Collins and myself, and a long time ago, 'bout the same time Memories Of El Monte was written, he and I worked at The Troubadour on 'talent night' as Loeb & Leopold. And we went down there and were singing songs about pimples and all kinds of other far out things that seemed like uh, well, that was the basis of some of the things The Mothers eventually wound up doing.

-FZ in KPPC, Pasadena radio show (November 27, 1968)


The names Loeb & Leopold were later used as nicknames for a couple of regulars at the Garrick Theatre.

During their stay in New York, the Mothers successfully performed for six months at the Garrick Theatre doing a cleverly animated, pornographically delightful musical review. Some people liked it so much they came back repeatedly. Two Long Island school boys, affectionately dubbed Loeb and Leopold, held ticket stubs for some sixty-five performances. A classic study in compulsive behavior.

-C. R. Zappa in My Brother Is an Italian Mother 1968


There were two suburban Jewish guys who attended the Garrick shows relentlessly. They called themselves Loeb & Leopold (not the real 'Loeb & Leopold,' but an incredibly lifelike simulation). They came to at least thirty shows.

At the end of our run they came backstage, opened up their wallets and, with tears in their eyes, showed me all their ticket stubs. They loved the Garrick shows. One of the guys – I'm pretty sure his name was Mark Trottiner – liked to run up the aisle, jump on stage, grab the microphone out of my hand and scream into it as loud as he could. Then he would fall on the stage, roll over like a dog and urge me to spit Pepsi-Cola all over his body. What a crowd- pleaser.[1]

Ten years later, I was doing a Halloween show at the Palladium, and I looked out into the audience and thought I saw him. It had to be him. I said, "Aren't you the guy who used to ...?" It was him. He grew up to become a record distributor in Queens.

-The Real Frank Zappa Book

The Trottiner Halloween encounter is included on the Halloween album:

FZ: Wait a minute. You look… You look very familiar. Are you the guy? You’re the guy? C’mere. Get up here. Ladies and gentlemen, I don’t know how many of you people were at the Garrick Theater in ‘67, in the olden days. There’s probably very few of you left but, way back when, there were… there were these two guys that used to come to all the shows back then. Called themselves “Loeb and Leopold”. Well. Maybe it was their real name. I don’t know. What is your real name?

Mark Trottiner: Mark Trottiner.

FZ: Yes. It’s so nice to see you again. You know what this guy used to do? You know what his idea of a good time ▶ was in those days? He would run up onto the stage and he would take the microphone and he would scream into it as loud as he could and then he would lay on the stage and wait for me to spit Pepsi-Cola all over his body, right? Whaddaya say? Heh heh heh. No, never mind. He’s all grown up now. That was ten years ago. It’s OK. Yeah. OK. Well, it’s nice to see you again. Awright. Well, I’ll get a… I’ll get some Coca-Cola and give ya a little treat there in a while. OK.



Loeb & Leopold were included in the list of names on the cover of Freak Out!

See also

Sacco & Vanzetti