Difference between revisions of "Z-Pack - L.A. Times article"

From Zappa Wiki Jawaka
Jump to navigation Jump to search
m
Line 1: Line 1:
 +
'''Zappa Takes On The U.S. Senate In 'PORN WARS''''
 +
 +
[[Rip Rense]], Los Angeles Times, October 24, 1985
 +
 +
Guess who "sings" on Frank Zappa's soon-to-be-released "Porn Wars" recording?
 +
 +
None other than SEVEN members of the U.S. Senate, including Sen. Paula Hawkins (R-Fla.), Sen. Ernest (Fritz) Hollings (D-S.C.) and Sen. Albert A. Gore Jr. (D-Tenn.).
 +
 +
Zappa has woven statements made by these of ficials at the Sept. 19 Senate Commerce Committee hearing on so-called "porn rock" lyrics into a provocative 12-minute track that will appear on his upcoming "Frank Zappa vs. the Mothers of Prevention" album.
 +
 +
"You testify before one of those Senate hearings and see how arrogant they are and what relative position they think they hold in the universe," Zappa said in the recording studio of his Laurel Canyon home.
 +
 +
"They have blown themselves out of proportion to reality. There are a couple that ar e OK...Bu t there's no way I could have just walked away from Washington, D.C., and just laughed it off. It's too depressing."
 +
 +
The avant-garde "Porn Wars" is an ambitious collage that blends electronic music and statements actually made to the committee and to Zappa, who testified against the Parents Music Resource Center's campaign against sex, violence and drug references in rock music.
 +
 +
In the record, you hear:
 +
 +
--Sen. Hawkins endlessly repeating the phrase, "Fire and chains and other objectionable tools of grat ification in some twisted minds."
 +
 +
--Sen. Hollings saying, "Outrageous filth" and "maybe I could make a good rock star, I don't know."
 +
 +
--Sen. Paul S. Trible Jr. (R-Va.) chanting the word, "Rape."
 +
 +
--The Rev. Jeff Ling, consultant to the Parents Resource group, quoting "offensive" lyrics from an LP by the Mentors. Among the phrases: "I will drive my love into you."
 +
 +
The irony of the song--which will be released Nov. 15 on Zappa's Barking Pumpkin labe l--is that officials who oppose what they consider obsce ne or pornographic images in rock find themselves describing many of those very images ON a rock LP.
 +
 +
Poetic justice? Sweet revenge?
 +
 +
Neither, according to Zappa; it's just art.
 +
 +
"There are aspects of phase music employed (on the record)... It uses MUSIQUE CONCRETE techniques. It's kind of like a cubistic portrait of Congress at work...'Congress Descending a Staircase.'"
 +
 +
The new track, which isn't likely to get much airplay because of its use of four-letter words, begins with preliminary co mments from sen ators and then seems to break away dramatically into a series of voices swirling, growling, chattering, chanting and wailing.
 +
 +
After a pastiche of Hollings arpeggios and Trible trills, there is an abrupt quotation that was initially recorded for "Lumpy Gravy," Zappa's 1968 ballet: "This must be the end of the world. All the people (are) turning into pigs and ponies. I can't let it happen to me."
 +
 +
In reply to a senator's question about why the hearings are being held, Zappa's disfigured voice chants "sex. ..sex...sex," while Ling--again reading a Mentors lyric--declares, "Listen, you little slut."
 +
 +
One of the hearing's most celebrated moments--an exchange between Zappa and Hawkins over what kind of toys Zappa buys for his kids--is saluted in the recording, as well as a compliment to the rock musician by Democrat Gore of Tennessee, "I respect you as a true original and as a tremendously talented musician." The latter is punctuated by Hollings--at near-Chipmunk tone--repeating the line about his becoming a rock star.
 +
 +
The work concludes with Hollings' apparent aside into the open microphone at the end of Zappa's appearance: "We haven't got 'em whipped on this one yet. We've got a bear by the tail here..." The remarks are followed by ominous, fading chords.
 +
 +
Are there any legal problems in using the voices?
 +
 +
Presumably not, according to Zappa. He said, smiling, "You bet I called a lawyer on it."
 +
 +
The founder of the Mothers of Invention said he is also producing an hourlong v ideo for home use covering key mom ents in the hearings.
 +
 +
On "Porn Wars," Zappa programmed the voices into a digital computer system keyboard, which allowed him to "play" the voices in registers ranging from "gorilla" to "munchkin" to "mega-chipmunk" to "mosquito."
 +
 +
Does he think the humorous recording unfairly satirizes the senators' views?
 +
 +
"Not at all," he said, without reservation. "You could (just read their remarks in) the Congressional Record and have gotten the same charge. I just did a little grunt work to dig up some of the more amusing lines and stick them in a package that will hopefully make sense to a rock'n'roll consumer, and maybe make them concerned about what kind of people there are in Washington."
 +
 +
He chuckled.
 +
 +
"Hmm. Maybe a better name would be 'Congress Eats the Young.'"
  
 
----
 
----

Revision as of 13:44, 25 September 2005

Zappa Takes On The U.S. Senate In 'PORN WARS'

Rip Rense, Los Angeles Times, October 24, 1985

Guess who "sings" on Frank Zappa's soon-to-be-released "Porn Wars" recording?

None other than SEVEN members of the U.S. Senate, including Sen. Paula Hawkins (R-Fla.), Sen. Ernest (Fritz) Hollings (D-S.C.) and Sen. Albert A. Gore Jr. (D-Tenn.).

Zappa has woven statements made by these of ficials at the Sept. 19 Senate Commerce Committee hearing on so-called "porn rock" lyrics into a provocative 12-minute track that will appear on his upcoming "Frank Zappa vs. the Mothers of Prevention" album.

"You testify before one of those Senate hearings and see how arrogant they are and what relative position they think they hold in the universe," Zappa said in the recording studio of his Laurel Canyon home.

"They have blown themselves out of proportion to reality. There are a couple that ar e OK...Bu t there's no way I could have just walked away from Washington, D.C., and just laughed it off. It's too depressing."

The avant-garde "Porn Wars" is an ambitious collage that blends electronic music and statements actually made to the committee and to Zappa, who testified against the Parents Music Resource Center's campaign against sex, violence and drug references in rock music.

In the record, you hear:

--Sen. Hawkins endlessly repeating the phrase, "Fire and chains and other objectionable tools of grat ification in some twisted minds."

--Sen. Hollings saying, "Outrageous filth" and "maybe I could make a good rock star, I don't know."

--Sen. Paul S. Trible Jr. (R-Va.) chanting the word, "Rape."

--The Rev. Jeff Ling, consultant to the Parents Resource group, quoting "offensive" lyrics from an LP by the Mentors. Among the phrases: "I will drive my love into you."

The irony of the song--which will be released Nov. 15 on Zappa's Barking Pumpkin labe l--is that officials who oppose what they consider obsce ne or pornographic images in rock find themselves describing many of those very images ON a rock LP.

Poetic justice? Sweet revenge?

Neither, according to Zappa; it's just art.

"There are aspects of phase music employed (on the record)... It uses MUSIQUE CONCRETE techniques. It's kind of like a cubistic portrait of Congress at work...'Congress Descending a Staircase.'"

The new track, which isn't likely to get much airplay because of its use of four-letter words, begins with preliminary co mments from sen ators and then seems to break away dramatically into a series of voices swirling, growling, chattering, chanting and wailing.

After a pastiche of Hollings arpeggios and Trible trills, there is an abrupt quotation that was initially recorded for "Lumpy Gravy," Zappa's 1968 ballet: "This must be the end of the world. All the people (are) turning into pigs and ponies. I can't let it happen to me."

In reply to a senator's question about why the hearings are being held, Zappa's disfigured voice chants "sex. ..sex...sex," while Ling--again reading a Mentors lyric--declares, "Listen, you little slut."

One of the hearing's most celebrated moments--an exchange between Zappa and Hawkins over what kind of toys Zappa buys for his kids--is saluted in the recording, as well as a compliment to the rock musician by Democrat Gore of Tennessee, "I respect you as a true original and as a tremendously talented musician." The latter is punctuated by Hollings--at near-Chipmunk tone--repeating the line about his becoming a rock star.

The work concludes with Hollings' apparent aside into the open microphone at the end of Zappa's appearance: "We haven't got 'em whipped on this one yet. We've got a bear by the tail here..." The remarks are followed by ominous, fading chords.

Are there any legal problems in using the voices?

Presumably not, according to Zappa. He said, smiling, "You bet I called a lawyer on it."

The founder of the Mothers of Invention said he is also producing an hourlong v ideo for home use covering key mom ents in the hearings.

On "Porn Wars," Zappa programmed the voices into a digital computer system keyboard, which allowed him to "play" the voices in registers ranging from "gorilla" to "munchkin" to "mega-chipmunk" to "mosquito."

Does he think the humorous recording unfairly satirizes the senators' views?

"Not at all," he said, without reservation. "You could (just read their remarks in) the Congressional Record and have gotten the same charge. I just did a little grunt work to dig up some of the more amusing lines and stick them in a package that will hopefully make sense to a rock'n'roll consumer, and maybe make them concerned about what kind of people there are in Washington."

He chuckled.

"Hmm. Maybe a better name would be 'Congress Eats the Young.'"


See also: