Difference between revisions of "Thing-Fish"
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From the Stagecraft Entertainment website (http://www.stagecraftentertainment.com/projects/thingfish.html): ''We at STAGECRAFT ENTERTAINMENT have worked for four years to actually bring this project to the stage. The only 'musical' Frank Zappa has ever written has been something we just had to do. It started out as an idea way back in 1999, when Tommi was listening to the studio recording of '[[Thing-Fish]]', the 'original cast recording'. It was a recording put together from already existing material and newly recorded studio material. This piece in it's entirety has never been perfomed on stage, it has never been performed as a theatrical production. It took a year until Tommi and his little crew received permission from Gail Zappa (the late composers wife and head of the Zappa Family Trust) to perform two scenes. Haveing tasted blood, the 'triumvirate' Daniel Knapp, Wolf E. Rahlfs and Tommi Brem moved the project forward, until they received permission to perform their own adaptation in a London theatre. 'An authorized adaptation of Frank Zappa's Thing-Fish' opend the Opera Season at the [[Battersea Arts Centre]]. The help of an international cast and crew of 32, a handful of sponsors and the private bank accounts of Knapp, Rahlfs and Brem made this production happen. Four sold out shows and an international audience as well as extensive media coverage made up for the effort and the money spent.'' | From the Stagecraft Entertainment website (http://www.stagecraftentertainment.com/projects/thingfish.html): ''We at STAGECRAFT ENTERTAINMENT have worked for four years to actually bring this project to the stage. The only 'musical' Frank Zappa has ever written has been something we just had to do. It started out as an idea way back in 1999, when Tommi was listening to the studio recording of '[[Thing-Fish]]', the 'original cast recording'. It was a recording put together from already existing material and newly recorded studio material. This piece in it's entirety has never been perfomed on stage, it has never been performed as a theatrical production. It took a year until Tommi and his little crew received permission from Gail Zappa (the late composers wife and head of the Zappa Family Trust) to perform two scenes. Haveing tasted blood, the 'triumvirate' Daniel Knapp, Wolf E. Rahlfs and Tommi Brem moved the project forward, until they received permission to perform their own adaptation in a London theatre. 'An authorized adaptation of Frank Zappa's Thing-Fish' opend the Opera Season at the [[Battersea Arts Centre]]. The help of an international cast and crew of 32, a handful of sponsors and the private bank accounts of Knapp, Rahlfs and Brem made this production happen. Four sold out shows and an international audience as well as extensive media coverage made up for the effort and the money spent.'' | ||
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+ | [[Article: Thing-Fish: The Return of Frank Zappa]], [[Philip Fisher]], 2003, [[The British Theatre Guide]] | ||
== Conceptual Continuity == | == Conceptual Continuity == |
Revision as of 17:40, 7 May 2005
Release Info
Released November 1984
Tracks
Disc One
- Prologue (02:57)
- The Mammy Nuns (03:31)
- Harry & Rhonda (03:37)
- Galoot Up-Date (05:27)
- The 'Torchum' Never Stops (10:33)
- The Evil Prince (01:18)
- You Are What You Is (04:31)
- Mudd Club (03:17)
- The Meek Shall Inherit Nothing (03:14)
- Clowns On Velvet (01:52)
- Harry-As-A-Boy (02:34)
- He's So Gay (02:46)
- The Massive Improve'lence (05:09)
- Artificial Rhonda (03:29)
Disc Two
- The Crab-Grass Baby (03:48)
- The White Boy Troubles (03:34)
- No Not Now (05:50)
- Briefcase Boogie (04:10)
- Brown Moses (03:01)
- Wistful Wit A Fist-Full (04:01)
- Drop Dead (07:56)
- Won Ton On (04:18)
Players
Frank Zappa (guitar, synclavier), Steve Vai (guitar), Ray White (guitar), Tommy Mars (keyboards), Chuck Wild (broadway piano), Arthur Barrow (bass), Scott Thunes (bass), Jay Anderson (string bass), Ed Mann (percussion), Chad Wackerman (drums), Steve De Furia (synclavier programmer), David Ocker (synclavier programmer)
- Thing Fish: Ike Willis
- Harry: Terry Bozzio
- Rhonda: Dale Bozzio
- Evil Prince: Napoleon Murphy Brock
- Harry-as-a-boy: Bob Harris
- Brown Moses: Johnny "Guitar" Watson
- Owl-Gonkwin-Jane Cowhoon: Ray White
Background
The main character was named to recall the stereotypically black Kingfish from the old Amos & Andy radio show.
In the plot, Thing-Fish has been deformed by the government’s biochemical warfare against gays and minorities as part of the right-wing plan to cry “divine retribution” (a’la Frank’s theory about how Republicans started AIDS via religious missionaries’ vaccinating of overseas primitives). The resulting “fear of God” helps value-preaching conservatives get elected, and also allows them to return favors to religious groups and televangelists who’ve donated campaign funds (cf. “Heavenly Bank Account” on You Are What You Is).
From the Stagecraft Entertainment website (http://www.stagecraftentertainment.com/projects/thingfish.html): We at STAGECRAFT ENTERTAINMENT have worked for four years to actually bring this project to the stage. The only 'musical' Frank Zappa has ever written has been something we just had to do. It started out as an idea way back in 1999, when Tommi was listening to the studio recording of 'Thing-Fish', the 'original cast recording'. It was a recording put together from already existing material and newly recorded studio material. This piece in it's entirety has never been perfomed on stage, it has never been performed as a theatrical production. It took a year until Tommi and his little crew received permission from Gail Zappa (the late composers wife and head of the Zappa Family Trust) to perform two scenes. Haveing tasted blood, the 'triumvirate' Daniel Knapp, Wolf E. Rahlfs and Tommi Brem moved the project forward, until they received permission to perform their own adaptation in a London theatre. 'An authorized adaptation of Frank Zappa's Thing-Fish' opend the Opera Season at the Battersea Arts Centre. The help of an international cast and crew of 32, a handful of sponsors and the private bank accounts of Knapp, Rahlfs and Brem made this production happen. Four sold out shows and an international audience as well as extensive media coverage made up for the effort and the money spent.
Article: Thing-Fish: The Return of Frank Zappa, Philip Fisher, 2003, The British Theatre Guide