http://wiki.killuglyradio.com/index.php?title=The_Guitar_World_According_To_Frank_Zappa&feed=atom&action=historyThe Guitar World According To Frank Zappa - Revision history2024-03-29T14:55:46ZRevision history for this page on the wikiMediaWiki 1.34.2http://wiki.killuglyradio.com/index.php?title=The_Guitar_World_According_To_Frank_Zappa&diff=58625&oldid=prevDuncan at 08:42, 23 December 20212021-12-23T08:42:14Z<p></p>
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<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>| US edition, [[wikipedia:Chromium(IV) oxide|CrO<small>2</small>]]. Available through the [[Guitar World|Guitar World magazine]] or from [[Barfko-Swill]].</div></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>| US edition, [[wikipedia:Chromium(IV) oxide|CrO<small>2</small>]]. Available through the [[Guitar World|Guitar World magazine]] or from [[Barfko-Swill]].</div></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>|}</div></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>|}</div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins style="font-weight: bold; text-decoration: none;"></ins></div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins style="font-weight: bold; text-decoration: none;">==Vinyl Reissue==</ins></div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins style="font-weight: bold; text-decoration: none;"></ins></div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins style="font-weight: bold; text-decoration: none;">In 2019 the [[Zappa Family Trust]] issued a version on [[Zappa Records]] (BPR1233) on clear 180gm vinyl which was limited to 8000 copies worldwide. </ins></div></td></tr>
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<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>[[Category:Discography|Guitar World According To Frank Zappa, The]]</div></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>[[Category:Discography|Guitar World According To Frank Zappa, The]]</div></td></tr>
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</table>Duncanhttp://wiki.killuglyradio.com/index.php?title=The_Guitar_World_According_To_Frank_Zappa&diff=58624&oldid=prevDuncan: /* Tracks */2021-12-23T08:28:58Z<p><span dir="auto"><span class="autocomment">Tracks</span></span></p>
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<tr><td class='diff-marker'>−</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>#[[A Solo From Cologne]] (4:30) - out-take from [[Drowning Witch]] <del class="diffchange diffchange-inline">[long </del>version of <del class="diffchange diffchange-inline">"</del>But Who Was Fulcanelli<del class="diffchange diffchange-inline">"</del>]</div></td><td class='diff-marker'>+</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>#[[A Solo From Cologne]] (4:30) - out-take from [[<ins class="diffchange diffchange-inline">82/05/21 Cologne Germany Sporthalle|</ins>Drowning Witch]]<ins class="diffchange diffchange-inline">, a longer </ins>version of <ins class="diffchange diffchange-inline">[[</ins>But Who Was Fulcanelli<ins class="diffchange diffchange-inline">]</ins>]</div></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>#[[A Solo From Atlanta]] (4:05) - out-take from [[Whipping Post]] [long version of "For Duane"]</div></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>#[[A Solo From Atlanta]] (4:05) - out-take from [[Whipping Post]] [long version of "For Duane"]</div></td></tr>
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</table>Duncanhttp://wiki.killuglyradio.com/index.php?title=The_Guitar_World_According_To_Frank_Zappa&diff=51640&oldid=prevJason.Kreitzer at 19:54, 13 September 20212021-09-13T19:54:41Z<p></p>
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<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>[[Friendly Little Finger]] (04:17); 1975, recorded in a dressing room at Hofstra University and over-dubbed at the Record Plant, Los Angeles, California; originally released on the Warner Brothers album [[Zoot Allures]]; engineer: [[Davey Moire]]; original recording medium: 24-track analog tape; musicians: Frank Zappa, various guitars and bass / [[Ruth Underwood]], percussion & ARP 2600 / [[Roy Estrada]], drone bass / [[Terry Bozzio]], drums; guitars: Gibson acoustic-electric, Custom fretless, Hofner bass. - This is one of the earliest examples of a technique I developed called [[Xenochrony]] (strange synchronizations). Other examples include "[[Rubber Shirt]]" on [[Sheik Yerbouti]] and every guitar solo on [[Joe's Garage Acts I, II & III|Joe's Garage]] except "[[Watermelon In Easter Hay]]". In this technique various tracks from unrelated sources are randomly synchronized with each other to make a final composition with rhythmic relationships unachievable by other means. In ordinary polyrhythmic terms we speak of 5 in the space of 4, or 7 in the space of 6. In Xenochrony we deal with larger units of time; a complete solo at one metronomic rate in the space of a track at another ... sort of like Monday and Tuesday crammed into the space of Wednesday. The solo and drone bass was recorded on a 2-track Nagra, 15 ips, with a pair of Neumann U-87 microphones in a rather wet-sounding dressing room, warming up before a concert at Hofstra University on Long Island. This pair of tracks was later Xenochronized to a drum track out-take from "The Ocean Is the Ultimate Solution". The introductory orchestration was added next, and then the Hofner bass (recorded at half-speed), rhythmically splitting the difference between the two different track tempos.</div></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>[[Friendly Little Finger]] (04:17); 1975, recorded in a dressing room at Hofstra University and over-dubbed at the Record Plant, Los Angeles, California; originally released on the Warner Brothers album [[Zoot Allures]]; engineer: [[Davey Moire]]; original recording medium: 24-track analog tape; musicians: Frank Zappa, various guitars and bass / [[Ruth Underwood]], percussion & ARP 2600 / [[Roy Estrada]], drone bass / [[Terry Bozzio]], drums; guitars: Gibson acoustic-electric, Custom fretless, Hofner bass. - This is one of the earliest examples of a technique I developed called [[Xenochrony]] (strange synchronizations). Other examples include "[[Rubber Shirt]]" on [[Sheik Yerbouti]] and every guitar solo on [[Joe's Garage Acts I, II & III|Joe's Garage]] except "[[Watermelon In Easter Hay]]". In this technique various tracks from unrelated sources are randomly synchronized with each other to make a final composition with rhythmic relationships unachievable by other means. In ordinary polyrhythmic terms we speak of 5 in the space of 4, or 7 in the space of 6. In Xenochrony we deal with larger units of time; a complete solo at one metronomic rate in the space of a track at another ... sort of like Monday and Tuesday crammed into the space of Wednesday. The solo and drone bass was recorded on a 2-track Nagra, 15 ips, with a pair of Neumann U-87 microphones in a rather wet-sounding dressing room, warming up before a concert at Hofstra University on Long Island. This pair of tracks was later Xenochronized to a drum track out-take from "The Ocean Is the Ultimate Solution". The introductory orchestration was added next, and then the Hofner bass (recorded at half-speed), rhythmically splitting the difference between the two different track tempos.</div></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td></tr>
<tr><td class='diff-marker'>−</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>Excerpt from "[[Music For Electric Violin And Low Budget Orchestra|Revised Music for Guitar & Low-Budget Symphony Orchestra]]" (02:21); 1975, originally released without permission on another one of those law-suit albums; engineer: [[Kerry McNabb]]; original recording medium: 24-track analog tape; musicians: Frank Zappa, guitar & percussion / [[Bruce Fowler]], all brass / [[George Duke]], piano / [[Tom Fowler]], bass / [[Chad Wackerman]], drums; guitar: Ovation nylon-string acoustic-electric, DI into the recording console. - This is an excerpt from a short chamber orchestra piece originally composed as a vehicle for violinist Jean-Luc Ponty, re-orchestrated here as a solo vehicle for guitar. The original recording featured Chester Thompson's drums. Chad's part has been over-dubbed as part of the ongoing UMRK digital refurbishment project. The segment began as an improvised solo, played in the studio to the existing track. Bruce Fowler transcribed it and quadrupled it with trombone parts recorded at various speeds. Other examples of transcribed doubling can be found on the Waka/Jawaka and Man from Utopia albums.</div></td><td class='diff-marker'>+</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>Excerpt from "[[Music For Electric Violin And Low Budget Orchestra|Revised Music for Guitar & Low-Budget Symphony Orchestra]]" (02:21); 1975, originally released without permission on another one of those law-suit albums; engineer: [[Kerry McNabb]]; original recording medium: 24-track analog tape; musicians: Frank Zappa, guitar & percussion / [[<ins class="diffchange diffchange-inline">The Fowler Brothers|</ins>Bruce Fowler]], all brass / [[George Duke]], piano / [[<ins class="diffchange diffchange-inline">The Fowler Brothers|</ins>Tom Fowler]], bass / [[Chad Wackerman]], drums; guitar: Ovation nylon-string acoustic-electric, DI into the recording console. - This is an excerpt from a short chamber orchestra piece originally composed as a vehicle for violinist Jean-Luc Ponty, re-orchestrated here as a solo vehicle for guitar. The original recording featured Chester Thompson's drums. Chad's part has been over-dubbed as part of the ongoing UMRK digital refurbishment project. The segment began as an improvised solo, played in the studio to the existing track. Bruce Fowler transcribed it and quadrupled it with trombone parts recorded at various speeds. Other examples of transcribed doubling can be found on the Waka/Jawaka and Man from Utopia albums.</div></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>[[Things That Look Like Meat]] (06:06); December 1981, recorded live in some place that's not there anymore in Salt Lake City, Utah; previously unreleased - will be included in the next guitar box set; engineer: [[Mark Pinske]];</div></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>[[Things That Look Like Meat]] (06:06); December 1981, recorded live in some place that's not there anymore in Salt Lake City, Utah; previously unreleased - will be included in the next guitar box set; engineer: [[Mark Pinske]];</div></td></tr>
</table>Jason.Kreitzerhttp://wiki.killuglyradio.com/index.php?title=The_Guitar_World_According_To_Frank_Zappa&diff=50726&oldid=prevJason.Kreitzer at 23:12, 29 August 20212021-08-29T23:12:10Z<p></p>
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<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>Engineered and digitally re-mastered by [[Bob Stone|BOB STONE]].<br></div></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>Engineered and digitally re-mastered by [[Bob Stone|BOB STONE]].<br></div></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>Cover photo by [[Ann Summa|ANN SUMMA]].<br></div></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>Cover photo by [[Ann Summa|ANN SUMMA]].<br></div></td></tr>
<tr><td class='diff-marker'>−</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>Package designed by [<del class="diffchange diffchange-inline">[</del>Michael Diehl<del class="diffchange diffchange-inline">|</del>MICHAEL DIEHL<del class="diffchange diffchange-inline">]</del>].<br></div></td><td class='diff-marker'>+</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>Package designed by [<ins class="diffchange diffchange-inline">https://www.discogs.com/artist/1842880-</ins>Michael<ins class="diffchange diffchange-inline">-</ins>Diehl MICHAEL DIEHL].<br></div></td></tr>
<tr><td class='diff-marker'>−</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>Executive producer for Guitar World Special Audio Presentations: [<del class="diffchange diffchange-inline">[Noё Goldwasser|</del>NOE GOLDWASSER<del class="diffchange diffchange-inline">]</del>].<br></div></td><td class='diff-marker'>+</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>Executive producer for Guitar World Special Audio Presentations: [<ins class="diffchange diffchange-inline">https://www.discogs.com/artist/4187761 </ins>NOE GOLDWASSER].<br></div></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>Liner notes by [[Biography|FRANK ZAPPA]].<br></div></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>Liner notes by [[Biography|FRANK ZAPPA]].<br></div></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>(C) (P) 1987 [[Barking Pumpkin Records|BARKING PUMPKIN RECORDS]].<br></div></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>(C) (P) 1987 [[Barking Pumpkin Records|BARKING PUMPKIN RECORDS]].<br></div></td></tr>
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<td colspan="2" class="diff-lineno">Line 46:</td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>==Liner Notes (FZ)==</div></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>==Liner Notes (FZ)==</div></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td></tr>
<tr><td class='diff-marker'>−</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>[[Sleep Dirt (The Track)|Sleep Dirt]] (03:17); December 1974, recorded at [[Caribou Ranch|Caribou Studios]], Colorado; originally released without permission by [[Warner Brothers]] on the album [[Sleep Dirt]]; engineer: [[Kerry <del class="diffchange diffchange-inline">McNab</del>]]; original recording medium: 24-track analog tape; musicians: Frank Zappa, acoustic lead / [[James Youman|Bird-Legs Youman]], acoustic rhythm; guitar: Martin steel-string acoustic with classic-width neck. - [[Sleep Dirt]] was one of several disputed releases involved in the infamous Warner Brothers/Cohen Brothers law suit. The retail copies that eventually reached the marketplace were distinguished by unattractive covers, miserable disc mastering and non-existent promotion. Consequently, few fans have heard this cut. I seldom play acoustic guitar, and this performance (the only complete take from the session) is a rare example of a performance in this setting. The tune itself was composed in a hotel room in Stockholm, Sweden, sometime in November, 1971, as a result of borrowing the Martin guitar (owned then by Mark Volman) and experimenting on a day off during the tour. I eventually traded Mark a Telecaster for the Martin. It now sits unused in a dark corner of the studio.</div></td><td class='diff-marker'>+</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>[[Sleep Dirt (The Track)|Sleep Dirt]] (03:17); December 1974, recorded at [[Caribou Ranch|Caribou Studios]], Colorado; originally released without permission by [[Warner Brothers]] on the album [[Sleep Dirt]]; engineer: [[Kerry <ins class="diffchange diffchange-inline">McNabb</ins>]]; original recording medium: 24-track analog tape; musicians: Frank Zappa, acoustic lead / [[James Youman|Bird-Legs Youman]], acoustic rhythm; guitar: Martin steel-string acoustic with classic-width neck. - [[Sleep Dirt]] was one of several disputed releases involved in the infamous Warner Brothers/Cohen Brothers law suit. The retail copies that eventually reached the marketplace were distinguished by unattractive covers, miserable disc mastering and non-existent promotion. Consequently, few fans have heard this cut. I seldom play acoustic guitar, and this performance (the only complete take from the session) is a rare example of a performance in this setting. The tune itself was composed in a hotel room in Stockholm, Sweden, sometime in November, 1971, as a result of borrowing the Martin guitar (owned then by Mark Volman) and experimenting on a day off during the tour. I eventually traded Mark a Telecaster for the Martin. It now sits unused in a dark corner of the studio.</div></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>[[Friendly Little Finger]] (04:17); 1975, recorded in a dressing room at Hofstra University and over-dubbed at the Record Plant, Los Angeles, California; originally released on the Warner Brothers album [[Zoot Allures]]; engineer: [[Davey Moire]]; original recording medium: 24-track analog tape; musicians: Frank Zappa, various guitars and bass / [[Ruth Underwood]], percussion & ARP 2600 / [[Roy Estrada]], drone bass / [[Terry Bozzio]], drums; guitars: Gibson acoustic-electric, Custom fretless, Hofner bass. - This is one of the earliest examples of a technique I developed called [[Xenochrony]] (strange synchronizations). Other examples include "[[Rubber Shirt]]" on [[Sheik Yerbouti]] and every guitar solo on [[Joe's Garage Acts I, II & III|Joe's Garage]] except "[[Watermelon In Easter Hay]]". In this technique various tracks from unrelated sources are randomly synchronized with each other to make a final composition with rhythmic relationships unachievable by other means. In ordinary polyrhythmic terms we speak of 5 in the space of 4, or 7 in the space of 6. In Xenochrony we deal with larger units of time; a complete solo at one metronomic rate in the space of a track at another ... sort of like Monday and Tuesday crammed into the space of Wednesday. The solo and drone bass was recorded on a 2-track Nagra, 15 ips, with a pair of Neumann U-87 microphones in a rather wet-sounding dressing room, warming up before a concert at Hofstra University on Long Island. This pair of tracks was later Xenochronized to a drum track out-take from "The Ocean Is the Ultimate Solution". The introductory orchestration was added next, and then the Hofner bass (recorded at half-speed), rhythmically splitting the difference between the two different track tempos.</div></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>[[Friendly Little Finger]] (04:17); 1975, recorded in a dressing room at Hofstra University and over-dubbed at the Record Plant, Los Angeles, California; originally released on the Warner Brothers album [[Zoot Allures]]; engineer: [[Davey Moire]]; original recording medium: 24-track analog tape; musicians: Frank Zappa, various guitars and bass / [[Ruth Underwood]], percussion & ARP 2600 / [[Roy Estrada]], drone bass / [[Terry Bozzio]], drums; guitars: Gibson acoustic-electric, Custom fretless, Hofner bass. - This is one of the earliest examples of a technique I developed called [[Xenochrony]] (strange synchronizations). Other examples include "[[Rubber Shirt]]" on [[Sheik Yerbouti]] and every guitar solo on [[Joe's Garage Acts I, II & III|Joe's Garage]] except "[[Watermelon In Easter Hay]]". In this technique various tracks from unrelated sources are randomly synchronized with each other to make a final composition with rhythmic relationships unachievable by other means. In ordinary polyrhythmic terms we speak of 5 in the space of 4, or 7 in the space of 6. In Xenochrony we deal with larger units of time; a complete solo at one metronomic rate in the space of a track at another ... sort of like Monday and Tuesday crammed into the space of Wednesday. The solo and drone bass was recorded on a 2-track Nagra, 15 ips, with a pair of Neumann U-87 microphones in a rather wet-sounding dressing room, warming up before a concert at Hofstra University on Long Island. This pair of tracks was later Xenochronized to a drum track out-take from "The Ocean Is the Ultimate Solution". The introductory orchestration was added next, and then the Hofner bass (recorded at half-speed), rhythmically splitting the difference between the two different track tempos.</div></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td></tr>
<tr><td class='diff-marker'>−</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>Excerpt from "[[Music For Electric Violin And Low Budget Orchestra|Revised Music for Guitar & Low-Budget Symphony Orchestra]]" (02:21); 1975, originally released without permission on another one of those law-suit albums; engineer: [[Kerry <del class="diffchange diffchange-inline">McNab</del>]]; original recording medium: 24-track analog tape; musicians: Frank Zappa, guitar & percussion / [[Bruce Fowler]], all brass / [[George Duke]], piano / [[Tom Fowler]], bass / [[Chad Wackerman]], drums; guitar: Ovation nylon-string acoustic-electric, DI into the recording console. - This is an excerpt from a short chamber orchestra piece originally composed as a vehicle for violinist Jean-Luc Ponty, re-orchestrated here as a solo vehicle for guitar. The original recording featured Chester Thompson's drums. Chad's part has been over-dubbed as part of the ongoing UMRK digital refurbishment project. The segment began as an improvised solo, played in the studio to the existing track. Bruce Fowler transcribed it and quadrupled it with trombone parts recorded at various speeds. Other examples of transcribed doubling can be found on the Waka/Jawaka and Man from Utopia albums.</div></td><td class='diff-marker'>+</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>Excerpt from "[[Music For Electric Violin And Low Budget Orchestra|Revised Music for Guitar & Low-Budget Symphony Orchestra]]" (02:21); 1975, originally released without permission on another one of those law-suit albums; engineer: [[Kerry <ins class="diffchange diffchange-inline">McNabb</ins>]]; original recording medium: 24-track analog tape; musicians: Frank Zappa, guitar & percussion / [[Bruce Fowler]], all brass / [[George Duke]], piano / [[Tom Fowler]], bass / [[Chad Wackerman]], drums; guitar: Ovation nylon-string acoustic-electric, DI into the recording console. - This is an excerpt from a short chamber orchestra piece originally composed as a vehicle for violinist Jean-Luc Ponty, re-orchestrated here as a solo vehicle for guitar. The original recording featured Chester Thompson's drums. Chad's part has been over-dubbed as part of the ongoing UMRK digital refurbishment project. The segment began as an improvised solo, played in the studio to the existing track. Bruce Fowler transcribed it and quadrupled it with trombone parts recorded at various speeds. Other examples of transcribed doubling can be found on the Waka/Jawaka and Man from Utopia albums.</div></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>[[Things That Look Like Meat]] (06:06); December 1981, recorded live in some place that's not there anymore in Salt Lake City, Utah; previously unreleased - will be included in the next guitar box set; engineer: [[Mark Pinske]];</div></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>[[Things That Look Like Meat]] (06:06); December 1981, recorded live in some place that's not there anymore in Salt Lake City, Utah; previously unreleased - will be included in the next guitar box set; engineer: [[Mark Pinske]];</div></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>original master: 24-track analog tape; musicians: Frank Zappa, lead guitar / [[Steve Vai]], rhythm guitar / [[Ray White]], rhythm guitar / [[Ed Mann]], percussion / [[Tommy Mars]], Hammond organ / [[Bobby Martin]], Jupiter 8 clavinet / [[Scott Thunes]], bass / [[Chad Wackerman]], drums; guitar: Gibson Les Paul Custom. - This is a fairly representative example of my style and approach in a live setting circa 1981. Recorded within three days of the end of the '81 tour, it captures the band in an unusually consistent groove, wending its way home to Los Angeles. Video tape of this solo exists and may be released in conjunction with the next guitar solo box collection.</div></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>original master: 24-track analog tape; musicians: Frank Zappa, lead guitar / [[Steve Vai]], rhythm guitar / [[Ray White]], rhythm guitar / [[Ed Mann]], percussion / [[Tommy Mars]], Hammond organ / [[Bobby Martin]], Jupiter 8 clavinet / [[Scott Thunes]], bass / [[Chad Wackerman]], drums; guitar: Gibson Les Paul Custom. - This is a fairly representative example of my style and approach in a live setting circa 1981. Recorded within three days of the end of the '81 tour, it captures the band in an unusually consistent groove, wending its way home to Los Angeles. Video tape of this solo exists and may be released in conjunction with the next guitar solo box collection.</div></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td></tr>
<tr><td class='diff-marker'>−</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>[[Down In De Dew]] (02:54); 1975, recorded at [[Paramount Recording Studios|Paramount Studios]], Hollywood, California; previously unreleased - will be included in the next guitar box set; engineer: [[Kerry <del class="diffchange diffchange-inline">McNab</del>]]; original recording medium: 24-track analog tape; musicians: Frank Zappa, all guitars and bass / [[Jim Gordon]], drums; guitars: Gibson acoustic-electric, Custom fretless, Hofner bass. - This piece began as a recorded jam session at Electric Lady Studios in New York City. The only thing that remains from the original recording is the drums. Everything else was layered on in over-dubs at subsequent sessions in Los Angeles. This selection was an out-take from the Apostrophe (') album. Another example of fretless guitar soloing can be heard on the song "[[San Ber'dino]]" on the [[One Size Fits All]] album. Unfortunately, the fretless guitar was stolen several years ago.</div></td><td class='diff-marker'>+</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>[[Down In De Dew]] (02:54); 1975, recorded at [[Paramount Recording Studios|Paramount Studios]], Hollywood, California; previously unreleased - will be included in the next guitar box set; engineer: [[Kerry <ins class="diffchange diffchange-inline">McNabb</ins>]]; original recording medium: 24-track analog tape; musicians: Frank Zappa, all guitars and bass / [[Jim Gordon]], drums; guitars: Gibson acoustic-electric, Custom fretless, Hofner bass. - This piece began as a recorded jam session at Electric Lady Studios in New York City. The only thing that remains from the original recording is the drums. Everything else was layered on in over-dubs at subsequent sessions in Los Angeles. This selection was an out-take from the Apostrophe (') album. Another example of fretless guitar soloing can be heard on the song "[[San Ber'dino]]" on the [[One Size Fits All]] album. Unfortunately, the fretless guitar was stolen several years ago.</div></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>[[A Solo From Heidelberg]] (05:26); 1977, recorded live in concert, Heidelberg, West Germany; previously unreleased - will be included in the next guitar box set; engineer: [[Davey Moire]]; original recording medium: 4-track analog tape; musicians: Frank Zappa, lead / [[Tommy Mars]], piano / [[Ed Mann]], percussion / [[Patrick O'Hearn]], bass / [[Terry Bozzio]], drums; guitar: Custom Gibson SG. - This type of solo was a nightly feature of live shows during that period. It's not the best of its kind, but I like the atmosphere and little noises from the audience. I didn't own a recording truck then, and all live concert tapes were being done on a Scully 4-track at 30 ips with Telefunken C-40 noise reduction. We were printing two stereo pairs taken ambiently with AKG stereo mics. Audible background hiss is the result of a whole stage full of amplifiers idling, combined with residual noise inherent in the recording.</div></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>[[A Solo From Heidelberg]] (05:26); 1977, recorded live in concert, Heidelberg, West Germany; previously unreleased - will be included in the next guitar box set; engineer: [[Davey Moire]]; original recording medium: 4-track analog tape; musicians: Frank Zappa, lead / [[Tommy Mars]], piano / [[Ed Mann]], percussion / [[Patrick O'Hearn]], bass / [[Terry Bozzio]], drums; guitar: Custom Gibson SG. - This type of solo was a nightly feature of live shows during that period. It's not the best of its kind, but I like the atmosphere and little noises from the audience. I didn't own a recording truck then, and all live concert tapes were being done on a Scully 4-track at 30 ips with Telefunken C-40 noise reduction. We were printing two stereo pairs taken ambiently with AKG stereo mics. Audible background hiss is the result of a whole stage full of amplifiers idling, combined with residual noise inherent in the recording.</div></td></tr>
</table>Jason.Kreitzerhttp://wiki.killuglyradio.com/index.php?title=The_Guitar_World_According_To_Frank_Zappa&diff=49019&oldid=prevJason.Kreitzer at 14:54, 4 August 20212021-08-04T14:54:39Z<p></p>
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<td colspan="2" style="background-color: #fff; color: #222; text-align: center;">Revision as of 14:54, 4 August 2021</td>
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</table>Jason.Kreitzerhttp://wiki.killuglyradio.com/index.php?title=The_Guitar_World_According_To_Frank_Zappa&diff=48798&oldid=prevJason.Kreitzer at 18:45, 2 August 20212021-08-02T18:45:59Z<p></p>
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</tr><tr><td colspan="2" class="diff-lineno" id="mw-diff-left-l8" >Line 8:</td>
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<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div> Name = The Guitar World According To Frank Zappa |</div></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div> Name = The Guitar World According To Frank Zappa |</div></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div> Released = June 1987 |</div></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div> Released = June 1987 |</div></td></tr>
<tr><td class='diff-marker'>−</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div> Related = See also:<br>{{ZPLink|weirdo/weirdo.html#guitarworld}}<br>[[Sleep Dirt]]<br>[[Zoot Allures]]<br>[[Studio Tan]]<br>[[Guitar]]<br>[[Läther]] |</div></td><td class='diff-marker'>+</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div> Related = See also:<br>{{ZPLink|weirdo/weirdo.html#guitarworld}}<br>[[Sleep Dirt]]<br>[[Zoot Allures]]<br>[[Studio Tan]]<br>[[<ins class="diffchange diffchange-inline">Frank Zappa: </ins>Guitar]]<br>[[Läther]] |</div></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>}}</div></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>}}</div></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div></div></div></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div></div></div></td></tr>
</table>Jason.Kreitzerhttp://wiki.killuglyradio.com/index.php?title=The_Guitar_World_According_To_Frank_Zappa&diff=46752&oldid=prevJason.Kreitzer at 21:09, 18 July 20212021-07-18T21:09:15Z<p></p>
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<td colspan="2" style="background-color: #fff; color: #222; text-align: center;">Revision as of 21:09, 18 July 2021</td>
</tr><tr><td colspan="2" class="diff-lineno" id="mw-diff-left-l33" >Line 33:</td>
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<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>[[wikipedia:Chromium(IV) oxide|CrO<small>2</small>]] Cassette.<br></div></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>[[wikipedia:Chromium(IV) oxide|CrO<small>2</small>]] Cassette.<br></div></td></tr>
<tr><td class='diff-marker'>−</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>All songs composed, performed and produced by [[<del class="diffchange diffchange-inline">Frank Zappa</del>|FRANK ZAPPA]].<br></div></td><td class='diff-marker'>+</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>All songs composed, performed and produced by [[<ins class="diffchange diffchange-inline">Biography</ins>|FRANK ZAPPA]].<br></div></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>All songs published (C) 1987 [[Munchkin Music|MUNCHKIN MUSIC]] (ASCAP).<br></div></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>All songs published (C) 1987 [[Munchkin Music|MUNCHKIN MUSIC]] (ASCAP).<br></div></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>Engineered and digitally re-mastered by [[Bob Stone|BOB STONE]].<br></div></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>Engineered and digitally re-mastered by [[Bob Stone|BOB STONE]].<br></div></td></tr>
<tr><td colspan="2" class="diff-lineno" id="mw-diff-left-l39" >Line 39:</td>
<td colspan="2" class="diff-lineno">Line 39:</td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>Package designed by [[Michael Diehl|MICHAEL DIEHL]].<br></div></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>Package designed by [[Michael Diehl|MICHAEL DIEHL]].<br></div></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>Executive producer for Guitar World Special Audio Presentations: [[Noё Goldwasser|NOE GOLDWASSER]].<br></div></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>Executive producer for Guitar World Special Audio Presentations: [[Noё Goldwasser|NOE GOLDWASSER]].<br></div></td></tr>
<tr><td class='diff-marker'>−</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>Liner notes by [[<del class="diffchange diffchange-inline">Frank Zappa</del>|FRANK ZAPPA]].<br></div></td><td class='diff-marker'>+</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>Liner notes by [[<ins class="diffchange diffchange-inline">Biography</ins>|FRANK ZAPPA]].<br></div></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>(C) (P) 1987 [[Barking Pumpkin Records|BARKING PUMPKIN RECORDS]].<br></div></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>(C) (P) 1987 [[Barking Pumpkin Records|BARKING PUMPKIN RECORDS]].<br></div></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>Distributed by [[Guitar World|GUITAR WORLD]], GUITAR GALAXY and [[Barking Pumpkin Records|BARKING PUMPKIN]].<br></div></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>Distributed by [[Guitar World|GUITAR WORLD]], GUITAR GALAXY and [[Barking Pumpkin Records|BARKING PUMPKIN]].<br></div></td></tr>
</table>Jason.Kreitzerhttp://wiki.killuglyradio.com/index.php?title=The_Guitar_World_According_To_Frank_Zappa&diff=35317&oldid=prevZarank: /* Tracks */2011-01-25T00:21:22Z<p><span dir="auto"><span class="autocomment">Tracks</span></span></p>
<table class="diff diff-contentalign-left" data-mw="interface">
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<td colspan="2" style="background-color: #fff; color: #222; text-align: center;">Revision as of 00:21, 25 January 2011</td>
</tr><tr><td colspan="2" class="diff-lineno" id="mw-diff-left-l22" >Line 22:</td>
<td colspan="2" class="diff-lineno">Line 22:</td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>#[[Sleep Dirt (The Track)|Sleep Dirt]] (3:17)</div></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>#[[Sleep Dirt (The Track)|Sleep Dirt]] (3:17)</div></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>#[[Friendly Little Finger]] (4:17)</div></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>#[[Friendly Little Finger]] (4:17)</div></td></tr>
<tr><td class='diff-marker'>−</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>#[[Music For Electric Violin And Low Budget Orchestra|Revised Music For Guitar And Low Budget Orchestra]] (<del class="diffchange diffchange-inline">2</del>:<del class="diffchange diffchange-inline">21</del>) [remixed with over-dub]</div></td><td class='diff-marker'>+</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>#[[Music For Electric Violin And Low Budget Orchestra|Revised Music For Guitar And Low Budget Orchestra]] (<ins class="diffchange diffchange-inline">1</ins>:<ins class="diffchange diffchange-inline">41</ins>) [remixed with over-dub]</div></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>#[[Things That Look Like Meat]] (6:06)</div></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>#[[Things That Look Like Meat]] (6:06)</div></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>'''Side Two'''</div></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>'''Side Two'''</div></td></tr>
</table>Zarankhttp://wiki.killuglyradio.com/index.php?title=The_Guitar_World_According_To_Frank_Zappa&diff=35316&oldid=prevZarank: /* Tracks */2011-01-25T00:20:11Z<p><span dir="auto"><span class="autocomment">Tracks</span></span></p>
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<td colspan="2" style="background-color: #fff; color: #222; text-align: center;">Revision as of 00:20, 25 January 2011</td>
</tr><tr><td colspan="2" class="diff-lineno" id="mw-diff-left-l26" >Line 26:</td>
<td colspan="2" class="diff-lineno">Line 26:</td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>'''Side Two'''</div></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>'''Side Two'''</div></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>#[[Down In De Dew]] (2:54)</div></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>#[[Down In De Dew]] (2:54)</div></td></tr>
<tr><td class='diff-marker'>−</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>#[[A Solo From Heidelberg]] (<del class="diffchange diffchange-inline">5</del>:<del class="diffchange diffchange-inline">26</del>) - out-take from [[Yo' Mama]]</div></td><td class='diff-marker'>+</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>#[[A Solo From Heidelberg]] (<ins class="diffchange diffchange-inline">4</ins>:<ins class="diffchange diffchange-inline">46</ins>) - out-take from [[Yo' Mama]]</div></td></tr>
<tr><td class='diff-marker'>−</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>#[[A Solo From Cologne]] (<del class="diffchange diffchange-inline">5</del>:<del class="diffchange diffchange-inline">11</del>) - out-take from [[Drowning Witch]] [long version of "But Who Was Fulcanelli"]</div></td><td class='diff-marker'>+</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>#[[A Solo From Cologne]] (<ins class="diffchange diffchange-inline">4</ins>:<ins class="diffchange diffchange-inline">30</ins>) - out-take from [[Drowning Witch]] [long version of "But Who Was Fulcanelli"]</div></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>#[[A Solo From Atlanta]] (4:05) - out-take from [[Whipping Post]] [long version of "For Duane"]</div></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>#[[A Solo From Atlanta]] (4:05) - out-take from [[Whipping Post]] [long version of "For Duane"]</div></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td></tr>
</table>Zarankhttp://wiki.killuglyradio.com/index.php?title=The_Guitar_World_According_To_Frank_Zappa&diff=34301&oldid=prevSpider of Destiny: /* Liner Notes (FZ) */2010-12-17T15:51:30Z<p><span dir="auto"><span class="autocomment">Liner Notes (FZ)</span></span></p>
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<td colspan="2" style="background-color: #fff; color: #222; text-align: center;">Revision as of 15:51, 17 December 2010</td>
</tr><tr><td colspan="2" class="diff-lineno" id="mw-diff-left-l48" >Line 48:</td>
<td colspan="2" class="diff-lineno">Line 48:</td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>[[Sleep Dirt (The Track)|Sleep Dirt]] (03:17); December 1974, recorded at [[Caribou Ranch|Caribou Studios]], Colorado; originally released without permission by [[Warner Brothers]] on the album [[Sleep Dirt]]; engineer: [[Kerry McNab]]; original recording medium: 24-track analog tape; musicians: Frank Zappa, acoustic lead / [[James Youman|Bird-Legs Youman]], acoustic rhythm; guitar: Martin steel-string acoustic with classic-width neck. - [[Sleep Dirt]] was one of several disputed releases involved in the infamous Warner Brothers/Cohen Brothers law suit. The retail copies that eventually reached the marketplace were distinguished by unattractive covers, miserable disc mastering and non-existent promotion. Consequently, few fans have heard this cut. I seldom play acoustic guitar, and this performance (the only complete take from the session) is a rare example of a performance in this setting. The tune itself was composed in a hotel room in Stockholm, Sweden, sometime in November, 1971, as a result of borrowing the Martin guitar (owned then by Mark Volman) and experimenting on a day off during the tour. I eventually traded Mark a Telecaster for the Martin. It now sits unused in a dark corner of the studio.</div></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>[[Sleep Dirt (The Track)|Sleep Dirt]] (03:17); December 1974, recorded at [[Caribou Ranch|Caribou Studios]], Colorado; originally released without permission by [[Warner Brothers]] on the album [[Sleep Dirt]]; engineer: [[Kerry McNab]]; original recording medium: 24-track analog tape; musicians: Frank Zappa, acoustic lead / [[James Youman|Bird-Legs Youman]], acoustic rhythm; guitar: Martin steel-string acoustic with classic-width neck. - [[Sleep Dirt]] was one of several disputed releases involved in the infamous Warner Brothers/Cohen Brothers law suit. The retail copies that eventually reached the marketplace were distinguished by unattractive covers, miserable disc mastering and non-existent promotion. Consequently, few fans have heard this cut. I seldom play acoustic guitar, and this performance (the only complete take from the session) is a rare example of a performance in this setting. The tune itself was composed in a hotel room in Stockholm, Sweden, sometime in November, 1971, as a result of borrowing the Martin guitar (owned then by Mark Volman) and experimenting on a day off during the tour. I eventually traded Mark a Telecaster for the Martin. It now sits unused in a dark corner of the studio.</div></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td></tr>
<tr><td class='diff-marker'>−</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>[[Friendly Little Finger]] (04:17); 1975, recorded in a dressing room at Hofstra University and over-dubbed at the Record Plant, Los Angeles, California; originally released on the Warner Brothers album [[Zoot Allures]]; engineer: [[Davey Moire]]; original recording medium: 24-track analog tape; musicians: Frank Zappa, various guitars and bass / [[Ruth Underwood]], percussion & ARP 2600 / [[Roy Estrada]], drone bass / [[Terry Bozzio]], drums; guitars: Gibson acoustic-electric, Custom fretless, Hofner bass. - This is one of the earliest examples of a technique I developed called [[Xenochrony]] (strange synchronizations). Other examples include "[[Rubber Shirt]]" on [[Sheik Yerbouti]] and every guitar solo on [[Joe's Garage]] except "[[Watermelon In Easter Hay]]". In this technique various tracks from unrelated sources are randomly synchronized with each other to make a final composition with rhythmic relationships unachievable by other means. In ordinary polyrhythmic terms we speak of 5 in the space of 4, or 7 in the space of 6. In Xenochrony we deal with larger units of time; a complete solo at one metronomic rate in the space of a track at another ... sort of like Monday and Tuesday crammed into the space of Wednesday. The solo and drone bass was recorded on a 2-track Nagra, 15 ips, with a pair of Neumann U-87 microphones in a rather wet-sounding dressing room, warming up before a concert at Hofstra University on Long Island. This pair of tracks was later Xenochronized to a drum track out-take from "The Ocean Is the Ultimate Solution". The introductory orchestration was added next, and then the Hofner bass (recorded at half-speed), rhythmically splitting the difference between the two different track tempos.</div></td><td class='diff-marker'>+</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>[[Friendly Little Finger]] (04:17); 1975, recorded in a dressing room at Hofstra University and over-dubbed at the Record Plant, Los Angeles, California; originally released on the Warner Brothers album [[Zoot Allures]]; engineer: [[Davey Moire]]; original recording medium: 24-track analog tape; musicians: Frank Zappa, various guitars and bass / [[Ruth Underwood]], percussion & ARP 2600 / [[Roy Estrada]], drone bass / [[Terry Bozzio]], drums; guitars: Gibson acoustic-electric, Custom fretless, Hofner bass. - This is one of the earliest examples of a technique I developed called [[Xenochrony]] (strange synchronizations). Other examples include "[[Rubber Shirt]]" on [[Sheik Yerbouti]] and every guitar solo on [[<ins class="diffchange diffchange-inline">Joe's Garage Acts I, II & III|</ins>Joe's Garage]] except "[[Watermelon In Easter Hay]]". In this technique various tracks from unrelated sources are randomly synchronized with each other to make a final composition with rhythmic relationships unachievable by other means. In ordinary polyrhythmic terms we speak of 5 in the space of 4, or 7 in the space of 6. In Xenochrony we deal with larger units of time; a complete solo at one metronomic rate in the space of a track at another ... sort of like Monday and Tuesday crammed into the space of Wednesday. The solo and drone bass was recorded on a 2-track Nagra, 15 ips, with a pair of Neumann U-87 microphones in a rather wet-sounding dressing room, warming up before a concert at Hofstra University on Long Island. This pair of tracks was later Xenochronized to a drum track out-take from "The Ocean Is the Ultimate Solution". The introductory orchestration was added next, and then the Hofner bass (recorded at half-speed), rhythmically splitting the difference between the two different track tempos.</div></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>Excerpt from "[[Music For Electric Violin And Low Budget Orchestra|Revised Music for Guitar & Low-Budget Symphony Orchestra]]" (02:21); 1975, originally released without permission on another one of those law-suit albums; engineer: [[Kerry McNab]]; original recording medium: 24-track analog tape; musicians: Frank Zappa, guitar & percussion / [[Bruce Fowler]], all brass / [[George Duke]], piano / [[Tom Fowler]], bass / [[Chad Wackerman]], drums; guitar: Ovation nylon-string acoustic-electric, DI into the recording console. - This is an excerpt from a short chamber orchestra piece originally composed as a vehicle for violinist Jean-Luc Ponty, re-orchestrated here as a solo vehicle for guitar. The original recording featured Chester Thompson's drums. Chad's part has been over-dubbed as part of the ongoing UMRK digital refurbishment project. The segment began as an improvised solo, played in the studio to the existing track. Bruce Fowler transcribed it and quadrupled it with trombone parts recorded at various speeds. Other examples of transcribed doubling can be found on the Waka/Jawaka and Man from Utopia albums.</div></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>Excerpt from "[[Music For Electric Violin And Low Budget Orchestra|Revised Music for Guitar & Low-Budget Symphony Orchestra]]" (02:21); 1975, originally released without permission on another one of those law-suit albums; engineer: [[Kerry McNab]]; original recording medium: 24-track analog tape; musicians: Frank Zappa, guitar & percussion / [[Bruce Fowler]], all brass / [[George Duke]], piano / [[Tom Fowler]], bass / [[Chad Wackerman]], drums; guitar: Ovation nylon-string acoustic-electric, DI into the recording console. - This is an excerpt from a short chamber orchestra piece originally composed as a vehicle for violinist Jean-Luc Ponty, re-orchestrated here as a solo vehicle for guitar. The original recording featured Chester Thompson's drums. Chad's part has been over-dubbed as part of the ongoing UMRK digital refurbishment project. The segment began as an improvised solo, played in the studio to the existing track. Bruce Fowler transcribed it and quadrupled it with trombone parts recorded at various speeds. Other examples of transcribed doubling can be found on the Waka/Jawaka and Man from Utopia albums.</div></td></tr>
</table>Spider of Destiny