Ruth Underwood

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Born: Ruth Komanoff 23rd May 1946

Classically trained percussionist studying at Ithaca College under Warren Benson and at Juilliard.

First encountered The Mothers at their Garrick Theater shows:

"Oh, I was probably one of those rather stiff people from the suburbs - I think some of us did understand, and we kept coming back for more, and more, and more. I remember being very upset when they finally finished their stint at the Garrick Theatre and went back to LA. I felt as if the real heart had gone out of New York City, and I had to get back on with my Conservatory music training life, which seemed very dull after this."

She married Ian Underwood in 1970

provided percussion and/or synthesizer for:

Uncle Meat

Burnt Weeny Sandwich

Frank Zappa's 200 Motels

Over-Nite Sensation

Apostrophe (')

Roxy & Elsewhere

One Size Fits All

Zoot Allures

Zappa In New York

Studio Tan

Sleep Dirt

Thing-Fish

You Can't Do That On Stage Anymore Vol. 1

You Can't Do That On Stage Anymore Vol. 2

You Can't Do That On Stage Anymore Vol. 3

You Can't Do That On Stage Anymore Vol. 4

You Can't Do That On Stage Anymore Vol. 6

The Lost Episodes

Läther

Frank Zappa Plays The Music Of Frank Zappa

Piquantique (BTB)


Ruth can be seen in the movies:

200 Motels (The Film)

Baby Snakes (The Film)

Dub Room Special

The Amazing Mr. Bickford

Video From Hell

True Story Of 200 Motels.

She also recorded with George Duke, Billy Cobham, Alphonso Johnson. Used the name Amanda B. Reconwith for contractual reasons.


Having divorced she returned to using her own name and seemingly retired from the music business to raise her family.


"A couple of years ago, when I heard that Frank was ill, I called him up. For 14 years we had no contact at all. He invited me to the house and we enjoyed some really nice visits with each other. Last June ('93) he called and asked if he could sample some of my stuff. I was shocked because I hadn't touched a pair of mallets since March of '77. I ended up practicing for 14 hours, which was all the time I could get together in the context of my life now. I spent four days at Frank's house sampling. This was really a miracle for me - that I could be reunited with him and still have something to offer."

Interview (1993)