http://wiki.killuglyradio.com/index.php?title=Garni_Du_Jour,_Lizard_King_Poetry_And_Slime&feed=atom&action=historyGarni Du Jour, Lizard King Poetry And Slime - Revision history2024-03-28T13:40:35ZRevision history for this page on the wikiMediaWiki 1.34.2http://wiki.killuglyradio.com/index.php?title=Garni_Du_Jour,_Lizard_King_Poetry_And_Slime&diff=46503&oldid=prevJason.Kreitzer at 16:45, 17 July 20212021-07-17T16:45:58Z<p></p>
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<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>In the last 15 years, the boundaries between various musical genres have all but dissolved. And somewhere along the line, people began realizing that serious music doesn't have to be dealt with as a sacred entity – it can be approached with a sense of fun and irreverence; it can be juxtaposed with other, less valid kinds of music to create startlingly original statements.</div></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>In the last 15 years, the boundaries between various musical genres have all but dissolved. And somewhere along the line, people began realizing that serious music doesn't have to be dealt with as a sacred entity – it can be approached with a sense of fun and irreverence; it can be juxtaposed with other, less valid kinds of music to create startlingly original statements.</div></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td></tr>
<tr><td class='diff-marker'>−</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>[[Frank Zappa]] seems to have had this kind of vision all along. From the early days of the [[Mothers Of Invention]] in the mid-'60s, Zappa's composing, arranging and performing have embraced any number of styles. And the question of the legitimacy or illegitimacy of the sources doesn't seem to apply in Zappa's case. Everything fits into his unique artistic perspective.</div></td><td class='diff-marker'>+</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>[[<ins class="diffchange diffchange-inline">Biography|</ins>Frank Zappa]] seems to have had this kind of vision all along. From the early days of the [[<ins class="diffchange diffchange-inline">The Mothers|</ins>Mothers Of Invention]] in the mid-'60s, Zappa's composing, arranging and performing have embraced any number of styles. And the question of the legitimacy or illegitimacy of the sources doesn't seem to apply in Zappa's case. Everything fits into his unique artistic perspective.</div></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>After a long spell between releases, Zappa recently presented his public with [[Zappa In New York]]. Recorded live late '76, the album features a number of instrumental works that show off the talents of [[Randy Brecker|Randy]] and [[Michael Brecker|Mike Brecker]], [[Ronnie Cuber]], [[Tom Malone]], [[Lou Marini]] and [[David Samuels]], as well as Zappa's '76 touring unit.</div></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>After a long spell between releases, Zappa recently presented his public with [[Zappa In New York]]. Recorded live late '76, the album features a number of instrumental works that show off the talents of [[Randy Brecker|Randy]] and [[Michael Brecker|Mike Brecker]], [[Ronnie Cuber]], [[Tom Malone]], [[Lou Marini]] and [[David Samuels]], as well as Zappa's '76 touring unit.</div></td></tr>
</table>Jason.Kreitzerhttp://wiki.killuglyradio.com/index.php?title=Garni_Du_Jour,_Lizard_King_Poetry_And_Slime&diff=45550&oldid=prevSpider of Destiny at 20:13, 17 November 20202020-11-17T20:13:04Z<p></p>
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<td colspan="2" style="background-color: #fff; color: #222; text-align: center;">Revision as of 20:13, 17 November 2020</td>
</tr><tr><td colspan="2" class="diff-lineno" id="mw-diff-left-l190" >Line 190:</td>
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<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>'''The whole fusion thing – is that a dead end?<br></div></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>'''The whole fusion thing – is that a dead end?<br></div></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>Well, first of all, in order to be fusion, in order to match that marketing concept of what people think of as fusion – it has to SOUND fusion. This has little to do with whether of not it's actually fusing anything together. It just means that the keyboard player has to sound like Jan Hammer, the guitar player, drummer and bass player all have to play in a certain vein. And after each guy has molded himself into that certain syndrome, then the whole musical event that they perform has to be further molded into the syndrome. So what have you got? Nothing. It's whank music. The problem is that people then start looking down their noses at three-chord music or one-chord music or two-chord music. And with fusion music, what do you have? Some of it is three-chord music, it's just that the chords have more partials in them. Instead of being one, four, five, they're playing one two flat seven or some other simple progression that allows them to run a series of easily recognizable patterns over it. It's all mechanical. See, part of the problem is the way in which consumers use music to reinforce their idea of what their lifestyle is. People who think of themselves as young moderns, upwardly mobile, go for the fusion or disco – that slick, cleaned-up, precise, mechanical kind of music. And they tend to dislike everything else because it doesn't have its hair combed. Three-chord fuzztone music is not exactly the kind of thing that you'd expect a young executive to be interested in. He wants something that sounds like it might be really good to listen to riding around in a Maserati. So ultimately, that cheapens the music and whatever the musicians have done. ... But like I said, it's a good thing that all that music is there for all those people. Because without it, their lifestyle would lack something.</div></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>Well, first of all, in order to be fusion, in order to match that marketing concept of what people think of as fusion – it has to SOUND fusion. This has little to do with whether of not it's actually fusing anything together. It just means that the keyboard player has to sound like Jan Hammer, the guitar player, drummer and bass player all have to play in a certain vein. And after each guy has molded himself into that certain syndrome, then the whole musical event that they perform has to be further molded into the syndrome. So what have you got? Nothing. It's whank music. The problem is that people then start looking down their noses at three-chord music or one-chord music or two-chord music. And with fusion music, what do you have? Some of it is three-chord music, it's just that the chords have more partials in them. Instead of being one, four, five, they're playing one two flat seven or some other simple progression that allows them to run a series of easily recognizable patterns over it. It's all mechanical. See, part of the problem is the way in which consumers use music to reinforce their idea of what their lifestyle is. People who think of themselves as young moderns, upwardly mobile, go for the fusion or disco – that slick, cleaned-up, precise, mechanical kind of music. And they tend to dislike everything else because it doesn't have its hair combed. Three-chord fuzztone music is not exactly the kind of thing that you'd expect a young executive to be interested in. He wants something that sounds like it might be really good to listen to riding around in a Maserati. So ultimately, that cheapens the music and whatever the musicians have done. ... But like I said, it's a good thing that all that music is there for all those people. Because without it, their lifestyle would lack something.</div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins style="font-weight: bold; text-decoration: none;"></ins></div></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>[[Category:Interviews with Zappa]]</div></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>[[Category:Interviews with Zappa]]</div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins style="font-weight: bold; text-decoration: none;">[[Category:1978]]</ins></div></td></tr>
</table>Spider of Destinyhttp://wiki.killuglyradio.com/index.php?title=Garni_Du_Jour,_Lizard_King_Poetry_And_Slime&diff=26694&oldid=prevPropellerkuh at 20:48, 25 December 20072007-12-25T20:48:49Z<p></p>
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<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins style="font-weight: bold; text-decoration: none;">[[Image:DownBeat_78_05_c.jpg|frame|Down Beat, 1978, May 18]]</ins></div></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>'''Garni Du Jour, Lizard King Poetry And Slime'''<br></div></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>'''Garni Du Jour, Lizard King Poetry And Slime'''<br></div></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>Down Beat, 1978, May 18<br></div></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>Down Beat, 1978, May 18<br></div></td></tr>
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<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td></tr>
<tr><td class='diff-marker'>−</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div><del style="font-weight: bold; text-decoration: none;">[[Image:DownBeat_78_05_c.jpg|frame|Down Beat, 1978, May 18]]</del></div></td><td colspan="2"> </td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>In the last 15 years, the boundaries between various musical genres have all but dissolved. And somewhere along the line, people began realizing that serious music doesn't have to be dealt with as a sacred entity – it can be approached with a sense of fun and irreverence; it can be juxtaposed with other, less valid kinds of music to create startlingly original statements.</div></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>In the last 15 years, the boundaries between various musical genres have all but dissolved. And somewhere along the line, people began realizing that serious music doesn't have to be dealt with as a sacred entity – it can be approached with a sense of fun and irreverence; it can be juxtaposed with other, less valid kinds of music to create startlingly original statements.</div></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td></tr>
</table>Propellerkuhhttp://wiki.killuglyradio.com/index.php?title=Garni_Du_Jour,_Lizard_King_Poetry_And_Slime&diff=26692&oldid=prevPropellerkuh at 19:44, 25 December 20072007-12-25T19:44:06Z<p></p>
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<td colspan="2" style="background-color: #fff; color: #222; text-align: center;">Revision as of 19:44, 25 December 2007</td>
</tr><tr><td colspan="2" class="diff-lineno" id="mw-diff-left-l9" >Line 9:</td>
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<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>[[Frank Zappa]] seems to have had this kind of vision all along. From the early days of the [[Mothers Of Invention]] in the mid-'60s, Zappa's composing, arranging and performing have embraced any number of styles. And the question of the legitimacy or illegitimacy of the sources doesn't seem to apply in Zappa's case. Everything fits into his unique artistic perspective.</div></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>[[Frank Zappa]] seems to have had this kind of vision all along. From the early days of the [[Mothers Of Invention]] in the mid-'60s, Zappa's composing, arranging and performing have embraced any number of styles. And the question of the legitimacy or illegitimacy of the sources doesn't seem to apply in Zappa's case. Everything fits into his unique artistic perspective.</div></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td></tr>
<tr><td class='diff-marker'>−</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>After a long spell between releases, Zappa recently presented his public with [[Zappa In New York]]. Recorded live late '76, the album features a number of instrumental works that show off the talents of Randy and [[Mike Brecker]], [[Ronnie Cuber]], [[Tom Malone]], [[Lou Marini]] and [[David Samuels]], as well as Zappa's '76 touring unit.</div></td><td class='diff-marker'>+</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>After a long spell between releases, Zappa recently presented his public with [[Zappa In New York]]. Recorded live late '76, the album features a number of instrumental works that show off the talents of <ins class="diffchange diffchange-inline">[[Randy Brecker|</ins>Randy<ins class="diffchange diffchange-inline">]] </ins>and [[<ins class="diffchange diffchange-inline">Michael Brecker|</ins>Mike Brecker]], [[Ronnie Cuber]], [[Tom Malone]], [[Lou Marini]] and [[David Samuels]], as well as Zappa's '76 touring unit.</div></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>For his most recent road trips, Zappa's band has consisted of Zappa and [[Adrian Belew]] on guitars, percussionists [[Terry Bozzio]] and [[Ed Mann]], bassist [[Patrick O'Hearn]], and [[Peter Wolf]] and [[Tommy Mars]] on keyboards. As might be expected from the presence of two keyboardists in the band, synthesizers have a lot to do with defining Zappa's current sound. The following interview focuses on that instrument, as well as observations on the state of contemporary music.</div></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>For his most recent road trips, Zappa's band has consisted of Zappa and [[Adrian Belew]] on guitars, percussionists [[Terry Bozzio]] and [[Ed Mann]], bassist [[Patrick O'Hearn]], and [[Peter Wolf]] and [[Tommy Mars]] on keyboards. As might be expected from the presence of two keyboardists in the band, synthesizers have a lot to do with defining Zappa's current sound. The following interview focuses on that instrument, as well as observations on the state of contemporary music.</div></td></tr>
</table>Propellerkuhhttp://wiki.killuglyradio.com/index.php?title=Garni_Du_Jour,_Lizard_King_Poetry_And_Slime&diff=26691&oldid=prevPropellerkuh at 19:42, 25 December 20072007-12-25T19:42:25Z<p></p>
<a href="http://wiki.killuglyradio.com/index.php?title=Garni_Du_Jour,_Lizard_King_Poetry_And_Slime&diff=26691&oldid=26673">Show changes</a>Propellerkuhhttp://wiki.killuglyradio.com/index.php?title=Garni_Du_Jour,_Lizard_King_Poetry_And_Slime&diff=26673&oldid=prevPropellerkuh: New page: '''Garni Du Jour, Lizard King Poetry And Slime'''<br> Down Beat, 1978, May 18<br> By Tim Schneckloth<br> Down Beat, 1978, May 18 In the last 15 years...2007-12-25T16:32:13Z<p>New page: '''Garni Du Jour, Lizard King Poetry And Slime'''<br> Down Beat, 1978, May 18<br> By Tim Schneckloth<br> <a href="/wiki/File:DownBeat_78_05_c.jpg" title="File:DownBeat 78 05 c.jpg">frame|Down Beat, 1978, May 18</a> In the last 15 years...</p>
<a href="http://wiki.killuglyradio.com/index.php?title=Garni_Du_Jour,_Lizard_King_Poetry_And_Slime&diff=26673">Show changes</a>Propellerkuh