Difference between revisions of "Edgard Varèse"
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Note on his name: in most of his works, he used the (American) spelling “Edgar”, but later he used the French spelling “Edgard”. | Note on his name: in most of his works, he used the (American) spelling “Edgar”, but later he used the French spelling “Edgard”. | ||
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| + | "''I long for instruments obedient to my thought and whim, with their contribution of a whole new world of unsuspected sounds, which will lend themselves to the exigencies of my inner rhythm.''" - Varèse in 1917 | ||
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| + | From "BBC.co.uk - Music Profiles: Edgard Varèse" (http://www.bbc.co.uk/music/profiles/varese.shtml): The highly influential French avant-garde composer who settled in America. Ahead of his time, the quest to free sound from the limitations of normal instruments led Varèse to combine technology with art, focussing on percussion instruments and electronics, taped sounds, loud speakers, sirens, dissonance and extremes of contrast. | ||
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| + | Varèse in one minute (also from http://www.bbc.co.uk/music/profiles/varese.shtml): | ||
| + | * Pioneering French composer who lived in New York | ||
| + | * He wrote carefully organised pieces that explore a thin line between music and noise | ||
| + | * Introduced Debussy to Schoenberg's music, and was a close friend of Busoni | ||
| + | * Ionisation was the first piece to be written for a percussion ensemble, and also included a siren | ||
| + | * The premiere of his Hyperprism scandalized New York in 1923 | ||
| + | * Varèse was an early exponent of electronic music with his Déserts and Poème Electronique | ||
| + | * He looked, and sometimes acted, like an eccentric, mad professor | ||
Revision as of 17:21, 22 March 2005
Note on his name: in most of his works, he used the (American) spelling “Edgar”, but later he used the French spelling “Edgard”.
"I long for instruments obedient to my thought and whim, with their contribution of a whole new world of unsuspected sounds, which will lend themselves to the exigencies of my inner rhythm." - Varèse in 1917
From "BBC.co.uk - Music Profiles: Edgard Varèse" (http://www.bbc.co.uk/music/profiles/varese.shtml): The highly influential French avant-garde composer who settled in America. Ahead of his time, the quest to free sound from the limitations of normal instruments led Varèse to combine technology with art, focussing on percussion instruments and electronics, taped sounds, loud speakers, sirens, dissonance and extremes of contrast.
Varèse in one minute (also from http://www.bbc.co.uk/music/profiles/varese.shtml):
- Pioneering French composer who lived in New York
- He wrote carefully organised pieces that explore a thin line between music and noise
- Introduced Debussy to Schoenberg's music, and was a close friend of Busoni
- Ionisation was the first piece to be written for a percussion ensemble, and also included a siren
- The premiere of his Hyperprism scandalized New York in 1923
- Varèse was an early exponent of electronic music with his Déserts and Poème Electronique
- He looked, and sometimes acted, like an eccentric, mad professor
