http://wiki.killuglyradio.com/index.php?title=Cucamonga_Science_%26_Beyond&feed=atom&action=historyCucamonga Science & Beyond - Revision history2024-03-29T08:41:46ZRevision history for this page on the wikiMediaWiki 1.34.2http://wiki.killuglyradio.com/index.php?title=Cucamonga_Science_%26_Beyond&diff=50387&oldid=prevJason.Kreitzer at 19:16, 20 August 20212021-08-20T19:16:08Z<p></p>
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<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>Frank Zappa's first interest in pop music was aroused by the great R&B artists of the '50s-from Howlin' Wolf and Muddy Waters to the [[The Spaniels|Spaniels]] and [[The Paragons]]. Of [[Elvis Presley]], Zappa told the Los Angeles Times Magazine, "I thought, 'Who is this white guy trying to make all this fake black music here?' I was one of the few people at that time who knew that '[[Hound Dog]]' was originally recorded by [[Willie Mae Thornton]] on the Peacock label."</div></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>Frank Zappa's first interest in pop music was aroused by the great R&B artists of the '50s-from Howlin' Wolf and Muddy Waters to the [[The Spaniels|Spaniels]] and [[The Paragons]]. Of [[Elvis Presley]], Zappa told the Los Angeles Times Magazine, "I thought, 'Who is this white guy trying to make all this fake black music here?' I was one of the few people at that time who knew that '[[Hound Dog]]' was originally recorded by [[Willie Mae Thornton]] on the Peacock label."</div></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td></tr>
<tr><td class='diff-marker'>−</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>Simultaneously with his love of black music, the teenaged Zappa fell in love with the music of [[Edgard Varèse|Edgar Varèse]], [[Igor Stravinsky]] and [[Anton Webern]]. His symphonic recordings indude such projects as "[[Lumpy Gravy]]," "[[200 Motels]]," two albums with the London Symphony Orchestra, and "[[The Perfect Stranger]]," with noted conductor [[Pierre Boulez]].</div></td><td class='diff-marker'>+</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>Simultaneously with his love of black music, the teenaged Zappa fell in love with the music of [[Edgard Varèse|Edgar Varèse]], [[Igor Stravinsky]] and [[Anton Webern]]. His symphonic recordings indude such projects as "[[Lumpy Gravy]]," "[[200 Motels]]," two albums with the London Symphony Orchestra, and "[[<ins class="diffchange diffchange-inline">Boulez Conducts Zappa: The Perfect Stranger|</ins>The Perfect Stranger]]," with noted conductor [[Pierre Boulez]].</div></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>Zappa took his dual grounding in classical R&B and "serious music" and mutated it into a rococo fantasy of jumbled genres, unconventional harmonies, jazzy instrumental accompaniment, unexpected percussion figures and a broad palette of electronic sounds. He assembles these disparate elements, scrambles, re-orders and re-processes them with an anarchic glee that's instantly recognizable as Zappa.</div></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>Zappa took his dual grounding in classical R&B and "serious music" and mutated it into a rococo fantasy of jumbled genres, unconventional harmonies, jazzy instrumental accompaniment, unexpected percussion figures and a broad palette of electronic sounds. He assembles these disparate elements, scrambles, re-orders and re-processes them with an anarchic glee that's instantly recognizable as Zappa.</div></td></tr>
</table>Jason.Kreitzerhttp://wiki.killuglyradio.com/index.php?title=Cucamonga_Science_%26_Beyond&diff=49056&oldid=prevJason.Kreitzer at 15:12, 4 August 20212021-08-04T15:12:56Z<p></p>
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<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>Regarding future touring, he explains, "It's absolutely over If I'm the guy that's gotta pay for it. Harry Andronis, who was the mixer on the '88 tour, came over to listen to some of the tapes-and I've already stated that I've lost $400,000 on the '88 tour-and I said to Harry, 'Lemme put that in perspective for you. That's approximately the same amount of money as it would cost for me to buy houses for the three children that don't have their own homes yet.' Moon's already got her own house. I could buy literally three homes for the rest of my children with what I lost on that tour. So you say, 'What about touring?' Not on my dime."</div></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>Regarding future touring, he explains, "It's absolutely over If I'm the guy that's gotta pay for it. Harry Andronis, who was the mixer on the '88 tour, came over to listen to some of the tapes-and I've already stated that I've lost $400,000 on the '88 tour-and I said to Harry, 'Lemme put that in perspective for you. That's approximately the same amount of money as it would cost for me to buy houses for the three children that don't have their own homes yet.' Moon's already got her own house. I could buy literally three homes for the rest of my children with what I lost on that tour. So you say, 'What about touring?' Not on my dime."</div></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td></tr>
<tr><td class='diff-marker'>−</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>After 25 years on the road, no one could begrudge Zappa a respite. Recordings on his [[Barking Pumpkin]] label, distributed through CEMA, will continue to publish his distinctive audio creations.</div></td><td class='diff-marker'>+</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>After 25 years on the road, no one could begrudge Zappa a respite. Recordings on his [[<ins class="diffchange diffchange-inline">Barking Pumpkin Records|</ins>Barking Pumpkin]] label, distributed through CEMA, will continue to publish his distinctive audio creations.</div></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>Since the early '80s, all Zappa recordings have been digital, with his compact disks distributed through Rykodisc. Given the greater technical freedom of CDs, Zappa isn't a bit sorry to see LP pass into petro-products oblivion. (By the end of 1990, Zappa promises that his entire back catalog will be in release, induding his landmark Zappa Records title "[[Sheik Yerbouti]]" as well as such excellent Barking Pumpkin albums as "[[Tinseltown Rebellion]]," "[[You Are What You Is]]," "[[Ship Arriving Too Late To Save A Drowning Witch]]" and the classic "[[Roxy & Elsewhere]]" and "[[Burnt Weeny Sandwich]]".)</div></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>Since the early '80s, all Zappa recordings have been digital, with his compact disks distributed through Rykodisc. Given the greater technical freedom of CDs, Zappa isn't a bit sorry to see LP pass into petro-products oblivion. (By the end of 1990, Zappa promises that his entire back catalog will be in release, induding his landmark Zappa Records title "[[Sheik Yerbouti]]" as well as such excellent Barking Pumpkin albums as "[[Tinseltown Rebellion]]," "[[You Are What You Is]]," "[[Ship Arriving Too Late To Save A Drowning Witch]]" and the classic "[[Roxy & Elsewhere]]" and "[[Burnt Weeny Sandwich]]".)</div></td></tr>
</table>Jason.Kreitzerhttp://wiki.killuglyradio.com/index.php?title=Cucamonga_Science_%26_Beyond&diff=48922&oldid=prevJason.Kreitzer at 15:21, 3 August 20212021-08-03T15:21:56Z<p></p>
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</tr><tr><td colspan="2" class="diff-lineno" id="mw-diff-left-l20" >Line 20:</td>
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<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>Unfortunately for Zappa, his label was not in his corner, and frequently gave in to the urge to surgically excise any part of his records it deemed objectionable. Once free of his MGM contract, Zappa formed [[Bizarre Records]], which was a division of [[Reprise Records]], distributed through Warner Bros. Records. The first Bizarre release, "[[Uncle Meat]]," marked Zappa's debut as a recording artist whose autonomous label guaranteed his independence. With a new channel for his heavy output of new material, Zappa released a series of compeling, category-defying albums, induding "[[Burnt Weeny Sandwich]]," "[[Hot Rats]]," "[[Weasels Ripped My Flesh]]," "[[Chunga's Revenge]]," and later "[[Waka/Jawaka]]" and "[[The Grand Wazoo]]."</div></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>Unfortunately for Zappa, his label was not in his corner, and frequently gave in to the urge to surgically excise any part of his records it deemed objectionable. Once free of his MGM contract, Zappa formed [[Bizarre Records]], which was a division of [[Reprise Records]], distributed through Warner Bros. Records. The first Bizarre release, "[[Uncle Meat]]," marked Zappa's debut as a recording artist whose autonomous label guaranteed his independence. With a new channel for his heavy output of new material, Zappa released a series of compeling, category-defying albums, induding "[[Burnt Weeny Sandwich]]," "[[Hot Rats]]," "[[Weasels Ripped My Flesh]]," "[[Chunga's Revenge]]," and later "[[Waka/Jawaka]]" and "[[The Grand Wazoo]]."</div></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td></tr>
<tr><td class='diff-marker'>−</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>Zappa also formed a second label, [[Straight Records]], on which he released top-notch material from [[Alice Cooper]], [[Tim Buckley]], [[A Most Immaculately Hip Aristocrat|Lord Buckley]], [[Lenny Bruce]], [[Jeff Simmons]], and [[The Persuasions]], as well as producing the underground classic "[[Trout Mask Replica]]" for his old schoolmate [[Captain Beefheart]]. Zappa's labels also welcomed more anthropoiogicaily curious concepts, such as a cappella crooner Wild Man Fischer and groupies' group the [[GTO's]] (featuring [[Pamela Des Barres]]).</div></td><td class='diff-marker'>+</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>Zappa also formed a second label, [[Straight Records]], on which he released top-notch material from [[Alice Cooper]], [[Tim Buckley]], [[A Most Immaculately Hip Aristocrat|Lord Buckley]], [[Lenny Bruce]], [[Jeff Simmons]], and [[The Persuasions]], as well as producing the underground classic "[[Trout Mask Replica]]" for his old schoolmate [[Captain Beefheart]]. Zappa's labels also welcomed more anthropoiogicaily curious concepts, such as a cappella crooner Wild Man Fischer and groupies' group the [[GTO's]] (featuring [[<ins class="diffchange diffchange-inline">Pamela Miller|</ins>Pamela Des Barres]]).</div></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>Zappa's wide ranging projects were often tied together by a distinctly Zappa-fied graphic identity-artwork that was as unfettered and unique as the music it accompanied. No one was more responsible for this than [[Cal Schenkel]], a Philadelphian artist who met Zappa In 1967 when, according to Schenkel, "The art department was In Frank's apartment." Schenkel became what was marginally known as the "NT&B-Nifty, Tough & Bitchen-Art Department," designing album sleeves, advertisements or whatever was needed, using collage, assemblage, cartooning, sculpture, photography, and film. He moved in 1967 to Los Angeles and into a vacated dentist's office (which explains the pervasive dental motif of the "Uncle Meat" jacket). Schenkel's art created what he calls a "visual counterpoint to what Frank was doing."</div></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>Zappa's wide ranging projects were often tied together by a distinctly Zappa-fied graphic identity-artwork that was as unfettered and unique as the music it accompanied. No one was more responsible for this than [[Cal Schenkel]], a Philadelphian artist who met Zappa In 1967 when, according to Schenkel, "The art department was In Frank's apartment." Schenkel became what was marginally known as the "NT&B-Nifty, Tough & Bitchen-Art Department," designing album sleeves, advertisements or whatever was needed, using collage, assemblage, cartooning, sculpture, photography, and film. He moved in 1967 to Los Angeles and into a vacated dentist's office (which explains the pervasive dental motif of the "Uncle Meat" jacket). Schenkel's art created what he calls a "visual counterpoint to what Frank was doing."</div></td></tr>
</table>Jason.Kreitzerhttp://wiki.killuglyradio.com/index.php?title=Cucamonga_Science_%26_Beyond&diff=48845&oldid=prevDuncan: Buckley link2021-08-03T12:15:27Z<p>Buckley link</p>
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<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>Unfortunately for Zappa, his label was not in his corner, and frequently gave in to the urge to surgically excise any part of his records it deemed objectionable. Once free of his MGM contract, Zappa formed [[Bizarre Records]], which was a division of [[Reprise Records]], distributed through Warner Bros. Records. The first Bizarre release, "[[Uncle Meat]]," marked Zappa's debut as a recording artist whose autonomous label guaranteed his independence. With a new channel for his heavy output of new material, Zappa released a series of compeling, category-defying albums, induding "[[Burnt Weeny Sandwich]]," "[[Hot Rats]]," "[[Weasels Ripped My Flesh]]," "[[Chunga's Revenge]]," and later "[[Waka/Jawaka]]" and "[[The Grand Wazoo]]."</div></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>Unfortunately for Zappa, his label was not in his corner, and frequently gave in to the urge to surgically excise any part of his records it deemed objectionable. Once free of his MGM contract, Zappa formed [[Bizarre Records]], which was a division of [[Reprise Records]], distributed through Warner Bros. Records. The first Bizarre release, "[[Uncle Meat]]," marked Zappa's debut as a recording artist whose autonomous label guaranteed his independence. With a new channel for his heavy output of new material, Zappa released a series of compeling, category-defying albums, induding "[[Burnt Weeny Sandwich]]," "[[Hot Rats]]," "[[Weasels Ripped My Flesh]]," "[[Chunga's Revenge]]," and later "[[Waka/Jawaka]]" and "[[The Grand Wazoo]]."</div></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td></tr>
<tr><td class='diff-marker'>−</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>Zappa also formed a second label, [[Straight Records]], on which he released top-notch material from [[Alice Cooper]], [[Tim Buckley]], [[Lord Buckley]], [[Lenny Bruce]], [[Jeff Simmons]], and [[The Persuasions]], as well as producing the underground classic "[[Trout Mask Replica]]" for his old schoolmate [[Captain Beefheart]]. Zappa's labels also welcomed more anthropoiogicaily curious concepts, such as a cappella crooner Wild Man Fischer and groupies' group the [[GTO's]] (featuring [[Pamela Des Barres]]).</div></td><td class='diff-marker'>+</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>Zappa also formed a second label, [[Straight Records]], on which he released top-notch material from [[Alice Cooper]], [[Tim Buckley]], [[<ins class="diffchange diffchange-inline">A Most Immaculately Hip Aristocrat|</ins>Lord Buckley]], [[Lenny Bruce]], [[Jeff Simmons]], and [[The Persuasions]], as well as producing the underground classic "[[Trout Mask Replica]]" for his old schoolmate [[Captain Beefheart]]. Zappa's labels also welcomed more anthropoiogicaily curious concepts, such as a cappella crooner Wild Man Fischer and groupies' group the [[GTO's]] (featuring [[Pamela Des Barres]]).</div></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>Zappa's wide ranging projects were often tied together by a distinctly Zappa-fied graphic identity-artwork that was as unfettered and unique as the music it accompanied. No one was more responsible for this than [[Cal Schenkel]], a Philadelphian artist who met Zappa In 1967 when, according to Schenkel, "The art department was In Frank's apartment." Schenkel became what was marginally known as the "NT&B-Nifty, Tough & Bitchen-Art Department," designing album sleeves, advertisements or whatever was needed, using collage, assemblage, cartooning, sculpture, photography, and film. He moved in 1967 to Los Angeles and into a vacated dentist's office (which explains the pervasive dental motif of the "Uncle Meat" jacket). Schenkel's art created what he calls a "visual counterpoint to what Frank was doing."</div></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>Zappa's wide ranging projects were often tied together by a distinctly Zappa-fied graphic identity-artwork that was as unfettered and unique as the music it accompanied. No one was more responsible for this than [[Cal Schenkel]], a Philadelphian artist who met Zappa In 1967 when, according to Schenkel, "The art department was In Frank's apartment." Schenkel became what was marginally known as the "NT&B-Nifty, Tough & Bitchen-Art Department," designing album sleeves, advertisements or whatever was needed, using collage, assemblage, cartooning, sculpture, photography, and film. He moved in 1967 to Los Angeles and into a vacated dentist's office (which explains the pervasive dental motif of the "Uncle Meat" jacket). Schenkel's art created what he calls a "visual counterpoint to what Frank was doing."</div></td></tr>
</table>Duncanhttp://wiki.killuglyradio.com/index.php?title=Cucamonga_Science_%26_Beyond&diff=47150&oldid=prevJason.Kreitzer at 02:56, 22 July 20212021-07-22T02:56:31Z<p></p>
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<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>Frank Zappa's first interest in pop music was aroused by the great R&B artists of the '50s-from Howlin' Wolf and Muddy Waters to the [[The Spaniels|Spaniels]] and [[The Paragons]]. Of [[Elvis Presley]], Zappa told the Los Angeles Times Magazine, "I thought, 'Who is this white guy trying to make all this fake black music here?' I was one of the few people at that time who knew that '[[Hound Dog]]' was originally recorded by [[Willie Mae Thornton]] on the Peacock label."</div></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>Frank Zappa's first interest in pop music was aroused by the great R&B artists of the '50s-from Howlin' Wolf and Muddy Waters to the [[The Spaniels|Spaniels]] and [[The Paragons]]. Of [[Elvis Presley]], Zappa told the Los Angeles Times Magazine, "I thought, 'Who is this white guy trying to make all this fake black music here?' I was one of the few people at that time who knew that '[[Hound Dog]]' was originally recorded by [[Willie Mae Thornton]] on the Peacock label."</div></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td></tr>
<tr><td class='diff-marker'>−</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>Simultaneously with his love of black music, the teenaged Zappa fell in love with the music of [[Edgar Varèse]], [[Igor Stravinsky]] and [[<del class="diffchange diffchange-inline">Anton Friedrich Ernst von Webern|</del>Anton Webern]]. His symphonic recordings indude such projects as "[[Lumpy Gravy]]," "[[200 Motels]]," two albums with the London Symphony Orchestra, and "[[The Perfect Stranger]]," with noted conductor [[Pierre Boulez]].</div></td><td class='diff-marker'>+</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>Simultaneously with his love of black music, the teenaged Zappa fell in love with the music of [[<ins class="diffchange diffchange-inline">Edgard Varèse|</ins>Edgar Varèse]], [[Igor Stravinsky]] and [[Anton Webern]]. His symphonic recordings indude such projects as "[[Lumpy Gravy]]," "[[200 Motels]]," two albums with the London Symphony Orchestra, and "[[The Perfect Stranger]]," with noted conductor [[Pierre Boulez]].</div></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>Zappa took his dual grounding in classical R&B and "serious music" and mutated it into a rococo fantasy of jumbled genres, unconventional harmonies, jazzy instrumental accompaniment, unexpected percussion figures and a broad palette of electronic sounds. He assembles these disparate elements, scrambles, re-orders and re-processes them with an anarchic glee that's instantly recognizable as Zappa.</div></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>Zappa took his dual grounding in classical R&B and "serious music" and mutated it into a rococo fantasy of jumbled genres, unconventional harmonies, jazzy instrumental accompaniment, unexpected percussion figures and a broad palette of electronic sounds. He assembles these disparate elements, scrambles, re-orders and re-processes them with an anarchic glee that's instantly recognizable as Zappa.</div></td></tr>
</table>Jason.Kreitzerhttp://wiki.killuglyradio.com/index.php?title=Cucamonga_Science_%26_Beyond&diff=47087&oldid=prevJason.Kreitzer at 22:29, 21 July 20212021-07-21T22:29:14Z<p></p>
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</tr><tr><td colspan="2" class="diff-lineno" id="mw-diff-left-l52" >Line 52:</td>
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<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>As a label head, Zappa spares no criticism of the industry. "The main thing is that it has gotten so corrupt," he attests, "I believe it's probably more corrupt now that it ever was. It's virtually impossible to get a record played on the radio without paying off; it's virtually impossible to get videos shown without paying off ...</div></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>As a label head, Zappa spares no criticism of the industry. "The main thing is that it has gotten so corrupt," he attests, "I believe it's probably more corrupt now that it ever was. It's virtually impossible to get a record played on the radio without paying off; it's virtually impossible to get videos shown without paying off ...</div></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td></tr>
<tr><td class='diff-marker'>−</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>"My theory is, one of the reasons why they haven't fought all this labeling and censorship regulation is, that anytime the record industry stands up on its hind legs, there's gonna be one legislator who's gonna come along and recommend a payola hearing. And then everybody starts quaking in their boots. And this happened in 1985, If you'll remember back, after the Senate hearings on the [[PMRC]]. Within a month or two, Albert Gore started his own payola hearings, remember that? They did. They didn't last long but I mean that's like a shot across the bow. There's too many skeletons in the closet of the industry."</div></td><td class='diff-marker'>+</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>"My theory is, one of the reasons why they haven't fought all this labeling and censorship regulation is, that anytime the record industry stands up on its hind legs, there's gonna be one legislator who's gonna come along and recommend a payola hearing. And then everybody starts quaking in their boots. And this happened in 1985, If you'll remember back, after the Senate hearings on the [[<ins class="diffchange diffchange-inline">Parents Music Resource Center|</ins>PMRC]]. Within a month or two, Albert Gore started his own payola hearings, remember that? They did. They didn't last long but I mean that's like a shot across the bow. There's too many skeletons in the closet of the industry."</div></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>What should listeners expect in the future from composer-arranger-guitarist-theorist-social satirist Frank Zappa? His next 25 years will doubtlessly be governed by the same impulses that guided the preceding 25. "I have a strong interest in doing whatever pops into my mind on the day that I sit down and go to work," Zappa explains.</div></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>What should listeners expect in the future from composer-arranger-guitarist-theorist-social satirist Frank Zappa? His next 25 years will doubtlessly be governed by the same impulses that guided the preceding 25. "I have a strong interest in doing whatever pops into my mind on the day that I sit down and go to work," Zappa explains.</div></td></tr>
</table>Jason.Kreitzerhttp://wiki.killuglyradio.com/index.php?title=Cucamonga_Science_%26_Beyond&diff=47015&oldid=prevJason.Kreitzer at 01:52, 21 July 20212021-07-21T01:52:58Z<p></p>
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<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td></tr>
<tr><td class='diff-marker'>−</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>[[Frank Zappa]]'s entrance into the music business was not accompanied by the same celestial beacon of inspiration as when [[Salvador Dali]] melted his first clock or when Victor Frankenstein dug up his first cadaver. Rather, Frank Zappa's introduction to the music biz came first as a drummer and then guitarist in a series of high school, bar- and pickup-bands. (In fact, his dismal tenure with a combo called Joe Perrino & the Mellotones brought his musical career to a disgusted eight-month halt.) One turning point for the temporary college student and greeting card artist named Frank Zappa came when he met [[Paul Buff]], the owner of a small recording studio in [[Cucamonga]], Calif.</div></td><td class='diff-marker'>+</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>[[<ins class="diffchange diffchange-inline">Biography|</ins>Frank Zappa]]'s entrance into the music business was not accompanied by the same celestial beacon of inspiration as when [[Salvador Dali]] melted his first clock or when Victor Frankenstein dug up his first cadaver. Rather, Frank Zappa's introduction to the music biz came first as a drummer and then guitarist in a series of high school, bar- and pickup-bands. (In fact, his dismal tenure with a combo called Joe Perrino & the Mellotones brought his musical career to a disgusted eight-month halt.) One turning point for the temporary college student and greeting card artist named Frank Zappa came when he met [[Paul Buff]], the owner of a small recording studio in [[Cucamonga]], Calif.</div></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>"He came in, to the best of my recollection, with some jazz that he had written, and I guess he had a jazz band or two that he wanted to produce or record," recalls Buff, adding, "I can't remember if I ever charged Frank any money or if he even had any, but we kind of worked together and recorded some jazz things. He went up to Hollywood regularly and tried to sell'em. And nobody was interested, basically."</div></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>"He came in, to the best of my recollection, with some jazz that he had written, and I guess he had a jazz band or two that he wanted to produce or record," recalls Buff, adding, "I can't remember if I ever charged Frank any money or if he even had any, but we kind of worked together and recorded some jazz things. He went up to Hollywood regularly and tried to sell'em. And nobody was interested, basically."</div></td></tr>
</table>Jason.Kreitzerhttp://wiki.killuglyradio.com/index.php?title=Cucamonga_Science_%26_Beyond&diff=44815&oldid=prevSpider of Destiny at 03:46, 8 November 20202020-11-08T03:46:24Z<p></p>
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<tr><td class='diff-marker'>−</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>From <del class="diffchange diffchange-inline">[[</del>Billboard<del class="diffchange diffchange-inline">]]</del>, May 19, 1990.<br></div></td><td class='diff-marker'>+</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>From Billboard, May 19, 1990.<br></div></td></tr>
<tr><td class='diff-marker'>−</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>By <del class="diffchange diffchange-inline">[[</del>Drew Wheeler<del class="diffchange diffchange-inline">]]</del>.<br></div></td><td class='diff-marker'>+</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>By Drew Wheeler.<br></div></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td></tr>
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<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>"I think some of the work that I was able to do with Frank was kind of an opening to do Dadaist-is that the right word?-kinds of things," says Schenkel, "There really wasn't anything like that happening until then – to play with real art concepts."</div></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>"I think some of the work that I was able to do with Frank was kind of an opening to do Dadaist-is that the right word?-kinds of things," says Schenkel, "There really wasn't anything like that happening until then – to play with real art concepts."</div></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td></tr>
<tr><td class='diff-marker'>−</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>Frank Zappa's first interest in pop music was aroused by the great R&B artists of the '50s-from Howlin' Wolf and Muddy Waters to the [[The Spaniels|Spaniels]] and [[The Paragons]]. Of [[Elvis Presley]], Zappa told the Los Angeles Times Magazine, "I thought, 'Who is this white guy trying to make all this fake black music here?' I was one of the few people at that time who knew that '[[Hound Dog]]' was originally recorded by Willie Mae Thornton on the Peacock label."</div></td><td class='diff-marker'>+</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>Frank Zappa's first interest in pop music was aroused by the great R&B artists of the '50s-from Howlin' Wolf and Muddy Waters to the [[The Spaniels|Spaniels]] and [[The Paragons]]. Of [[Elvis Presley]], Zappa told the Los Angeles Times Magazine, "I thought, 'Who is this white guy trying to make all this fake black music here?' I was one of the few people at that time who knew that '[[Hound Dog]]' was originally recorded by <ins class="diffchange diffchange-inline">[[</ins>Willie Mae Thornton<ins class="diffchange diffchange-inline">]] </ins>on the Peacock label."</div></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>Simultaneously with his love of black music, the teenaged Zappa fell in love with the music of [[Edgar Varèse]], [[Igor Stravinsky]] and [[Anton Friedrich Ernst von Webern|Anton Webern]]. His symphonic recordings indude such projects as "[[Lumpy Gravy]]," "[[200 Motels]]," two albums with the London Symphony Orchestra, and "[[The Perfect Stranger]]," with noted conductor [[Pierre Boulez]].</div></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>Simultaneously with his love of black music, the teenaged Zappa fell in love with the music of [[Edgar Varèse]], [[Igor Stravinsky]] and [[Anton Friedrich Ernst von Webern|Anton Webern]]. His symphonic recordings indude such projects as "[[Lumpy Gravy]]," "[[200 Motels]]," two albums with the London Symphony Orchestra, and "[[The Perfect Stranger]]," with noted conductor [[Pierre Boulez]].</div></td></tr>
</table>Spider of Destinyhttp://wiki.killuglyradio.com/index.php?title=Cucamonga_Science_%26_Beyond&diff=34827&oldid=prevSpider of Destiny at 13:44, 30 December 20102010-12-30T13:44:31Z<p></p>
<table class="diff diff-contentalign-left" data-mw="interface">
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<td colspan="2" style="background-color: #fff; color: #222; text-align: center;">Revision as of 13:44, 30 December 2010</td>
</tr><tr><td colspan="2" class="diff-lineno" id="mw-diff-left-l4" >Line 4:</td>
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<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td></tr>
<tr><td class='diff-marker'>−</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>[[Frank Zappa]]'s entrance into the music business was not accompanied by the same celestial beacon of inspiration as when [[<del class="diffchange diffchange-inline">wikipedia:Salvador Dali|</del>Salvador Dali]] melted his first clock or when Victor Frankenstein dug up his first cadaver. Rather, Frank Zappa's introduction to the music biz came first as a drummer and then guitarist in a series of high school, bar- and pickup-bands. (In fact, his dismal tenure with a combo called Joe Perrino & the Mellotones brought his musical career to a disgusted eight-month halt.) One turning point for the temporary college student and greeting card artist named Frank Zappa came when he met [[Paul Buff]], the owner of a small recording studio in [[Cucamonga]], Calif.</div></td><td class='diff-marker'>+</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>[[Frank Zappa]]'s entrance into the music business was not accompanied by the same celestial beacon of inspiration as when [[Salvador Dali]] melted his first clock or when Victor Frankenstein dug up his first cadaver. Rather, Frank Zappa's introduction to the music biz came first as a drummer and then guitarist in a series of high school, bar- and pickup-bands. (In fact, his dismal tenure with a combo called Joe Perrino & the Mellotones brought his musical career to a disgusted eight-month halt.) One turning point for the temporary college student and greeting card artist named Frank Zappa came when he met [[Paul Buff]], the owner of a small recording studio in [[Cucamonga]], Calif.</div></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>"He came in, to the best of my recollection, with some jazz that he had written, and I guess he had a jazz band or two that he wanted to produce or record," recalls Buff, adding, "I can't remember if I ever charged Frank any money or if he even had any, but we kind of worked together and recorded some jazz things. He went up to Hollywood regularly and tried to sell'em. And nobody was interested, basically."</div></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>"He came in, to the best of my recollection, with some jazz that he had written, and I guess he had a jazz band or two that he wanted to produce or record," recalls Buff, adding, "I can't remember if I ever charged Frank any money or if he even had any, but we kind of worked together and recorded some jazz things. He went up to Hollywood regularly and tried to sell'em. And nobody was interested, basically."</div></td></tr>
<tr><td colspan="2" class="diff-lineno" id="mw-diff-left-l12" >Line 12:</td>
<td colspan="2" class="diff-lineno">Line 12:</td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>During the JFK years, Zappa and Buff recorded a series of R&B, surf and novelty songs released on such labels as Original Sound, Donna and, as Zappa recalls, "a cheesoid label called Vigah." (One Vigah 45 was "Hey Nelda," a hilarious take on Paul & Paula's hit "Hey Paul.")</div></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>During the JFK years, Zappa and Buff recorded a series of R&B, surf and novelty songs released on such labels as Original Sound, Donna and, as Zappa recalls, "a cheesoid label called Vigah." (One Vigah 45 was "Hey Nelda," a hilarious take on Paul & Paula's hit "Hey Paul.")</div></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td></tr>
<tr><td class='diff-marker'>−</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>An R&B singer with whom Zappa co-wrote <del class="diffchange diffchange-inline">the Penguin's </del>"Memories Of El Monte", [[Ray Collins]], asked Zappa to join a group called the Soul Giants. Zappa ultimately became leader of the band, which featured bassist [[Roy Estrada]] and drummer [[Jimmy Carl Black]]. In 1964 they were officially named [[The Mothers|the Mothers]].</div></td><td class='diff-marker'>+</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>An R&B singer with whom Zappa co-wrote <ins class="diffchange diffchange-inline">[[The Penguins]] </ins>"<ins class="diffchange diffchange-inline">[[</ins>Memories Of El Monte<ins class="diffchange diffchange-inline">]]</ins>", [[Ray Collins]], asked Zappa to join a group called the Soul Giants. Zappa ultimately became leader of the band, which featured bassist [[Roy Estrada]] and drummer [[Jimmy Carl Black]]. In 1964 they were officially named [[The Mothers|the Mothers]].</div></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td></tr>
<tr><td class='diff-marker'>−</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>Exposure at L.A. hot spots like the [[Whisky a Go-Go|Whiskey a Go-Go]] brought Zappa and the Mothers a recording deal with MGM Records-and the compulsory appendage "Of Invention" to their name. Their producer and A&R man was the late [[Tom Wilson]], the rock visionary who also produced the [[<del class="diffchange diffchange-inline">wikipedia:Velvet Underground|</del>Velvet Underground]] and presided over the electrification of [[Bob Dylan]].</div></td><td class='diff-marker'>+</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>Exposure at L.A. hot spots like the [[Whisky a Go-Go|Whiskey a Go-Go]] brought Zappa and the Mothers a recording deal with MGM Records-and the compulsory appendage "Of Invention" to their name. Their producer and A&R man was the late [[Tom Wilson]], the rock visionary who also produced the [[<ins class="diffchange diffchange-inline">The </ins>Velvet Underground]] and presided over the electrification of [[Bob Dylan]].</div></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>"He was a fabulous guy; it's too bad that he's gone," Zappa remembers. "I think they could use a guy like that in the business now because he was a real risk-taker. And he put his ass on the line in order to sign us, and not just to sign us, but after the first album was a complete flop, he pushed to make sure that we could do album #2 and album #3. I definitely had the feeling that as a producer of those early records he was in our corner."</div></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>"He was a fabulous guy; it's too bad that he's gone," Zappa remembers. "I think they could use a guy like that in the business now because he was a real risk-taker. And he put his ass on the line in order to sign us, and not just to sign us, but after the first album was a complete flop, he pushed to make sure that we could do album #2 and album #3. I definitely had the feeling that as a producer of those early records he was in our corner."</div></td></tr>
<tr><td colspan="2" class="diff-lineno" id="mw-diff-left-l26" >Line 26:</td>
<td colspan="2" class="diff-lineno">Line 26:</td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>"I think some of the work that I was able to do with Frank was kind of an opening to do Dadaist-is that the right word?-kinds of things," says Schenkel, "There really wasn't anything like that happening until then – to play with real art concepts."</div></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>"I think some of the work that I was able to do with Frank was kind of an opening to do Dadaist-is that the right word?-kinds of things," says Schenkel, "There really wasn't anything like that happening until then – to play with real art concepts."</div></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td></tr>
<tr><td class='diff-marker'>−</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>Frank Zappa's first interest in pop music was aroused by the great R&B artists of the '50s-from Howlin' Wolf and Muddy Waters to the [[The Spaniels|Spaniels]] and <del class="diffchange diffchange-inline">the </del>[[Paragons]]. Of [[Elvis Presley]], Zappa told the Los Angeles Times Magazine, "I thought, 'Who is this white guy trying to make all this fake black music here?' I was one of the few people at that time who knew that 'Hound Dog' was originally recorded by Willie Mae Thornton on the Peacock label."</div></td><td class='diff-marker'>+</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>Frank Zappa's first interest in pop music was aroused by the great R&B artists of the '50s-from Howlin' Wolf and Muddy Waters to the [[The Spaniels|Spaniels]] and [[<ins class="diffchange diffchange-inline">The </ins>Paragons]]. Of [[Elvis Presley]], Zappa told the Los Angeles Times Magazine, "I thought, 'Who is this white guy trying to make all this fake black music here?' I was one of the few people at that time who knew that '<ins class="diffchange diffchange-inline">[[</ins>Hound Dog<ins class="diffchange diffchange-inline">]]</ins>' was originally recorded by Willie Mae Thornton on the Peacock label."</div></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td></tr>
<tr><td class='diff-marker'>−</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>Simultaneously with his love of black music, the teenaged Zappa fell in love with the music of [[Edgar Varèse]], [[Igor Stravinsky]] and [[Anton Friedrich Ernst von Webern|Anton Webern]]. His symphonic recordings indude such projects as "[[Lumpy Gravy]]," "[[200 Motels]]," two albums with the London Symphony Orchestra, and "The Perfect Stranger," with noted conductor Pierre Boulez.</div></td><td class='diff-marker'>+</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>Simultaneously with his love of black music, the teenaged Zappa fell in love with the music of [[Edgar Varèse]], [[Igor Stravinsky]] and [[Anton Friedrich Ernst von Webern|Anton Webern]]. His symphonic recordings indude such projects as "[[Lumpy Gravy]]," "[[200 Motels]]," two albums with the London Symphony Orchestra, and "<ins class="diffchange diffchange-inline">[[</ins>The Perfect Stranger<ins class="diffchange diffchange-inline">]]</ins>," with noted conductor <ins class="diffchange diffchange-inline">[[</ins>Pierre Boulez<ins class="diffchange diffchange-inline">]]</ins>.</div></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>Zappa took his dual grounding in classical R&B and "serious music" and mutated it into a rococo fantasy of jumbled genres, unconventional harmonies, jazzy instrumental accompaniment, unexpected percussion figures and a broad palette of electronic sounds. He assembles these disparate elements, scrambles, re-orders and re-processes them with an anarchic glee that's instantly recognizable as Zappa.</div></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>Zappa took his dual grounding in classical R&B and "serious music" and mutated it into a rococo fantasy of jumbled genres, unconventional harmonies, jazzy instrumental accompaniment, unexpected percussion figures and a broad palette of electronic sounds. He assembles these disparate elements, scrambles, re-orders and re-processes them with an anarchic glee that's instantly recognizable as Zappa.</div></td></tr>
</table>Spider of Destinyhttp://wiki.killuglyradio.com/index.php?title=Cucamonga_Science_%26_Beyond&diff=24588&oldid=prevPropellerkuh at 19:25, 26 May 20072007-05-26T19:25:17Z<p></p>
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<td colspan="2" style="background-color: #fff; color: #222; text-align: center;">Revision as of 19:25, 26 May 2007</td>
</tr><tr><td colspan="2" class="diff-lineno" id="mw-diff-left-l26" >Line 26:</td>
<td colspan="2" class="diff-lineno">Line 26:</td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>"I think some of the work that I was able to do with Frank was kind of an opening to do Dadaist-is that the right word?-kinds of things," says Schenkel, "There really wasn't anything like that happening until then – to play with real art concepts."</div></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>"I think some of the work that I was able to do with Frank was kind of an opening to do Dadaist-is that the right word?-kinds of things," says Schenkel, "There really wasn't anything like that happening until then – to play with real art concepts."</div></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td></tr>
<tr><td class='diff-marker'>−</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>Frank Zappa's first interest in pop music was aroused by the great R&B artists of the '50s-from Howlin' Wolf and Muddy Waters to the Spaniels and the Paragons. Of Elvis Presley, Zappa told the Los Angeles Times Magazine, "I thought, 'Who is this white guy trying to make all this fake black music here?' I was one of the few people at that time who knew that 'Hound Dog' was originally recorded by Willie Mae Thornton on the Peacock label."</div></td><td class='diff-marker'>+</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>Frank Zappa's first interest in pop music was aroused by the great R&B artists of the '50s-from Howlin' Wolf and Muddy Waters to the <ins class="diffchange diffchange-inline">[[The </ins>Spaniels<ins class="diffchange diffchange-inline">|Spaniels]] </ins>and the <ins class="diffchange diffchange-inline">[[</ins>Paragons<ins class="diffchange diffchange-inline">]]</ins>. Of <ins class="diffchange diffchange-inline">[[</ins>Elvis Presley<ins class="diffchange diffchange-inline">]]</ins>, Zappa told the Los Angeles Times Magazine, "I thought, 'Who is this white guy trying to make all this fake black music here?' I was one of the few people at that time who knew that 'Hound Dog' was originally recorded by Willie Mae Thornton on the Peacock label."</div></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>Simultaneously with his love of black music, the teenaged Zappa fell in love with the music of [[Edgar Varèse]], [[Igor Stravinsky]] and [[Anton Friedrich Ernst von Webern|Anton Webern]]. His symphonic recordings indude such projects as "[[Lumpy Gravy]]," "[[200 Motels]]," two albums with the London Symphony Orchestra, and "The Perfect Stranger," with noted conductor Pierre Boulez.</div></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>Simultaneously with his love of black music, the teenaged Zappa fell in love with the music of [[Edgar Varèse]], [[Igor Stravinsky]] and [[Anton Friedrich Ernst von Webern|Anton Webern]]. His symphonic recordings indude such projects as "[[Lumpy Gravy]]," "[[200 Motels]]," two albums with the London Symphony Orchestra, and "The Perfect Stranger," with noted conductor Pierre Boulez.</div></td></tr>
</table>Propellerkuh