Difference between revisions of "Amériques"

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m (moved Ameriques to Amériques: This is the real title.)
 
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From Wikipedia, the free encyclopedia, for further and more detailed [[wikipedia:Edgard Varèse|information]].
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[[File:Amériques.jpg|500px|thumb|right|''Amériques'' by Edgard Varèse, ''L'Homme Et Son Désir'' by Darius Milhaud and ''Pacific 231'' by Arthur Honegger, conducted by Maurice Abravanel and the Utah Symphony Orchestra. This 1966 album, recorded by Vanguard, was recommended by Zappa himself as the best performance of ''Amériques''.]]  
  
After being invalided out of the French Army during World War I, [[Edgard Varèse]] moved to the United States in 1915. In 1917 Varèse made his debut in America conducting a piece by Berlioz.
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'''Amériques''' is a 1921 composition by [[Edgard Varèse]], but it remained unperformed until 1926.  
  
He spent the first few years in the United States meeting important contributors to American music, promoting his vision of new electronic art music instruments, conducting orchestras, and founding the New Symphony Orchestra, which was short-lived.
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It was his first work composed in the United States, since he moved to the country in 1915 because of World War I. It was at the completion of this work that Varèse, along with Carlos Salzedo, founded the International Composers' Guild, dedicated to the performances of new compositions of both American and European composers. The ICG's manifesto in July 1921 included the statement that: ''"The present day composers refuse to die. They have realized the necessity of banding together and fighting for the right of each individual to secure a fair and free presentation of his work."''
  
It was also about this time that Varèse began work on his first composition in the United States, '''Amériques,''' which was finished in 1921 but would remain unperformed until 1926. It was at the completion of this work that Varèse, along with Carlos Salzedo, founded the International Composers' Guild, dedicated to the performances of new compositions of both American and European composers. The ICG's manifesto in July 1921 included the statement that
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==Zappa about "Amériques"==
  
<blockquote>"The present day composers refuse to die. They have realised the necessity of banding together and fighting for the right of each individual to secure a fair and free presentation of his work."</blockquote>
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In ''[[Son of Suzy Creamcheese]]'', an article by [[Robert Shelton]], [[The New York Times]], 1966, Zappa said about ''Amériques'': ''"It blows my mind. It’s my favorite top-40 record".
[[Category:Favorite Music]]
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''"I mean, a piece like "Amériques" by Edgard Varèse (...) would scare the average teenager to death. and I mean really scare 'em to death. Vanguard just released a recording of it."''. - Zappa in ''[[Don Paulsen interviews FZ]]'', 22 December 1966.
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''"I would recommend (...) the Utah Symphony recording of "Amériques' on Vanguard."'' (''[[Edgard Varèse: The Idol of My Youth]]'', June 1971)
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==External links==
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*[[Wikipedia:Amériques]]
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*[https://www.discogs.com/Edgar-Var%C3%A8se-Darius-Milhaud-Arthur-Honegger-Am%C3%A9riques-LHomme-Et-Son-D%C3%A9sir-Pacific-231/release/1184697 Discogs article about the 1966 Vanguard album.]
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[[Category:Favorite Compositions]]
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[[Category:Favorite Albums]]

Latest revision as of 06:07, 4 November 2020

Amériques by Edgard Varèse, L'Homme Et Son Désir by Darius Milhaud and Pacific 231 by Arthur Honegger, conducted by Maurice Abravanel and the Utah Symphony Orchestra. This 1966 album, recorded by Vanguard, was recommended by Zappa himself as the best performance of Amériques.

Amériques is a 1921 composition by Edgard Varèse, but it remained unperformed until 1926.

It was his first work composed in the United States, since he moved to the country in 1915 because of World War I. It was at the completion of this work that Varèse, along with Carlos Salzedo, founded the International Composers' Guild, dedicated to the performances of new compositions of both American and European composers. The ICG's manifesto in July 1921 included the statement that: "The present day composers refuse to die. They have realized the necessity of banding together and fighting for the right of each individual to secure a fair and free presentation of his work."

Zappa about "Amériques"

In Son of Suzy Creamcheese, an article by Robert Shelton, The New York Times, 1966, Zappa said about Amériques: "It blows my mind. It’s my favorite top-40 record".

"I mean, a piece like "Amériques" by Edgard Varèse (...) would scare the average teenager to death. and I mean really scare 'em to death. Vanguard just released a recording of it.". - Zappa in Don Paulsen interviews FZ, 22 December 1966.

"I would recommend (...) the Utah Symphony recording of "Amériques' on Vanguard." (Edgard Varèse: The Idol of My Youth, June 1971)

External links