Difference between revisions of "Mudd Club"
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==Lyrics== | ==Lyrics== | ||
− | + | ==='You Are What You Is' version=== | |
− | + | And here we are, at the Mudd Club, y'all | |
− | <br>I hope you enjoy yourself | + | <br>I hope you enjoy yourself |
− | + | <br>'Cause the show's about to begin... | |
<br> | <br> | ||
<br>Hey, they're really dancin' | <br>Hey, they're really dancin' | ||
<br>They're on auto-destruct | <br>They're on auto-destruct | ||
− | <br>On the floor | + | <br>On the floor, on the pipe |
− | |||
<br>Bouncin' off-a the wall | <br>Bouncin' off-a the wall | ||
− | + | ||
− | + | Hey, the people here | |
− | <br> | + | <br>Are really tearin' it up |
− | <br>On the side | + | <br>On the side, in the back |
− | |||
<br>By the front of the stage | <br>By the front of the stage | ||
− | + | ||
− | + | They ain't really crazy | |
<br>You can take it from me | <br>You can take it from me | ||
− | <br>I should know | + | <br>I should know 'cause I go |
− | |||
<br>Every time I'm in town | <br>Every time I'm in town | ||
− | + | ||
− | + | If you never tried it | |
<br>Lemme straighten you out | <br>Lemme straighten you out | ||
<br>It's the best kinda place | <br>It's the best kinda place | ||
<br>To unfasten yerself | <br>To unfasten yerself | ||
<br> | <br> | ||
− | <br>MUDD CLUB | + | <br>MUDD CLUB! |
− | <br>All the way downtown | + | <br>''All the way downtown'' |
− | <br>MUDD CLUB | + | <br>MUDD CLUB! |
− | <br>They ain't messin' around | + | <br>''They ain't messin' around'' |
− | <br>MUDD CLUB | + | <br>MUDD CLUB! |
− | <br>Just turn to the left 'n look around | + | <br>''Just turn to the left 'n look around'' |
− | <br>Because it's there somewhere | + | <br>''Because it's there somewhere'' |
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<br> | <br> | ||
− | <br>Try it on a Saturday 'bout four o'clock in the mornin' | + | <br>''If you ain't found it, better hurry up'' |
− | + | <br>''The folks down there's on auto-destruct'' | |
− | + | <br>''And so can you be too'' | |
− | + | <br>''The fact of the matter: it's made for you'' | |
− | + | ||
− | <br>In a black sack dress with nine inch heels | + | ''Try it on a Saturday 'bout four o'clock in the mornin' or even a Monday at midnight when there's just a few of those Fabulous Poodles doin' the Peppermint Twist for real '' |
− | <br>And then a guy with a blue mohawk comes in | + | <br>''In a black sack dress with nine inch heels '' |
− | <br>In Serious Leather . . . | + | <br>''And then a guy with a blue mohawk comes in '' |
− | + | <br>''In Serious Leather...'' | |
− | + | ||
− | + | ''And all the rest of whom for which to whensonever of partially indeterminate bio-chemical degradation seek the path to the sudsy, yellow nozzle of their foaming, nocturnal, parametric, digital, whole-wheat, inter-faith, geo-thermal, terpsichorean ejectamenta'' | |
− | + | <br>''In Serious Leather...'' | |
− | + | <br>''In Serious Chains...'' | |
− | + | ||
− | + | ''Then they work the wall'' | |
− | <br>In Serious Leather . . . | + | <br>''They work the pipe'' |
− | <br>In Serious Chains | + | <br>''They work the floor'' |
− | + | <br>'''N they work the wall some more'' | |
− | <br>They work the pipe | + | <br>''In Serious Leather...'' |
− | <br>They work the floor | + | <br>''Serious Chains...'' |
− | <br>'N they work the wall some more | + | <br>''Serious Clothing...'' |
− | <br>In Serious Leather | + | |
− | <br>Serious Chains | + | ''From when they come downtown'' |
− | <br>Serious Clothing | + | <br>''From the ruins of Studio '54'' |
− | + | <br>''To twist 'n frugg'' | |
− | <br>From the ruins of Studio '54 | + | <br>''In an arrogant gesture'' |
− | <br>To twist 'n frugg | + | <br>''To the best of what the 20th Century has to offer'' |
− | <br>In an arrogant gesture | + | <br>''Al Malkin's down there right now,'' |
− | <br>To the best of what the 20th Century has to offer | + | <br>''Looking for a virgin with nice breath'' |
+ | <br>Why, maybe it's you? | ||
+ | <br>''And you don't even know it!'' | ||
<br> | <br> | ||
− | <br> | + | <br>Hey, they're really dancin' |
− | <br> | + | <br>They're on auto-destruct |
− | <br> | + | <br>On the floor, on the pipe |
− | <br> | + | <br>Bouncin' off-a the wall |
+ | |||
+ | Hey, the people here | ||
+ | <br>Are really tearin' it up | ||
+ | <br>On the side, in the back, | ||
+ | <br>By the front of the stage | ||
+ | |||
+ | They ain't really crazy | ||
+ | <br>You can take it from me | ||
+ | <br>I should know 'cause I go | ||
+ | <br>Every time I'm in town | ||
+ | |||
+ | If you never tried it | ||
+ | <br>Lemme straighten you out | ||
+ | <br>It's the best kinda place | ||
+ | <br>To unfasten yerself | ||
+ | <br>While you... | ||
<br> | <br> | ||
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<br> | <br> | ||
− | <br>Hey, the people here | + | |
− | <br> | + | ===''Thing-Fish'' version=== |
− | <br>On the side | + | |
− | + | '''SISTER OWL-GONKWIN-JANE COW-HOON:'''<br> | |
− | <br>By the front of the stage | + | And here we are, At the Mudd Club, y'all!<br> |
+ | I hope you enjoy yourself,<br> | ||
+ | 'Cause the show's about to begin!<br> | ||
+ | <br> | ||
+ | '''MAMMY NUN ENSEMBLE (& THING-FISH):'''<br> | ||
+ | Hey, they're really dancin'<br> | ||
+ | They're on auto-destruct<br> | ||
+ | On the floor, on the pipe<br> | ||
+ | Bouncin' off-a the wall<br> | ||
+ | |||
+ | Hey, the people here<br> | ||
+ | Are really tearin' it up<br> | ||
+ | On the side, in the back<br> | ||
+ | By the front of the stage<br> | ||
+ | |||
+ | They ain't really crazy<br> | ||
+ | You can take it from me<br> | ||
+ | I should know 'cause I go<br> | ||
+ | Every time I'm in town<br> | ||
+ | |||
+ | If you never tried it<br> | ||
+ | Lemme straighten you out<br> | ||
+ | It's the best kinda place<br> | ||
+ | To unfasten yerself<br> | ||
<br> | <br> | ||
− | <br>They ain't | + | MUDD CLUB! (''All the way downtown!'')<br> |
− | <br> | + | MUDD CLUB! (''They ain't messin' around!'')<br> |
− | + | MUDD CLUB! (''Just turn to the left 'n look around because it's there somewhere!'')<br> | |
− | |||
− | <br> | ||
<br> | <br> | ||
− | <br>If you | + | '''THING-FISH:'''<br> |
− | <br> | + | ''If you ain't found it, better hurry up!''<br> |
− | <br> | + | ''The folks down there's on auto-destruct''<br> |
− | <br> | + | ''And so can you be, too!''br> |
+ | ''De fact o' de matter: it's made for you!''<br> | ||
+ | |||
+ | ''Try it on a Saturday 'bout four o'clock in the mornin', or even a Monday at midnight, when there's just a few of them severely ignint white folks doin' the Peppermint Twist for real''<br> | ||
+ | ''In a black sack dress with nine-inch heels''<br> | ||
+ | ''And then a guy with a blue mohawk come in''<br> | ||
+ | ''In Serious Leather...''<br> | ||
+ | |||
+ | ''And all the rest of whom for which to when-so-never of partially indeterminate, biochemical degradation seek "the Path" to the sudsy, yellow nozzle of their foaming, nocturnal, parametric-digital, whole-wheat, inter-faith, geo-thermal, terpsichorean, Ejectamenta''<br> | ||
+ | ''In Serious Leather...''<br> | ||
+ | ''In Serious Chains...''<br> | ||
+ | |||
+ | '''N den dey works de wall!''<br> | ||
+ | ''Dey works de floor!''<br> | ||
+ | ''Dey works de pipe!''<br> | ||
+ | '''N dey works de wall some more!''<br> | ||
+ | ''In Serious Leather...''<br> | ||
+ | ''Serious Chains...''<br> | ||
+ | ''Serious Clothing...''<br> | ||
+ | ''From when they come downtown''<br> | ||
+ | ''From the ruins of Studio '54''<br> | ||
+ | ''To twist 'n frugg in an arrogant gesture''<br> | ||
+ | ''To the best of what de 20th Century have to offer''<br> | ||
+ | ''Including a generous supply of IGNINT McNUGGET!''<br> | ||
+ | |||
+ | ''QUENTIN ROBERT DeNAMELAND down there right now,''<br> | ||
+ | ''With a whole face-full of IGNINT McNUGGET''<br> | ||
+ | ''Looking for a virgin with nice breath!''<br> | ||
+ | |||
+ | '''SISTER JASMINA NOXEMA-TAPIOCA & SISTER POTATO-HEAD BOBBY BROWN:'''<br> | ||
+ | Why, maybe it's you?<br> | ||
+ | |||
+ | '''THING-FISH:'''<br> | ||
+ | ''And you don't even know it!''<br> | ||
<br> | <br> | ||
+ | '''MAMMY NUN ENSEMBLE (& THING-FISH):'''<br> | ||
+ | Hey, they're really dancin' (''Dey really dancin'!'')<br> | ||
+ | They're on auto-destruct!<br> | ||
+ | On the floor, on the pipe<br> | ||
+ | Bouncin' off-a the wall! (''Right offa dat wall, too!'')<br> | ||
+ | |||
+ | Hey, the people here<br> | ||
+ | Are really tearin' it up (''Dey tearin' it off!'')<br> | ||
+ | On the side, in the back<br> | ||
+ | By the front of the stage (''Took de boy's Mohawk off!'')<br> | ||
+ | |||
+ | They ain't really crazy<br> | ||
+ | You can take it from me (''Uh-oh! I smells trubba!'')<br> | ||
+ | I should know 'cause I go<br> | ||
+ | Every time I'm in town (''Christians comin' up!'')<br> | ||
− | + | If you never tried it,<br> | |
+ | Lemme straighten you out (''Lemme straighten you out, now!'')<br> | ||
+ | It's the best kinda place<br> | ||
+ | To un-fasten yerself (''Get off dat wall now'')<br> | ||
+ | While you...<br> | ||
+ | <br> | ||
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==Players On This Song== | ==Players On This Song== | ||
* [[Thing-Fish]] version | * [[Thing-Fish]] version |
Revision as of 16:30, 29 November 2007
Contents
Lyrics
'You Are What You Is' version
And here we are, at the Mudd Club, y'all
I hope you enjoy yourself
'Cause the show's about to begin...
Hey, they're really dancin'
They're on auto-destruct
On the floor, on the pipe
Bouncin' off-a the wall
Hey, the people here
Are really tearin' it up
On the side, in the back
By the front of the stage
They ain't really crazy
You can take it from me
I should know 'cause I go
Every time I'm in town
If you never tried it
Lemme straighten you out
It's the best kinda place
To unfasten yerself
MUDD CLUB!
All the way downtown
MUDD CLUB!
They ain't messin' around
MUDD CLUB!
Just turn to the left 'n look around
Because it's there somewhere
If you ain't found it, better hurry up
The folks down there's on auto-destruct
And so can you be too
The fact of the matter: it's made for you
Try it on a Saturday 'bout four o'clock in the mornin' or even a Monday at midnight when there's just a few of those Fabulous Poodles doin' the Peppermint Twist for real
In a black sack dress with nine inch heels
And then a guy with a blue mohawk comes in
In Serious Leather...
And all the rest of whom for which to whensonever of partially indeterminate bio-chemical degradation seek the path to the sudsy, yellow nozzle of their foaming, nocturnal, parametric, digital, whole-wheat, inter-faith, geo-thermal, terpsichorean ejectamenta
In Serious Leather...
In Serious Chains...
Then they work the wall
They work the pipe
They work the floor
'N they work the wall some more
In Serious Leather...
Serious Chains...
Serious Clothing...
From when they come downtown
From the ruins of Studio '54
To twist 'n frugg
In an arrogant gesture
To the best of what the 20th Century has to offer
Al Malkin's down there right now,
Looking for a virgin with nice breath
Why, maybe it's you?
And you don't even know it!
Hey, they're really dancin'
They're on auto-destruct
On the floor, on the pipe
Bouncin' off-a the wall
Hey, the people here
Are really tearin' it up
On the side, in the back,
By the front of the stage
They ain't really crazy
You can take it from me
I should know 'cause I go
Every time I'm in town
If you never tried it
Lemme straighten you out
It's the best kinda place
To unfasten yerself
While you...
Thing-Fish version
SISTER OWL-GONKWIN-JANE COW-HOON:
And here we are, At the Mudd Club, y'all!
I hope you enjoy yourself,
'Cause the show's about to begin!
MAMMY NUN ENSEMBLE (& THING-FISH):
Hey, they're really dancin'
They're on auto-destruct
On the floor, on the pipe
Bouncin' off-a the wall
Hey, the people here
Are really tearin' it up
On the side, in the back
By the front of the stage
They ain't really crazy
You can take it from me
I should know 'cause I go
Every time I'm in town
If you never tried it
Lemme straighten you out
It's the best kinda place
To unfasten yerself
MUDD CLUB! (All the way downtown!)
MUDD CLUB! (They ain't messin' around!)
MUDD CLUB! (Just turn to the left 'n look around because it's there somewhere!)
THING-FISH:
If you ain't found it, better hurry up!
The folks down there's on auto-destruct
And so can you be, too!br>
De fact o' de matter: it's made for you!
Try it on a Saturday 'bout four o'clock in the mornin', or even a Monday at midnight, when there's just a few of them severely ignint white folks doin' the Peppermint Twist for real
In a black sack dress with nine-inch heels
And then a guy with a blue mohawk come in
In Serious Leather...
And all the rest of whom for which to when-so-never of partially indeterminate, biochemical degradation seek "the Path" to the sudsy, yellow nozzle of their foaming, nocturnal, parametric-digital, whole-wheat, inter-faith, geo-thermal, terpsichorean, Ejectamenta
In Serious Leather...
In Serious Chains...
'N den dey works de wall!
Dey works de floor!
Dey works de pipe!
'N dey works de wall some more!
In Serious Leather...
Serious Chains...
Serious Clothing...
From when they come downtown
From the ruins of Studio '54
To twist 'n frugg in an arrogant gesture
To the best of what de 20th Century have to offer
Including a generous supply of IGNINT McNUGGET!
QUENTIN ROBERT DeNAMELAND down there right now,
With a whole face-full of IGNINT McNUGGET
Looking for a virgin with nice breath!
SISTER JASMINA NOXEMA-TAPIOCA & SISTER POTATO-HEAD BOBBY BROWN:
Why, maybe it's you?
THING-FISH:
And you don't even know it!
MAMMY NUN ENSEMBLE (& THING-FISH):
Hey, they're really dancin' (Dey really dancin'!)
They're on auto-destruct!
On the floor, on the pipe
Bouncin' off-a the wall! (Right offa dat wall, too!)
Hey, the people here
Are really tearin' it up (Dey tearin' it off!)
On the side, in the back
By the front of the stage (Took de boy's Mohawk off!)
They ain't really crazy
You can take it from me (Uh-oh! I smells trubba!)
I should know 'cause I go
Every time I'm in town (Christians comin' up!)
If you never tried it,
Lemme straighten you out (Lemme straighten you out, now!)
It's the best kinda place
To un-fasten yerself (Get off dat wall now)
While you...
Players On This Song
- Thing-Fish version
- Ike Willis rhythm guitar and vocals
- Ray White rhythm guitar and vocals
- Tommy Mars keyboards
- Arthur Barrow bass
- Motorhead Sherwood Tenor Sax
- Chad Wackerman drums