Difference between revisions of "Boston Globe Jazz Festival"
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FZ in "[[The Real Frank Zappa Book]]" (1989): "''The first time we played with Rahsaan [[Roland Kirk]] was at the 1968 [[Boston Globe Jazz Festival]]. After his performance, when introduced to him backstage, I said I really liked what he was doing, and said that if he felt like joining us onstage during our set, he was more than welcome. In spite of his blindness, I believed we could accommodate whatever he wanted to do. We began our set, wending our atonal way toward a medley of 1950s-style honking saxophone numbers. During this fairly complicated, choreographed routine, [[Roland Kirk|Rahsaan]], assisted by his helper (can't remember his name), decided to join in.''" | FZ in "[[The Real Frank Zappa Book]]" (1989): "''The first time we played with Rahsaan [[Roland Kirk]] was at the 1968 [[Boston Globe Jazz Festival]]. After his performance, when introduced to him backstage, I said I really liked what he was doing, and said that if he felt like joining us onstage during our set, he was more than welcome. In spite of his blindness, I believed we could accommodate whatever he wanted to do. We began our set, wending our atonal way toward a medley of 1950s-style honking saxophone numbers. During this fairly complicated, choreographed routine, [[Roland Kirk|Rahsaan]], assisted by his helper (can't remember his name), decided to join in.''" | ||
| + | |||
| + | ==Notes== | ||
| + | * It was in '''1969''' (January 31), review in [http://www.afka.net/articles/1969-05_Down_Beat.htm Down Beat, May 1969] | ||
[[Category:Geography]] | [[Category:Geography]] | ||
[[Category:The Real Frank Zappa Book (The List)]] | [[Category:The Real Frank Zappa Book (The List)]] | ||
Revision as of 10:48, 10 October 2010
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FZ in "The Real Frank Zappa Book" (1989): "The first time we played with Rahsaan Roland Kirk was at the 1968 Boston Globe Jazz Festival. After his performance, when introduced to him backstage, I said I really liked what he was doing, and said that if he felt like joining us onstage during our set, he was more than welcome. In spite of his blindness, I believed we could accommodate whatever he wanted to do. We began our set, wending our atonal way toward a medley of 1950s-style honking saxophone numbers. During this fairly complicated, choreographed routine, Rahsaan, assisted by his helper (can't remember his name), decided to join in."
Notes
- It was in 1969 (January 31), review in Down Beat, May 1969
