UMRK Mobile - Revision history

Jason.Kreitzer at 12:56, 30 September 2021

2021-09-30T12:56:03Z

Jason.Kreitzer at 01:51, 20 July 2021

2021-07-20T01:51:49Z

PopFanDoug: cite another endorsement

2020-05-25T21:51:15Z

cite another endorsement

PopFanDoug: cite ad w/ nice Zappa photo.

2020-05-25T21:43:31Z

cite ad w/ nice Zappa photo.

PropellerGLV at 12:04, 7 May 2007

2007-05-07T12:04:42Z

PropellerGLV at 12:04, 7 May 2007

2007-05-07T12:04:04Z

Maroual at 11:38, 7 May 2007

2007-05-07T11:38:12Z

Duncan at 10:50, 7 May 2007

2007-05-07T10:50:21Z

Duncan at 10:39, 7 May 2007

2007-05-07T10:39:09Z

Maroual: /* See Also */

2007-05-07T10:36:06Z

@@ Line 4: / Line 4: @@
 "The next technology upgrade came when [[George Douglas|Douglas]] and [[Mark Pinske|Pinske]] convinced Zappa to purchase the Beach Boys' recording truck. Both the truck and its Neve console required considerable refurbishment – stored for years at Beach Boy Mike Love's seaside estate in Santa Barbara, Calif., the truck was badly rusted – and Douglas also built a 150-channel snake/splitter system, with 102 channels available in the truck. 'We told Frank we had only 90 channels, which was just as well, as his first mic input list was for 99 channels,' recalls Douglas. A Midas console[https://www.americanradiohistory.com/Archive-All-Audio/Archive-Studio-Sound/80s/Studio-Sound-1982-01.pdf] was installed at right angles to the Neve, and two additional Carvin boards, the fruits of an endorsement deal,[https://www.americanradiohistory.com/Archive-All-Audio/Archive-Modern-Recording/80s/Modern-Recording-1983-04.pdf] were mounted on the truck's side walls. Another endorsement deal with AKG provided the 1981 tour with a full complement of AKG dynamic and condenser mics."
 </blockquote>
-<div align=right>— [[Chris Michie]], ''[[WE ARE The Mothers... AND THIS IS WHAT WE SOUND LIKE!]]'', [[Mix]], January 2003.</div>
+<div align=right>— [https://www.mixonline.com/author/by-chris-michie Chris Michie], ''[[WE ARE The Mothers... AND THIS IS WHAT WE SOUND LIKE!]]'', [[Mix]], January 2003.</div>
 ==See Also==

← Older revision		Revision as of 01:51, 20 July 2021
Line 1:		Line 1:
−	The mobile recording facility of [[Frank Zappa]] purchased from the [[Beach Boys]]. The studio was located in a truck and was used for recording concerts on the road.	+	The mobile recording facility of [[Biography\|Frank Zappa]] purchased from the [[Wikipedia:The Beach Boys\|Beach Boys]]. The studio was located in a truck and was used for recording concerts on the road.

	<blockquote>		<blockquote>

@@ Line 2: / Line 2: @@
 <blockquote>
-"The next technology upgrade came when [[George Douglas|Douglas]] and [[Mark Pinske|Pinske]] convinced Zappa to purchase the Beach Boys' recording truck. Both the truck and its Neve console required considerable refurbishment – stored for years at Beach Boy Mike Love's seaside estate in Santa Barbara, Calif., the truck was badly rusted – and Douglas also built a 150-channel snake/splitter system, with 102 channels available in the truck. 'We told Frank we had only 90 channels, which was just as well, as his first mic input list was for 99 channels,' recalls Douglas. A Midas console[https://www.americanradiohistory.com/Archive-All-Audio/Archive-Studio-Sound/80s/Studio-Sound-1982-01.pdf] was installed at right angles to the Neve, and two additional Carvin boards, the fruits of an endorsement deal, were mounted on the truck's side walls. Another endorsement deal with AKG provided the 1981 tour with a full complement of AKG dynamic and condenser mics."
+"The next technology upgrade came when [[George Douglas|Douglas]] and [[Mark Pinske|Pinske]] convinced Zappa to purchase the Beach Boys' recording truck. Both the truck and its Neve console required considerable refurbishment – stored for years at Beach Boy Mike Love's seaside estate in Santa Barbara, Calif., the truck was badly rusted – and Douglas also built a 150-channel snake/splitter system, with 102 channels available in the truck. 'We told Frank we had only 90 channels, which was just as well, as his first mic input list was for 99 channels,' recalls Douglas. A Midas console[https://www.americanradiohistory.com/Archive-All-Audio/Archive-Studio-Sound/80s/Studio-Sound-1982-01.pdf] was installed at right angles to the Neve, and two additional Carvin boards, the fruits of an endorsement deal,[https://www.americanradiohistory.com/Archive-All-Audio/Archive-Modern-Recording/80s/Modern-Recording-1983-04.pdf] were mounted on the truck's side walls. Another endorsement deal with AKG provided the 1981 tour with a full complement of AKG dynamic and condenser mics."
 </blockquote>
 <div align=right>— [[Chris Michie]], ''[[WE ARE The Mothers... AND THIS IS WHAT WE SOUND LIKE!]]'', [[Mix]], January 2003.</div>

@@ Line 2: / Line 2: @@
 <blockquote>
-"The next technology upgrade came when [[George Douglas|Douglas]] and [[Mark Pinske|Pinske]] convinced Zappa to purchase the Beach Boys' recording truck. Both the truck and its Neve console required considerable refurbishment – stored for years at Beach Boy Mike Love's seaside estate in Santa Barbara, Calif., the truck was badly rusted – and Douglas also built a 150-channel snake/splitter system, with 102 channels available in the truck. 'We told Frank we had only 90 channels, which was just as well, as his first mic input list was for 99 channels,' recalls Douglas. A Midas console was installed at right angles to the Neve, and two additional Carvin boards, the fruits of an endorsement deal, were mounted on the truck's side walls. Another endorsement deal with AKG provided the 1981 tour with a full complement of AKG dynamic and condenser mics."
+"The next technology upgrade came when [[George Douglas|Douglas]] and [[Mark Pinske|Pinske]] convinced Zappa to purchase the Beach Boys' recording truck. Both the truck and its Neve console required considerable refurbishment – stored for years at Beach Boy Mike Love's seaside estate in Santa Barbara, Calif., the truck was badly rusted – and Douglas also built a 150-channel snake/splitter system, with 102 channels available in the truck. 'We told Frank we had only 90 channels, which was just as well, as his first mic input list was for 99 channels,' recalls Douglas. A Midas console[https://www.americanradiohistory.com/Archive-All-Audio/Archive-Studio-Sound/80s/Studio-Sound-1982-01.pdf] was installed at right angles to the Neve, and two additional Carvin boards, the fruits of an endorsement deal, were mounted on the truck's side walls. Another endorsement deal with AKG provided the 1981 tour with a full complement of AKG dynamic and condenser mics."
 </blockquote>
 <div align=right>— [[Chris Michie]], ''[[WE ARE The Mothers... AND THIS IS WHAT WE SOUND LIKE!]]'', [[Mix]], January 2003.</div>

@@ Line 2: / Line 2: @@
 <blockquote>
-"The next technology upgrade came when [[George Douglas|Douglas]] and [[Mark Pinske|Pinske]] convinced Zappa to purchase the Beach Boys' recording truck. Both the truck and its Neve console required considerable refurbishment - stored for years at Beach Boy Mike Love's seaside estate in Santa Barbara, Calif., the truck was badly rusted – and Douglas also built a 150-channel snake/splitter system, with 102 channels available in the truck. 'We told Frank we had only 90 channels, which was just as well, as his first mic input list was for 99 channels,' recalls Douglas. A Midas console was installed at right angles to the Neve, and two additional Carvin boards, the fruits of an endorsement deal, were mounted on the truck's side walls. Another endorsement deal with AKG provided the 1981 tour with a full complement of AKG dynamic and condenser mics."
+"The next technology upgrade came when [[George Douglas|Douglas]] and [[Mark Pinske|Pinske]] convinced Zappa to purchase the Beach Boys' recording truck. Both the truck and its Neve console required considerable refurbishment – stored for years at Beach Boy Mike Love's seaside estate in Santa Barbara, Calif., the truck was badly rusted – and Douglas also built a 150-channel snake/splitter system, with 102 channels available in the truck. 'We told Frank we had only 90 channels, which was just as well, as his first mic input list was for 99 channels,' recalls Douglas. A Midas console was installed at right angles to the Neve, and two additional Carvin boards, the fruits of an endorsement deal, were mounted on the truck's side walls. Another endorsement deal with AKG provided the 1981 tour with a full complement of AKG dynamic and condenser mics."
 </blockquote>
 <div align=right>— [[Chris Michie]], ''[[WE ARE The Mothers... AND THIS IS WHAT WE SOUND LIKE!]]'', [[Mix]], January 2003.</div>

← Older revision		Revision as of 10:50, 7 May 2007
Line 1:		Line 1:
	The mobile recording facility of [[Frank Zappa]] purchased from the [[Beach Boys]]. The studio was located in a truck and was used for recording concerts on the road.		The mobile recording facility of [[Frank Zappa]] purchased from the [[Beach Boys]]. The studio was located in a truck and was used for recording concerts on the road.
		+
		+	<blockquote>
		+	The next technology upgrade came when [[George Douglas\|Douglas]] and [[Mark Pinske\|Pinske]] convinced Zappa to purchase the Beach Boys' recording truck. Both the truck and its Neve console required considerable refurbishment - stored for years at Beach Boy Mike Love's seaside estate in Santa Barbara, Calif., the truck was badly rusted - and Douglas also built a 150-channel snake/splitter system, with 102 channels available in the truck. "We told Frank we had only 90 channels, which was just as well, as his first mic input list was for 99 channels," recalls Douglas. A Midas console was installed at right angles to the Neve, and two additional Carvin boards, the fruits of an endorsement deal, were mounted on the truck's side walls. Another endorsement deal with AKG provided the 1981 tour with a full complement of AKG dynamic and condenser mics.
		+	</blockquote>
		+	<div align=right>-from [[WE ARE The Mothers... AND THIS IS WHAT WE SOUND LIKE!]]</div>

	==See Also==		==See Also==

← Older revision		Revision as of 10:39, 7 May 2007
Line 1:		Line 1:
−	The mobile recording facility of [[Frank Zappa]]. The studio was located in a truck and was used for recording concerts on the road.	+	The mobile recording facility of [[Frank Zappa]] purchased from the [[Beach Boys]]. The studio was located in a truck and was used for recording concerts on the road.

	==See Also==		==See Also==

@@ Line 4: / Line 4: @@
 *[[Utility Muffin Research Kitchen]]
 *[[You Call That Music? (The Article)]]
-*[[Utility Muffin Research Kitchen]]
 [[Category:Recording Studios]]