Teddy Bunn - Revision history

Jason.Kreitzer at 19:19, 13 July 2025

2025-07-13T19:19:31Z

Jason.Kreitzer at 20:07, 14 September 2021

2021-09-14T20:07:03Z

Duncan: UnLink LH

2021-07-18T22:08:11Z

UnLink LH

Spider of Destiny at 20:07, 25 September 2020

2020-09-25T20:07:03Z

Spider of Destiny at 19:44, 25 August 2014

2014-08-25T19:44:57Z

Spider of Destiny at 00:52, 27 November 2010

2010-11-27T00:52:04Z

KillUglyRadio at 12:38, 20 September 2005

2005-09-20T12:38:42Z

Emdebe at 18:31, 1 May 2005

2005-05-01T18:31:06Z

Emdebe at 16:49, 1 April 2005

2005-04-01T16:49:25Z

New page

[[Category:Supporting Cast]]

Teddy Bunn, name-checked on the cover of "[[Freak Out!]]" (1966) under the heading "These People Have Contributed Materially In Many Ways To Make Our Music What It Is. Please Do Not Hold It Against Them", was one of the top jazz guitarists of the 30s, a fine single-note acoustic guitar soloist. Largely self-taught, Bunn first gained recognition when he recorded with [[Duke Ellington]] in 1929 and played with the [[Washboard Rhythm Kings]] in the late-'20s / early-'30s period. A few years later he was one of the stars with the [[Spirits of Rhythm]] (which played regularly at the [[Onyx Club]]). During 1938-40 Bunn recorded with [[Jimmie Noone]], [[Johnny Dodds]], [[Trixie Smith]], [[J.C. Higginbotham]], [[Sidney Bechet]], [[Lionel Hampton]] and was on the famous Mezz Mezzrow-Tommy Ladnier sessions; in addition he made four unaccompanied solos for [[Blue Note]]. Switching to electric guitar Bunn led his own groups in the 1940s and rejoined the Spirits of Rhythm; in the '50s he played R&B with a variety of groups (including [[Jack McVea]], [[Edgar Hayes]] and [[Louis Jordan]]). Although fairly obscure after the early '40s, Bunn worked regularly until the late '60s when health problems forced his retirement.

← Older revision		Revision as of 19:19, 13 July 2025
Line 1:		Line 1:
−	'''Teddy Bunn''', name-checked on the cover of "[[Freak Out!]]" (1966) under the heading "These People Have Contributed Materially In Many Ways To Make Our Music What It Is. Please Do Not Hold It Against Them", was one of the top jazz guitarists of the 30s, a fine single-note acoustic guitar soloist. Largely self-taught, Bunn first gained recognition when he recorded with [[Duke Ellington]] in 1929 and played with the [[Wikipedia:Washboard Rhythm Kings\|Washboard Rhythm Kings]] in the late-'20s / early-'30s period. A few years later he was one of the stars with the [[Wikipedia:Spirits of Rhythm\|Spirits of Rhythm]] (which played regularly at the [[Wikipedia:Onyx Club\|Onyx Club]]). During 1938-40 Bunn recorded with [[Wikipedia:Jimmie Noone\|Jimmie Noone]], [[Wikipedia:Johnny Dodds\|Johnny Dodds]], [[Wikipedia:Trixie Smith\|Trixie Smith]], [[Wikipedia:J. C. Higginbotham\|J.C. Higginbotham]], [[Wikipedia:Sidney Bechet\|Sidney Bechet]], Lionel Hampton and was on the famous Mezz Mezzrow-Tommy Ladnier sessions; in addition he made four unaccompanied solos for [[Wikipedia:Blue Note Records\|Blue Note]]. Switching to electric guitar Bunn led his own groups in the 1940s and rejoined the Spirits of Rhythm; in the '50s he played R&B with a variety of groups (including [[Wikipedia:Jack McVea\|Jack McVea]], [[Wikipedia:Edgar Hayes\|Edgar Hayes]] and [[Wikipedia:Louis Jordan\|Louis Jordan]]). Although fairly obscure after the early '40s, Bunn worked regularly until the late '60s when health problems forced his retirement.	+	[[File:Teddybunn.jpg\|right]]
		+
		+	'''Teddy Bunn''' (1909-1978), name-checked on the cover of "[[Freak Out!]]" (1966) under the heading "These People Have Contributed Materially In Many Ways To Make Our Music What It Is. Please Do Not Hold It Against Them", was one of the top jazz guitarists of the 30s, a fine single-note acoustic guitar soloist. Largely self-taught, Bunn first gained recognition when he recorded with [[Duke Ellington]] in 1929 and played with the [[Wikipedia:Washboard Rhythm Kings\|Washboard Rhythm Kings]] in the late-'20s / early-'30s period. A few years later he was one of the stars with the [[Wikipedia:Spirits of Rhythm\|Spirits of Rhythm]] (which played regularly at the [[Wikipedia:Onyx Club\|Onyx Club]]). During 1938-40 Bunn recorded with [[Wikipedia:Jimmie Noone\|Jimmie Noone]], [[Wikipedia:Johnny Dodds\|Johnny Dodds]], [[Wikipedia:Trixie Smith\|Trixie Smith]], [[Wikipedia:J. C. Higginbotham\|J.C. Higginbotham]], [[Wikipedia:Sidney Bechet\|Sidney Bechet]], Lionel Hampton and was on the famous Mezz Mezzrow-Tommy Ladnier sessions; in addition he made four unaccompanied solos for [[Wikipedia:Blue Note Records\|Blue Note]]. Switching to electric guitar Bunn led his own groups in the 1940s and rejoined the Spirits of Rhythm; in the '50s he played R&B with a variety of groups (including [[Wikipedia:Jack McVea\|Jack McVea]], [[Wikipedia:Edgar Hayes\|Edgar Hayes]] and [[Wikipedia:Louis Jordan\|Louis Jordan]]). Although fairly obscure after the early '40s, Bunn worked regularly until the late '60s when health problems forced his retirement.

	[[Category:Favorite Artists\|Bunn, Teddy]]		[[Category:Favorite Artists\|Bunn, Teddy]]

← Older revision		Revision as of 20:07, 14 September 2021
Line 1:		Line 1:
−	'''Teddy Bunn''', name-checked on the cover of "[[Freak Out!]]" (1966) under the heading "These People Have Contributed Materially In Many Ways To Make Our Music What It Is. Please Do Not Hold It Against Them", was one of the top jazz guitarists of the 30s, a fine single-note acoustic guitar soloist. Largely self-taught, Bunn first gained recognition when he recorded with [[Duke Ellington]] in 1929 and played with the [[Washboard Rhythm Kings]] in the late-'20s / early-'30s period. A few years later he was one of the stars with the [[Spirits of Rhythm]] (which played regularly at the [[Onyx Club]]). During 1938-40 Bunn recorded with [[Jimmie Noone]], [[Johnny Dodds]], [[Trixie Smith]], [[J.C. Higginbotham]], [[Sidney Bechet]], Lionel Hampton and was on the famous Mezz Mezzrow-Tommy Ladnier sessions; in addition he made four unaccompanied solos for [[Blue Note]]. Switching to electric guitar Bunn led his own groups in the 1940s and rejoined the Spirits of Rhythm; in the '50s he played R&B with a variety of groups (including [[Jack McVea]], [[Edgar Hayes]] and [[Louis Jordan]]). Although fairly obscure after the early '40s, Bunn worked regularly until the late '60s when health problems forced his retirement.	+	'''Teddy Bunn''', name-checked on the cover of "[[Freak Out!]]" (1966) under the heading "These People Have Contributed Materially In Many Ways To Make Our Music What It Is. Please Do Not Hold It Against Them", was one of the top jazz guitarists of the 30s, a fine single-note acoustic guitar soloist. Largely self-taught, Bunn first gained recognition when he recorded with [[Duke Ellington]] in 1929 and played with the [[Wikipedia:Washboard Rhythm Kings\|Washboard Rhythm Kings]] in the late-'20s / early-'30s period. A few years later he was one of the stars with the [[Wikipedia:Spirits of Rhythm\|Spirits of Rhythm]] (which played regularly at the [[Wikipedia:Onyx Club\|Onyx Club]]). During 1938-40 Bunn recorded with [[Wikipedia:Jimmie Noone\|Jimmie Noone]], [[Wikipedia:Johnny Dodds\|Johnny Dodds]], [[Wikipedia:Trixie Smith\|Trixie Smith]], [[Wikipedia:J. C. Higginbotham\|J.C. Higginbotham]], [[Wikipedia:Sidney Bechet\|Sidney Bechet]], Lionel Hampton and was on the famous Mezz Mezzrow-Tommy Ladnier sessions; in addition he made four unaccompanied solos for [[Wikipedia:Blue Note Records\|Blue Note]]. Switching to electric guitar Bunn led his own groups in the 1940s and rejoined the Spirits of Rhythm; in the '50s he played R&B with a variety of groups (including [[Wikipedia:Jack McVea\|Jack McVea]], [[Wikipedia:Edgar Hayes\|Edgar Hayes]] and [[Wikipedia:Louis Jordan\|Louis Jordan]]). Although fairly obscure after the early '40s, Bunn worked regularly until the late '60s when health problems forced his retirement.

	[[Category:Favorite Artists\|Bunn, Teddy]]		[[Category:Favorite Artists\|Bunn, Teddy]]

← Older revision		Revision as of 22:08, 18 July 2021
Line 1:		Line 1:
−	'''Teddy Bunn''', name-checked on the cover of "[[Freak Out!]]" (1966) under the heading "These People Have Contributed Materially In Many Ways To Make Our Music What It Is. Please Do Not Hold It Against Them", was one of the top jazz guitarists of the 30s, a fine single-note acoustic guitar soloist. Largely self-taught, Bunn first gained recognition when he recorded with [[Duke Ellington]] in 1929 and played with the [[Washboard Rhythm Kings]] in the late-'20s / early-'30s period. A few years later he was one of the stars with the [[Spirits of Rhythm]] (which played regularly at the [[Onyx Club]]). During 1938-40 Bunn recorded with [[Jimmie Noone]], [[Johnny Dodds]], [[Trixie Smith]], [[J.C. Higginbotham]], [[Sidney Bechet]], [[Lionel Hampton]] and was on the famous Mezz Mezzrow-Tommy Ladnier sessions; in addition he made four unaccompanied solos for [[Blue Note]]. Switching to electric guitar Bunn led his own groups in the 1940s and rejoined the Spirits of Rhythm; in the '50s he played R&B with a variety of groups (including [[Jack McVea]], [[Edgar Hayes]] and [[Louis Jordan]]). Although fairly obscure after the early '40s, Bunn worked regularly until the late '60s when health problems forced his retirement.	+	'''Teddy Bunn''', name-checked on the cover of "[[Freak Out!]]" (1966) under the heading "These People Have Contributed Materially In Many Ways To Make Our Music What It Is. Please Do Not Hold It Against Them", was one of the top jazz guitarists of the 30s, a fine single-note acoustic guitar soloist. Largely self-taught, Bunn first gained recognition when he recorded with [[Duke Ellington]] in 1929 and played with the [[Washboard Rhythm Kings]] in the late-'20s / early-'30s period. A few years later he was one of the stars with the [[Spirits of Rhythm]] (which played regularly at the [[Onyx Club]]). During 1938-40 Bunn recorded with [[Jimmie Noone]], [[Johnny Dodds]], [[Trixie Smith]], [[J.C. Higginbotham]], [[Sidney Bechet]], Lionel Hampton and was on the famous Mezz Mezzrow-Tommy Ladnier sessions; in addition he made four unaccompanied solos for [[Blue Note]]. Switching to electric guitar Bunn led his own groups in the 1940s and rejoined the Spirits of Rhythm; in the '50s he played R&B with a variety of groups (including [[Jack McVea]], [[Edgar Hayes]] and [[Louis Jordan]]). Although fairly obscure after the early '40s, Bunn worked regularly until the late '60s when health problems forced his retirement.

	[[Category:Favorite Artists\|Bunn, Teddy]]		[[Category:Favorite Artists\|Bunn, Teddy]]

← Older revision		Revision as of 20:07, 25 September 2020
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	[[Category:Freak Out! (The List)\|Bunn, Teddy]]		[[Category:Freak Out! (The List)\|Bunn, Teddy]]
	[[Category:Jazz Composers\|Bunn, Teddy]]		[[Category:Jazz Composers\|Bunn, Teddy]]
		+	[[Category:Guitarists\|Bunn, Teddy]]

@@ Line 1: / Line 1: @@
-Teddy Bunn, name-checked on the cover of "[[Freak Out!]]" (1966) under the heading "These People Have Contributed Materially In Many Ways To Make Our Music What It Is. Please Do Not Hold It Against Them", was one of the top jazz guitarists of the 30s, a fine single-note acoustic guitar soloist. Largely self-taught, Bunn first gained recognition when he recorded with [[Duke Ellington]] in 1929 and played with the [[Washboard Rhythm Kings]] in the late-'20s / early-'30s period. A few years later he was one of the stars with the [[Spirits of Rhythm]] (which played regularly at the [[Onyx Club]]). During 1938-40 Bunn recorded with [[Jimmie Noone]], [[Johnny Dodds]], [[Trixie Smith]], [[J.C. Higginbotham]], [[Sidney Bechet]], [[Lionel Hampton]] and was on the famous Mezz Mezzrow-Tommy Ladnier sessions; in addition he made four unaccompanied solos for [[Blue Note]]. Switching to electric guitar Bunn led his own groups in the 1940s and rejoined the Spirits of Rhythm; in the '50s he played R&B with a variety of groups (including [[Jack McVea]], [[Edgar Hayes]] and [[Louis Jordan]]). Although fairly obscure after the early '40s, Bunn worked regularly until the late '60s when health problems forced his retirement.
+'''Teddy Bunn''', name-checked on the cover of "[[Freak Out!]]" (1966) under the heading "These People Have Contributed Materially In Many Ways To Make Our Music What It Is. Please Do Not Hold It Against Them", was one of the top jazz guitarists of the 30s, a fine single-note acoustic guitar soloist. Largely self-taught, Bunn first gained recognition when he recorded with [[Duke Ellington]] in 1929 and played with the [[Washboard Rhythm Kings]] in the late-'20s / early-'30s period. A few years later he was one of the stars with the [[Spirits of Rhythm]] (which played regularly at the [[Onyx Club]]). During 1938-40 Bunn recorded with [[Jimmie Noone]], [[Johnny Dodds]], [[Trixie Smith]], [[J.C. Higginbotham]], [[Sidney Bechet]], [[Lionel Hampton]] and was on the famous Mezz Mezzrow-Tommy Ladnier sessions; in addition he made four unaccompanied solos for [[Blue Note]]. Switching to electric guitar Bunn led his own groups in the 1940s and rejoined the Spirits of Rhythm; in the '50s he played R&B with a variety of groups (including [[Jack McVea]], [[Edgar Hayes]] and [[Louis Jordan]]). Although fairly obscure after the early '40s, Bunn worked regularly until the late '60s when health problems forced his retirement.
-[[Category:Supporting Cast|Bunn, Teddy]]
+[[Category:Favorite Artists|Bunn, Teddy]]
-[[Category:Musicians|Bunn, Teddy]]
+[[Category:Influences|Bunn, Teddy]]
 [[Category:Freak Out! (The List)|Bunn, Teddy]]
 [[Category:Jazz Composers|Bunn, Teddy]]

← Older revision		Revision as of 00:52, 27 November 2010
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	[[Category:Musicians\|Bunn, Teddy]]		[[Category:Musicians\|Bunn, Teddy]]
	[[Category:Freak Out! (The List)\|Bunn, Teddy]]		[[Category:Freak Out! (The List)\|Bunn, Teddy]]
		+	[[Category:Jazz Composers\|Bunn, Teddy]]

@@ Line 1: / Line 1: @@
 [[Category:Supporting Cast]]
+[[Category:Musicians]]
-Teddy Bunn, name-checked on the cover of "[[Freak Out!]]" (1966) under the heading "These People Have Contributed Materially In Many Ways To Make Our Music What It Is. Please Do Not Hold It Against Them", was one of the top jazz guitarists of the 30s, a fine single-note acoustic guitar soloist. Largely self-taught, Bunn first gained recognition when he recorded with [[Duke Ellington]] in 1929 and played with the [[Washboard Rhythm Kings]] in the late-'20s / early-'30s period. A few years later he was one of the stars with the [[Spirits of Rhythm]] (which played regularly at the [[Onyx Club]]). During 1938-40 Bunn recorded with [[Jimmie Noone]], [[Johnny Dodds]], [[Trixie Smith]], [[J.C. Higginbotham]], [[Sidney Bechet]], [[Lionel Hampton]] and was on the famous Mezz Mezzrow-Tommy Ladnier sessions; in addition he made four unaccompanied solos for [[Blue Note]]. Switching to electric guitar Bunn led his own groups in the 1940s and rejoined the Spirits of Rhythm; in the '50s he played R&B with a variety of groups (including [[Jack McVea]], [[Edgar Hayes]] and [[Louis Jordan]]). Although fairly obscure after the early '40s, Bunn worked regularly until the late '60s when health problems forced his retirement.
+[[Category:Freak Out! (The List)]]