Son of Suzy Creamcheese - Revision history

Spider of Destiny at 12:24, 25 April 2026

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Jason.Kreitzer at 16:07, 14 December 2021

2021-12-14T16:07:31Z

Jason.Kreitzer at 02:35, 22 July 2021

2021-07-22T02:35:34Z

Spider of Destiny at 11:57, 26 December 2010

2010-12-26T11:57:02Z

Propellerkuh at 12:41, 13 May 2007

2007-05-13T12:41:05Z

Emdebe at 22:28, 24 January 2007

2007-01-24T22:28:53Z

Propellerkuh at 15:04, 20 January 2007

2007-01-20T15:04:30Z

Duncan at 08:08, 20 January 2007

2007-01-20T08:08:40Z

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Duncan at 08:00, 20 January 2007

2007-01-20T08:00:05Z

← Older revision		Revision as of 12:24, 25 April 2026
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	Mr. Zappa urges that every lover of pop music run out and buy the Vanguard recording of [[Edgard Varèse\|Varese]]'s futuristic "[[Amériques]]." "It blows my mind. It's my favorite top-40 record."		Mr. Zappa urges that every lover of pop music run out and buy the Vanguard recording of [[Edgard Varèse\|Varese]]'s futuristic "[[Amériques]]." "It blows my mind. It's my favorite top-40 record."
	[[Category:Articles about Zappa]]		[[Category:Articles about Zappa]]
		+	[[Category:1966]]

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 Other works are entitled "The Mother's American Pageant," "[[The Duke Of Prunes]]," "[[Plastic People]]," and "[[Son Of Suzy Creamcheese]]." If all of this sounds even a bit outlandish, Mr. Zappa has apparently hit his mark, for he thinks that "freaking out" is an important method of expression and effecting change. He defines "freaking out" as "a process whereby an individual casts off outmoded and restrictive thinking, dress and social etiquette in order to express creatively his relationship to his immediate environment and the social structure as a whole."<br>
 Not the least of the fascinations of hearing The Mothers at work are the incidental uses of classical or serious music in rock arrangements. Besides Stravinsky, Mr. Zappa has scored rock adaptations of [[Wolfgang Amadeus Mozart|Mozart]]'s Symphony No. 40, [[Gustav Holst|Holst]]'s "The Planets" and a touch or two of [[Edgard Varèse|Edgar Varèse]]. Mr. Zappa began serious composition at the age of 14. "At 15 I gave it up and decided to become a plumber. How long did I stay in plumbing? I'm still plumbing ... "<br>
-The Baltimore-born, West-Coast-reared musician has had a turn at nearly every form of music extant. He has written "serious" works for string quartet, chamber orchestra, scores for the films "[[The World's Greatest Sinner|World's Greatest Sinner]]" and "[[Run Home Slow (The Film)|Run Home Slow]]." He describes the latter as the only known cowboy picture using electronic music, in which the good guys presumably head off the bad guys at the oscillator.<br>
+The Baltimore-born, West-Coast-reared musician has had a turn at nearly every form of music extant. He has written "serious" works for string quartet, chamber orchestra, scores for the films "[[The World’s Greatest Sinner (The Film)|World's Greatest Sinner]]" and "[[Run Home Slow (The Film)|Run Home Slow]]." He describes the latter as the only known cowboy picture using electronic music, in which the good guys presumably head off the bad guys at the oscillator.<br>
 Mr. Zappa had almost despaired of "making it" in serious American music, but admits that he might make it through the back door of rock'n'roll. But "rock is not just a stepping-stone," he cautions. "Rock is the only living music in America today. It's alive. I'm bringing music music [serious or classical concepts] to our rock arrangements. [[Igor Stravinsky|Stravinsky]] in rock is like a get-acquainted offer, a loss-leader. It's a gradual progression to bring in my own 'serious' music."<br>
 Listening to [[The Mothers|The Mothers of Invention]] is an adventure, in which the auditor is warned to expect veering curves and sudden changes. Some of it is psychedelic sound (without the drugs), some is a marvelous spoof on the late-1950's teen-scene nonsense, some of it is social comment on the hypocrisies of contemporary life, and some of it is just, to use Mr. Zappa's phrase, "music music."<br>
 Mr. Zappa urges that every lover of pop music run out and buy the Vanguard recording of [[Edgard Varèse|Varese]]'s futuristic "[[Amériques]]." "It blows my mind. It's my favorite top-40 record."
 [[Category:Articles about Zappa]]

@@ Line 14: / Line 14: @@
 Mr. Zappa was not explicit about how he was going to lead his crusade against the pop and serious music Establishments, other than to get his band's work more widely heard. Audiences at the Balloon Farm have been listening to variations on Mr. Zappa's themes with considerable delight. They have heard such Zappa originals as "[[Help, I'm A Rock]]" ("... dedicated to Elvis Presley. Note the intersting formal structure and the stunning four-part barbershop harmony toward the end. Note the obvious lack of commercial potential. Ho hum"), "Motown Waltz," "[[Who Are The Brain Police?]]" "[[Wowie Zowie]]" (" ... carefully designed to suck the 12-year-old listener into our camp") and "[[The Return Of The Son Of Monster Magnet]]."<br>
 Other works are entitled "The Mother's American Pageant," "[[The Duke Of Prunes]]," "[[Plastic People]]," and "[[Son Of Suzy Creamcheese]]." If all of this sounds even a bit outlandish, Mr. Zappa has apparently hit his mark, for he thinks that "freaking out" is an important method of expression and effecting change. He defines "freaking out" as "a process whereby an individual casts off outmoded and restrictive thinking, dress and social etiquette in order to express creatively his relationship to his immediate environment and the social structure as a whole."<br>
-Not the least of the fascinations of hearing The Mothers at work are the incidental uses of classical or serious music in rock arrangements. Besides Stravinsky, Mr. Zappa has scored rock adaptations of [[Wolfgang Amadeus Mozart|Mozart]]'s Symphony No. 40, [[Gustav Holst|Holst]]'s "The Planets" and a touch or two of [[Edgar Varèse]]. Mr. Zappa began serious composition at the age of 14. "At 15 I gave it up and decided to become a plumber. How long did I stay in plumbing? I'm still plumbing ... "<br>
+Not the least of the fascinations of hearing The Mothers at work are the incidental uses of classical or serious music in rock arrangements. Besides Stravinsky, Mr. Zappa has scored rock adaptations of [[Wolfgang Amadeus Mozart|Mozart]]'s Symphony No. 40, [[Gustav Holst|Holst]]'s "The Planets" and a touch or two of [[Edgard Varèse|Edgar Varèse]]. Mr. Zappa began serious composition at the age of 14. "At 15 I gave it up and decided to become a plumber. How long did I stay in plumbing? I'm still plumbing ... "<br>
 The Baltimore-born, West-Coast-reared musician has had a turn at nearly every form of music extant. He has written "serious" works for string quartet, chamber orchestra, scores for the films "[[The World's Greatest Sinner|World's Greatest Sinner]]" and "[[Run Home Slow (The Film)|Run Home Slow]]." He describes the latter as the only known cowboy picture using electronic music, in which the good guys presumably head off the bad guys at the oscillator.<br>
 Mr. Zappa had almost despaired of "making it" in serious American music, but admits that he might make it through the back door of rock'n'roll. But "rock is not just a stepping-stone," he cautions. "Rock is the only living music in America today. It's alive. I'm bringing music music [serious or classical concepts] to our rock arrangements. [[Igor Stravinsky|Stravinsky]] in rock is like a get-acquainted offer, a loss-leader. It's a gradual progression to bring in my own 'serious' music."<br>

@@ Line 14: / Line 14: @@
 Mr. Zappa was not explicit about how he was going to lead his crusade against the pop and serious music Establishments, other than to get his band's work more widely heard. Audiences at the Balloon Farm have been listening to variations on Mr. Zappa's themes with considerable delight. They have heard such Zappa originals as "[[Help, I'm A Rock]]" ("... dedicated to Elvis Presley. Note the intersting formal structure and the stunning four-part barbershop harmony toward the end. Note the obvious lack of commercial potential. Ho hum"), "Motown Waltz," "[[Who Are The Brain Police?]]" "[[Wowie Zowie]]" (" ... carefully designed to suck the 12-year-old listener into our camp") and "[[The Return Of The Son Of Monster Magnet]]."<br>
 Other works are entitled "The Mother's American Pageant," "[[The Duke Of Prunes]]," "[[Plastic People]]," and "[[Son Of Suzy Creamcheese]]." If all of this sounds even a bit outlandish, Mr. Zappa has apparently hit his mark, for he thinks that "freaking out" is an important method of expression and effecting change. He defines "freaking out" as "a process whereby an individual casts off outmoded and restrictive thinking, dress and social etiquette in order to express creatively his relationship to his immediate environment and the social structure as a whole."<br>
-Not the least of the fascinations of hearing The Mothers at work are the incidental uses of classical or serious music in rock arrangements. Besides Stravinsky, Mr. Zappa has scored rock adaptations of Mozart's Symphony No. 40, Holst's "The Planets" and a touch or two of [[Edgar Varèse]]. Mr. Zappa began serious composition at the age of 14. "At 15 I gave it up and decided to become a plumber. How long did I stay in plumbing? I'm still plumbing ... "<br>
+Not the least of the fascinations of hearing The Mothers at work are the incidental uses of classical or serious music in rock arrangements. Besides Stravinsky, Mr. Zappa has scored rock adaptations of [[Wolfgang Amadeus Mozart|Mozart]]'s Symphony No. 40, [[Gustav Holst|Holst]]'s "The Planets" and a touch or two of [[Edgar Varèse]]. Mr. Zappa began serious composition at the age of 14. "At 15 I gave it up and decided to become a plumber. How long did I stay in plumbing? I'm still plumbing ... "<br>
-The Baltimore-born, West-Coast-reared musician has had a turn at nearly every form of music extant. He has written "serious" works for string quartet, chamber orchestra, scores for the films "[[The World's Greatest Sinner|World's Greatest Sinner]]" and "[[Run Home Slow]]." He describes the latter as the only known cowboy picture using electronic music, in which the good guys presumably head off the bad guys at the oscillator.<br>
+The Baltimore-born, West-Coast-reared musician has had a turn at nearly every form of music extant. He has written "serious" works for string quartet, chamber orchestra, scores for the films "[[The World's Greatest Sinner|World's Greatest Sinner]]" and "[[Run Home Slow (The Film)|Run Home Slow]]." He describes the latter as the only known cowboy picture using electronic music, in which the good guys presumably head off the bad guys at the oscillator.<br>
 Mr. Zappa had almost despaired of "making it" in serious American music, but admits that he might make it through the back door of rock'n'roll. But "rock is not just a stepping-stone," he cautions. "Rock is the only living music in America today. It's alive. I'm bringing music music [serious or classical concepts] to our rock arrangements. [[Igor Stravinsky|Stravinsky]] in rock is like a get-acquainted offer, a loss-leader. It's a gradual progression to bring in my own 'serious' music."<br>
 Listening to [[The Mothers|The Mothers of Invention]] is an adventure, in which the auditor is warned to expect veering curves and sudden changes. Some of it is psychedelic sound (without the drugs), some is a marvelous spoof on the late-1950's teen-scene nonsense, some of it is social comment on the hypocrisies of contemporary life, and some of it is just, to use Mr. Zappa's phrase, "music music."<br>
-Mr. Zappa urges that every lover of pop music run out and buy the Vanguard recording of [[Edgard Varèse|Varese]]'s futuristic "[[Ameriques]]." "It blows my mind. It's my favorite top-40 record."
+Mr. Zappa urges that every lover of pop music run out and buy the Vanguard recording of [[Edgard Varèse|Varese]]'s futuristic "[[Amériques]]." "It blows my mind. It's my favorite top-40 record."
 [[Category:Articles about Zappa]]

@@ Line 1: / Line 1: @@
-The New York Times, Sunday, December 25, 1966.<br>
+[[The New York Times]], Sunday, December 25, 1966.<br>
 By [[Robert Shelton]]<br>
 The most original new group to simmer out of the steaming rock'n'roll underground in the last hour and one-half is an audacious crew from the West Coast called [[The Mothers|The Mothers of Invention]]. The eight-member group will be appearing through [[66/12/23-31 New York NY US Balloon Farm|New Year's Eve at the Balloon Farm]], the new haven for young hippies at 23 St. Mark's Place, atop the Dom.<br>

@@ Line 13: / Line 13: @@
 Other works are entitled "The Mother's American Pageant," "[[The Duke Of Prunes]]," "[[Plastic People]]," and "[[Son Of Suzy Creamcheese]]." If all of this sounds even a bit outlandish, Mr. Zappa has apparently hit his mark, for he thinks that "freaking out" is an important method of expression and effecting change. He defines "freaking out" as "a process whereby an individual casts off outmoded and restrictive thinking, dress and social etiquette in order to express creatively his relationship to his immediate environment and the social structure as a whole."<br>
 Not the least of the fascinations of hearing The Mothers at work are the incidental uses of classical or serious music in rock arrangements. Besides Stravinsky, Mr. Zappa has scored rock adaptations of Mozart's Symphony No. 40, Holst's "The Planets" and a touch or two of [[Edgar Varese]]. Mr. Zappa began serious composition at the age of 14. "At 15 I gave it up and decided to become a plumber. How long did I stay in plumbing? I'm still plumbing ... "<br>
-The Baltimore-born, West-Coast-reared musician has had a turn at nearly every form of music extant. He has written "serious" works for string quartet, chamber orchestra, scores for the films "[[World's Greatest Sinner]]" and "[[Run Home Slow]]." He describes the latter as the only known cowboy picture using electronic music, in which the good guys presumably head off the bad guys at the oscillator.<br>
+The Baltimore-born, West-Coast-reared musician has had a turn at nearly every form of music extant. He has written "serious" works for string quartet, chamber orchestra, scores for the films "[[The World's Greatest Sinner|World's Greatest Sinner]]" and "[[Run Home Slow]]." He describes the latter as the only known cowboy picture using electronic music, in which the good guys presumably head off the bad guys at the oscillator.<br>
-Mr. Zappa had almost despaired of "making it" in serious American music, but admits that he might make it through the back door of rock'n'roll. But "rock is not just a stepping-stone," he cautions. "Rock is the only living music in America today. It's alive. I'm bringing music music [serious or classical concepts] to our rock arrangements. [[wikipedia:Igor Stravinsky|Stravinsky]] in rock is like a get-acquainted offer, a loss-leader. It's a gradual progression to bring in my own 'serious' music."<br>
+Mr. Zappa had almost despaired of "making it" in serious American music, but admits that he might make it through the back door of rock'n'roll. But "rock is not just a stepping-stone," he cautions. "Rock is the only living music in America today. It's alive. I'm bringing music music [serious or classical concepts] to our rock arrangements. [[Igor Stravinsky|Stravinsky]] in rock is like a get-acquainted offer, a loss-leader. It's a gradual progression to bring in my own 'serious' music."<br>
 Listening to [[The Mothers|The Mothers of Invention]] is an adventure, in which the auditor is warned to expect veering curves and sudden changes. Some of it is psychedelic sound (without the drugs), some is a marvelous spoof on the late-1950's teen-scene nonsense, some of it is social comment on the hypocrisies of contemporary life, and some of it is just, to use Mr. Zappa's phrase, "music music."<br>
-Mr. Zappa urges that every lover of pop music run out and buy the Vanguard recording of [[Edgar Varese|Varese]]'s futuristic "Ameriques." "It blows my mind. It's my favorite top-40 record."
+Mr. Zappa urges that every lover of pop music run out and buy the Vanguard recording of [[Edgard Varèse|Varese]]'s futuristic "Ameriques." "It blows my mind. It's my favorite top-40 record."
 [[Category:Articles about Zappa]]

@@ Line 2: / Line 2: @@
 By [[Robert Shelton]]<br>
-The most original new group to simmer out of the steaming rock'n'roll underground in the last hour and one-half is an audacious crew from the West Coast called [[The Mothers|The Mothers of Invention]]. The eight-member group will be appearing through New Year's Eve at the Balloon Farm, the new haven for young hippies at 23 St. Mark's Place, atop the Dom.<br>
+The most original new group to simmer out of the steaming rock'n'roll underground in the last hour and one-half is an audacious crew from the West Coast called [[The Mothers|The Mothers of Invention]]. The eight-member group will be appearing through [[66/12/23-31 New York NY US Balloon Farm|New Year's Eve at the Balloon Farm]], the new haven for young hippies at 23 St. Mark's Place, atop the Dom.<br>
 [[The Mothers|The Mothers of Invention]] are primarily musical satirists. Beyond that, they are perhaps the first pop group to successfully amalgamate rock'n'roll with the serious music of [[Igor Stravinsky|Stravinsky]] and others. Both in their material and in their looks, they are also furthering some of the more outrageous elements of anti-convention, thus contributing to a new style that might be called "shock rock."<br>
 Compared to [[The Mothers|the Mothers of Invention]], such earlier big-beat groups as [[The Beatles]] and [[The Rolling Stones]] emerge as Boy Scouts with electric guitars. The hairier-than-thou personnel of [[The Mothers]], include at this writing ("everyone in the band has quit three times") performers on harmonica, tambourine, percussion and timpani, electric bassoon, soprano saxophone, tenor sax, flute, gongs, electric clavichord and "mouth." There is a lot of alternation of instruments among the band members. No one knows for sure who plays drums.<br>