Pierre Boulez - Revision history

Duncan at 19:55, 13 December 2021

2021-12-13T19:55:03Z

Jason.Kreitzer at 19:30, 8 December 2021

2021-12-08T19:30:57Z

Jason.Kreitzer at 19:30, 8 December 2021

2021-12-08T19:30:40Z

Jason.Kreitzer at 16:53, 6 August 2021

2021-08-06T16:53:03Z

Jason.Kreitzer at 13:43, 6 August 2021

2021-08-06T13:43:29Z

Spider of Destiny: /* Links with Zappa */

2020-10-27T00:02:43Z

Links with Zappa

Spider of Destiny: Added image

2020-10-15T22:27:23Z

Added image

Spider of Destiny at 12:50, 20 September 2020

2020-09-20T12:50:39Z

Spider of Destiny at 12:05, 20 September 2020

2020-09-20T12:05:50Z

Spider of Destiny at 16:57, 6 January 2016

2016-01-06T16:57:01Z

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 [[Image:Boulez.jpg|frame|Pierre Boulez as pictured on the back cover of ''[[Boulez Conducts Zappa: The Perfect Stranger]]''. ]]
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 Boulez is one of the people receiving thanks for their ''"very special but no less significant contributions"'' in [[The Yellow Shark]] liner notes. He also appeared in [[Frank Scheffer]]'s documentaries ''[[Frank Zappa: The Present-Day Composer Refuses To Die]]'' (2000), ''[[Frank Zappa Phase II: The Big Note]]'' (2002) and ''[[Frank Zappa: Pioneer Of Future Music, parts 1 & 2]]'' (2007).
 ==See also==

← Older revision		Revision as of 19:30, 8 December 2021
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	[[Image:Boulez.jpg\|frame\|Pierre Boulez as pictured on the back cover of ''[[Boulez Conducts Zappa: The Perfect Stranger]]''. ]]		[[Image:Boulez.jpg\|frame\|Pierre Boulez as pictured on the back cover of ''[[Boulez Conducts Zappa: The Perfect Stranger]]''. ]]

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 In 1991 Boulez resigned as conductor of the Ensemble Intercontemporain, while continuing as its president; that same year he was guest artistic director of the Scotia Festival. In 1992 he conducted Peter Stein's new production of Claude Debussy's "Pelléas et Mélisande" with the Welsh National Opera on a European tour that began in Cardiff. In January 1993, this production (released as a video by Deutsche Grammophon) was named "1992 Opera Production of the Year" at the International Classical Music Awards in London. At the 1992 Salzburg Festival, Boulez appeared with the Ensemble InterContemporain, the [[Los Angeles Philharmonic|Los Angeles Philharmonic Orchestra]], and the Vienna Philharmonic Orchestra. In 1993, he conducted the Berlin Philharmonic for the first time in almost 30 years. In 1994 he led the orchestra at a Webern festival during the 1994 Berliner Festwochen.
-To celebrate his 70th birthday in 1995, Pierre Boulez undertook a world tour with the [[London Symphony Orchestra]] and a host of international stars including Maurizio Pollini, Jessye Norman, Gidon Kremer, Anne-Sophie Mutter and Mstislav Rostropovich. In 1995, Boulez conducted Peter Stein's production of [[Arnold Schoenberg]]'s opera "Moses and Aaron" at the Nederlandse Opera in Amsterdam and led the opera's premiere at the 1996 Salzburg Festival.
+To celebrate his 70th birthday in 1995, Pierre Boulez undertook a world tour with the [[London Symphony Orchestra (The Orchestra)|London Symphony Orchestra]] and a host of international stars including Maurizio Pollini, Jessye Norman, Gidon Kremer, Anne-Sophie Mutter and Mstislav Rostropovich. In 1995, Boulez conducted Peter Stein's production of [[Arnold Schoenberg]]'s opera "Moses and Aaron" at the Nederlandse Opera in Amsterdam and led the opera's premiere at the 1996 Salzburg Festival.
 Pierre Boulez's discography includes prize-winning recordings of "Parsifal" from Bayreuth and Berg's "Lulu" (world premiere recording). In 1989, he signed an exclusive contract with Deutsche Grammophon to record a broad range of twentieth-century masterworks with the Chicago Symphony Orchestra, the Cleveland Orchestra, and the Berlin Philharmonic as well as contemporary repertoire, including his own works, with the Ensemble InterContemporain. Boulez has won 23 Grammy Awards since 1967, five of those were with the Chicago Symphony. His recording of [[Béla Bartók]]'s "The Wooden Prince" and "Cantata profana" with the Chicago Symphony Orchestra and Chorus received four 1993 Grammy Awards for "Best Classical Album", "Best Orchestral Performance", "Best Performance of a Choral Work", and "Best Engineered Recording-Classical". He won two 1994 Grammy Awards ("Best Classical Album" and "Best Orchestral Performance") for his recording of Béla Bartók's "Concerto for Orchestra and Four Orchestral Pieces, Op. 12" with the CSO. Boulez's 1994 awards were presented to him in a special ceremony at Orchestra Hall in December, 1995. In 1995, Pierre Boulez was awarded the German Record Critics Award for his contribution to 20th-century music, named "Artist of the Year" by the magazine Gramophone, and honored at the Victoires De La Musique in France. In 1996 Boulez received the Berlin Arts Prize, and the Royal Swedish Academy of Music awarded him the Polar Music Prize. He won the 1997 Grammy Award for "Best Orchestral Performance" for a recording of Berlioz's "Symphonie fantastique" and "Tristia" with the Cleveland Orchestra and Chorus. Boulez most recently received a 1999 Grammy Award for "Best Classical Contemporary Composition" for the recording of his work, "Répons", with the Ensemble Intercontemporain. His many awards and honors include honorary doctorates from Leeds, Cambridge, Basel, and Oxford universities, among others; Commander of the British Empire; and Knight of the Order of Merit of the Federal Republic of Germany.

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 [[Image:Boulez.jpg|frame|Pierre Boulez as pictured on the back cover of ''[[Boulez Conducts Zappa: The Perfect Stranger]]''. ]]
-'''Pierre Boulez''' (March 26, 1925, Montbrison, [[France]] - January 5, 2016, Baden-Baden, [[Germany]]) was a French composer and conductor, one of the most distinguished in his field. Through his own compositions and his activities as author, teacher, and advocate of contemporary music, he has made a decisive contribution to the development of music in the twentieth century. Boulez's positions with three major symphony orchestras gained him an international reputation as a foremost interpreter of music by [[Alban Berg]], [[Anton Webern]], and [[Arnold Schoenberg]], [[Claude Debussy]], [[Maurice Ravel]], [[Igor Stravinsky]], and [[Richard Wagner]].
+'''Pierre Boulez''' (March 26, 1925, Montbrison, [[France]] - January 5, 2016, Baden-Baden, [[Germany]]) was a French composer and conductor, one of the most distinguished in his field. Through his own compositions and his activities as author, teacher, and advocate of contemporary music, he has made a decisive contribution to the development of music in the twentieth century. Boulez's positions with three major symphony orchestras gained him an international reputation as a foremost interpreter of music by [[Alban Berg]], [[Anton Webern]], and [[Arnold Schoenberg]], [[Claude Achille Debussy]], [[Maurice Ravel]], [[Igor Stravinsky]], and [[Richard Wagner]].
 ==Biography==
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 Throughout the next decade, he was much involved with musical analysis and he taught composition at the Music Academy in Basel (1960-62). Boulez began his conducting career in 1958 with the Südwestfunk Orchestra in Baden-Baden, Germany. From 1962-63, he was visiting professor at Harvard University.
-Pierre Boulez first appeared with the Chicago Symphony Orchestra on subscription concerts in February 1969 conducting [[Claude Debussy]]'s "Jeux", [[Béla Bartók]]'s "First Piano Concerto" with Daniel Barenboim, [[Anton Webern]]'s [[Wikipedia:Passacaglia for orchestra (Webern)|"Passacaglia"]] and "Six Pieces for Orchestra", and [[Olivier Messiaen]]'s "Et exspecto resurrectionem mortuorum". His reputation as a leading musician brought him to the attention of George Szell, who invited him to conduct in the United States for the first time with the Cleveland Orchestra. From 1969 until 1972, Boulez was principal guest conductor of the Cleveland Orchestra. In 1971, he became chief conductor of the [[BBC Symphony Orchestra]] (1971-5) and, that same year, he succeeded Leonard Bernstein as music director of the New York Philharmonic, a position he held until 1977.
+Pierre Boulez first appeared with the Chicago Symphony Orchestra on subscription concerts in February 1969 conducting [[Claude Achille Debussy]]'s "Jeux", [[Béla Bartók]]'s "First Piano Concerto" with Daniel Barenboim, [[Anton Webern]]'s [[Wikipedia:Passacaglia for orchestra (Webern)|"Passacaglia"]] and "Six Pieces for Orchestra", and [[Olivier Messiaen]]'s "Et exspecto resurrectionem mortuorum". His reputation as a leading musician brought him to the attention of George Szell, who invited him to conduct in the United States for the first time with the Cleveland Orchestra. From 1969 until 1972, Boulez was principal guest conductor of the Cleveland Orchestra. In 1971, he became chief conductor of the [[BBC Symphony Orchestra]] (1971-5) and, that same year, he succeeded Leonard Bernstein as music director of the New York Philharmonic, a position he held until 1977.
 His difference of opinion about state intervention in the arts as espoused by André Malraux led Boulez into voluntary exile for several years. He returned to France in triumph in 1974 when the French government under President Georges Pompidou decided to build a music research center at the Pompidou Centre and invited Boulez to be its creator and director. In 1976 he became a professor at the Collège de France, and in 1977 he became director of the Institut de Recherche et de Co-ordination Acoustique Musique ([[IRCAM]]) at the Pompidou Centre in Paris (he is also co-founder of Cité de la Musique, another music center in Paris). From IRCAM sprang the creation of a major and permanent instrumental group, the [[Ensemble Intercontemporain]], one of the world's finest contemporary music ensembles which Boulez conducted regularly, in France as well as on extended tours abroad.

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 Throughout the next decade, he was much involved with musical analysis and he taught composition at the Music Academy in Basel (1960-62). Boulez began his conducting career in 1958 with the Südwestfunk Orchestra in Baden-Baden, Germany. From 1962-63, he was visiting professor at Harvard University.
-Pierre Boulez first appeared with the Chicago Symphony Orchestra on subscription concerts in February 1969 conducting [[Claude Debussy]]'s "Jeux", [[Béla Bartók]]'s "First Piano Concerto" with Daniel Barenboim, [[Anton Webern]]'s "Passacaglia" and "Six Pieces for Orchestra", and [[Olivier Messiaen]]'s "Et exspecto resurrectionem mortuorum". His reputation as a leading musician brought him to the attention of George Szell, who invited him to conduct in the United States for the first time with the Cleveland Orchestra. From 1969 until 1972, Boulez was principal guest conductor of the Cleveland Orchestra. In 1971, he became chief conductor of the [[BBC Symphony Orchestra]] (1971-5) and, that same year, he succeeded Leonard Bernstein as music director of the New York Philharmonic, a position he held until 1977.
+Pierre Boulez first appeared with the Chicago Symphony Orchestra on subscription concerts in February 1969 conducting [[Claude Debussy]]'s "Jeux", [[Béla Bartók]]'s "First Piano Concerto" with Daniel Barenboim, [[Anton Webern]]'s [[Wikipedia:Passacaglia for orchestra (Webern)|"Passacaglia"]] and "Six Pieces for Orchestra", and [[Olivier Messiaen]]'s "Et exspecto resurrectionem mortuorum". His reputation as a leading musician brought him to the attention of George Szell, who invited him to conduct in the United States for the first time with the Cleveland Orchestra. From 1969 until 1972, Boulez was principal guest conductor of the Cleveland Orchestra. In 1971, he became chief conductor of the [[BBC Symphony Orchestra]] (1971-5) and, that same year, he succeeded Leonard Bernstein as music director of the New York Philharmonic, a position he held until 1977.
 His difference of opinion about state intervention in the arts as espoused by André Malraux led Boulez into voluntary exile for several years. He returned to France in triumph in 1974 when the French government under President Georges Pompidou decided to build a music research center at the Pompidou Centre and invited Boulez to be its creator and director. In 1976 he became a professor at the Collège de France, and in 1977 he became director of the Institut de Recherche et de Co-ordination Acoustique Musique ([[IRCAM]]) at the Pompidou Centre in Paris (he is also co-founder of Cité de la Musique, another music center in Paris). From IRCAM sprang the creation of a major and permanent instrumental group, the [[Ensemble Intercontemporain]], one of the world's finest contemporary music ensembles which Boulez conducted regularly, in France as well as on extended tours abroad.

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 Boulez passed away on January 5, 2016.
-==Links with Zappa==
+==Zappa and Pierre Boulez==
 [[Image:TmershiD-89-10.jpg|frame|Frank Zappa and Pierre Boulez, May 23 1989. Photo © Rob Samler]]
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 According to the interview ''[[The Beefheart Zappa Talk-in]]'' (November 8, 1969) Zappa was already trying to get Boulez in to conduct his work in the Royal Albert Hall in London.
-In 1984 Boulez and the [[Ensemble Intercontemporain]] performed Zappa's work on the album ''[[Boulez Conducts Zappa: The Perfect Stranger]]'' (1984).
+In 1984 Boulez and the [[Ensemble Intercontemporain]] performed Zappa's work on the album ''[[Boulez Conducts Zappa: The Perfect Stranger]]'' (1984). The same year Zappa named Boulez ''his favorite conductor'' in the interview ''[[Classical Zappa]]'': ''"Pierre Boulez gets my vote as king of craftsmanship. And he has no ego problems and isn't overly concerned about how he looks on the podium. ... This incredible eagerness of conductors to sell out on their looks is just a puny form of sex appeal."''
 In ''[[Zappa, 82/4]]'' (1982) Zappa was asked about this collaboration and explained: ''"He asked me to write a piece for his ensemble. He has this virtuoso ensemble of about thirty musicians he works with all the time called the Ensemble Intercontemporaine. So he sent me a list of their instrumentation. (...) It's nice – considering that nobody in the United States gives a damn."''
 Boulez is one of the people receiving thanks for their ''"very special but no less significant contributions"'' in [[The Yellow Shark]] liner notes. He also appeared in [[Frank Scheffer]]'s documentaries ''[[Frank Zappa: The Present-Day Composer Refuses To Die]]'' (2000), ''[[Frank Zappa Phase II: The Big Note]]'' (2002) and ''[[Frank Zappa: Pioneer Of Future Music, parts 1 & 2]]'' (2007).
 ==See also==

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 In ''[[Zappa, 82/4]]'' (1982) Zappa was asked about this collaboration and explained: ''"He asked me to write a piece for his ensemble. He has this virtuoso ensemble of about thirty musicians he works with all the time called the Ensemble Intercontemporaine. So he sent me a list of their instrumentation. (...) It's nice – considering that nobody in the United States gives a damn."''
-Boulez is one of the people receiving thanks for their ''"very special but no less significant contributions"'' in [[The Yellow Shark]] liner notes.
+Boulez is one of the people receiving thanks for their ''"very special but no less significant contributions"'' in [[The Yellow Shark]] liner notes. He also appeared in [[Frank Scheffer]]'s documentaries ''[[Frank Zappa: The Present Day Composer Refuses To Die]]'' (2000), ''[[Frank Zappa Phase II: The Big Note]]'' (2002) and ''[[Frank Zappa: Pioneer Of Future Music, parts 1 & 2]]'' (2007).
 ==See also==
-* [[Le Marteau Sans Maître]]
+* ''[[Le Marteau Sans Maître]]''
 * [[IRCAM]]
-* [[An Evening With Pierre Boulez And Frank Zappa]]
+* ''[[An Evening With Pierre Boulez And Frank Zappa]]''
 ==External links==