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	<id>http://wiki.killuglyradio.com/index.php?action=history&amp;feed=atom&amp;title=Paul_Carr</id>
	<title>Paul Carr - Revision history</title>
	<link rel="self" type="application/atom+xml" href="http://wiki.killuglyradio.com/index.php?action=history&amp;feed=atom&amp;title=Paul_Carr"/>
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	<updated>2026-04-21T13:29:43Z</updated>
	<subtitle>Revision history for this page on the wiki</subtitle>
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	<entry>
		<id>http://wiki.killuglyradio.com/index.php?title=Paul_Carr&amp;diff=42810&amp;oldid=prev</id>
		<title>Spider of Destiny at 05:07, 17 September 2020</title>
		<link rel="alternate" type="text/html" href="http://wiki.killuglyradio.com/index.php?title=Paul_Carr&amp;diff=42810&amp;oldid=prev"/>
		<updated>2020-09-17T05:07:37Z</updated>

		<summary type="html">&lt;p&gt;&lt;/p&gt;
&lt;table class=&quot;diff diff-contentalign-left&quot; data-mw=&quot;interface&quot;&gt;
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				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #222; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #222; text-align: center;&quot;&gt;Revision as of 05:07, 17 September 2020&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l1&quot; &gt;Line 1:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 1:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt;−&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Paul Carr is Head of the Division of Music and Sound and Reader in Popular Music Analysis at the ATRiuM, University of Glamorgan, in Cardiff. His research interests focus on the areas of musicology, widening access, the music industry and pedagogical frameworks for music related education - publishing in all of these areas. Publications include ‘An analysis of post 1970’s electric guitarists who have fused the jazz aesthetic with other music forms’ (Book chapter in De-Canonizing Music History, 2009), ‘Researching the Development of a Foundation Degree in Musical Instrument Retail Management: A Case Study Partnership between Glamorgan University and Roland UK’ (Journal of Applied Research in Higher Education, 2010) and ‘An Autocratic Approach to Music Copyright?: The potential negative impacts of restrictive rights on a composer&amp;#039;s legacy: The case of the Zappa Family Trust’ (Contemporary Theatre Review, 2011). He is also an experienced performing musician, having toured and recorded with artists as diverse as The James Taylor Quartet and former Miles Davis saxophonist Bob Berg.&lt;/div&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;&amp;#039;&amp;#039;&amp;#039;&lt;/ins&gt;Paul Carr&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;&amp;#039;&amp;#039;&amp;#039; &lt;/ins&gt;is Head of the Division of Music and Sound and Reader in Popular Music Analysis at the ATRiuM, University of Glamorgan, in Cardiff. His research interests focus on the areas of musicology, widening access, the music industry and pedagogical frameworks for music related education - publishing in all of these areas. Publications include ‘An analysis of post 1970’s electric guitarists who have fused the jazz aesthetic with other music forms’ (Book chapter in De-Canonizing Music History, 2009), ‘Researching the Development of a Foundation Degree in Musical Instrument Retail Management: A Case Study Partnership between Glamorgan University and Roland UK’ (Journal of Applied Research in Higher Education, 2010) and ‘An Autocratic Approach to Music Copyright?: The potential negative impacts of restrictive rights on a composer&amp;#039;s legacy: The case of the Zappa Family Trust’ (Contemporary Theatre Review, 2011). He is also an experienced performing musician, having toured and recorded with artists as diverse as The James Taylor Quartet and former Miles Davis saxophonist Bob Berg.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt;−&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;He is the editor of the book [[Frank Zappa and the And (Paul Carr) | Frank Zappa and the And]], which was published in February of 2013.&lt;/div&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;He is the editor of the book &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;&amp;#039;&amp;#039;&lt;/ins&gt;[[Frank Zappa and the And (Paul Carr) | Frank Zappa and the And]]&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;&amp;#039;&amp;#039;&lt;/ins&gt;, which was published in February of 2013.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[Category:Writers|Carr, Paul]]&lt;/div&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[Category:Writers|Carr, Paul]]&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt; &lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;[[Category:Editors|Carr, Paul]]&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Spider of Destiny</name></author>
		
	</entry>
	<entry>
		<id>http://wiki.killuglyradio.com/index.php?title=Paul_Carr&amp;diff=38861&amp;oldid=prev</id>
		<title>KillUglyRadio at 13:36, 23 April 2013</title>
		<link rel="alternate" type="text/html" href="http://wiki.killuglyradio.com/index.php?title=Paul_Carr&amp;diff=38861&amp;oldid=prev"/>
		<updated>2013-04-23T13:36:25Z</updated>

		<summary type="html">&lt;p&gt;&lt;/p&gt;
&lt;table class=&quot;diff diff-contentalign-left&quot; data-mw=&quot;interface&quot;&gt;
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				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #222; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #222; text-align: center;&quot;&gt;Revision as of 13:36, 23 April 2013&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l1&quot; &gt;Line 1:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 1:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Paul Carr is Head of the Division of Music and Sound and Reader in Popular Music Analysis at the ATRiuM, University of Glamorgan, in Cardiff. His research interests focus on the areas of musicology, widening access, the music industry and pedagogical frameworks for music related education - publishing in all of these areas. Publications include ‘An analysis of post 1970’s electric guitarists who have fused the jazz aesthetic with other music forms’ (Book chapter in De-Canonizing Music History, 2009), ‘Researching the Development of a Foundation Degree in Musical Instrument Retail Management: A Case Study Partnership between Glamorgan University and Roland UK’ (Journal of Applied Research in Higher Education, 2010) and ‘An Autocratic Approach to Music Copyright?: The potential negative impacts of restrictive rights on a composer&amp;#039;s legacy: The case of the Zappa Family Trust’ (Contemporary Theatre Review, 2011). He is also an experienced performing musician, having toured and recorded with artists as diverse as The James Taylor Quartet and former Miles Davis saxophonist Bob Berg.&lt;/div&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Paul Carr is Head of the Division of Music and Sound and Reader in Popular Music Analysis at the ATRiuM, University of Glamorgan, in Cardiff. His research interests focus on the areas of musicology, widening access, the music industry and pedagogical frameworks for music related education - publishing in all of these areas. Publications include ‘An analysis of post 1970’s electric guitarists who have fused the jazz aesthetic with other music forms’ (Book chapter in De-Canonizing Music History, 2009), ‘Researching the Development of a Foundation Degree in Musical Instrument Retail Management: A Case Study Partnership between Glamorgan University and Roland UK’ (Journal of Applied Research in Higher Education, 2010) and ‘An Autocratic Approach to Music Copyright?: The potential negative impacts of restrictive rights on a composer&amp;#039;s legacy: The case of the Zappa Family Trust’ (Contemporary Theatre Review, 2011). He is also an experienced performing musician, having toured and recorded with artists as diverse as The James Taylor Quartet and former Miles Davis saxophonist Bob Berg.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt;−&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;He is the editor of the book [[Frank Zappa and the And]], published in February of 2013.&lt;/div&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;He is the editor of the book [[&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;Frank Zappa and the And (Paul Carr) | &lt;/ins&gt;Frank Zappa and the And]], &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;which was &lt;/ins&gt;published in February of 2013.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[Category:Writers|Carr, Paul]]&lt;/div&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[Category:Writers|Carr, Paul]]&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>KillUglyRadio</name></author>
		
	</entry>
	<entry>
		<id>http://wiki.killuglyradio.com/index.php?title=Paul_Carr&amp;diff=38860&amp;oldid=prev</id>
		<title>KillUglyRadio: Created page with &#039;Paul Carr is Head of the Division of Music and Sound and Reader in Popular Music Analysis at the ATRiuM, University of Glamorgan, in Cardiff. His research interests focus on the …&#039;</title>
		<link rel="alternate" type="text/html" href="http://wiki.killuglyradio.com/index.php?title=Paul_Carr&amp;diff=38860&amp;oldid=prev"/>
		<updated>2013-04-23T13:35:08Z</updated>

		<summary type="html">&lt;p&gt;Created page with &amp;#039;Paul Carr is Head of the Division of Music and Sound and Reader in Popular Music Analysis at the ATRiuM, University of Glamorgan, in Cardiff. His research interests focus on the …&amp;#039;&lt;/p&gt;
&lt;p&gt;&lt;b&gt;New page&lt;/b&gt;&lt;/p&gt;&lt;div&gt;Paul Carr is Head of the Division of Music and Sound and Reader in Popular Music Analysis at the ATRiuM, University of Glamorgan, in Cardiff. His research interests focus on the areas of musicology, widening access, the music industry and pedagogical frameworks for music related education - publishing in all of these areas. Publications include ‘An analysis of post 1970’s electric guitarists who have fused the jazz aesthetic with other music forms’ (Book chapter in De-Canonizing Music History, 2009), ‘Researching the Development of a Foundation Degree in Musical Instrument Retail Management: A Case Study Partnership between Glamorgan University and Roland UK’ (Journal of Applied Research in Higher Education, 2010) and ‘An Autocratic Approach to Music Copyright?: The potential negative impacts of restrictive rights on a composer&amp;#039;s legacy: The case of the Zappa Family Trust’ (Contemporary Theatre Review, 2011). He is also an experienced performing musician, having toured and recorded with artists as diverse as The James Taylor Quartet and former Miles Davis saxophonist Bob Berg.&lt;br /&gt;
&lt;br /&gt;
He is the editor of the book [[Frank Zappa and the And]], published in February of 2013.&lt;br /&gt;
&lt;br /&gt;
[[Category:Writers|Carr, Paul]]&lt;/div&gt;</summary>
		<author><name>KillUglyRadio</name></author>
		
	</entry>
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