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	<id>http://wiki.killuglyradio.com/index.php?action=history&amp;feed=atom&amp;title=More_Polemics_From_Pop_Satirist</id>
	<title>More Polemics From Pop Satirist - Revision history</title>
	<link rel="self" type="application/atom+xml" href="http://wiki.killuglyradio.com/index.php?action=history&amp;feed=atom&amp;title=More_Polemics_From_Pop_Satirist"/>
	<link rel="alternate" type="text/html" href="http://wiki.killuglyradio.com/index.php?title=More_Polemics_From_Pop_Satirist&amp;action=history"/>
	<updated>2026-04-20T21:57:51Z</updated>
	<subtitle>Revision history for this page on the wiki</subtitle>
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	<entry>
		<id>http://wiki.killuglyradio.com/index.php?title=More_Polemics_From_Pop_Satirist&amp;diff=48279&amp;oldid=prev</id>
		<title>Jason.Kreitzer at 19:34, 31 July 2021</title>
		<link rel="alternate" type="text/html" href="http://wiki.killuglyradio.com/index.php?title=More_Polemics_From_Pop_Satirist&amp;diff=48279&amp;oldid=prev"/>
		<updated>2021-07-31T19:34:58Z</updated>

		<summary type="html">&lt;p&gt;&lt;/p&gt;
&lt;table class=&quot;diff diff-contentalign-left&quot; data-mw=&quot;interface&quot;&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
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				&lt;tr class=&quot;diff-title&quot; lang=&quot;en&quot;&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #222; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #222; text-align: center;&quot;&gt;Revision as of 19:34, 31 July 2021&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l2&quot; &gt;Line 2:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 2:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;By [[Pete Johnson]][http://pqasb.pqarchiver.com/latimes/doc/155844228.html?FMT=ABS&amp;amp;FMTS=ABS:AI&amp;amp;type=historic&amp;amp;date=Mar+18%2C+1968&amp;amp;author=Johnson%2C+Pete&amp;amp;pub=Los+Angeles+Times+%281923-Current+File%29&amp;amp;edition=&amp;amp;startpage=C34&amp;amp;desc=More+Polemics+From+Pop+Satirist]&lt;/div&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;By [[Pete Johnson]][http://pqasb.pqarchiver.com/latimes/doc/155844228.html?FMT=ABS&amp;amp;FMTS=ABS:AI&amp;amp;type=historic&amp;amp;date=Mar+18%2C+1968&amp;amp;author=Johnson%2C+Pete&amp;amp;pub=Los+Angeles+Times+%281923-Current+File%29&amp;amp;edition=&amp;amp;startpage=C34&amp;amp;desc=More+Polemics+From+Pop+Satirist]&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt;−&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Their first album, now a couple of years old, was fairly routine by later standards. The jacket was an oddly tinted pink and blue and yellow and black thing with the words &amp;quot;[[Freak Out!]]&amp;quot; encapsulated in a thought balloon. Next came &amp;quot;[[Absolutely Free]],&amp;quot; a double jacketed creation with each surface seemingly at right angles to each other surface. Their latest, &amp;quot;[[We&amp;#039;re Only In It For The Money]],&amp;quot; surpasses both for incredibly imaginative humor. It is an inverted parody of [[the Beatles]]&amp;#039; &amp;quot;Sgt. Pepper&amp;#039;s Lonely Hearts Club Band,&amp;quot; a perfectly executed takeoff. Along the way, their albums have bannered such thought provoking slogans as &amp;quot;Kill Ugly Radio,&amp;quot; &amp;quot;You Must Buy This Album Now, Top 40 Radio Will Never Play It&amp;quot; and &amp;quot;The Present Day Composer Refuses to Die.&amp;quot; The group is the Mothers of Invention, spearheaded by [[Frank Zappa]].&lt;/div&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Their first album, now a couple of years old, was fairly routine by later standards. The jacket was an oddly tinted pink and blue and yellow and black thing with the words &amp;quot;[[Freak Out!]]&amp;quot; encapsulated in a thought balloon. Next came &amp;quot;[[Absolutely Free]],&amp;quot; a double jacketed creation with each surface seemingly at right angles to each other surface. Their latest, &amp;quot;[[We&amp;#039;re Only In It For The Money]],&amp;quot; surpasses both for incredibly imaginative humor. It is an inverted parody of [[the Beatles]]&amp;#039; &amp;quot;Sgt. Pepper&amp;#039;s Lonely Hearts Club Band,&amp;quot; a perfectly executed takeoff. Along the way, their albums have bannered such thought provoking slogans as &amp;quot;Kill Ugly Radio,&amp;quot; &amp;quot;You Must Buy This Album Now, Top 40 Radio Will Never Play It&amp;quot; and &amp;quot;The Present Day Composer Refuses to Die.&amp;quot; The group is the Mothers of Invention, spearheaded by [[&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;Biography|&lt;/ins&gt;Frank Zappa]].&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Zappa is a brilliant musician with a flair for satire. Unfortunately, he tends to do things a couple of years before people are ready for them and often crowds so many ideas into such brief musical space that they get lost in the confusion. That first LP (all are on the Verve label, by the way), a two-record set, anticipated many of the strange rhythmic &amp;quot;innovations&amp;quot; of the last album by [[the Rolling Stones]], &amp;quot;Their Satanic Majesties Request.&amp;quot;&lt;/div&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Zappa is a brilliant musician with a flair for satire. Unfortunately, he tends to do things a couple of years before people are ready for them and often crowds so many ideas into such brief musical space that they get lost in the confusion. That first LP (all are on the Verve label, by the way), a two-record set, anticipated many of the strange rhythmic &amp;quot;innovations&amp;quot; of the last album by [[the Rolling Stones]], &amp;quot;Their Satanic Majesties Request.&amp;quot;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Jason.Kreitzer</name></author>
		
	</entry>
	<entry>
		<id>http://wiki.killuglyradio.com/index.php?title=More_Polemics_From_Pop_Satirist&amp;diff=45634&amp;oldid=prev</id>
		<title>Spider of Destiny at 20:21, 19 November 2020</title>
		<link rel="alternate" type="text/html" href="http://wiki.killuglyradio.com/index.php?title=More_Polemics_From_Pop_Satirist&amp;diff=45634&amp;oldid=prev"/>
		<updated>2020-11-19T20:21:03Z</updated>

		<summary type="html">&lt;p&gt;&lt;/p&gt;
&lt;table class=&quot;diff diff-contentalign-left&quot; data-mw=&quot;interface&quot;&gt;
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				&lt;tr class=&quot;diff-title&quot; lang=&quot;en&quot;&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #222; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #222; text-align: center;&quot;&gt;Revision as of 20:21, 19 November 2020&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l16&quot; &gt;Line 16:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 16:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[Category:Articles about Zappa]]&amp;lt;br&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[Category:Articles about Zappa]]&amp;lt;br&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[Category:Press Reviews]]&lt;/div&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[Category:Press Reviews]]&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt; &lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;[[Category:1968]]&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Spider of Destiny</name></author>
		
	</entry>
	<entry>
		<id>http://wiki.killuglyradio.com/index.php?title=More_Polemics_From_Pop_Satirist&amp;diff=41252&amp;oldid=prev</id>
		<title>PopFanDoug: Use correct name of Stones album, but please revert if the error is in PJ&#039;s original article.</title>
		<link rel="alternate" type="text/html" href="http://wiki.killuglyradio.com/index.php?title=More_Polemics_From_Pop_Satirist&amp;diff=41252&amp;oldid=prev"/>
		<updated>2019-10-28T18:18:13Z</updated>

		<summary type="html">&lt;p&gt;Use correct name of Stones album, but please revert if the error is in PJ&amp;#039;s original article.&lt;/p&gt;
&lt;table class=&quot;diff diff-contentalign-left&quot; data-mw=&quot;interface&quot;&gt;
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				&lt;tr class=&quot;diff-title&quot; lang=&quot;en&quot;&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #222; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #222; text-align: center;&quot;&gt;Revision as of 18:18, 28 October 2019&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l2&quot; &gt;Line 2:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 2:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;By [[Pete Johnson]][http://pqasb.pqarchiver.com/latimes/doc/155844228.html?FMT=ABS&amp;amp;FMTS=ABS:AI&amp;amp;type=historic&amp;amp;date=Mar+18%2C+1968&amp;amp;author=Johnson%2C+Pete&amp;amp;pub=Los+Angeles+Times+%281923-Current+File%29&amp;amp;edition=&amp;amp;startpage=C34&amp;amp;desc=More+Polemics+From+Pop+Satirist]&lt;/div&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;By [[Pete Johnson]][http://pqasb.pqarchiver.com/latimes/doc/155844228.html?FMT=ABS&amp;amp;FMTS=ABS:AI&amp;amp;type=historic&amp;amp;date=Mar+18%2C+1968&amp;amp;author=Johnson%2C+Pete&amp;amp;pub=Los+Angeles+Times+%281923-Current+File%29&amp;amp;edition=&amp;amp;startpage=C34&amp;amp;desc=More+Polemics+From+Pop+Satirist]&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt;−&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Their first album, now a couple of years old, was fairly routine by later standards. The jacket was an oddly tinted pink and blue and yellow and black thing with the words &amp;quot;[[Freak Out!]]&amp;quot; encapsulated in a thought balloon. Next came &amp;quot;[[Absolutely Free]],&amp;quot; a double jacketed creation with each surface seemingly at right angles to each other surface. Their latest, &amp;quot;[[We&amp;#039;re Only In It For The Money]],&amp;quot; surpasses both for incredibly imaginative humor. It is an inverted parody of [[&lt;del class=&quot;diffchange diffchange-inline&quot;&gt;The &lt;/del&gt;Beatles]]&amp;#039; &amp;quot;Sgt. Pepper&amp;#039;s Lonely Hearts Club Band,&amp;quot; a perfectly executed takeoff. Along the way, their albums have bannered such thought provoking slogans as &amp;quot;Kill Ugly Radio,&amp;quot; &amp;quot;You Must Buy This Album Now, Top 40 Radio Will Never Play It&amp;quot; and &amp;quot;The Present Day Composer Refuses to Die.&amp;quot; The group is the Mothers of Invention, spearheaded by [[Frank Zappa]].&lt;/div&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Their first album, now a couple of years old, was fairly routine by later standards. The jacket was an oddly tinted pink and blue and yellow and black thing with the words &amp;quot;[[Freak Out!]]&amp;quot; encapsulated in a thought balloon. Next came &amp;quot;[[Absolutely Free]],&amp;quot; a double jacketed creation with each surface seemingly at right angles to each other surface. Their latest, &amp;quot;[[We&amp;#039;re Only In It For The Money]],&amp;quot; surpasses both for incredibly imaginative humor. It is an inverted parody of [[&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;the &lt;/ins&gt;Beatles]]&amp;#039; &amp;quot;Sgt. Pepper&amp;#039;s Lonely Hearts Club Band,&amp;quot; a perfectly executed takeoff. Along the way, their albums have bannered such thought provoking slogans as &amp;quot;Kill Ugly Radio,&amp;quot; &amp;quot;You Must Buy This Album Now, Top 40 Radio Will Never Play It&amp;quot; and &amp;quot;The Present Day Composer Refuses to Die.&amp;quot; The group is the Mothers of Invention, spearheaded by [[Frank Zappa]].&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt;−&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Zappa is a brilliant musician with a flair for satire. Unfortunately, he tends to do things a couple of years before people are ready for them and often crowds so many ideas into such brief musical space that they get lost in the confusion. That first LP (all are on the Verve label, by the way), a two-record set, anticipated many of the strange rhythmic &amp;quot;innovations&amp;quot; of the last album by the Rolling Stones, &amp;quot;&lt;del class=&quot;diffchange diffchange-inline&quot;&gt;At &lt;/del&gt;Their Satanic Majesties Request.&amp;quot;&lt;/div&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Zappa is a brilliant musician with a flair for satire. Unfortunately, he tends to do things a couple of years before people are ready for them and often crowds so many ideas into such brief musical space that they get lost in the confusion. That first LP (all are on the Verve label, by the way), a two-record set, anticipated many of the strange rhythmic &amp;quot;innovations&amp;quot; of the last album by &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;[[&lt;/ins&gt;the Rolling Stones&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;]]&lt;/ins&gt;, &amp;quot;Their Satanic Majesties Request.&amp;quot;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Additionally, their record debut offered a 6-minute plus song called &amp;quot;[[Trouble Every Day]],&amp;quot; a deadly serious collection of thoughts inspired by the Watts riots which has even more topical value today. Then there were a number of tongue-in-cheek resurrections of the rock &amp;#039;n&amp;#039; roll of the 1950s which showed as much sympathy as meanness.&lt;/div&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Additionally, their record debut offered a 6-minute plus song called &amp;quot;[[Trouble Every Day]],&amp;quot; a deadly serious collection of thoughts inspired by the Watts riots which has even more topical value today. Then there were a number of tongue-in-cheek resurrections of the rock &amp;#039;n&amp;#039; roll of the 1950s which showed as much sympathy as meanness.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>PopFanDoug</name></author>
		
	</entry>
	<entry>
		<id>http://wiki.killuglyradio.com/index.php?title=More_Polemics_From_Pop_Satirist&amp;diff=41225&amp;oldid=prev</id>
		<title>Spider of Destiny: Created link to other page.</title>
		<link rel="alternate" type="text/html" href="http://wiki.killuglyradio.com/index.php?title=More_Polemics_From_Pop_Satirist&amp;diff=41225&amp;oldid=prev"/>
		<updated>2019-10-25T06:17:39Z</updated>

		<summary type="html">&lt;p&gt;Created link to other page.&lt;/p&gt;
&lt;table class=&quot;diff diff-contentalign-left&quot; data-mw=&quot;interface&quot;&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
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				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #222; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #222; text-align: center;&quot;&gt;Revision as of 06:17, 25 October 2019&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l2&quot; &gt;Line 2:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 2:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;By [[Pete Johnson]][http://pqasb.pqarchiver.com/latimes/doc/155844228.html?FMT=ABS&amp;amp;FMTS=ABS:AI&amp;amp;type=historic&amp;amp;date=Mar+18%2C+1968&amp;amp;author=Johnson%2C+Pete&amp;amp;pub=Los+Angeles+Times+%281923-Current+File%29&amp;amp;edition=&amp;amp;startpage=C34&amp;amp;desc=More+Polemics+From+Pop+Satirist]&lt;/div&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;By [[Pete Johnson]][http://pqasb.pqarchiver.com/latimes/doc/155844228.html?FMT=ABS&amp;amp;FMTS=ABS:AI&amp;amp;type=historic&amp;amp;date=Mar+18%2C+1968&amp;amp;author=Johnson%2C+Pete&amp;amp;pub=Los+Angeles+Times+%281923-Current+File%29&amp;amp;edition=&amp;amp;startpage=C34&amp;amp;desc=More+Polemics+From+Pop+Satirist]&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt;−&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Their first album, now a couple of years old, was fairly routine by later standards. The jacket was an oddly tinted pink and blue and yellow and black thing with the words &amp;quot;[[Freak Out!]]&amp;quot; encapsulated in a thought balloon. Next came &amp;quot;[[Absolutely Free]],&amp;quot; a double jacketed creation with each surface seemingly at right angles to each other surface. Their latest, &amp;quot;[[We&amp;#039;re Only In It For The Money]],&amp;quot; surpasses both for incredibly imaginative humor. It is an inverted parody of &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;the &lt;/del&gt;Beatles&amp;#039; &amp;quot;Sgt. Pepper&amp;#039;s Lonely Hearts Club Band,&amp;quot; a perfectly executed takeoff. Along the way, their albums have bannered such thought provoking slogans as &amp;quot;Kill Ugly Radio,&amp;quot; &amp;quot;You Must Buy This Album Now, Top 40 Radio Will Never Play It&amp;quot; and &amp;quot;The Present Day Composer Refuses to Die.&amp;quot; The group is the Mothers of Invention, spearheaded by [[Frank Zappa]].&lt;/div&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Their first album, now a couple of years old, was fairly routine by later standards. The jacket was an oddly tinted pink and blue and yellow and black thing with the words &amp;quot;[[Freak Out!]]&amp;quot; encapsulated in a thought balloon. Next came &amp;quot;[[Absolutely Free]],&amp;quot; a double jacketed creation with each surface seemingly at right angles to each other surface. Their latest, &amp;quot;[[We&amp;#039;re Only In It For The Money]],&amp;quot; surpasses both for incredibly imaginative humor. It is an inverted parody of &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;[[The &lt;/ins&gt;Beatles&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;]]&lt;/ins&gt;&amp;#039; &amp;quot;Sgt. Pepper&amp;#039;s Lonely Hearts Club Band,&amp;quot; a perfectly executed takeoff. Along the way, their albums have bannered such thought provoking slogans as &amp;quot;Kill Ugly Radio,&amp;quot; &amp;quot;You Must Buy This Album Now, Top 40 Radio Will Never Play It&amp;quot; and &amp;quot;The Present Day Composer Refuses to Die.&amp;quot; The group is the Mothers of Invention, spearheaded by [[Frank Zappa]].&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt;−&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Zappa is a brilliant musician with a flair for satire. Unfortunately, he tends to do things a couple of years before people are ready for them and often crowds so many ideas into such brief musical space that they get lost in the confusion. That first LP (all are on the Verve label, by the way), a two-record set, anticipated many of the strange rhythmic &amp;quot;innovations&amp;quot; of the last album by the Rolling Stones, &amp;quot;Their Satanic Majesties Request.&amp;quot;&lt;/div&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Zappa is a brilliant musician with a flair for satire. Unfortunately, he tends to do things a couple of years before people are ready for them and often crowds so many ideas into such brief musical space that they get lost in the confusion. That first LP (all are on the Verve label, by the way), a two-record set, anticipated many of the strange rhythmic &amp;quot;innovations&amp;quot; of the last album by the Rolling Stones, &amp;quot;&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;At &lt;/ins&gt;Their Satanic Majesties Request.&amp;quot;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Additionally, their record debut offered a 6-minute plus song called &amp;quot;[[Trouble Every Day]],&amp;quot; a deadly serious collection of thoughts inspired by the Watts riots which has even more topical value today. Then there were a number of tongue-in-cheek resurrections of the rock &amp;#039;n&amp;#039; roll of the 1950s which showed as much sympathy as meanness.&lt;/div&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Additionally, their record debut offered a 6-minute plus song called &amp;quot;[[Trouble Every Day]],&amp;quot; a deadly serious collection of thoughts inspired by the Watts riots which has even more topical value today. Then there were a number of tongue-in-cheek resurrections of the rock &amp;#039;n&amp;#039; roll of the 1950s which showed as much sympathy as meanness.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt;−&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;For his second album, Zappa demonstrated that he is as familiar with [[Igor Stravinsky|Stravinsky]] as he is with Don and Dewey in a program which took some roundhouse swipes at the excesses of society, not the simple vices on which many pop musicians have pounced (love of money and wars, lack of communication), but at topics such as sexual fantasies and drunken revels which aren&amp;#039;t revels. The Stones also apparently picked up on a song called &amp;quot;[[America Drinks|America Drinks And Goes Home]]&amp;quot; for their last album, which contains an inferior imitation.&lt;/div&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;For his second album, Zappa demonstrated that he is as familiar with [[Igor Stravinsky|Stravinsky]] as he is with &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;[[Don &amp;amp; Dewey|&lt;/ins&gt;Don and Dewey&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;]] &lt;/ins&gt;in a program which took some roundhouse swipes at the excesses of society, not the simple vices on which many pop musicians have pounced (love of money and wars, lack of communication), but at topics such as sexual fantasies and drunken revels which aren&amp;#039;t revels. The Stones also apparently picked up on a song called &amp;quot;[[America Drinks|America Drinks And Goes Home]]&amp;quot; for their last album, which contains an inferior imitation.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt;−&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Now comes No. 3, a hilarius visual evocation of &amp;quot;Sgt. Pepper&amp;quot; which is sometimes funny and sometimes grim inside. The Mothers attack hippies, the San Francisco scene, mother and fatherhood, childhood, drugs, flower people, making records, police, fashions and on. &amp;quot;This whole monstrosity was conceived and executed by Frank Zappa as a result of some unpleasant premonitions August through October, 1967&amp;quot; proclaim some small capital letters almost hidden among the lyrics inside the album. Along with the visual nod at the Beatles, Zappa takes them on in the structure of a couple of super-contemporary songs. One, &amp;quot;[[Mother People]],&amp;quot; pokes fun at the Beatles&amp;#039; odd musical transitions by using the sound of a phonograph needle skipping across a record to &amp;quot;unite&amp;quot; two dissimilar melodic sections, much as the Fab Four used radio static to connect parts of &amp;quot;I Am &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;the &lt;/del&gt;Walrus.&amp;quot;&lt;/div&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Now comes No. 3, a hilarius visual evocation of &amp;quot;Sgt. Pepper&amp;quot; which is sometimes funny and sometimes grim inside. The Mothers attack hippies, the San Francisco scene, mother and fatherhood, childhood, drugs, flower people, making records, police, fashions and on. &amp;quot;This whole monstrosity was conceived and executed by Frank Zappa as a result of some unpleasant premonitions August through October, 1967&amp;quot; proclaim some small capital letters almost hidden among the lyrics inside the album. Along with the visual nod at the Beatles, Zappa takes them on in the structure of a couple of super-contemporary songs. One, &amp;quot;[[Mother People]],&amp;quot; pokes fun at the Beatles&amp;#039; odd musical transitions by using the sound of a phonograph needle skipping across a record to &amp;quot;unite&amp;quot; two dissimilar melodic sections, much as the Fab Four used radio static to connect parts of &amp;quot;&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;[[&lt;/ins&gt;I Am &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;The &lt;/ins&gt;Walrus&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;]]&lt;/ins&gt;.&amp;quot;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;The record is largely a series of polemics, but Zappa&amp;#039;s barbs are witty enough to make his messages entertaining (&amp;quot;Unbind your mind / There is no time / To lick your stamps / And paste them in / Discorporate / And we will begin ... Wah Wah / Diamonds on velvets on goldens on vixen / On comet and cupid on donner and blitzen / On up and away and afar and a go-go ...&amp;quot;). Zappa is pop music&amp;#039;s bravest iconoclast and perhaps its brightest. His next album, which has been held up for nearly a year through a technical dispute, is a full-length symphony called &amp;quot;[[Lumpy Gravy]].&amp;quot;&lt;/div&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;The record is largely a series of polemics, but Zappa&amp;#039;s barbs are witty enough to make his messages entertaining (&amp;quot;Unbind your mind / There is no time / To lick your stamps / And paste them in / Discorporate / And we will begin ... Wah Wah / Diamonds on velvets on goldens on vixen / On comet and cupid on donner and blitzen / On up and away and afar and a go-go ...&amp;quot;). Zappa is pop music&amp;#039;s bravest iconoclast and perhaps its brightest. His next album, which has been held up for nearly a year through a technical dispute, is a full-length symphony called &amp;quot;[[Lumpy Gravy]].&amp;quot;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt; &lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[Category:Articles about Zappa]]&amp;lt;br&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[Category:Articles about Zappa]]&amp;lt;br&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[Category:Press Reviews]]&lt;/div&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[Category:Press Reviews]]&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Spider of Destiny</name></author>
		
	</entry>
	<entry>
		<id>http://wiki.killuglyradio.com/index.php?title=More_Polemics_From_Pop_Satirist&amp;diff=40136&amp;oldid=prev</id>
		<title>PopFanDoug: Link article archive</title>
		<link rel="alternate" type="text/html" href="http://wiki.killuglyradio.com/index.php?title=More_Polemics_From_Pop_Satirist&amp;diff=40136&amp;oldid=prev"/>
		<updated>2016-09-01T22:11:14Z</updated>

		<summary type="html">&lt;p&gt;Link article archive&lt;/p&gt;
&lt;table class=&quot;diff diff-contentalign-left&quot; data-mw=&quot;interface&quot;&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;tr class=&quot;diff-title&quot; lang=&quot;en&quot;&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #222; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #222; text-align: center;&quot;&gt;Revision as of 22:11, 1 September 2016&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l1&quot; &gt;Line 1:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 1:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[Los Angeles Times]], Mon., Mar. 18, 1968&amp;lt;br&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[Los Angeles Times]], Mon., Mar. 18, 1968&amp;lt;br&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt;−&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;By [[Pete Johnson]]&lt;del class=&quot;diffchange diffchange-inline&quot;&gt;&amp;lt;br&amp;gt;&lt;/del&gt;&lt;/div&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;By [[Pete Johnson]]&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;[http://pqasb.pqarchiver.com/latimes/doc/155844228.html?FMT=ABS&amp;amp;FMTS=ABS:AI&amp;amp;type=historic&amp;amp;date=Mar+18%2C+1968&amp;amp;author=Johnson%2C+Pete&amp;amp;pub=Los+Angeles+Times+%281923-Current+File%29&amp;amp;edition=&amp;amp;startpage=C34&amp;amp;desc=More+Polemics+From+Pop+Satirist]&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt;−&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt; &lt;/div&gt;&lt;/td&gt;&lt;td colspan=&quot;2&quot;&gt; &lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt;−&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt; &lt;/div&gt;&lt;/td&gt;&lt;td colspan=&quot;2&quot;&gt; &lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Their first album, now a couple of years old, was fairly routine by later standards. The jacket was an oddly tinted pink and blue and yellow and black thing with the words &amp;quot;[[Freak Out!]]&amp;quot; encapsulated in a thought balloon. Next came &amp;quot;[[Absolutely Free]],&amp;quot; a double jacketed creation with each surface seemingly at right angles to each other surface. Their latest, &amp;quot;[[We&amp;#039;re Only In It For The Money]],&amp;quot; surpasses both for incredibly imaginative humor. It is an inverted parody of the Beatles&amp;#039; &amp;quot;Sgt. Pepper&amp;#039;s Lonely Hearts Club Band,&amp;quot; a perfectly executed takeoff. Along the way, their albums have bannered such thought provoking slogans as &amp;quot;Kill Ugly Radio,&amp;quot; &amp;quot;You Must Buy This Album Now, Top 40 Radio Will Never Play It&amp;quot; and &amp;quot;The Present Day Composer Refuses to Die.&amp;quot; The group is the Mothers of Invention, spearheaded by [[Frank Zappa]].&lt;/div&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Their first album, now a couple of years old, was fairly routine by later standards. The jacket was an oddly tinted pink and blue and yellow and black thing with the words &amp;quot;[[Freak Out!]]&amp;quot; encapsulated in a thought balloon. Next came &amp;quot;[[Absolutely Free]],&amp;quot; a double jacketed creation with each surface seemingly at right angles to each other surface. Their latest, &amp;quot;[[We&amp;#039;re Only In It For The Money]],&amp;quot; surpasses both for incredibly imaginative humor. It is an inverted parody of the Beatles&amp;#039; &amp;quot;Sgt. Pepper&amp;#039;s Lonely Hearts Club Band,&amp;quot; a perfectly executed takeoff. Along the way, their albums have bannered such thought provoking slogans as &amp;quot;Kill Ugly Radio,&amp;quot; &amp;quot;You Must Buy This Album Now, Top 40 Radio Will Never Play It&amp;quot; and &amp;quot;The Present Day Composer Refuses to Die.&amp;quot; The group is the Mothers of Invention, spearheaded by [[Frank Zappa]].&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>PopFanDoug</name></author>
		
	</entry>
	<entry>
		<id>http://wiki.killuglyradio.com/index.php?title=More_Polemics_From_Pop_Satirist&amp;diff=24513&amp;oldid=prev</id>
		<title>Propellerkuh at 05:09, 28 April 2007</title>
		<link rel="alternate" type="text/html" href="http://wiki.killuglyradio.com/index.php?title=More_Polemics_From_Pop_Satirist&amp;diff=24513&amp;oldid=prev"/>
		<updated>2007-04-28T05:09:01Z</updated>

		<summary type="html">&lt;p&gt;&lt;/p&gt;
&lt;table class=&quot;diff diff-contentalign-left&quot; data-mw=&quot;interface&quot;&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;tr class=&quot;diff-title&quot; lang=&quot;en&quot;&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #222; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #222; text-align: center;&quot;&gt;Revision as of 05:09, 28 April 2007&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l15&quot; &gt;Line 15:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 15:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;The record is largely a series of polemics, but Zappa&amp;#039;s barbs are witty enough to make his messages entertaining (&amp;quot;Unbind your mind / There is no time / To lick your stamps / And paste them in / Discorporate / And we will begin ... Wah Wah / Diamonds on velvets on goldens on vixen / On comet and cupid on donner and blitzen / On up and away and afar and a go-go ...&amp;quot;). Zappa is pop music&amp;#039;s bravest iconoclast and perhaps its brightest. His next album, which has been held up for nearly a year through a technical dispute, is a full-length symphony called &amp;quot;[[Lumpy Gravy]].&amp;quot;&lt;/div&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;The record is largely a series of polemics, but Zappa&amp;#039;s barbs are witty enough to make his messages entertaining (&amp;quot;Unbind your mind / There is no time / To lick your stamps / And paste them in / Discorporate / And we will begin ... Wah Wah / Diamonds on velvets on goldens on vixen / On comet and cupid on donner and blitzen / On up and away and afar and a go-go ...&amp;quot;). Zappa is pop music&amp;#039;s bravest iconoclast and perhaps its brightest. His next album, which has been held up for nearly a year through a technical dispute, is a full-length symphony called &amp;quot;[[Lumpy Gravy]].&amp;quot;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt;−&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[Category:Articles about Zappa]]&lt;/div&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[Category:Articles about Zappa&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;]]&amp;lt;br&amp;gt;&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt; &lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;[[Category:Press Reviews&lt;/ins&gt;]]&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Propellerkuh</name></author>
		
	</entry>
	<entry>
		<id>http://wiki.killuglyradio.com/index.php?title=More_Polemics_From_Pop_Satirist&amp;diff=16756&amp;oldid=prev</id>
		<title>Propellerkuh at 19:30, 26 March 2007</title>
		<link rel="alternate" type="text/html" href="http://wiki.killuglyradio.com/index.php?title=More_Polemics_From_Pop_Satirist&amp;diff=16756&amp;oldid=prev"/>
		<updated>2007-03-26T19:30:48Z</updated>

		<summary type="html">&lt;p&gt;&lt;/p&gt;
&lt;table class=&quot;diff diff-contentalign-left&quot; data-mw=&quot;interface&quot;&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;tr class=&quot;diff-title&quot; lang=&quot;en&quot;&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #222; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #222; text-align: center;&quot;&gt;Revision as of 19:30, 26 March 2007&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l10&quot; &gt;Line 10:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 10:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Additionally, their record debut offered a 6-minute plus song called &amp;quot;[[Trouble Every Day]],&amp;quot; a deadly serious collection of thoughts inspired by the Watts riots which has even more topical value today. Then there were a number of tongue-in-cheek resurrections of the rock &amp;#039;n&amp;#039; roll of the 1950s which showed as much sympathy as meanness.&lt;/div&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Additionally, their record debut offered a 6-minute plus song called &amp;quot;[[Trouble Every Day]],&amp;quot; a deadly serious collection of thoughts inspired by the Watts riots which has even more topical value today. Then there were a number of tongue-in-cheek resurrections of the rock &amp;#039;n&amp;#039; roll of the 1950s which showed as much sympathy as meanness.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt;−&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;For his second album, Zappa demonstrated that he is as familiar with [[Igor Stravinsky|Stravinsky]] as he is with Don and Dewey in a program which took some roundhouse swipes at the excesses of society, not the simple vices on which many pop musicians have pounced (love of money and wars, lack of communication), but at topics such as sexual fantasies and drunken revels which aren&amp;#039;t revels. The Stones also apparently picked up on a song called &amp;quot;[[America Drinks And Goes Home]]&amp;quot; for their last album, which contains an inferior imitation.&lt;/div&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;For his second album, Zappa demonstrated that he is as familiar with [[Igor Stravinsky|Stravinsky]] as he is with Don and Dewey in a program which took some roundhouse swipes at the excesses of society, not the simple vices on which many pop musicians have pounced (love of money and wars, lack of communication), but at topics such as sexual fantasies and drunken revels which aren&amp;#039;t revels. The Stones also apparently picked up on a song called &amp;quot;[[&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;America Drinks|&lt;/ins&gt;America Drinks And Goes Home]]&amp;quot; for their last album, which contains an inferior imitation.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Now comes No. 3, a hilarius visual evocation of &amp;quot;Sgt. Pepper&amp;quot; which is sometimes funny and sometimes grim inside. The Mothers attack hippies, the San Francisco scene, mother and fatherhood, childhood, drugs, flower people, making records, police, fashions and on. &amp;quot;This whole monstrosity was conceived and executed by Frank Zappa as a result of some unpleasant premonitions August through October, 1967&amp;quot; proclaim some small capital letters almost hidden among the lyrics inside the album. Along with the visual nod at the Beatles, Zappa takes them on in the structure of a couple of super-contemporary songs. One, &amp;quot;[[Mother People]],&amp;quot; pokes fun at the Beatles&amp;#039; odd musical transitions by using the sound of a phonograph needle skipping across a record to &amp;quot;unite&amp;quot; two dissimilar melodic sections, much as the Fab Four used radio static to connect parts of &amp;quot;I Am the Walrus.&amp;quot;&lt;/div&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Now comes No. 3, a hilarius visual evocation of &amp;quot;Sgt. Pepper&amp;quot; which is sometimes funny and sometimes grim inside. The Mothers attack hippies, the San Francisco scene, mother and fatherhood, childhood, drugs, flower people, making records, police, fashions and on. &amp;quot;This whole monstrosity was conceived and executed by Frank Zappa as a result of some unpleasant premonitions August through October, 1967&amp;quot; proclaim some small capital letters almost hidden among the lyrics inside the album. Along with the visual nod at the Beatles, Zappa takes them on in the structure of a couple of super-contemporary songs. One, &amp;quot;[[Mother People]],&amp;quot; pokes fun at the Beatles&amp;#039; odd musical transitions by using the sound of a phonograph needle skipping across a record to &amp;quot;unite&amp;quot; two dissimilar melodic sections, much as the Fab Four used radio static to connect parts of &amp;quot;I Am the Walrus.&amp;quot;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Propellerkuh</name></author>
		
	</entry>
	<entry>
		<id>http://wiki.killuglyradio.com/index.php?title=More_Polemics_From_Pop_Satirist&amp;diff=16083&amp;oldid=prev</id>
		<title>Propellerkuh at 19:29, 26 March 2007</title>
		<link rel="alternate" type="text/html" href="http://wiki.killuglyradio.com/index.php?title=More_Polemics_From_Pop_Satirist&amp;diff=16083&amp;oldid=prev"/>
		<updated>2007-03-26T19:29:20Z</updated>

		<summary type="html">&lt;p&gt;&lt;/p&gt;
&lt;table class=&quot;diff diff-contentalign-left&quot; data-mw=&quot;interface&quot;&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;tr class=&quot;diff-title&quot; lang=&quot;en&quot;&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #222; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #222; text-align: center;&quot;&gt;Revision as of 19:29, 26 March 2007&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l1&quot; &gt;Line 1:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 1:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt;−&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Los Angeles Times, Mon., Mar. 18, 1968&amp;lt;br&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;[[&lt;/ins&gt;Los Angeles Times&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;]]&lt;/ins&gt;, Mon., Mar. 18, 1968&amp;lt;br&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt;−&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;By Pete Johnson&amp;lt;br&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;By &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;[[&lt;/ins&gt;Pete Johnson&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;]]&lt;/ins&gt;&amp;lt;br&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l14&quot; &gt;Line 14:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 14:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Now comes No. 3, a hilarius visual evocation of &amp;quot;Sgt. Pepper&amp;quot; which is sometimes funny and sometimes grim inside. The Mothers attack hippies, the San Francisco scene, mother and fatherhood, childhood, drugs, flower people, making records, police, fashions and on. &amp;quot;This whole monstrosity was conceived and executed by Frank Zappa as a result of some unpleasant premonitions August through October, 1967&amp;quot; proclaim some small capital letters almost hidden among the lyrics inside the album. Along with the visual nod at the Beatles, Zappa takes them on in the structure of a couple of super-contemporary songs. One, &amp;quot;[[Mother People]],&amp;quot; pokes fun at the Beatles&amp;#039; odd musical transitions by using the sound of a phonograph needle skipping across a record to &amp;quot;unite&amp;quot; two dissimilar melodic sections, much as the Fab Four used radio static to connect parts of &amp;quot;I Am the Walrus.&amp;quot;&lt;/div&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Now comes No. 3, a hilarius visual evocation of &amp;quot;Sgt. Pepper&amp;quot; which is sometimes funny and sometimes grim inside. The Mothers attack hippies, the San Francisco scene, mother and fatherhood, childhood, drugs, flower people, making records, police, fashions and on. &amp;quot;This whole monstrosity was conceived and executed by Frank Zappa as a result of some unpleasant premonitions August through October, 1967&amp;quot; proclaim some small capital letters almost hidden among the lyrics inside the album. Along with the visual nod at the Beatles, Zappa takes them on in the structure of a couple of super-contemporary songs. One, &amp;quot;[[Mother People]],&amp;quot; pokes fun at the Beatles&amp;#039; odd musical transitions by using the sound of a phonograph needle skipping across a record to &amp;quot;unite&amp;quot; two dissimilar melodic sections, much as the Fab Four used radio static to connect parts of &amp;quot;I Am the Walrus.&amp;quot;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt;−&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;The record is largely a series of polemics, but Zappa&amp;#039;s barbs are witty enough to make his messages entertaining (&amp;quot;Unbind your mind/There is no time/To lick your stamps/And paste them in/Discorporate/And we will begin ... Wah Wah/Diamonds on velvets on goldens on vixen/On comet and cupid on donner and blitzen/On up and away and afar and a go-go ...&amp;quot;). Zappa is pop music&amp;#039;s bravest iconoclast and perhaps its brightest. His next album, which has been held up for nearly a year through a technical dispute, is a full-length symphony called &amp;quot;Lumpy Gravy.&amp;quot;&lt;/div&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;The record is largely a series of polemics, but Zappa&amp;#039;s barbs are witty enough to make his messages entertaining (&amp;quot;Unbind your mind / There is no time / To lick your stamps / And paste them in / Discorporate / And we will begin ... Wah Wah / Diamonds on velvets on goldens on vixen / On comet and cupid on donner and blitzen / On up and away and afar and a go-go ...&amp;quot;). Zappa is pop music&amp;#039;s bravest iconoclast and perhaps its brightest. His next album, which has been held up for nearly a year through a technical dispute, is a full-length symphony called &amp;quot;&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;[[&lt;/ins&gt;Lumpy Gravy&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;]]&lt;/ins&gt;.&amp;quot;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[Category:Articles about Zappa]]&lt;/div&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[Category:Articles about Zappa]]&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Propellerkuh</name></author>
		
	</entry>
	<entry>
		<id>http://wiki.killuglyradio.com/index.php?title=More_Polemics_From_Pop_Satirist&amp;diff=16082&amp;oldid=prev</id>
		<title>Propellerkuh at 19:26, 26 March 2007</title>
		<link rel="alternate" type="text/html" href="http://wiki.killuglyradio.com/index.php?title=More_Polemics_From_Pop_Satirist&amp;diff=16082&amp;oldid=prev"/>
		<updated>2007-03-26T19:26:14Z</updated>

		<summary type="html">&lt;p&gt;&lt;/p&gt;
&lt;p&gt;&lt;b&gt;New page&lt;/b&gt;&lt;/p&gt;&lt;div&gt;Los Angeles Times, Mon., Mar. 18, 1968&amp;lt;br&amp;gt;&lt;br /&gt;
By Pete Johnson&amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
Their first album, now a couple of years old, was fairly routine by later standards. The jacket was an oddly tinted pink and blue and yellow and black thing with the words &amp;quot;[[Freak Out!]]&amp;quot; encapsulated in a thought balloon. Next came &amp;quot;[[Absolutely Free]],&amp;quot; a double jacketed creation with each surface seemingly at right angles to each other surface. Their latest, &amp;quot;[[We&amp;#039;re Only In It For The Money]],&amp;quot; surpasses both for incredibly imaginative humor. It is an inverted parody of the Beatles&amp;#039; &amp;quot;Sgt. Pepper&amp;#039;s Lonely Hearts Club Band,&amp;quot; a perfectly executed takeoff. Along the way, their albums have bannered such thought provoking slogans as &amp;quot;Kill Ugly Radio,&amp;quot; &amp;quot;You Must Buy This Album Now, Top 40 Radio Will Never Play It&amp;quot; and &amp;quot;The Present Day Composer Refuses to Die.&amp;quot; The group is the Mothers of Invention, spearheaded by [[Frank Zappa]].&lt;br /&gt;
&lt;br /&gt;
Zappa is a brilliant musician with a flair for satire. Unfortunately, he tends to do things a couple of years before people are ready for them and often crowds so many ideas into such brief musical space that they get lost in the confusion. That first LP (all are on the Verve label, by the way), a two-record set, anticipated many of the strange rhythmic &amp;quot;innovations&amp;quot; of the last album by the Rolling Stones, &amp;quot;Their Satanic Majesties Request.&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Additionally, their record debut offered a 6-minute plus song called &amp;quot;[[Trouble Every Day]],&amp;quot; a deadly serious collection of thoughts inspired by the Watts riots which has even more topical value today. Then there were a number of tongue-in-cheek resurrections of the rock &amp;#039;n&amp;#039; roll of the 1950s which showed as much sympathy as meanness.&lt;br /&gt;
&lt;br /&gt;
For his second album, Zappa demonstrated that he is as familiar with [[Igor Stravinsky|Stravinsky]] as he is with Don and Dewey in a program which took some roundhouse swipes at the excesses of society, not the simple vices on which many pop musicians have pounced (love of money and wars, lack of communication), but at topics such as sexual fantasies and drunken revels which aren&amp;#039;t revels. The Stones also apparently picked up on a song called &amp;quot;[[America Drinks And Goes Home]]&amp;quot; for their last album, which contains an inferior imitation.&lt;br /&gt;
&lt;br /&gt;
Now comes No. 3, a hilarius visual evocation of &amp;quot;Sgt. Pepper&amp;quot; which is sometimes funny and sometimes grim inside. The Mothers attack hippies, the San Francisco scene, mother and fatherhood, childhood, drugs, flower people, making records, police, fashions and on. &amp;quot;This whole monstrosity was conceived and executed by Frank Zappa as a result of some unpleasant premonitions August through October, 1967&amp;quot; proclaim some small capital letters almost hidden among the lyrics inside the album. Along with the visual nod at the Beatles, Zappa takes them on in the structure of a couple of super-contemporary songs. One, &amp;quot;[[Mother People]],&amp;quot; pokes fun at the Beatles&amp;#039; odd musical transitions by using the sound of a phonograph needle skipping across a record to &amp;quot;unite&amp;quot; two dissimilar melodic sections, much as the Fab Four used radio static to connect parts of &amp;quot;I Am the Walrus.&amp;quot;&lt;br /&gt;
&lt;br /&gt;
The record is largely a series of polemics, but Zappa&amp;#039;s barbs are witty enough to make his messages entertaining (&amp;quot;Unbind your mind/There is no time/To lick your stamps/And paste them in/Discorporate/And we will begin ... Wah Wah/Diamonds on velvets on goldens on vixen/On comet and cupid on donner and blitzen/On up and away and afar and a go-go ...&amp;quot;). Zappa is pop music&amp;#039;s bravest iconoclast and perhaps its brightest. His next album, which has been held up for nearly a year through a technical dispute, is a full-length symphony called &amp;quot;Lumpy Gravy.&amp;quot;&lt;br /&gt;
[[Category:Articles about Zappa]]&lt;/div&gt;</summary>
		<author><name>Propellerkuh</name></author>
		
	</entry>
</feed>