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	<id>http://wiki.killuglyradio.com/index.php?action=history&amp;feed=atom&amp;title=Milton_Babbitt</id>
	<title>Milton Babbitt - Revision history</title>
	<link rel="self" type="application/atom+xml" href="http://wiki.killuglyradio.com/index.php?action=history&amp;feed=atom&amp;title=Milton_Babbitt"/>
	<link rel="alternate" type="text/html" href="http://wiki.killuglyradio.com/index.php?title=Milton_Babbitt&amp;action=history"/>
	<updated>2026-08-09T11:46:34Z</updated>
	<subtitle>Revision history for this page on the wiki</subtitle>
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	<entry>
		<id>http://wiki.killuglyradio.com/index.php?title=Milton_Babbitt&amp;diff=65595&amp;oldid=prev</id>
		<title>Spider of Destiny at 23:38, 29 June 2026</title>
		<link rel="alternate" type="text/html" href="http://wiki.killuglyradio.com/index.php?title=Milton_Babbitt&amp;diff=65595&amp;oldid=prev"/>
		<updated>2026-06-29T23:38:22Z</updated>

		<summary type="html">&lt;p&gt;&lt;/p&gt;
&lt;table class=&quot;diff diff-contentalign-left&quot; data-mw=&quot;interface&quot;&gt;
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				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #222; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #222; text-align: center;&quot;&gt;Revision as of 23:38, 29 June 2026&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l22&quot; &gt;Line 22:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 22:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[Category:Classical Composers|Babbitt, Milton]]&lt;/div&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[Category:Classical Composers|Babbitt, Milton]]&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt; &lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;[[Category:Favorite Classical Composers|Babbitt, Milton]]&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[Category:Musicologists|Babbitt, Milton]]&lt;/div&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[Category:Musicologists|Babbitt, Milton]]&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[Category:Musical Educators|Babbitt, Milton]]&lt;/div&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[Category:Musical Educators|Babbitt, Milton]]&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[Category:Mathematicians|Babbitt, Milton]]&lt;/div&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[Category:Mathematicians|Babbitt, Milton]]&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Spider of Destiny</name></author>
		
	</entry>
	<entry>
		<id>http://wiki.killuglyradio.com/index.php?title=Milton_Babbitt&amp;diff=64531&amp;oldid=prev</id>
		<title>Spider of Destiny at 18:10, 11 June 2026</title>
		<link rel="alternate" type="text/html" href="http://wiki.killuglyradio.com/index.php?title=Milton_Babbitt&amp;diff=64531&amp;oldid=prev"/>
		<updated>2026-06-11T18:10:50Z</updated>

		<summary type="html">&lt;p&gt;&lt;/p&gt;
&lt;table class=&quot;diff diff-contentalign-left&quot; data-mw=&quot;interface&quot;&gt;
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				&lt;tr class=&quot;diff-title&quot; lang=&quot;en&quot;&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #222; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #222; text-align: center;&quot;&gt;Revision as of 18:10, 11 June 2026&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l21&quot; &gt;Line 21:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 21:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* [[Wikipedia:Milton Babbitt]]&lt;/div&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* [[Wikipedia:Milton Babbitt]]&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt;−&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[Category:Composers|Babbitt, Milton]]&lt;/div&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[Category:&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;Classical &lt;/ins&gt;Composers|Babbitt, Milton]]&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[Category:Musicologists|Babbitt, Milton]]&lt;/div&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[Category:Musicologists|Babbitt, Milton]]&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[Category:Musical Educators|Babbitt, Milton]]&lt;/div&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[Category:Musical Educators|Babbitt, Milton]]&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[Category:Mathematicians|Babbitt, Milton]]&lt;/div&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[Category:Mathematicians|Babbitt, Milton]]&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Spider of Destiny</name></author>
		
	</entry>
	<entry>
		<id>http://wiki.killuglyradio.com/index.php?title=Milton_Babbitt&amp;diff=64391&amp;oldid=prev</id>
		<title>Spider of Destiny: /* Frank Zappa about Milton Babbitt */</title>
		<link rel="alternate" type="text/html" href="http://wiki.killuglyradio.com/index.php?title=Milton_Babbitt&amp;diff=64391&amp;oldid=prev"/>
		<updated>2026-06-10T18:07:05Z</updated>

		<summary type="html">&lt;p&gt;&lt;span dir=&quot;auto&quot;&gt;&lt;span class=&quot;autocomment&quot;&gt;Frank Zappa about Milton Babbitt&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;
&lt;table class=&quot;diff diff-contentalign-left&quot; data-mw=&quot;interface&quot;&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;tr class=&quot;diff-title&quot; lang=&quot;en&quot;&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #222; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #222; text-align: center;&quot;&gt;Revision as of 18:07, 10 June 2026&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l9&quot; &gt;Line 9:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 9:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;==Frank Zappa about Milton Babbitt==&lt;/div&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;==Frank Zappa about Milton Babbitt==&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&amp;#039;&amp;#039;&amp;quot;There is one other guy whose stuff I like, with some reservations, and that&amp;#039;s Milton Babbitt.&amp;quot;&amp;#039;&amp;#039; - Frank Zappa, &amp;#039;&amp;#039;Zappa: The Composer Speaks&amp;#039;&amp;#039;,  interviewed by Mark Roberts, Iconoclast, 15-22 March 1974. &amp;lt;ref&amp;gt;https://www.afka.net/Articles/1974-03_Iconoclast.htm&amp;lt;/ref&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&amp;#039;&amp;#039;&amp;quot;There is one other guy whose stuff I like, with some reservations, and that&amp;#039;s Milton Babbitt.&amp;quot;&amp;#039;&amp;#039; - Frank Zappa, &amp;#039;&amp;#039;Zappa: The Composer Speaks&amp;#039;&amp;#039;,  interviewed by Mark Roberts, Iconoclast, 15-22 March 1974. &amp;lt;ref&amp;gt;https://www.afka.net/Articles/1974-03_Iconoclast.htm&amp;lt;/ref&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt; &lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&amp;#039;&amp;#039;&amp;#039;So, the public doesn&amp;#039;t need composers. What about composers? Do they need a public? For example, [electronic music composer] [[Milton Babbitt]], in an essay entitled &amp;quot;Who Cares If You Listen?,&amp;quot; has advocated the virtual exclusion of the general public from modern music concerts. What is your opinion on that?&amp;lt;br&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&amp;#039;&amp;#039;&amp;#039;So, the public doesn&amp;#039;t need composers. What about composers? Do they need a public? For example, [electronic music composer] [[Milton Babbitt]], in an essay entitled &amp;quot;Who Cares If You Listen?,&amp;quot; has advocated the virtual exclusion of the general public from modern music concerts. What is your opinion on that?&amp;lt;br&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Spider of Destiny</name></author>
		
	</entry>
	<entry>
		<id>http://wiki.killuglyradio.com/index.php?title=Milton_Babbitt&amp;diff=64390&amp;oldid=prev</id>
		<title>Spider of Destiny at 18:06, 10 June 2026</title>
		<link rel="alternate" type="text/html" href="http://wiki.killuglyradio.com/index.php?title=Milton_Babbitt&amp;diff=64390&amp;oldid=prev"/>
		<updated>2026-06-10T18:06:49Z</updated>

		<summary type="html">&lt;p&gt;&lt;/p&gt;
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				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #222; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #222; text-align: center;&quot;&gt;Revision as of 18:06, 10 June 2026&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l3&quot; &gt;Line 3:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 3:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&amp;#039;&amp;#039;&amp;#039;Milton Babbitt&amp;#039;&amp;#039;&amp;#039; (May 10, 1916 - January 29, 2011) was an American composer, musicologist, musical educator and mathematician. He mostly composed serial music and was a pioneer in the field of writing music for synthesizer.  &lt;/div&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&amp;#039;&amp;#039;&amp;#039;Milton Babbitt&amp;#039;&amp;#039;&amp;#039; (May 10, 1916 - January 29, 2011) was an American composer, musicologist, musical educator and mathematician. He mostly composed serial music and was a pioneer in the field of writing music for synthesizer.  &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt;−&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;In February 1958, Babbitt published an article in High Fidelity, titled &amp;#039;&amp;#039;Who Cares if You Listen?&amp;#039;&amp;#039; by the editors. It observes how &amp;#039;&amp;#039;serious advanced music&amp;#039;&amp;#039; is largely unknown among general audiences, who have their own, more popular lighter &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;form &lt;/del&gt;of music. Performers are also seldom interested in this &amp;quot;advanced music&amp;quot; and thus concerts don&amp;#039;t draw large audiences. He concludes if advanced music isn&amp;#039;t supported, &amp;#039;&amp;#039;&amp;quot;the whistling repertory of the man in the street will be little affected... But music will cease to evolve, and, in that important sense, will cease to live.&amp;quot;&amp;#039;&amp;#039; The article received quite some media attention, opening debates about the public perception of music.  &lt;/div&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;In February 1958, Babbitt published an article in High Fidelity, titled &amp;#039;&amp;#039;Who Cares if You Listen?&amp;#039;&amp;#039; by the editors. It observes how &amp;#039;&amp;#039;serious advanced music&amp;#039;&amp;#039; is largely unknown among general audiences, who have their own, more popular lighter &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;forms &lt;/ins&gt;of music. Performers are also seldom interested in this &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;&amp;#039;&amp;#039;&lt;/ins&gt;&amp;quot;advanced music&amp;quot;&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;&amp;#039;&amp;#039; &lt;/ins&gt;and thus concerts don&amp;#039;t draw large audiences. He concludes if advanced music isn&amp;#039;t supported, &amp;#039;&amp;#039;&amp;quot;the whistling repertory of the man in the street will be little affected... But music will cease to evolve, and, in that important sense, will cease to live.&amp;quot;&amp;#039;&amp;#039; The article received quite some media attention, opening debates about the public perception of music.  &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;In 1982, Babbitt received a Pulitzer Prize for his entire musical career.&lt;/div&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;In 1982, Babbitt received a Pulitzer Prize for his entire musical career.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Spider of Destiny</name></author>
		
	</entry>
	<entry>
		<id>http://wiki.killuglyradio.com/index.php?title=Milton_Babbitt&amp;diff=64389&amp;oldid=prev</id>
		<title>Spider of Destiny at 18:06, 10 June 2026</title>
		<link rel="alternate" type="text/html" href="http://wiki.killuglyradio.com/index.php?title=Milton_Babbitt&amp;diff=64389&amp;oldid=prev"/>
		<updated>2026-06-10T18:06:05Z</updated>

		<summary type="html">&lt;p&gt;&lt;/p&gt;
&lt;table class=&quot;diff diff-contentalign-left&quot; data-mw=&quot;interface&quot;&gt;
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				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #222; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #222; text-align: center;&quot;&gt;Revision as of 18:06, 10 June 2026&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l3&quot; &gt;Line 3:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 3:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&amp;#039;&amp;#039;&amp;#039;Milton Babbitt&amp;#039;&amp;#039;&amp;#039; (May 10, 1916 - January 29, 2011) was an American composer, musicologist, musical educator and mathematician. He mostly composed serial music and was a pioneer in the field of writing music for synthesizer.  &lt;/div&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&amp;#039;&amp;#039;&amp;#039;Milton Babbitt&amp;#039;&amp;#039;&amp;#039; (May 10, 1916 - January 29, 2011) was an American composer, musicologist, musical educator and mathematician. He mostly composed serial music and was a pioneer in the field of writing music for synthesizer.  &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt;−&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;In February 1958, Babbitt published an article in High Fidelity, titled &amp;#039;&amp;#039;Who Cares if You Listen?&amp;#039;&amp;#039; by the editors. It observes how &amp;#039;&amp;#039;serious advanced music&amp;#039;&amp;#039; is largely unknown among general audiences, who have their own, more popular &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;lighters &lt;/del&gt;form of music. Performers are also seldom interested in this &amp;quot;advanced music&amp;quot; and thus concerts don&amp;#039;t draw large audiences. He concludes if advanced music isn&amp;#039;t supported, &amp;#039;&amp;#039;&amp;quot;the whistling repertory of the man in the street will be little affected... But music will cease to evolve, and, in that important sense, will cease to live.&amp;quot;&amp;#039;&amp;#039; The article received quite some media attention, opening debates about the public perception of music.  &lt;/div&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;In February 1958, Babbitt published an article in High Fidelity, titled &amp;#039;&amp;#039;Who Cares if You Listen?&amp;#039;&amp;#039; by the editors. It observes how &amp;#039;&amp;#039;serious advanced music&amp;#039;&amp;#039; is largely unknown among general audiences, who have their own, more popular &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;lighter &lt;/ins&gt;form of music. Performers are also seldom interested in this &amp;quot;advanced music&amp;quot; and thus concerts don&amp;#039;t draw large audiences. He concludes if advanced music isn&amp;#039;t supported, &amp;#039;&amp;#039;&amp;quot;the whistling repertory of the man in the street will be little affected... But music will cease to evolve, and, in that important sense, will cease to live.&amp;quot;&amp;#039;&amp;#039; The article received quite some media attention, opening debates about the public perception of music.  &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;In 1982, Babbitt received a Pulitzer Prize for his entire musical career.&lt;/div&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;In 1982, Babbitt received a Pulitzer Prize for his entire musical career.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Spider of Destiny</name></author>
		
	</entry>
	<entry>
		<id>http://wiki.killuglyradio.com/index.php?title=Milton_Babbitt&amp;diff=64388&amp;oldid=prev</id>
		<title>Spider of Destiny: Created page with &quot;Milton Babbitt.  &#039;&#039;&#039;Milton Babbitt&#039;&#039;&#039; (May 10, 1916 - January 29, 2011) was an American composer, musicologist, musical educator...&quot;</title>
		<link rel="alternate" type="text/html" href="http://wiki.killuglyradio.com/index.php?title=Milton_Babbitt&amp;diff=64388&amp;oldid=prev"/>
		<updated>2026-06-10T18:03:16Z</updated>

		<summary type="html">&lt;p&gt;Created page with &amp;quot;&lt;a href=&quot;/wiki/File:Milton_Babbitt.jpg&quot; title=&quot;File:Milton Babbitt.jpg&quot;&gt;400px|thumb|right|Milton Babbitt.&lt;/a&gt;  &amp;#039;&amp;#039;&amp;#039;Milton Babbitt&amp;#039;&amp;#039;&amp;#039; (May 10, 1916 - January 29, 2011) was an American composer, musicologist, musical educator...&amp;quot;&lt;/p&gt;
&lt;p&gt;&lt;b&gt;New page&lt;/b&gt;&lt;/p&gt;&lt;div&gt;[[File:Milton Babbitt.jpg|400px|thumb|right|Milton Babbitt.]]&lt;br /&gt;
&lt;br /&gt;
&amp;#039;&amp;#039;&amp;#039;Milton Babbitt&amp;#039;&amp;#039;&amp;#039; (May 10, 1916 - January 29, 2011) was an American composer, musicologist, musical educator and mathematician. He mostly composed serial music and was a pioneer in the field of writing music for synthesizer. &lt;br /&gt;
&lt;br /&gt;
In February 1958, Babbitt published an article in High Fidelity, titled &amp;#039;&amp;#039;Who Cares if You Listen?&amp;#039;&amp;#039; by the editors. It observes how &amp;#039;&amp;#039;serious advanced music&amp;#039;&amp;#039; is largely unknown among general audiences, who have their own, more popular lighters form of music. Performers are also seldom interested in this &amp;quot;advanced music&amp;quot; and thus concerts don&amp;#039;t draw large audiences. He concludes if advanced music isn&amp;#039;t supported, &amp;#039;&amp;#039;&amp;quot;the whistling repertory of the man in the street will be little affected... But music will cease to evolve, and, in that important sense, will cease to live.&amp;quot;&amp;#039;&amp;#039; The article received quite some media attention, opening debates about the public perception of music. &lt;br /&gt;
&lt;br /&gt;
In 1982, Babbitt received a Pulitzer Prize for his entire musical career.&lt;br /&gt;
&lt;br /&gt;
==Frank Zappa about Milton Babbitt==&lt;br /&gt;
&amp;#039;&amp;#039;&amp;quot;There is one other guy whose stuff I like, with some reservations, and that&amp;#039;s Milton Babbitt.&amp;quot;&amp;#039;&amp;#039; - Frank Zappa, &amp;#039;&amp;#039;Zappa: The Composer Speaks&amp;#039;&amp;#039;,  interviewed by Mark Roberts, Iconoclast, 15-22 March 1974. &amp;lt;ref&amp;gt;https://www.afka.net/Articles/1974-03_Iconoclast.htm&amp;lt;/ref&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&amp;#039;&amp;#039;&amp;#039;So, the public doesn&amp;#039;t need composers. What about composers? Do they need a public? For example, [electronic music composer] [[Milton Babbitt]], in an essay entitled &amp;quot;Who Cares If You Listen?,&amp;quot; has advocated the virtual exclusion of the general public from modern music concerts. What is your opinion on that?&amp;lt;br&amp;gt;&lt;br /&gt;
&amp;#039;&amp;#039;&amp;#039;Frank Zappa&amp;#039;&amp;#039;&amp;#039;: &amp;#039;&amp;#039;&amp;quot;That&amp;#039;s unnecessary, they&amp;#039;re already excluded; they don&amp;#039;t go! Have you been to a modern music concert? Plenty of room, isn&amp;#039;t there? Come on Milton, give yourself a break. I hope you&amp;#039;re not going to spend money trying to exclude these people. What are you going to do, have it legislated in Congress like those assholes who wanted to make it a law that you couldn&amp;#039;t put anything backwards, on a phonograph record?&amp;quot;&amp;#039;&amp;#039;&lt;br /&gt;
- Frank Zappa in &amp;#039;&amp;#039;[[Winter In Amerika]]&amp;#039;&amp;#039;, Steve Lyons &amp;amp; Batya Friedman, Option, January/February 1987.&lt;br /&gt;
&lt;br /&gt;
==References==&lt;br /&gt;
&amp;lt;references/&amp;gt;&lt;br /&gt;
&lt;br /&gt;
==External links==&lt;br /&gt;
* [[Wikipedia:Milton Babbitt]]&lt;br /&gt;
&lt;br /&gt;
[[Category:Composers|Babbitt, Milton]]&lt;br /&gt;
[[Category:Musicologists|Babbitt, Milton]]&lt;br /&gt;
[[Category:Musical Educators|Babbitt, Milton]]&lt;br /&gt;
[[Category:Mathematicians|Babbitt, Milton]]&lt;/div&gt;</summary>
		<author><name>Spider of Destiny</name></author>
		
	</entry>
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