Later That Night - Revision history

Jason.Kreitzer at 15:11, 9 December 2021

2021-12-09T15:11:01Z

Jason.Kreitzer at 18:39, 6 October 2021

2021-10-06T18:39:21Z

Jason.Kreitzer at 21:00, 1 August 2021

2021-08-01T21:00:58Z

Jason.Kreitzer at 01:50, 16 July 2021

2021-07-16T01:50:21Z

Spider of Destiny: /* Notes About This Song */

2020-10-21T18:59:46Z

Notes About This Song

Spider of Destiny: /* CC Clues In This Song */

2011-09-20T13:28:48Z

CC Clues In This Song

Emdebe: players update

2006-04-11T22:07:07Z

players update

Emdebe at 21:49, 11 April 2006

2006-04-11T21:49:35Z

Emdebe: moved some notes from album page

2006-04-11T21:47:56Z

moved some notes from album page

Emdebe: Category:Tracks + structure

2005-09-07T16:54:52Z

Category:Tracks + structure

← Older revision		Revision as of 15:11, 9 December 2021
Line 1:		Line 1:
		+	__NOTOC__
		+
	==Lyrics==		==Lyrics==
	You surely must be trying<br>		You surely must be trying<br>

@@ Line 66: / Line 66: @@
 ===Tribute & Cover Albums===
 ==Notes About This Song==
-At the end of "[[Later That Night]]," Ray pays tribute to either Ruth Brown’s "Three Letters" or the Velvetones’ "Glory of Love" (or both). He then laughs at his own exaggerated soulful pronunciation of the word "there." Frank theatrically gulps some air; "There’s no room to breathe in here!" he complains from the vocal booth. This might be left in to indicate the suffocating pop formula, the dry timbre of the vocals (in the liberated atmosphere of the future reissue, the song will fade out before Frank starts his gasping), and/or the [[fascism]] that he likes to warn about detecting in the USA's governmental and corporate actions, considering that plenty of songs deal with poisoned air -- "[[Billy The Mountain]]," "[[San Ber'dino]]" and "[[Wind Up Workin' In A Gas Station]]" are just three -- and that the latter associates concentration camps and Nazi tactics (referred to in the liner notes of [[We're Only In It For The Money|Money]], the [[200 Motels]] film and many Zappa lyrics) with the subtle psychological "torturing" of citizens by the government and media as they sell lifestyles and products based on "perfect human" images (the [[Zoot Allures]] album deals heavily with aberrant sexual practices and explains that the torture never stops). After all, Rays phrase "right on top of some dog waste" ties in with the title of [[Uncle Meat]]’s "[[Dog Breath|Dog Breath, in the Year of the Plague]]" (another reference to breath, of course), and the character in the final Ruben song, "[[Stuff Up The Cracks]]," threatens to kill himself with poisonous gas. Ray also refers to his "shirts with the Mr. B collar," a collar that was patented by bandleader and trumpeter [[Billy Eckstine]], whose button configuration gave the neck room to swell.
+At the end of "[[Later That Night]]," Ray pays tribute to either Ruth Brown’s "Three Letters" or the Velvetones’ "Glory of Love" (or both). He then laughs at his own exaggerated soulful pronunciation of the word "there." Frank theatrically gulps some air; "There’s no room to breathe in here!" he complains from the vocal booth. This might be left in to indicate the suffocating pop formula, the dry timbre of the vocals (in the liberated atmosphere of the future reissue, the song will fade out before Frank starts his gasping), and/or the [[fascism]] that he likes to warn about detecting in the USA's governmental and corporate actions, considering that plenty of songs deal with poisoned air -- "[[Billy The Mountain]]," "[[San Ber'dino]]" and "[[Wind Up Workin' In A Gas Station]]" are just three -- and that the latter associates concentration camps and Nazi tactics (referred to in the liner notes of [[We're Only In It For The Money|Money]], the [[200 Motels]] film and many Zappa lyrics) with the subtle psychological "torturing" of citizens by the government and media as they sell lifestyles and products based on "perfect human" images (the [[Zoot Allures]] album deals heavily with aberrant sexual practices and explains that the torture never stops). After all, Rays phrase "right on top of some dog waste" ties in with the title of [[Uncle Meat]]’s "[[Dog Breath|Dog Breath, in the Year of the Plague]]" (another reference to breath, of course), and the character in the final Ruben song, "[[Stuff Up The Cracks]]," threatens to kill himself with poisonous gas. Ray also refers to his "shirts with the Mr. B collar," a collar that was patented by bandleader and trumpeter [[Wikipedia:Billy Eckstine|Billy Eckstine]], whose button configuration gave the neck room to swell.
 ==CC Clues In This Song==

@@ Line 48: / Line 48: @@
 ==Players On This Song==
 [[Cruising With Ruben & The Jets|CRUISING WITH RUBEN & THE JETS]] version
-*[[Frank Zappa]] (Lead guitar and vocals)
+*[[Biography|Frank Zappa]] (Lead guitar and vocals)
 *[[Ray Collins]] (lead vocals)
 *[[Roy Estrada]] (Electric bass and vocals),

@@ Line 55: / Line 55: @@
 *[[Ian Underwood]] (Keyboards and Tenor & alto sax)
 *[[Don Preston]] (Keyboards)
-*[[Motorhead Sherwood]] (Baritone sax and tambourine),
+*[[Jim "Motorhead" Sherwood]] (Baritone sax and tambourine),
 *[[Bunk Gardner]] (Tenor & alto sax)
 Remix:

@@ Line 66: / Line 66: @@
 ===Tribute & Cover Albums===
 ==Notes About This Song==
-At the end of "[[Later That Night]]," Ray pays tribute to either Ruth Brown’s "Three Letters" or the Velvetones’ "Glory of Love" (or both). He then laughs at his own exaggerated soulful pronunciation of the word "there." Frank theatrically gulps some air; "There’s no room to breathe in here!" he complains from the vocal booth. This might be left in to indicate the suffocating pop formula, the dry timbre of the vocals (in the liberated atmosphere of the future reissue, the song will fade out before Frank starts his gasping), and/or the fascism that he likes to warn about detecting in the USA's governmental and corporate actions, considering that plenty of songs deal with poisoned air -- "[[Billy The Mountain]]," "[[San Ber'dino]]" and "[[Wind Up Workin' In A Gas Station]]" are just three -- and that the latter associates concentration camps and Nazi tactics (referred to in the liner notes of [[We're Only In It For The Money|Money]], the [[200 Motels]] film and many Zappa lyrics) with the subtle psychological "torturing" of citizens by the government and media as they sell lifestyles and products based on "perfect human" images (the [[Zoot Allures]] album deals heavily with aberrant sexual practices and explains that the torture never stops). After all, Rays phrase "right on top of some dog waste" ties in with the title of [[Uncle Meat]]’s "[[Dog Breath|Dog Breath, in the Year of the Plague]]" (another reference to breath, of course), and the character in the final Ruben song, "[[Stuff Up The Cracks]]," threatens to kill himself with poisonous gas. Ray also refers to his "shirts with the Mr. B collar," a collar that was patented by bandleader and trumpeter [[Billy Eckstine]], whose button configuration gave the neck room to swell.
+At the end of "[[Later That Night]]," Ray pays tribute to either Ruth Brown’s "Three Letters" or the Velvetones’ "Glory of Love" (or both). He then laughs at his own exaggerated soulful pronunciation of the word "there." Frank theatrically gulps some air; "There’s no room to breathe in here!" he complains from the vocal booth. This might be left in to indicate the suffocating pop formula, the dry timbre of the vocals (in the liberated atmosphere of the future reissue, the song will fade out before Frank starts his gasping), and/or the [[fascism]] that he likes to warn about detecting in the USA's governmental and corporate actions, considering that plenty of songs deal with poisoned air -- "[[Billy The Mountain]]," "[[San Ber'dino]]" and "[[Wind Up Workin' In A Gas Station]]" are just three -- and that the latter associates concentration camps and Nazi tactics (referred to in the liner notes of [[We're Only In It For The Money|Money]], the [[200 Motels]] film and many Zappa lyrics) with the subtle psychological "torturing" of citizens by the government and media as they sell lifestyles and products based on "perfect human" images (the [[Zoot Allures]] album deals heavily with aberrant sexual practices and explains that the torture never stops). After all, Rays phrase "right on top of some dog waste" ties in with the title of [[Uncle Meat]]’s "[[Dog Breath|Dog Breath, in the Year of the Plague]]" (another reference to breath, of course), and the character in the final Ruben song, "[[Stuff Up The Cracks]]," threatens to kill himself with poisonous gas. Ray also refers to his "shirts with the Mr. B collar," a collar that was patented by bandleader and trumpeter [[Billy Eckstine]], whose button configuration gave the neck room to swell.
 ==CC Clues In This Song==

← Older revision		Revision as of 13:28, 20 September 2011
Line 70:		Line 70:

	==CC Clues In This Song==		==CC Clues In This Song==
		+
		+	* References [[Dogs]] and [[Collars]]
		+
	[[Category:Tracks]]		[[Category:Tracks]]

@@ Line 47: / Line 47: @@
 "That's alright honey. You can come out of the closet now" <br>
 ==Players On This Song==
-* [[Ray Collins]] (lead vocals)
+[[Cruising With Ruben & The Jets|CRUISING WITH RUBEN & THE JETS]] version
-* [[Frank Zappa]] (lead guitar)
+*[[Frank Zappa]] (Lead guitar and vocals)
-* [[Roy Estrada]] (bass)
+*[[Ray Collins]] (lead vocals)
-* [[Jimmy Carl Black]] (drums)
+*[[Roy Estrada]] (Electric bass and vocals),
-* [[Arthur Tripp]] (drums)
+*[[Jimmy Carl Black]] (Drums)
-* [[Ian Underwood]] (piano, alto saxophone)
+*[[Arthur Tripp|Arthur Dyer Tripp III]] (Drums)
-* [[Don Preston]] (piano)
+*[[Ian Underwood]] (Keyboards and Tenor & alto sax)
-* [[Motorhead Sherwood]] (baritone saxophone, tambourine)
+*[[Don Preston]] (Keyboards)
-* [[Bunk Gardner]] (tenor saxophone)
+*[[Motorhead Sherwood]] (Baritone sax and tambourine),
 ==Records On Which This Song Has Appeared==
 ===Singles===

@@ Line 1: / Line 1: @@
-==Players==
+==Lyrics==
 You surely must be trying<br>
 To break this heart of mine<br>
@@ Line 67: / Line 46: @@
 <br>
 "That's alright honey. You can come out of the closet now" <br>