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	<id>http://wiki.killuglyradio.com/index.php?action=history&amp;feed=atom&amp;title=Ian_Underwood</id>
	<title>Ian Underwood - Revision history</title>
	<link rel="self" type="application/atom+xml" href="http://wiki.killuglyradio.com/index.php?action=history&amp;feed=atom&amp;title=Ian_Underwood"/>
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	<updated>2026-05-08T14:03:31Z</updated>
	<subtitle>Revision history for this page on the wiki</subtitle>
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	<entry>
		<id>http://wiki.killuglyradio.com/index.php?title=Ian_Underwood&amp;diff=55549&amp;oldid=prev</id>
		<title>Jason.Kreitzer at 17:25, 25 October 2021</title>
		<link rel="alternate" type="text/html" href="http://wiki.killuglyradio.com/index.php?title=Ian_Underwood&amp;diff=55549&amp;oldid=prev"/>
		<updated>2021-10-25T17:25:53Z</updated>

		<summary type="html">&lt;p&gt;&lt;/p&gt;
&lt;table class=&quot;diff diff-contentalign-left&quot; data-mw=&quot;interface&quot;&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;tr class=&quot;diff-title&quot; lang=&quot;en&quot;&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #222; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #222; text-align: center;&quot;&gt;Revision as of 17:25, 25 October 2021&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l13&quot; &gt;Line 13:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 13:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;He performed piano, organ, keyboards, woodwinds, guitar, and/or vocals on the albums &amp;#039;&amp;#039;[[We&amp;#039;re Only In It For The Money]]&amp;#039;&amp;#039; (1968), &amp;#039;&amp;#039;[[Cruising With Ruben &amp;amp; The Jets]]&amp;#039;&amp;#039; (1968), &amp;#039;&amp;#039;[[Uncle Meat]]&amp;#039;&amp;#039; (1969), &amp;#039;&amp;#039;[[Hot Rats]]&amp;#039;&amp;#039; (1969), &amp;#039;&amp;#039;[[Burnt Weeny Sandwich]]&amp;#039;&amp;#039; (1970), &amp;#039;&amp;#039;[[Weasels Ripped My Flesh]]&amp;#039;&amp;#039; (1970), &amp;#039;&amp;#039;[[Chunga&amp;#039;s Revenge]]&amp;#039;&amp;#039; (1970), &amp;#039;&amp;#039;[[Fillmore East, June 1971]]&amp;#039;&amp;#039; (1971), &amp;#039;&amp;#039;[[200 Motels]]&amp;#039;&amp;#039; (1971), &amp;#039;&amp;#039;[[Just Another Band From L.A.]]&amp;#039;&amp;#039; (1972), &amp;#039;&amp;#039;[[Over-Nite Sensation]]&amp;#039;&amp;#039; (1973), &amp;#039;&amp;#039;[[Apostrophe (&amp;#039;)]]&amp;#039;&amp;#039; (1974) and &amp;#039;&amp;#039;[[Zoot Allures]]&amp;#039;&amp;#039;.  &lt;/div&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;He performed piano, organ, keyboards, woodwinds, guitar, and/or vocals on the albums &amp;#039;&amp;#039;[[We&amp;#039;re Only In It For The Money]]&amp;#039;&amp;#039; (1968), &amp;#039;&amp;#039;[[Cruising With Ruben &amp;amp; The Jets]]&amp;#039;&amp;#039; (1968), &amp;#039;&amp;#039;[[Uncle Meat]]&amp;#039;&amp;#039; (1969), &amp;#039;&amp;#039;[[Hot Rats]]&amp;#039;&amp;#039; (1969), &amp;#039;&amp;#039;[[Burnt Weeny Sandwich]]&amp;#039;&amp;#039; (1970), &amp;#039;&amp;#039;[[Weasels Ripped My Flesh]]&amp;#039;&amp;#039; (1970), &amp;#039;&amp;#039;[[Chunga&amp;#039;s Revenge]]&amp;#039;&amp;#039; (1970), &amp;#039;&amp;#039;[[Fillmore East, June 1971]]&amp;#039;&amp;#039; (1971), &amp;#039;&amp;#039;[[200 Motels]]&amp;#039;&amp;#039; (1971), &amp;#039;&amp;#039;[[Just Another Band From L.A.]]&amp;#039;&amp;#039; (1972), &amp;#039;&amp;#039;[[Over-Nite Sensation]]&amp;#039;&amp;#039; (1973), &amp;#039;&amp;#039;[[Apostrophe (&amp;#039;)]]&amp;#039;&amp;#039; (1974) and &amp;#039;&amp;#039;[[Zoot Allures]]&amp;#039;&amp;#039;.  &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt;−&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;He can additionally be heard on later compilation albums: &amp;#039;&amp;#039;[[You Can&amp;#039;t Do That On Stage Anymore Vol. 1]]&amp;#039;&amp;#039;, &amp;#039;&amp;#039;[[You Can&amp;#039;t Do That On Stage Anymore Vol. 3]]&amp;#039;&amp;#039;, &amp;#039;&amp;#039;[[You Can&amp;#039;t Do That On Stage Anymore Vol. 4]]&amp;#039;&amp;#039;, &amp;#039;&amp;#039;[[You Can&amp;#039;t Do That On Stage Anymore Vol. 5]]&amp;#039;&amp;#039;, &amp;#039;&amp;#039;[[You Can&amp;#039;t Do That On Stage Anymore Vol. 6]]&amp;#039;&amp;#039;, &amp;#039;&amp;#039;[[Playground Psychotics]]&amp;#039;&amp;#039;, &amp;#039;&amp;#039;[[Ahead Of Their Time]]&amp;#039;&amp;#039;, &amp;#039;&amp;#039;[[The Lost Episodes]]&amp;#039;&amp;#039;, &amp;#039;&amp;#039;[[Mystery Disc]]&amp;#039;&amp;#039;, &amp;#039;&amp;#039;[[Quaudiophiliac]]&amp;#039;&amp;#039;, &amp;#039;&amp;#039;[[Joe&amp;#039;s Domage]]&amp;#039;&amp;#039;, &amp;#039;&amp;#039;[[Wazoo]]&amp;#039;&amp;#039; and the &amp;#039;&amp;#039;[[:Category:Beat The Boots|Beat The Boots]]&amp;#039;&amp;#039;&amp;#039; series &amp;#039;&amp;#039;[[The Ark (BTB)]]&amp;#039;&amp;#039;, &amp;#039;&amp;#039;[[Freaks &amp;amp; Motherfuckers (BTB)]]&amp;#039;&amp;#039;, &amp;#039;&amp;#039;[[&amp;#039;Tis The Season To Be Jelly]]&amp;#039;&amp;#039;, &amp;#039;&amp;#039;[[Piquantique (BTB)]]&amp;#039;&amp;#039;, &amp;#039;&amp;#039;[[Disconnected Synapses (BTB)]]&amp;#039;&amp;#039;, &amp;#039;&amp;#039;[[Tengo &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;Na &lt;/del&gt;Minchia Tanta (BTB)]]&amp;#039;&amp;#039;, &amp;#039;&amp;#039;[[Electric Aunt Jemima (BTB)]]&amp;#039;&amp;#039;, &amp;#039;&amp;#039;[[At The Circus (BTB)]]&amp;#039;&amp;#039;, &amp;#039;&amp;#039;[[Swiss Cheese/Fire! (BTB)]]&amp;#039;&amp;#039; and &amp;#039;&amp;#039;[[Our Man In Nirvana (BTB)]]&amp;#039;&amp;#039;.  &lt;/div&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;He can additionally be heard on later compilation albums: &amp;#039;&amp;#039;[[You Can&amp;#039;t Do That On Stage Anymore Vol. 1]]&amp;#039;&amp;#039;, &amp;#039;&amp;#039;[[You Can&amp;#039;t Do That On Stage Anymore Vol. 3]]&amp;#039;&amp;#039;, &amp;#039;&amp;#039;[[You Can&amp;#039;t Do That On Stage Anymore Vol. 4]]&amp;#039;&amp;#039;, &amp;#039;&amp;#039;[[You Can&amp;#039;t Do That On Stage Anymore Vol. 5]]&amp;#039;&amp;#039;, &amp;#039;&amp;#039;[[You Can&amp;#039;t Do That On Stage Anymore Vol. 6]]&amp;#039;&amp;#039;, &amp;#039;&amp;#039;[[Playground Psychotics]]&amp;#039;&amp;#039;, &amp;#039;&amp;#039;[[Ahead Of Their Time]]&amp;#039;&amp;#039;, &amp;#039;&amp;#039;[[The Lost Episodes]]&amp;#039;&amp;#039;, &amp;#039;&amp;#039;[[Mystery Disc]]&amp;#039;&amp;#039;, &amp;#039;&amp;#039;[[Quaudiophiliac]]&amp;#039;&amp;#039;, &amp;#039;&amp;#039;[[Joe&amp;#039;s Domage]]&amp;#039;&amp;#039;, &amp;#039;&amp;#039;[[Wazoo]]&amp;#039;&amp;#039; and the &amp;#039;&amp;#039;[[:Category:Beat The Boots|Beat The Boots]]&amp;#039;&amp;#039;&amp;#039; series &amp;#039;&amp;#039;[[The Ark (BTB)]]&amp;#039;&amp;#039;, &amp;#039;&amp;#039;[[Freaks &amp;amp; Motherfuckers (BTB)]]&amp;#039;&amp;#039;, &amp;#039;&amp;#039;[[&amp;#039;Tis The Season To Be Jelly]]&amp;#039;&amp;#039;, &amp;#039;&amp;#039;[[Piquantique (BTB)]]&amp;#039;&amp;#039;, &amp;#039;&amp;#039;[[Disconnected Synapses (BTB)]]&amp;#039;&amp;#039;, &amp;#039;&amp;#039;[[Tengo &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;Ná &lt;/ins&gt;Minchia Tanta (BTB)]]&amp;#039;&amp;#039;, &amp;#039;&amp;#039;[[Electric Aunt Jemima (BTB)]]&amp;#039;&amp;#039;, &amp;#039;&amp;#039;[[At The Circus (BTB)]]&amp;#039;&amp;#039;, &amp;#039;&amp;#039;[[Swiss Cheese/Fire! (BTB)]]&amp;#039;&amp;#039; and &amp;#039;&amp;#039;[[Our Man In Nirvana (BTB)]]&amp;#039;&amp;#039;.  &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Underwood appears in Zappa&amp;#039;s films &amp;#039;&amp;#039;[[200 Motels (The Film)]]&amp;#039;&amp;#039; (1971), &amp;#039;&amp;#039;[[Uncle Meat (The Film)]]&amp;#039;&amp;#039; (1987), &amp;#039;&amp;#039;[[Video From Hell]]&amp;#039;&amp;#039; (1987) and &amp;#039;&amp;#039;[[The True Story Of 200 Motels]]&amp;#039;&amp;#039; (1987).&lt;/div&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Underwood appears in Zappa&amp;#039;s films &amp;#039;&amp;#039;[[200 Motels (The Film)]]&amp;#039;&amp;#039; (1971), &amp;#039;&amp;#039;[[Uncle Meat (The Film)]]&amp;#039;&amp;#039; (1987), &amp;#039;&amp;#039;[[Video From Hell]]&amp;#039;&amp;#039; (1987) and &amp;#039;&amp;#039;[[The True Story Of 200 Motels]]&amp;#039;&amp;#039; (1987).&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Jason.Kreitzer</name></author>
		
	</entry>
	<entry>
		<id>http://wiki.killuglyradio.com/index.php?title=Ian_Underwood&amp;diff=54849&amp;oldid=prev</id>
		<title>Jason.Kreitzer at 15:41, 19 October 2021</title>
		<link rel="alternate" type="text/html" href="http://wiki.killuglyradio.com/index.php?title=Ian_Underwood&amp;diff=54849&amp;oldid=prev"/>
		<updated>2021-10-19T15:41:59Z</updated>

		<summary type="html">&lt;p&gt;&lt;/p&gt;
&lt;table class=&quot;diff diff-contentalign-left&quot; data-mw=&quot;interface&quot;&gt;
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				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #222; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #222; text-align: center;&quot;&gt;Revision as of 15:41, 19 October 2021&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l23&quot; &gt;Line 23:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 23:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Since the 1980s and 1990s he has played synthesizer on many film soundtracks including &amp;#039;&amp;#039;Blade Runner&amp;#039;&amp;#039; (1981), &amp;#039;&amp;#039;Krull&amp;#039;&amp;#039; (1983), &amp;#039;&amp;#039;Aliens&amp;#039;&amp;#039; (1986), &amp;#039;&amp;#039;Honey, I Shrunk the Kids&amp;#039;&amp;#039; (1989), &amp;#039;&amp;#039;Braveheart&amp;#039;&amp;#039; (1995) and &amp;#039;&amp;#039;Titanic&amp;#039;&amp;#039; (1997). He notably performed synthezier on U.S.A. for Africa&amp;#039;s single &amp;#039;&amp;#039;We Are The World&amp;#039;&amp;#039;.  &lt;/div&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Since the 1980s and 1990s he has played synthesizer on many film soundtracks including &amp;#039;&amp;#039;Blade Runner&amp;#039;&amp;#039; (1981), &amp;#039;&amp;#039;Krull&amp;#039;&amp;#039; (1983), &amp;#039;&amp;#039;Aliens&amp;#039;&amp;#039; (1986), &amp;#039;&amp;#039;Honey, I Shrunk the Kids&amp;#039;&amp;#039; (1989), &amp;#039;&amp;#039;Braveheart&amp;#039;&amp;#039; (1995) and &amp;#039;&amp;#039;Titanic&amp;#039;&amp;#039; (1997). He notably performed synthezier on U.S.A. for Africa&amp;#039;s single &amp;#039;&amp;#039;We Are The World&amp;#039;&amp;#039;.  &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt;−&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Ian Underwood was also mentioned and thanked in the liner notes of &amp;#039;&amp;#039;[[The MOFO Project/Object]]&amp;#039;&amp;#039; (2006) album. &amp;lt;ref&amp;gt;http://&lt;del class=&quot;diffchange diffchange-inline&quot;&gt;globalia&lt;/del&gt;.net&lt;del class=&quot;diffchange diffchange-inline&quot;&gt;/donlope&lt;/del&gt;/fz/notes/The_MOFO_Project_Object.html#Contributors&amp;lt;/ref&amp;gt; He is interviewed in the documentaries &amp;#039;&amp;#039;[[Frank Zappa - The Freak-Out List]] (2010)&amp;#039;&amp;#039; and [[Frank Scheffer]]&amp;#039;s &amp;#039;&amp;#039;[[Frank Zappa: The Present-Day Composer Refuses To Die]]&amp;#039;&amp;#039; (2000), &amp;#039;&amp;#039;[[Frank Zappa Phase II: The Big Note]]&amp;#039;&amp;#039; (2002) and &amp;#039;&amp;#039;[[Frank Zappa: Pioneer Of Future Music, parts 1 &amp;amp; 2]]&amp;#039;&amp;#039; (2007). He wrote the liner notes to the album &amp;#039;&amp;#039;[[Meat Light - The Uncle Meat Project/Object Audio Documentary]] (2016)&amp;#039;&amp;#039;. Underwood contributed an essay to &amp;#039;&amp;#039;[[Bill Gubbins|The Hot Rats Book]]&amp;#039;&amp;#039; (2019).&lt;/div&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Ian Underwood was also mentioned and thanked in the liner notes of &amp;#039;&amp;#039;[[&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;The MOFO Project/Object (Fazedooh)|&lt;/ins&gt;The MOFO Project/Object]]&amp;#039;&amp;#039; (2006) album. &amp;lt;ref&amp;gt;http://&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;donlope&lt;/ins&gt;.net/fz/notes/The_MOFO_Project_Object.html#Contributors&amp;lt;/ref&amp;gt; He is interviewed in the documentaries &amp;#039;&amp;#039;[[Frank Zappa - The Freak-Out List]] (2010)&amp;#039;&amp;#039; and [[Frank Scheffer]]&amp;#039;s &amp;#039;&amp;#039;[[Frank Zappa: The Present-Day Composer Refuses To Die]]&amp;#039;&amp;#039; (2000), &amp;#039;&amp;#039;[[Frank Zappa Phase II: The Big Note]]&amp;#039;&amp;#039; (2002) and &amp;#039;&amp;#039;[[Frank Zappa: Pioneer Of Future Music, parts 1 &amp;amp; 2]]&amp;#039;&amp;#039; (2007). He wrote the liner notes to the album &amp;#039;&amp;#039;[[Meat Light - The Uncle Meat Project/Object Audio Documentary]] (2016)&amp;#039;&amp;#039;. Underwood contributed an essay to &amp;#039;&amp;#039;[[Bill Gubbins|The Hot Rats Book]]&amp;#039;&amp;#039; (2019).&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;==Sources==&lt;/div&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;==Sources==&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Jason.Kreitzer</name></author>
		
	</entry>
	<entry>
		<id>http://wiki.killuglyradio.com/index.php?title=Ian_Underwood&amp;diff=53313&amp;oldid=prev</id>
		<title>Jason.Kreitzer at 15:29, 30 September 2021</title>
		<link rel="alternate" type="text/html" href="http://wiki.killuglyradio.com/index.php?title=Ian_Underwood&amp;diff=53313&amp;oldid=prev"/>
		<updated>2021-09-30T15:29:29Z</updated>

		<summary type="html">&lt;p&gt;&lt;/p&gt;
&lt;table class=&quot;diff diff-contentalign-left&quot; data-mw=&quot;interface&quot;&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;tr class=&quot;diff-title&quot; lang=&quot;en&quot;&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #222; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #222; text-align: center;&quot;&gt;Revision as of 15:29, 30 September 2021&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l11&quot; &gt;Line 11:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 11:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Ian&amp;#039;s &amp;quot;story&amp;quot; of meeting and joining Zappa is memorably chronicled in the track &amp;#039;&amp;#039;[[Ian Underwood Whips It Out (Live On Stage In Copenhagen)|Ian Underwood Whips It Out]]&amp;#039;&amp;#039; on the &amp;#039;&amp;#039;[[Uncle Meat]]&amp;#039;&amp;#039; release. Here he introduces himself as the &amp;#039;&amp;#039;&amp;quot;straight member of the group&amp;quot;&amp;#039;&amp;#039;. In the sleeve of &amp;#039;&amp;#039;[[Burnt Weeny Sandwich]]&amp;#039;&amp;#039; he can be seen biting into a baby doll&amp;#039;s leg and exclaim: &amp;#039;&amp;#039;&amp;quot;God, this IS a tasty sucker!&amp;quot;&amp;#039;&amp;#039;.&lt;/div&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Ian&amp;#039;s &amp;quot;story&amp;quot; of meeting and joining Zappa is memorably chronicled in the track &amp;#039;&amp;#039;[[Ian Underwood Whips It Out (Live On Stage In Copenhagen)|Ian Underwood Whips It Out]]&amp;#039;&amp;#039; on the &amp;#039;&amp;#039;[[Uncle Meat]]&amp;#039;&amp;#039; release. Here he introduces himself as the &amp;#039;&amp;#039;&amp;quot;straight member of the group&amp;quot;&amp;#039;&amp;#039;. In the sleeve of &amp;#039;&amp;#039;[[Burnt Weeny Sandwich]]&amp;#039;&amp;#039; he can be seen biting into a baby doll&amp;#039;s leg and exclaim: &amp;#039;&amp;#039;&amp;quot;God, this IS a tasty sucker!&amp;quot;&amp;#039;&amp;#039;.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt;−&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;He performed piano, organ, keyboards, woodwinds, guitar, and/or vocals on the albums &amp;#039;&amp;#039;[[We&amp;#039;re Only In It For The Money]]&amp;#039;&amp;#039; (1968), &amp;#039;&amp;#039;[[Cruising With Ruben &amp;amp; The Jets]]&amp;#039;&amp;#039; (1968), &amp;#039;&amp;#039;[[Uncle Meat]]&amp;#039;&amp;#039; (1969), &amp;#039;&amp;#039;[[Hot Rats]]&amp;#039;&amp;#039; (1969), &amp;#039;&amp;#039;[[Burnt Weeny Sandwich]]&amp;#039;&amp;#039; (1970), &amp;#039;&amp;#039;[[Weasels Ripped My Flesh]]&amp;#039;&amp;#039; (1970), &amp;#039;&amp;#039;[[Chunga&amp;#039;s Revenge]]&amp;#039;&amp;#039; (1970), &amp;#039;&amp;#039;[[Fillmore East, June 1971]]&amp;#039;&amp;#039; (1971), &amp;#039;&amp;#039;[[&lt;del class=&quot;diffchange diffchange-inline&quot;&gt;Frank Zappa&amp;#039;s &lt;/del&gt;200 Motels]]&amp;#039;&amp;#039; (1971), &amp;#039;&amp;#039;[[Just Another Band From L.A.]]&amp;#039;&amp;#039; (1972), &amp;#039;&amp;#039;[[Over-Nite Sensation]]&amp;#039;&amp;#039; (1973), &amp;#039;&amp;#039;[[Apostrophe (&amp;#039;)]]&amp;#039;&amp;#039; (1974) and &amp;#039;&amp;#039;[[Zoot Allures]]&amp;#039;&amp;#039;.  &lt;/div&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;He performed piano, organ, keyboards, woodwinds, guitar, and/or vocals on the albums &amp;#039;&amp;#039;[[We&amp;#039;re Only In It For The Money]]&amp;#039;&amp;#039; (1968), &amp;#039;&amp;#039;[[Cruising With Ruben &amp;amp; The Jets]]&amp;#039;&amp;#039; (1968), &amp;#039;&amp;#039;[[Uncle Meat]]&amp;#039;&amp;#039; (1969), &amp;#039;&amp;#039;[[Hot Rats]]&amp;#039;&amp;#039; (1969), &amp;#039;&amp;#039;[[Burnt Weeny Sandwich]]&amp;#039;&amp;#039; (1970), &amp;#039;&amp;#039;[[Weasels Ripped My Flesh]]&amp;#039;&amp;#039; (1970), &amp;#039;&amp;#039;[[Chunga&amp;#039;s Revenge]]&amp;#039;&amp;#039; (1970), &amp;#039;&amp;#039;[[Fillmore East, June 1971]]&amp;#039;&amp;#039; (1971), &amp;#039;&amp;#039;[[200 Motels]]&amp;#039;&amp;#039; (1971), &amp;#039;&amp;#039;[[Just Another Band From L.A.]]&amp;#039;&amp;#039; (1972), &amp;#039;&amp;#039;[[Over-Nite Sensation]]&amp;#039;&amp;#039; (1973), &amp;#039;&amp;#039;[[Apostrophe (&amp;#039;)]]&amp;#039;&amp;#039; (1974) and &amp;#039;&amp;#039;[[Zoot Allures]]&amp;#039;&amp;#039;.  &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;He can additionally be heard on later compilation albums: &amp;#039;&amp;#039;[[You Can&amp;#039;t Do That On Stage Anymore Vol. 1]]&amp;#039;&amp;#039;, &amp;#039;&amp;#039;[[You Can&amp;#039;t Do That On Stage Anymore Vol. 3]]&amp;#039;&amp;#039;, &amp;#039;&amp;#039;[[You Can&amp;#039;t Do That On Stage Anymore Vol. 4]]&amp;#039;&amp;#039;, &amp;#039;&amp;#039;[[You Can&amp;#039;t Do That On Stage Anymore Vol. 5]]&amp;#039;&amp;#039;, &amp;#039;&amp;#039;[[You Can&amp;#039;t Do That On Stage Anymore Vol. 6]]&amp;#039;&amp;#039;, &amp;#039;&amp;#039;[[Playground Psychotics]]&amp;#039;&amp;#039;, &amp;#039;&amp;#039;[[Ahead Of Their Time]]&amp;#039;&amp;#039;, &amp;#039;&amp;#039;[[The Lost Episodes]]&amp;#039;&amp;#039;, &amp;#039;&amp;#039;[[Mystery Disc]]&amp;#039;&amp;#039;, &amp;#039;&amp;#039;[[Quaudiophiliac]]&amp;#039;&amp;#039;, &amp;#039;&amp;#039;[[Joe&amp;#039;s Domage]]&amp;#039;&amp;#039;, &amp;#039;&amp;#039;[[Wazoo]]&amp;#039;&amp;#039; and the &amp;#039;&amp;#039;[[:Category:Beat The Boots|Beat The Boots]]&amp;#039;&amp;#039;&amp;#039; series &amp;#039;&amp;#039;[[The Ark (BTB)]]&amp;#039;&amp;#039;, &amp;#039;&amp;#039;[[Freaks &amp;amp; Motherfuckers (BTB)]]&amp;#039;&amp;#039;, &amp;#039;&amp;#039;[[&amp;#039;Tis The Season To Be Jelly]]&amp;#039;&amp;#039;, &amp;#039;&amp;#039;[[Piquantique (BTB)]]&amp;#039;&amp;#039;, &amp;#039;&amp;#039;[[Disconnected Synapses (BTB)]]&amp;#039;&amp;#039;, &amp;#039;&amp;#039;[[Tengo Na Minchia Tanta (BTB)]]&amp;#039;&amp;#039;, &amp;#039;&amp;#039;[[Electric Aunt Jemima (BTB)]]&amp;#039;&amp;#039;, &amp;#039;&amp;#039;[[At The Circus (BTB)]]&amp;#039;&amp;#039;, &amp;#039;&amp;#039;[[Swiss Cheese/Fire! (BTB)]]&amp;#039;&amp;#039; and &amp;#039;&amp;#039;[[Our Man In Nirvana (BTB)]]&amp;#039;&amp;#039;.  &lt;/div&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;He can additionally be heard on later compilation albums: &amp;#039;&amp;#039;[[You Can&amp;#039;t Do That On Stage Anymore Vol. 1]]&amp;#039;&amp;#039;, &amp;#039;&amp;#039;[[You Can&amp;#039;t Do That On Stage Anymore Vol. 3]]&amp;#039;&amp;#039;, &amp;#039;&amp;#039;[[You Can&amp;#039;t Do That On Stage Anymore Vol. 4]]&amp;#039;&amp;#039;, &amp;#039;&amp;#039;[[You Can&amp;#039;t Do That On Stage Anymore Vol. 5]]&amp;#039;&amp;#039;, &amp;#039;&amp;#039;[[You Can&amp;#039;t Do That On Stage Anymore Vol. 6]]&amp;#039;&amp;#039;, &amp;#039;&amp;#039;[[Playground Psychotics]]&amp;#039;&amp;#039;, &amp;#039;&amp;#039;[[Ahead Of Their Time]]&amp;#039;&amp;#039;, &amp;#039;&amp;#039;[[The Lost Episodes]]&amp;#039;&amp;#039;, &amp;#039;&amp;#039;[[Mystery Disc]]&amp;#039;&amp;#039;, &amp;#039;&amp;#039;[[Quaudiophiliac]]&amp;#039;&amp;#039;, &amp;#039;&amp;#039;[[Joe&amp;#039;s Domage]]&amp;#039;&amp;#039;, &amp;#039;&amp;#039;[[Wazoo]]&amp;#039;&amp;#039; and the &amp;#039;&amp;#039;[[:Category:Beat The Boots|Beat The Boots]]&amp;#039;&amp;#039;&amp;#039; series &amp;#039;&amp;#039;[[The Ark (BTB)]]&amp;#039;&amp;#039;, &amp;#039;&amp;#039;[[Freaks &amp;amp; Motherfuckers (BTB)]]&amp;#039;&amp;#039;, &amp;#039;&amp;#039;[[&amp;#039;Tis The Season To Be Jelly]]&amp;#039;&amp;#039;, &amp;#039;&amp;#039;[[Piquantique (BTB)]]&amp;#039;&amp;#039;, &amp;#039;&amp;#039;[[Disconnected Synapses (BTB)]]&amp;#039;&amp;#039;, &amp;#039;&amp;#039;[[Tengo Na Minchia Tanta (BTB)]]&amp;#039;&amp;#039;, &amp;#039;&amp;#039;[[Electric Aunt Jemima (BTB)]]&amp;#039;&amp;#039;, &amp;#039;&amp;#039;[[At The Circus (BTB)]]&amp;#039;&amp;#039;, &amp;#039;&amp;#039;[[Swiss Cheese/Fire! (BTB)]]&amp;#039;&amp;#039; and &amp;#039;&amp;#039;[[Our Man In Nirvana (BTB)]]&amp;#039;&amp;#039;.  &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Jason.Kreitzer</name></author>
		
	</entry>
	<entry>
		<id>http://wiki.killuglyradio.com/index.php?title=Ian_Underwood&amp;diff=47959&amp;oldid=prev</id>
		<title>Jason.Kreitzer at 16:29, 30 July 2021</title>
		<link rel="alternate" type="text/html" href="http://wiki.killuglyradio.com/index.php?title=Ian_Underwood&amp;diff=47959&amp;oldid=prev"/>
		<updated>2021-07-30T16:29:47Z</updated>

		<summary type="html">&lt;p&gt;&lt;/p&gt;
&lt;table class=&quot;diff diff-contentalign-left&quot; data-mw=&quot;interface&quot;&gt;
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				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #222; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #222; text-align: center;&quot;&gt;Revision as of 16:29, 30 July 2021&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l13&quot; &gt;Line 13:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 13:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;He performed piano, organ, keyboards, woodwinds, guitar, and/or vocals on the albums &amp;#039;&amp;#039;[[We&amp;#039;re Only In It For The Money]]&amp;#039;&amp;#039; (1968), &amp;#039;&amp;#039;[[Cruising With Ruben &amp;amp; The Jets]]&amp;#039;&amp;#039; (1968), &amp;#039;&amp;#039;[[Uncle Meat]]&amp;#039;&amp;#039; (1969), &amp;#039;&amp;#039;[[Hot Rats]]&amp;#039;&amp;#039; (1969), &amp;#039;&amp;#039;[[Burnt Weeny Sandwich]]&amp;#039;&amp;#039; (1970), &amp;#039;&amp;#039;[[Weasels Ripped My Flesh]]&amp;#039;&amp;#039; (1970), &amp;#039;&amp;#039;[[Chunga&amp;#039;s Revenge]]&amp;#039;&amp;#039; (1970), &amp;#039;&amp;#039;[[Fillmore East, June 1971]]&amp;#039;&amp;#039; (1971), &amp;#039;&amp;#039;[[Frank Zappa&amp;#039;s 200 Motels]]&amp;#039;&amp;#039; (1971), &amp;#039;&amp;#039;[[Just Another Band From L.A.]]&amp;#039;&amp;#039; (1972), &amp;#039;&amp;#039;[[Over-Nite Sensation]]&amp;#039;&amp;#039; (1973), &amp;#039;&amp;#039;[[Apostrophe (&amp;#039;)]]&amp;#039;&amp;#039; (1974) and &amp;#039;&amp;#039;[[Zoot Allures]]&amp;#039;&amp;#039;.  &lt;/div&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;He performed piano, organ, keyboards, woodwinds, guitar, and/or vocals on the albums &amp;#039;&amp;#039;[[We&amp;#039;re Only In It For The Money]]&amp;#039;&amp;#039; (1968), &amp;#039;&amp;#039;[[Cruising With Ruben &amp;amp; The Jets]]&amp;#039;&amp;#039; (1968), &amp;#039;&amp;#039;[[Uncle Meat]]&amp;#039;&amp;#039; (1969), &amp;#039;&amp;#039;[[Hot Rats]]&amp;#039;&amp;#039; (1969), &amp;#039;&amp;#039;[[Burnt Weeny Sandwich]]&amp;#039;&amp;#039; (1970), &amp;#039;&amp;#039;[[Weasels Ripped My Flesh]]&amp;#039;&amp;#039; (1970), &amp;#039;&amp;#039;[[Chunga&amp;#039;s Revenge]]&amp;#039;&amp;#039; (1970), &amp;#039;&amp;#039;[[Fillmore East, June 1971]]&amp;#039;&amp;#039; (1971), &amp;#039;&amp;#039;[[Frank Zappa&amp;#039;s 200 Motels]]&amp;#039;&amp;#039; (1971), &amp;#039;&amp;#039;[[Just Another Band From L.A.]]&amp;#039;&amp;#039; (1972), &amp;#039;&amp;#039;[[Over-Nite Sensation]]&amp;#039;&amp;#039; (1973), &amp;#039;&amp;#039;[[Apostrophe (&amp;#039;)]]&amp;#039;&amp;#039; (1974) and &amp;#039;&amp;#039;[[Zoot Allures]]&amp;#039;&amp;#039;.  &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt;−&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;He can additionally be heard on later compilation albums: &amp;#039;&amp;#039;[[You Can&amp;#039;t Do That On Stage Anymore Vol. 1]]&amp;#039;&amp;#039;, &amp;#039;&amp;#039;[[You Can&amp;#039;t Do That On Stage Anymore Vol. 3]]&amp;#039;&amp;#039;, &amp;#039;&amp;#039;[[You Can&amp;#039;t Do That On Stage Anymore Vol. 4]]&amp;#039;&amp;#039;, &amp;#039;&amp;#039;[[You Can&amp;#039;t Do That On Stage Anymore Vol. 5]]&amp;#039;&amp;#039;, &amp;#039;&amp;#039;[[You Can&amp;#039;t Do That On Stage Anymore Vol. 6]]&amp;#039;&amp;#039;, &amp;#039;&amp;#039;[[Playground Psychotics]]&amp;#039;&amp;#039;, &amp;#039;&amp;#039;[[Ahead Of Their Time]]&amp;#039;&amp;#039;, &amp;#039;&amp;#039;[[The Lost Episodes]]&amp;#039;&amp;#039;, &amp;#039;&amp;#039;[[Mystery Disc]]&amp;#039;&amp;#039;, &amp;#039;&amp;#039;[[&lt;del class=&quot;diffchange diffchange-inline&quot;&gt;QuAUDIOPHILIAc&lt;/del&gt;]]&amp;#039;&amp;#039;, &amp;#039;&amp;#039;[[Joe&amp;#039;s Domage]]&amp;#039;&amp;#039;, &amp;#039;&amp;#039;[[Wazoo]]&amp;#039;&amp;#039; and the &amp;#039;&amp;#039;[[:Category:Beat The Boots|Beat The Boots]]&amp;#039;&amp;#039;&amp;#039; series &amp;#039;&amp;#039;[[The Ark (BTB)]]&amp;#039;&amp;#039;, &amp;#039;&amp;#039;[[Freaks &amp;amp; Motherfuckers (BTB)]]&amp;#039;&amp;#039;, &amp;#039;&amp;#039;[[&amp;#039;Tis The Season To Be Jelly]]&amp;#039;&amp;#039;, &amp;#039;&amp;#039;[[Piquantique (BTB)]]&amp;#039;&amp;#039;, &amp;#039;&amp;#039;[[Disconnected Synapses (BTB)]]&amp;#039;&amp;#039;, &amp;#039;&amp;#039;[[Tengo Na Minchia Tanta (BTB)]]&amp;#039;&amp;#039;, &amp;#039;&amp;#039;[[Electric Aunt Jemima (BTB)]]&amp;#039;&amp;#039;, &amp;#039;&amp;#039;[[At The Circus (BTB)]]&amp;#039;&amp;#039;, &amp;#039;&amp;#039;[[Swiss Cheese/Fire! (BTB)]]&amp;#039;&amp;#039; and &amp;#039;&amp;#039;[[Our Man In Nirvana (BTB)]]&amp;#039;&amp;#039;.  &lt;/div&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;He can additionally be heard on later compilation albums: &amp;#039;&amp;#039;[[You Can&amp;#039;t Do That On Stage Anymore Vol. 1]]&amp;#039;&amp;#039;, &amp;#039;&amp;#039;[[You Can&amp;#039;t Do That On Stage Anymore Vol. 3]]&amp;#039;&amp;#039;, &amp;#039;&amp;#039;[[You Can&amp;#039;t Do That On Stage Anymore Vol. 4]]&amp;#039;&amp;#039;, &amp;#039;&amp;#039;[[You Can&amp;#039;t Do That On Stage Anymore Vol. 5]]&amp;#039;&amp;#039;, &amp;#039;&amp;#039;[[You Can&amp;#039;t Do That On Stage Anymore Vol. 6]]&amp;#039;&amp;#039;, &amp;#039;&amp;#039;[[Playground Psychotics]]&amp;#039;&amp;#039;, &amp;#039;&amp;#039;[[Ahead Of Their Time]]&amp;#039;&amp;#039;, &amp;#039;&amp;#039;[[The Lost Episodes]]&amp;#039;&amp;#039;, &amp;#039;&amp;#039;[[Mystery Disc]]&amp;#039;&amp;#039;, &amp;#039;&amp;#039;[[&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;Quaudiophiliac&lt;/ins&gt;]]&amp;#039;&amp;#039;, &amp;#039;&amp;#039;[[Joe&amp;#039;s Domage]]&amp;#039;&amp;#039;, &amp;#039;&amp;#039;[[Wazoo]]&amp;#039;&amp;#039; and the &amp;#039;&amp;#039;[[:Category:Beat The Boots|Beat The Boots]]&amp;#039;&amp;#039;&amp;#039; series &amp;#039;&amp;#039;[[The Ark (BTB)]]&amp;#039;&amp;#039;, &amp;#039;&amp;#039;[[Freaks &amp;amp; Motherfuckers (BTB)]]&amp;#039;&amp;#039;, &amp;#039;&amp;#039;[[&amp;#039;Tis The Season To Be Jelly]]&amp;#039;&amp;#039;, &amp;#039;&amp;#039;[[Piquantique (BTB)]]&amp;#039;&amp;#039;, &amp;#039;&amp;#039;[[Disconnected Synapses (BTB)]]&amp;#039;&amp;#039;, &amp;#039;&amp;#039;[[Tengo Na Minchia Tanta (BTB)]]&amp;#039;&amp;#039;, &amp;#039;&amp;#039;[[Electric Aunt Jemima (BTB)]]&amp;#039;&amp;#039;, &amp;#039;&amp;#039;[[At The Circus (BTB)]]&amp;#039;&amp;#039;, &amp;#039;&amp;#039;[[Swiss Cheese/Fire! (BTB)]]&amp;#039;&amp;#039; and &amp;#039;&amp;#039;[[Our Man In Nirvana (BTB)]]&amp;#039;&amp;#039;.  &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Underwood appears in Zappa&amp;#039;s films &amp;#039;&amp;#039;[[200 Motels (The Film)]]&amp;#039;&amp;#039; (1971), &amp;#039;&amp;#039;[[Uncle Meat (The Film)]]&amp;#039;&amp;#039; (1987), &amp;#039;&amp;#039;[[Video From Hell]]&amp;#039;&amp;#039; (1987) and &amp;#039;&amp;#039;[[The True Story Of 200 Motels]]&amp;#039;&amp;#039; (1987).&lt;/div&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Underwood appears in Zappa&amp;#039;s films &amp;#039;&amp;#039;[[200 Motels (The Film)]]&amp;#039;&amp;#039; (1971), &amp;#039;&amp;#039;[[Uncle Meat (The Film)]]&amp;#039;&amp;#039; (1987), &amp;#039;&amp;#039;[[Video From Hell]]&amp;#039;&amp;#039; (1987) and &amp;#039;&amp;#039;[[The True Story Of 200 Motels]]&amp;#039;&amp;#039; (1987).&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Jason.Kreitzer</name></author>
		
	</entry>
	<entry>
		<id>http://wiki.killuglyradio.com/index.php?title=Ian_Underwood&amp;diff=46203&amp;oldid=prev</id>
		<title>Jason.Kreitzer at 01:07, 16 July 2021</title>
		<link rel="alternate" type="text/html" href="http://wiki.killuglyradio.com/index.php?title=Ian_Underwood&amp;diff=46203&amp;oldid=prev"/>
		<updated>2021-07-16T01:07:36Z</updated>

		<summary type="html">&lt;p&gt;&lt;/p&gt;
&lt;table class=&quot;diff diff-contentalign-left&quot; data-mw=&quot;interface&quot;&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;tr class=&quot;diff-title&quot; lang=&quot;en&quot;&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #222; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #222; text-align: center;&quot;&gt;Revision as of 01:07, 16 July 2021&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l1&quot; &gt;Line 1:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 1:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[File:Ian Underwood.jpg|350px|thumb|right|The &amp;#039;&amp;#039;&amp;quot;straight member of the group&amp;quot;&amp;#039;&amp;#039;.]]&lt;/div&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[File:Ian Underwood.jpg|350px|thumb|right|The &amp;#039;&amp;#039;&amp;quot;straight member of the group&amp;quot;&amp;#039;&amp;#039;.]]&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt;−&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&amp;#039;&amp;#039;&amp;#039;Ian Underwood&amp;#039;&amp;#039;&amp;#039; (New York, NY, 22 May 1939) is an American multi-instrumentalist musician. He was a member of the Mothers of Invention between 1968 and 1973. Underwood is additionally notable for having been married to &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;[[&lt;/del&gt;Ruth Komanoff&lt;del class=&quot;diffchange diffchange-inline&quot;&gt;]] &lt;/del&gt;(aka [[Ruth Underwood]]) between May 1969 and 1986.  &lt;/div&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&amp;#039;&amp;#039;&amp;#039;Ian Underwood&amp;#039;&amp;#039;&amp;#039; (New York, NY, 22 May 1939) is an American multi-instrumentalist musician. He was a member of the Mothers of Invention between 1968 and 1973. Underwood is additionally notable for having been married to Ruth Komanoff (aka [[Ruth Underwood]]) between May 1969 and 1986.  &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;==Biography==&lt;/div&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;==Biography==&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Jason.Kreitzer</name></author>
		
	</entry>
	<entry>
		<id>http://wiki.killuglyradio.com/index.php?title=Ian_Underwood&amp;diff=45794&amp;oldid=prev</id>
		<title>Duncan: /* Post-Zappa career */ Tweak</title>
		<link rel="alternate" type="text/html" href="http://wiki.killuglyradio.com/index.php?title=Ian_Underwood&amp;diff=45794&amp;oldid=prev"/>
		<updated>2020-11-27T14:02:48Z</updated>

		<summary type="html">&lt;p&gt;&lt;span dir=&quot;auto&quot;&gt;&lt;span class=&quot;autocomment&quot;&gt;Post-Zappa career: &lt;/span&gt; Tweak&lt;/span&gt;&lt;/p&gt;
&lt;table class=&quot;diff diff-contentalign-left&quot; data-mw=&quot;interface&quot;&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;tr class=&quot;diff-title&quot; lang=&quot;en&quot;&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #222; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #222; text-align: center;&quot;&gt;Revision as of 14:02, 27 November 2020&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l23&quot; &gt;Line 23:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 23:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Since the 1980s and 1990s he has played synthesizer on many film soundtracks including &amp;#039;&amp;#039;Blade Runner&amp;#039;&amp;#039; (1981), &amp;#039;&amp;#039;Krull&amp;#039;&amp;#039; (1983), &amp;#039;&amp;#039;Aliens&amp;#039;&amp;#039; (1986), &amp;#039;&amp;#039;Honey, I Shrunk the Kids&amp;#039;&amp;#039; (1989), &amp;#039;&amp;#039;Braveheart&amp;#039;&amp;#039; (1995) and &amp;#039;&amp;#039;Titanic&amp;#039;&amp;#039; (1997). He notably performed synthezier on U.S.A. for Africa&amp;#039;s single &amp;#039;&amp;#039;We Are The World&amp;#039;&amp;#039;.  &lt;/div&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Since the 1980s and 1990s he has played synthesizer on many film soundtracks including &amp;#039;&amp;#039;Blade Runner&amp;#039;&amp;#039; (1981), &amp;#039;&amp;#039;Krull&amp;#039;&amp;#039; (1983), &amp;#039;&amp;#039;Aliens&amp;#039;&amp;#039; (1986), &amp;#039;&amp;#039;Honey, I Shrunk the Kids&amp;#039;&amp;#039; (1989), &amp;#039;&amp;#039;Braveheart&amp;#039;&amp;#039; (1995) and &amp;#039;&amp;#039;Titanic&amp;#039;&amp;#039; (1997). He notably performed synthezier on U.S.A. for Africa&amp;#039;s single &amp;#039;&amp;#039;We Are The World&amp;#039;&amp;#039;.  &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt;−&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Ian Underwood was also mentioned and thanked in the liner notes of &amp;#039;&amp;#039;[[The MOFO Project/Object]]&amp;#039;&amp;#039; (2006) album. &amp;lt;ref&amp;gt;http://globalia.net/donlope/fz/notes/The_MOFO_Project_Object.html#Contributors&amp;lt;/ref&amp;gt; He is interviewed in the documentaries &amp;#039;&amp;#039;[[Frank Zappa - The Freak-Out List]] (2010)&amp;#039;&amp;#039; and [[Frank Scheffer]]&amp;#039;s &amp;#039;&amp;#039;[[Frank Zappa: The Present-Day Composer Refuses To Die]]&amp;#039;&amp;#039; (2000), &amp;#039;&amp;#039;[[Frank Zappa Phase II: The Big Note]]&amp;#039;&amp;#039; (2002) and &amp;#039;&amp;#039;[[Frank Zappa: Pioneer Of Future Music, parts 1 &amp;amp; 2]]&amp;#039;&amp;#039; (2007). He wrote the liner notes to the album &amp;#039;&amp;#039;[[Meat Light - The Uncle Meat Project/Object Audio Documentary]] (2016)&amp;#039;&amp;#039;. Underwood contributed an essay to [[Bill Gubbins&lt;del class=&quot;diffchange diffchange-inline&quot;&gt;]]&amp;#039; &amp;#039;&amp;#039;[[&lt;/del&gt;The Hot Rats Book]]&amp;#039;&amp;#039; (2019).&lt;/div&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Ian Underwood was also mentioned and thanked in the liner notes of &amp;#039;&amp;#039;[[The MOFO Project/Object]]&amp;#039;&amp;#039; (2006) album. &amp;lt;ref&amp;gt;http://globalia.net/donlope/fz/notes/The_MOFO_Project_Object.html#Contributors&amp;lt;/ref&amp;gt; He is interviewed in the documentaries &amp;#039;&amp;#039;[[Frank Zappa - The Freak-Out List]] (2010)&amp;#039;&amp;#039; and [[Frank Scheffer]]&amp;#039;s &amp;#039;&amp;#039;[[Frank Zappa: The Present-Day Composer Refuses To Die]]&amp;#039;&amp;#039; (2000), &amp;#039;&amp;#039;[[Frank Zappa Phase II: The Big Note]]&amp;#039;&amp;#039; (2002) and &amp;#039;&amp;#039;[[Frank Zappa: Pioneer Of Future Music, parts 1 &amp;amp; 2]]&amp;#039;&amp;#039; (2007). He wrote the liner notes to the album &amp;#039;&amp;#039;[[Meat Light - The Uncle Meat Project/Object Audio Documentary]] (2016)&amp;#039;&amp;#039;. Underwood contributed an essay to &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;&amp;#039;&amp;#039;&lt;/ins&gt;[[Bill Gubbins&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;|&lt;/ins&gt;The Hot Rats Book]]&amp;#039;&amp;#039; (2019).&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;==Sources==&lt;/div&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;==Sources==&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Duncan</name></author>
		
	</entry>
	<entry>
		<id>http://wiki.killuglyradio.com/index.php?title=Ian_Underwood&amp;diff=44044&amp;oldid=prev</id>
		<title>Spider of Destiny: /* Post-Zappa career */</title>
		<link rel="alternate" type="text/html" href="http://wiki.killuglyradio.com/index.php?title=Ian_Underwood&amp;diff=44044&amp;oldid=prev"/>
		<updated>2020-10-13T00:22:11Z</updated>

		<summary type="html">&lt;p&gt;&lt;span dir=&quot;auto&quot;&gt;&lt;span class=&quot;autocomment&quot;&gt;Post-Zappa career&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;
&lt;table class=&quot;diff diff-contentalign-left&quot; data-mw=&quot;interface&quot;&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;tr class=&quot;diff-title&quot; lang=&quot;en&quot;&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #222; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #222; text-align: center;&quot;&gt;Revision as of 00:22, 13 October 2020&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l23&quot; &gt;Line 23:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 23:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Since the 1980s and 1990s he has played synthesizer on many film soundtracks including &amp;#039;&amp;#039;Blade Runner&amp;#039;&amp;#039; (1981), &amp;#039;&amp;#039;Krull&amp;#039;&amp;#039; (1983), &amp;#039;&amp;#039;Aliens&amp;#039;&amp;#039; (1986), &amp;#039;&amp;#039;Honey, I Shrunk the Kids&amp;#039;&amp;#039; (1989), &amp;#039;&amp;#039;Braveheart&amp;#039;&amp;#039; (1995) and &amp;#039;&amp;#039;Titanic&amp;#039;&amp;#039; (1997). He notably performed synthezier on U.S.A. for Africa&amp;#039;s single &amp;#039;&amp;#039;We Are The World&amp;#039;&amp;#039;.  &lt;/div&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Since the 1980s and 1990s he has played synthesizer on many film soundtracks including &amp;#039;&amp;#039;Blade Runner&amp;#039;&amp;#039; (1981), &amp;#039;&amp;#039;Krull&amp;#039;&amp;#039; (1983), &amp;#039;&amp;#039;Aliens&amp;#039;&amp;#039; (1986), &amp;#039;&amp;#039;Honey, I Shrunk the Kids&amp;#039;&amp;#039; (1989), &amp;#039;&amp;#039;Braveheart&amp;#039;&amp;#039; (1995) and &amp;#039;&amp;#039;Titanic&amp;#039;&amp;#039; (1997). He notably performed synthezier on U.S.A. for Africa&amp;#039;s single &amp;#039;&amp;#039;We Are The World&amp;#039;&amp;#039;.  &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt;−&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Ian Underwood was also mentioned and thanked in the liner notes of &amp;#039;&amp;#039;[[The MOFO Project/Object]]&amp;#039;&amp;#039; (2006) album. &amp;lt;ref&amp;gt;http://globalia.net/donlope/fz/notes/The_MOFO_Project_Object.html#Contributors&amp;lt;/ref&amp;gt; He is interviewed in the documentaries &amp;#039;&amp;#039;[[Frank Zappa - The Freak-Out List]] (2010)&amp;#039;&amp;#039; and [[Frank Scheffer]]&amp;#039;s &amp;#039;&amp;#039;[[Frank Zappa: The Present-Day Composer Refuses To Die]]&amp;#039;&amp;#039; (2000), &amp;#039;&amp;#039;[[Frank Zappa Phase II: The Big Note]]&amp;#039;&amp;#039; (2002) and &amp;#039;&amp;#039;[[Frank Zappa: Pioneer Of Future Music, parts 1 &amp;amp; 2]]&amp;#039;&amp;#039; (2007). He contributed an essay to [[Bill Gubbins]]&amp;#039; &amp;#039;&amp;#039;[[The Hot Rats Book]]&amp;#039;&amp;#039; (2019).&lt;/div&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Ian Underwood was also mentioned and thanked in the liner notes of &amp;#039;&amp;#039;[[The MOFO Project/Object]]&amp;#039;&amp;#039; (2006) album. &amp;lt;ref&amp;gt;http://globalia.net/donlope/fz/notes/The_MOFO_Project_Object.html#Contributors&amp;lt;/ref&amp;gt; He is interviewed in the documentaries &amp;#039;&amp;#039;[[Frank Zappa - The Freak-Out List]] (2010)&amp;#039;&amp;#039; and [[Frank Scheffer]]&amp;#039;s &amp;#039;&amp;#039;[[Frank Zappa: The Present-Day Composer Refuses To Die]]&amp;#039;&amp;#039; (2000), &amp;#039;&amp;#039;[[Frank Zappa Phase II: The Big Note]]&amp;#039;&amp;#039; (2002) and &amp;#039;&amp;#039;[[Frank Zappa: Pioneer Of Future Music, parts 1 &amp;amp; 2]]&amp;#039;&amp;#039; (2007). He &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;wrote the liner notes to the album &amp;#039;&amp;#039;[[Meat Light - The Uncle Meat Project/Object Audio Documentary]] (2016)&amp;#039;&amp;#039;. Underwood &lt;/ins&gt;contributed an essay to [[Bill Gubbins]]&amp;#039; &amp;#039;&amp;#039;[[The Hot Rats Book]]&amp;#039;&amp;#039; (2019).&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;==Sources==&lt;/div&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;==Sources==&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Spider of Destiny</name></author>
		
	</entry>
	<entry>
		<id>http://wiki.killuglyradio.com/index.php?title=Ian_Underwood&amp;diff=44017&amp;oldid=prev</id>
		<title>Spider of Destiny at 21:42, 12 October 2020</title>
		<link rel="alternate" type="text/html" href="http://wiki.killuglyradio.com/index.php?title=Ian_Underwood&amp;diff=44017&amp;oldid=prev"/>
		<updated>2020-10-12T21:42:10Z</updated>

		<summary type="html">&lt;p&gt;&lt;/p&gt;
&lt;table class=&quot;diff diff-contentalign-left&quot; data-mw=&quot;interface&quot;&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;tr class=&quot;diff-title&quot; lang=&quot;en&quot;&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #222; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #222; text-align: center;&quot;&gt;Revision as of 21:42, 12 October 2020&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l9&quot; &gt;Line 9:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 9:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;==Frank Zappa==&lt;/div&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;==Frank Zappa==&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt;−&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Ian&amp;#039;s &amp;quot;story&amp;quot; of meeting and joining Zappa is memorably chronicled in the track &amp;#039;&amp;#039;[[Ian Underwood Whips It Out (Live On Stage In Copenhagen)|Ian Underwood Whips It Out]]&amp;#039;&amp;#039; on the &amp;#039;&amp;#039;[[Uncle Meat]]&amp;#039;&amp;#039; release. Here he introduces himself as the &amp;#039;&amp;#039;&amp;quot;straight member of the group&amp;quot;&amp;#039;&amp;#039;.  &lt;/div&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Ian&amp;#039;s &amp;quot;story&amp;quot; of meeting and joining Zappa is memorably chronicled in the track &amp;#039;&amp;#039;[[Ian Underwood Whips It Out (Live On Stage In Copenhagen)|Ian Underwood Whips It Out]]&amp;#039;&amp;#039; on the &amp;#039;&amp;#039;[[Uncle Meat]]&amp;#039;&amp;#039; release. Here he introduces himself as the &amp;#039;&amp;#039;&amp;quot;straight member of the group&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;&amp;quot;&amp;#039;&amp;#039;. In the sleeve of &amp;#039;&amp;#039;[[Burnt Weeny Sandwich]]&amp;#039;&amp;#039; he can be seen biting into a baby doll&amp;#039;s leg and exclaim: &amp;#039;&amp;#039;&amp;quot;God, this IS a tasty sucker!&lt;/ins&gt;&amp;quot;&amp;#039;&amp;#039;.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;He performed piano, organ, keyboards, woodwinds, guitar, and/or vocals on the albums &amp;#039;&amp;#039;[[We&amp;#039;re Only In It For The Money]]&amp;#039;&amp;#039; (1968), &amp;#039;&amp;#039;[[Cruising With Ruben &amp;amp; The Jets]]&amp;#039;&amp;#039; (1968), &amp;#039;&amp;#039;[[Uncle Meat]]&amp;#039;&amp;#039; (1969), &amp;#039;&amp;#039;[[Hot Rats]]&amp;#039;&amp;#039; (1969), &amp;#039;&amp;#039;[[Burnt Weeny Sandwich]]&amp;#039;&amp;#039; (1970), &amp;#039;&amp;#039;[[Weasels Ripped My Flesh]]&amp;#039;&amp;#039; (1970), &amp;#039;&amp;#039;[[Chunga&amp;#039;s Revenge]]&amp;#039;&amp;#039; (1970), &amp;#039;&amp;#039;[[Fillmore East, June 1971]]&amp;#039;&amp;#039; (1971), &amp;#039;&amp;#039;[[Frank Zappa&amp;#039;s 200 Motels]]&amp;#039;&amp;#039; (1971), &amp;#039;&amp;#039;[[Just Another Band From L.A.]]&amp;#039;&amp;#039; (1972), &amp;#039;&amp;#039;[[Over-Nite Sensation]]&amp;#039;&amp;#039; (1973), &amp;#039;&amp;#039;[[Apostrophe (&amp;#039;)]]&amp;#039;&amp;#039; (1974) and &amp;#039;&amp;#039;[[Zoot Allures]]&amp;#039;&amp;#039;.  &lt;/div&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;He performed piano, organ, keyboards, woodwinds, guitar, and/or vocals on the albums &amp;#039;&amp;#039;[[We&amp;#039;re Only In It For The Money]]&amp;#039;&amp;#039; (1968), &amp;#039;&amp;#039;[[Cruising With Ruben &amp;amp; The Jets]]&amp;#039;&amp;#039; (1968), &amp;#039;&amp;#039;[[Uncle Meat]]&amp;#039;&amp;#039; (1969), &amp;#039;&amp;#039;[[Hot Rats]]&amp;#039;&amp;#039; (1969), &amp;#039;&amp;#039;[[Burnt Weeny Sandwich]]&amp;#039;&amp;#039; (1970), &amp;#039;&amp;#039;[[Weasels Ripped My Flesh]]&amp;#039;&amp;#039; (1970), &amp;#039;&amp;#039;[[Chunga&amp;#039;s Revenge]]&amp;#039;&amp;#039; (1970), &amp;#039;&amp;#039;[[Fillmore East, June 1971]]&amp;#039;&amp;#039; (1971), &amp;#039;&amp;#039;[[Frank Zappa&amp;#039;s 200 Motels]]&amp;#039;&amp;#039; (1971), &amp;#039;&amp;#039;[[Just Another Band From L.A.]]&amp;#039;&amp;#039; (1972), &amp;#039;&amp;#039;[[Over-Nite Sensation]]&amp;#039;&amp;#039; (1973), &amp;#039;&amp;#039;[[Apostrophe (&amp;#039;)]]&amp;#039;&amp;#039; (1974) and &amp;#039;&amp;#039;[[Zoot Allures]]&amp;#039;&amp;#039;.  &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Spider of Destiny</name></author>
		
	</entry>
	<entry>
		<id>http://wiki.killuglyradio.com/index.php?title=Ian_Underwood&amp;diff=43994&amp;oldid=prev</id>
		<title>Spider of Destiny: /* Post-Zappa career */</title>
		<link rel="alternate" type="text/html" href="http://wiki.killuglyradio.com/index.php?title=Ian_Underwood&amp;diff=43994&amp;oldid=prev"/>
		<updated>2020-10-12T20:12:54Z</updated>

		<summary type="html">&lt;p&gt;&lt;span dir=&quot;auto&quot;&gt;&lt;span class=&quot;autocomment&quot;&gt;Post-Zappa career&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;
&lt;table class=&quot;diff diff-contentalign-left&quot; data-mw=&quot;interface&quot;&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;tr class=&quot;diff-title&quot; lang=&quot;en&quot;&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #222; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #222; text-align: center;&quot;&gt;Revision as of 20:12, 12 October 2020&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l23&quot; &gt;Line 23:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 23:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Since the 1980s and 1990s he has played synthesizer on many film soundtracks including &amp;#039;&amp;#039;Blade Runner&amp;#039;&amp;#039; (1981), &amp;#039;&amp;#039;Krull&amp;#039;&amp;#039; (1983), &amp;#039;&amp;#039;Aliens&amp;#039;&amp;#039; (1986), &amp;#039;&amp;#039;Honey, I Shrunk the Kids&amp;#039;&amp;#039; (1989), &amp;#039;&amp;#039;Braveheart&amp;#039;&amp;#039; (1995) and &amp;#039;&amp;#039;Titanic&amp;#039;&amp;#039; (1997). He notably performed synthezier on U.S.A. for Africa&amp;#039;s single &amp;#039;&amp;#039;We Are The World&amp;#039;&amp;#039;.  &lt;/div&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Since the 1980s and 1990s he has played synthesizer on many film soundtracks including &amp;#039;&amp;#039;Blade Runner&amp;#039;&amp;#039; (1981), &amp;#039;&amp;#039;Krull&amp;#039;&amp;#039; (1983), &amp;#039;&amp;#039;Aliens&amp;#039;&amp;#039; (1986), &amp;#039;&amp;#039;Honey, I Shrunk the Kids&amp;#039;&amp;#039; (1989), &amp;#039;&amp;#039;Braveheart&amp;#039;&amp;#039; (1995) and &amp;#039;&amp;#039;Titanic&amp;#039;&amp;#039; (1997). He notably performed synthezier on U.S.A. for Africa&amp;#039;s single &amp;#039;&amp;#039;We Are The World&amp;#039;&amp;#039;.  &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt;−&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Ian Underwood was also mentioned and thanked in the liner notes of &amp;#039;&amp;#039;[[The MOFO Project/Object]]&amp;#039;&amp;#039; (2006) album. &amp;lt;ref&amp;gt;http://globalia.net/donlope/fz/notes/The_MOFO_Project_Object.html#Contributors&amp;lt;/ref&amp;gt; He is interviewed in the documentaries &amp;#039;&amp;#039;[[Frank Zappa - The Freak-Out List]] (2010)&amp;#039;&amp;#039; and [[Frank Scheffer]]&amp;#039;s &amp;#039;&amp;#039;[[Frank Zappa: The Present-Day Composer Refuses To Die]]&amp;#039;&amp;#039; (2000), &amp;#039;&amp;#039;[[Frank Zappa Phase II: The Big Note]]&amp;#039;&amp;#039; (2002) and &amp;#039;&amp;#039;[[Frank Zappa: Pioneer Of Future Music, parts 1 &amp;amp; 2]]&amp;#039;&amp;#039; (2007).  &lt;/div&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Ian Underwood was also mentioned and thanked in the liner notes of &amp;#039;&amp;#039;[[The MOFO Project/Object]]&amp;#039;&amp;#039; (2006) album. &amp;lt;ref&amp;gt;http://globalia.net/donlope/fz/notes/The_MOFO_Project_Object.html#Contributors&amp;lt;/ref&amp;gt; He is interviewed in the documentaries &amp;#039;&amp;#039;[[Frank Zappa - The Freak-Out List]] (2010)&amp;#039;&amp;#039; and [[Frank Scheffer]]&amp;#039;s &amp;#039;&amp;#039;[[Frank Zappa: The Present-Day Composer Refuses To Die]]&amp;#039;&amp;#039; (2000), &amp;#039;&amp;#039;[[Frank Zappa Phase II: The Big Note]]&amp;#039;&amp;#039; (2002) and &amp;#039;&amp;#039;[[Frank Zappa: Pioneer Of Future Music, parts 1 &amp;amp; 2]]&amp;#039;&amp;#039; (2007&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;). He contributed an essay to [[Bill Gubbins]]&amp;#039; &amp;#039;&amp;#039;[[The Hot Rats Book]]&amp;#039;&amp;#039; (2019&lt;/ins&gt;).&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;==Sources==&lt;/div&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;==Sources==&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Spider of Destiny</name></author>
		
	</entry>
	<entry>
		<id>http://wiki.killuglyradio.com/index.php?title=Ian_Underwood&amp;diff=43053&amp;oldid=prev</id>
		<title>Spider of Destiny at 18:43, 22 September 2020</title>
		<link rel="alternate" type="text/html" href="http://wiki.killuglyradio.com/index.php?title=Ian_Underwood&amp;diff=43053&amp;oldid=prev"/>
		<updated>2020-09-22T18:43:50Z</updated>

		<summary type="html">&lt;p&gt;&lt;/p&gt;
&lt;table class=&quot;diff diff-contentalign-left&quot; data-mw=&quot;interface&quot;&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;tr class=&quot;diff-title&quot; lang=&quot;en&quot;&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #222; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #222; text-align: center;&quot;&gt;Revision as of 18:43, 22 September 2020&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l38&quot; &gt;Line 38:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 38:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[Category:Organists|Underwood, Ian]]&lt;/div&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[Category:Organists|Underwood, Ian]]&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[Category:Guitarists|Underwood, Ian]]&lt;/div&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[Category:Guitarists|Underwood, Ian]]&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt; &lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;[[Category:Flautists|Underwood, Ian]]&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[Category:The Real Frank Zappa Book (The List)|Underwood, Ian]]&lt;/div&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[Category:The Real Frank Zappa Book (The List)|Underwood, Ian]]&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Spider of Destiny</name></author>
		
	</entry>
</feed>