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	<id>http://wiki.killuglyradio.com/index.php?action=history&amp;feed=atom&amp;title=David_Walley</id>
	<title>David Walley - Revision history</title>
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	<updated>2026-05-09T01:13:49Z</updated>
	<subtitle>Revision history for this page on the wiki</subtitle>
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	<entry>
		<id>http://wiki.killuglyradio.com/index.php?title=David_Walley&amp;diff=51451&amp;oldid=prev</id>
		<title>Jason.Kreitzer at 13:57, 10 September 2021</title>
		<link rel="alternate" type="text/html" href="http://wiki.killuglyradio.com/index.php?title=David_Walley&amp;diff=51451&amp;oldid=prev"/>
		<updated>2021-09-10T13:57:07Z</updated>

		<summary type="html">&lt;p&gt;&lt;/p&gt;
&lt;table class=&quot;diff diff-contentalign-left&quot; data-mw=&quot;interface&quot;&gt;
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				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #222; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #222; text-align: center;&quot;&gt;Revision as of 13:57, 10 September 2021&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l11&quot; &gt;Line 11:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 11:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Pursuing his various interests American cultural history, in 1998 Walley brought out &amp;quot;Teenage Nervous Breakdown: Music and Politics in the Post-Elvis Age&amp;quot; which, having survived hardcover hell is currently available in paperback through Perseus Publishing. In a series of interconnected essays Walley examines how and why America has become hostage to the corrosive effects of an increasingly celebrity-driven consumerism, itself the result of the cumulative effects of the commercial exploitation of high school peer group dynamics. Animated by a throbbing rock and roll and hip-hop beat, this virulent form of consumerism has given rise to a multinational, adolescent-driven corporate consciousness in which MTV has become the virtual Voice of America wherein all manner of goods from tranquilizers to tanks, from insurance to politics are sold to an unconscious public. It is a book for thinkers on American culture.&lt;/div&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Pursuing his various interests American cultural history, in 1998 Walley brought out &amp;quot;Teenage Nervous Breakdown: Music and Politics in the Post-Elvis Age&amp;quot; which, having survived hardcover hell is currently available in paperback through Perseus Publishing. In a series of interconnected essays Walley examines how and why America has become hostage to the corrosive effects of an increasingly celebrity-driven consumerism, itself the result of the cumulative effects of the commercial exploitation of high school peer group dynamics. Animated by a throbbing rock and roll and hip-hop beat, this virulent form of consumerism has given rise to a multinational, adolescent-driven corporate consciousness in which MTV has become the virtual Voice of America wherein all manner of goods from tranquilizers to tanks, from insurance to politics are sold to an unconscious public. It is a book for thinkers on American culture.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt;−&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;One Amazon.com reader described it this way: “If you ever had the sneaking suspicion that you never escaped high school, this book explains why ... This is a fascinating, fast-moving series of think pieces without boring the reader to death: Thorsten Veblen meets [[Camille Paglia]], the most subversive book on American culture to be published since Veblen&amp;#039;s &amp;quot;Theory of the Leisure Class.&amp;quot; Recently the book was used as the basis for a Winter Studies course at Williams College called, &amp;quot;Decadent Memories: The Sixties in Theory and Practice&amp;quot;. It took a little while but the students finally got it. He has been a guest lecturer in Sociology at Williams as well.&lt;/div&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;One Amazon.com reader described it this way: “If you ever had the sneaking suspicion that you never escaped high school, this book explains why ... This is a fascinating, fast-moving series of think pieces without boring the reader to death: Thorsten Veblen meets [[&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;Wikipedia:Camille Paglia|&lt;/ins&gt;Camille Paglia]], the most subversive book on American culture to be published since Veblen&amp;#039;s &amp;quot;Theory of the Leisure Class.&amp;quot; Recently the book was used as the basis for a Winter Studies course at Williams College called, &amp;quot;Decadent Memories: The Sixties in Theory and Practice&amp;quot;. It took a little while but the students finally got it. He has been a guest lecturer in Sociology at Williams as well.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;During the 1990s, Walley&amp;#039;s words and ideas have appeared in &amp;#039;&amp;#039;Cosmik Debris&amp;#039;&amp;#039;, an on-line music magazine, and more recently in [http://www.newpartisan.com/ New Partisan].&lt;/div&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;During the 1990s, Walley&amp;#039;s words and ideas have appeared in &amp;#039;&amp;#039;Cosmik Debris&amp;#039;&amp;#039;, an on-line music magazine, and more recently in [http://www.newpartisan.com/ New Partisan].&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Jason.Kreitzer</name></author>
		
	</entry>
	<entry>
		<id>http://wiki.killuglyradio.com/index.php?title=David_Walley&amp;diff=47759&amp;oldid=prev</id>
		<title>Jason.Kreitzer at 17:54, 28 July 2021</title>
		<link rel="alternate" type="text/html" href="http://wiki.killuglyradio.com/index.php?title=David_Walley&amp;diff=47759&amp;oldid=prev"/>
		<updated>2021-07-28T17:54:06Z</updated>

		<summary type="html">&lt;p&gt;&lt;/p&gt;
&lt;table class=&quot;diff diff-contentalign-left&quot; data-mw=&quot;interface&quot;&gt;
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				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #222; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #222; text-align: center;&quot;&gt;Revision as of 17:54, 28 July 2021&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l7&quot; &gt;Line 7:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 7:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;A graduate of Rutgers University in the late 1960s he began his career as a columnist for Jazz and Pop Magazine which lead to a full-time position at one of the alternative press&amp;#039;s most influential  papers, New York City&amp;#039;s East Village Other. During the late 1960s into the early 1980s, his essays, reviews and columns appeared in such magazines as Zygote, Fusion, and Changes. During a two and a half sojourn in Los Angeles, he distinguished himself as the Arts editor of the LA Free Press. His interviews with Iggy Pop and Detroit&amp;#039;s legendary band, MC5 are considered classics of their type and for their time. During that period he also ghosted books on [[Bob Dylan]], [[David Bowie]] and Bobby Darin, a classic despite itself.&lt;/div&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;A graduate of Rutgers University in the late 1960s he began his career as a columnist for Jazz and Pop Magazine which lead to a full-time position at one of the alternative press&amp;#039;s most influential  papers, New York City&amp;#039;s East Village Other. During the late 1960s into the early 1980s, his essays, reviews and columns appeared in such magazines as Zygote, Fusion, and Changes. During a two and a half sojourn in Los Angeles, he distinguished himself as the Arts editor of the LA Free Press. His interviews with Iggy Pop and Detroit&amp;#039;s legendary band, MC5 are considered classics of their type and for their time. During that period he also ghosted books on [[Bob Dylan]], [[David Bowie]] and Bobby Darin, a classic despite itself.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt;−&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;In 1972, Walley published the first (and only) American biography of the avant garde musician and social critic [[Frank Zappa]] called &amp;#039;&amp;#039;&amp;quot;[[No Commercial Potential: The Saga of Frank Zappa]]&amp;quot;&amp;#039;&amp;#039;. After numerous reprints and three revisions,  it is still in print thirty years later available through DeCapo books. He is known as the father of the contemporary rock and roll biography, and his book was characterized by the Village Voice&amp;#039;s Milo Miles as &amp;quot;one of the earliest rock books and unjustly forgotten&amp;quot;. Obviously it no longer is. Continuing his fascination with American originals, in 1975 he released, &amp;quot;Nothing in Moderation: The Ernie Kovacs Story&amp;quot; a seminal and unique biography of television&amp;#039;s first surrealist comedian who became an iconic and inspirational figure to the original crew from [[Saturday Night Live]], as well as comedians like Billy Crystal, Robin Williams, George Carlin and others. Though subsequently published by two other imprints as &amp;quot;The Ernie Kovacs Phile&amp;quot;, and, much to the author&amp;#039;s dismay because he won&amp;#039;t realize one thin dime, this classic can still be purchased at more discriminating on-line used bookstores. He encourages you to seek it out anyway, it won&amp;#039;t hurt and you&amp;#039;ll laugh. Is that so bad?&lt;/div&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;In 1972, Walley published the first (and only) American biography of the avant garde musician and social critic [[&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;Biography|&lt;/ins&gt;Frank Zappa]] called &amp;#039;&amp;#039;&amp;quot;[[No Commercial Potential: The Saga of Frank Zappa]]&amp;quot;&amp;#039;&amp;#039;. After numerous reprints and three revisions,  it is still in print thirty years later available through DeCapo books. He is known as the father of the contemporary rock and roll biography, and his book was characterized by the Village Voice&amp;#039;s Milo Miles as &amp;quot;one of the earliest rock books and unjustly forgotten&amp;quot;. Obviously it no longer is. Continuing his fascination with American originals, in 1975 he released, &amp;quot;Nothing in Moderation: The Ernie Kovacs Story&amp;quot; a seminal and unique biography of television&amp;#039;s first surrealist comedian who became an iconic and inspirational figure to the original crew from [[Saturday Night Live]], as well as comedians like Billy Crystal, Robin Williams, George Carlin and others. Though subsequently published by two other imprints as &amp;quot;The Ernie Kovacs Phile&amp;quot;, and, much to the author&amp;#039;s dismay because he won&amp;#039;t realize one thin dime, this classic can still be purchased at more discriminating on-line used bookstores. He encourages you to seek it out anyway, it won&amp;#039;t hurt and you&amp;#039;ll laugh. Is that so bad?&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Pursuing his various interests American cultural history, in 1998 Walley brought out &amp;quot;Teenage Nervous Breakdown: Music and Politics in the Post-Elvis Age&amp;quot; which, having survived hardcover hell is currently available in paperback through Perseus Publishing. In a series of interconnected essays Walley examines how and why America has become hostage to the corrosive effects of an increasingly celebrity-driven consumerism, itself the result of the cumulative effects of the commercial exploitation of high school peer group dynamics. Animated by a throbbing rock and roll and hip-hop beat, this virulent form of consumerism has given rise to a multinational, adolescent-driven corporate consciousness in which MTV has become the virtual Voice of America wherein all manner of goods from tranquilizers to tanks, from insurance to politics are sold to an unconscious public. It is a book for thinkers on American culture.&lt;/div&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Pursuing his various interests American cultural history, in 1998 Walley brought out &amp;quot;Teenage Nervous Breakdown: Music and Politics in the Post-Elvis Age&amp;quot; which, having survived hardcover hell is currently available in paperback through Perseus Publishing. In a series of interconnected essays Walley examines how and why America has become hostage to the corrosive effects of an increasingly celebrity-driven consumerism, itself the result of the cumulative effects of the commercial exploitation of high school peer group dynamics. Animated by a throbbing rock and roll and hip-hop beat, this virulent form of consumerism has given rise to a multinational, adolescent-driven corporate consciousness in which MTV has become the virtual Voice of America wherein all manner of goods from tranquilizers to tanks, from insurance to politics are sold to an unconscious public. It is a book for thinkers on American culture.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Jason.Kreitzer</name></author>
		
	</entry>
	<entry>
		<id>http://wiki.killuglyradio.com/index.php?title=David_Walley&amp;diff=42811&amp;oldid=prev</id>
		<title>Spider of Destiny: Clean-up.</title>
		<link rel="alternate" type="text/html" href="http://wiki.killuglyradio.com/index.php?title=David_Walley&amp;diff=42811&amp;oldid=prev"/>
		<updated>2020-09-17T05:12:05Z</updated>

		<summary type="html">&lt;p&gt;Clean-up.&lt;/p&gt;
&lt;table class=&quot;diff diff-contentalign-left&quot; data-mw=&quot;interface&quot;&gt;
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				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #222; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #222; text-align: center;&quot;&gt;Revision as of 05:12, 17 September 2020&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l1&quot; &gt;Line 1:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 1:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[Image:David_walley.jpg|right|frame|David Walley]]From [http://www.walleyswitzend.com/meet-david-walley.php Meet David Walley]:&lt;/div&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[Image:David_walley.jpg|right|frame|David Walley]]From [http://www.walleyswitzend.com/meet-david-walley.php Meet David Walley]:&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt;−&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;del class=&quot;diffchange diffchange-inline&quot;&gt;[[&lt;/del&gt;David Walley]&lt;del class=&quot;diffchange diffchange-inline&quot;&gt;] &lt;/del&gt;(1945-2006) &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;has been &lt;/del&gt;a critic, cultural historian and freelance editor &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;for more than 30 years&lt;/del&gt;. &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;A graduate of Rutgers University in the late Sixties he began his career as a columnist &lt;/del&gt;for &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;Jazz and Pop Magazine which lead to a full-time position at one of &lt;/del&gt;the &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;alternative press&amp;#039;s most influential  papers, New York City&lt;/del&gt;&amp;#039;&lt;del class=&quot;diffchange diffchange-inline&quot;&gt;s East Village Other. During the late Sixties into the early Eighties, his essays, reviews and columns appeared in such magazines as Zygote, Fusion, and Changes. During a two and a half sojourn in Los Angeles, he distinguished himself as the Arts editor of the LA Free Press. His interviews with Iggy Pop and Detroit&lt;/del&gt;&amp;#039;&lt;del class=&quot;diffchange diffchange-inline&quot;&gt;s legendary band, the MC5 are considered classics of their type and for their time. During that period he also ghosted books on &lt;/del&gt;[[&lt;del class=&quot;diffchange diffchange-inline&quot;&gt;Bob Dylan&lt;/del&gt;]]&lt;del class=&quot;diffchange diffchange-inline&quot;&gt;, [[David Bowie]] and Bobby Darin, a classic despite itself&lt;/del&gt;.&lt;/div&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;&amp;#039;&amp;#039;&amp;#039;&lt;/ins&gt;David Walley]&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;&amp;#039;&amp;#039;&amp;#039; &lt;/ins&gt;(1945 -&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;5 August &lt;/ins&gt;2006) &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;was &lt;/ins&gt;a &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;U.S. &lt;/ins&gt;critic&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;, jazz columnist&lt;/ins&gt;, cultural historian and freelance editor. &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;He is known &lt;/ins&gt;for the &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;biography &lt;/ins&gt;&amp;#039;&amp;#039;[[&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;No Commercial Potential: The Saga of Frank Zappa&lt;/ins&gt;]]&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;&amp;#039;&amp;#039; (1972)&lt;/ins&gt;.  &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt;−&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;In 1972, Walley published the first (and only) American biography of the avant garde musician and social critic [[Frank Zappa]] called &amp;quot;[[No Commercial Potential: The Saga of Frank Zappa]]&amp;quot; . After numerous reprints and three revisions,  it is still in print thirty years later available through DeCapo books. &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;David &lt;/del&gt;is known as the father of the contemporary rock and roll biography, and his book was characterized by the Village Voice&amp;#039;s Milo Miles as &amp;quot;one of the earliest rock books and unjustly forgotten&amp;quot;. Obviously it no longer is. Continuing his fascination with American originals, in 1975 he released, &amp;quot;Nothing in Moderation: The Ernie Kovacs Story&amp;quot; a seminal and unique biography of television&amp;#039;s first surrealist comedian who became an iconic and inspirational figure to the original crew from [[Saturday Night Live]], as well as comedians like Billy Crystal, Robin Williams, George Carlin and others. Though subsequently published by two other imprints as &amp;quot;The Ernie Kovacs Phile&amp;quot;, and, much to the author&amp;#039;s dismay because he won&amp;#039;t realize one thin dime, this classic can still be purchased at more discriminating on-line used bookstores. He encourages you to seek it out anyway, it won&amp;#039;t hurt and you&amp;#039;ll laugh. Is that so bad?&lt;/div&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;==Biography==&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt; &lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt; &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt; &lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;A graduate of Rutgers University in the late 1960s he began his career as a columnist for Jazz and Pop Magazine which lead to a full-time position at one of the alternative press&amp;#039;s most influential  papers, New York City&amp;#039;s East Village Other. During the late 1960s into the early 1980s, his essays, reviews and columns appeared in such magazines as Zygote, Fusion, and Changes. During a two and a half sojourn in Los Angeles, he distinguished himself as the Arts editor of the LA Free Press. His interviews with Iggy Pop and Detroit&amp;#039;s legendary band, MC5 are considered classics of their type and for their time. During that period he also ghosted books on [[Bob Dylan]], [[David Bowie]] and Bobby Darin, a classic despite itself.&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt; &lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt; &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt; &lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;In 1972, Walley published the first (and only) American biography of the avant garde musician and social critic [[Frank Zappa]] called &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;&amp;#039;&amp;#039;&lt;/ins&gt;&amp;quot;[[No Commercial Potential: The Saga of Frank Zappa]]&amp;quot;&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;&amp;#039;&amp;#039;&lt;/ins&gt;. After numerous reprints and three revisions,  it is still in print thirty years later available through DeCapo books. &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;He &lt;/ins&gt;is known as the father of the contemporary rock and roll biography, and his book was characterized by the Village Voice&amp;#039;s Milo Miles as &amp;quot;one of the earliest rock books and unjustly forgotten&amp;quot;. Obviously it no longer is. Continuing his fascination with American originals, in 1975 he released, &amp;quot;Nothing in Moderation: The Ernie Kovacs Story&amp;quot; a seminal and unique biography of television&amp;#039;s first surrealist comedian who became an iconic and inspirational figure to the original crew from [[Saturday Night Live]], as well as comedians like Billy Crystal, Robin Williams, George Carlin and others. Though subsequently published by two other imprints as &amp;quot;The Ernie Kovacs Phile&amp;quot;, and, much to the author&amp;#039;s dismay because he won&amp;#039;t realize one thin dime, this classic can still be purchased at more discriminating on-line used bookstores. He encourages you to seek it out anyway, it won&amp;#039;t hurt and you&amp;#039;ll laugh. Is that so bad?&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Pursuing his various interests American cultural history, in 1998 Walley brought out &amp;quot;Teenage Nervous Breakdown: Music and Politics in the Post-Elvis Age&amp;quot; which, having survived hardcover hell is currently available in paperback through Perseus Publishing. In a series of interconnected essays Walley examines how and why America has become hostage to the corrosive effects of an increasingly celebrity-driven consumerism, itself the result of the cumulative effects of the commercial exploitation of high school peer group dynamics. Animated by a throbbing rock and roll and hip-hop beat, this virulent form of consumerism has given rise to a multinational, adolescent-driven corporate consciousness in which MTV has become the virtual Voice of America wherein all manner of goods from tranquilizers to tanks, from insurance to politics are sold to an unconscious public. It is a book for thinkers on American culture.&lt;/div&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Pursuing his various interests American cultural history, in 1998 Walley brought out &amp;quot;Teenage Nervous Breakdown: Music and Politics in the Post-Elvis Age&amp;quot; which, having survived hardcover hell is currently available in paperback through Perseus Publishing. In a series of interconnected essays Walley examines how and why America has become hostage to the corrosive effects of an increasingly celebrity-driven consumerism, itself the result of the cumulative effects of the commercial exploitation of high school peer group dynamics. Animated by a throbbing rock and roll and hip-hop beat, this virulent form of consumerism has given rise to a multinational, adolescent-driven corporate consciousness in which MTV has become the virtual Voice of America wherein all manner of goods from tranquilizers to tanks, from insurance to politics are sold to an unconscious public. It is a book for thinkers on American culture.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l9&quot; &gt;Line 9:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 13:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;One Amazon.com reader described it this way: “If you ever had the sneaking suspicion that you never escaped high school, this book explains why ... This is a fascinating, fast-moving series of think pieces without boring the reader to death: Thorsten Veblen meets [[Camille Paglia]], the most subversive book on American culture to be published since Veblen&amp;#039;s &amp;quot;Theory of the Leisure Class.&amp;quot; Recently the book was used as the basis for a Winter Studies course at Williams College called, &amp;quot;Decadent Memories: The Sixties in Theory and Practice&amp;quot;. It took a little while but the students finally got it. He has been a guest lecturer in Sociology at Williams as well.&lt;/div&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;One Amazon.com reader described it this way: “If you ever had the sneaking suspicion that you never escaped high school, this book explains why ... This is a fascinating, fast-moving series of think pieces without boring the reader to death: Thorsten Veblen meets [[Camille Paglia]], the most subversive book on American culture to be published since Veblen&amp;#039;s &amp;quot;Theory of the Leisure Class.&amp;quot; Recently the book was used as the basis for a Winter Studies course at Williams College called, &amp;quot;Decadent Memories: The Sixties in Theory and Practice&amp;quot;. It took a little while but the students finally got it. He has been a guest lecturer in Sociology at Williams as well.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt;−&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;During the &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;Nineties&lt;/del&gt;, Walley&amp;#039;s words and ideas have appeared in Cosmik Debris, an on-line music magazine, and more recently in [http://www.newpartisan.com/ New Partisan]&lt;del class=&quot;diffchange diffchange-inline&quot;&gt;.&lt;/del&gt;&lt;/div&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;During the &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;1990s&lt;/ins&gt;, Walley&amp;#039;s words and ideas have appeared in &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;&amp;#039;&amp;#039;&lt;/ins&gt;Cosmik Debris&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;&amp;#039;&amp;#039;&lt;/ins&gt;, an on-line music magazine, and more recently in [http://www.newpartisan.com/ New Partisan].&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt;−&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt; &lt;/div&gt;&lt;/td&gt;&lt;td colspan=&quot;2&quot;&gt; &lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt;−&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;del class=&quot;diffchange diffchange-inline&quot;&gt;Walley is working on another biography about another American original named Herbert Feis, a Pulitzer Prize-winning economist and diplomatic historian of the Cold War. This story of epic proportions details how a Jewish emigrant from New York&amp;#039;s Lower Eastside against all odds and by dint of incredible drive plus some amazing coincidences rose to be Economic Advisor in the State Department from 1931-1943, a crucial period in American history, to become an observer/participant in some of the most momentous happenings of 20th Century American history. At one time Feis was a familiar voice on foreign policy and a frequent anti-Vietnam war speaker on college campuses. His life touched many of the important intellectual figures of the 20th century, from Lewis Mumford social historian and philosopher to Felix Frankfurter, Franklin Roosevelt, and Louis Brandeis. Sample chapters for the book called for the moment&amp;quot; The Shackled Historian: The Life and Times of Herbert Feis can be found [http://www.walleyswitzend.com/works-in-progress/ on his website].&lt;/del&gt;&lt;/div&gt;&lt;/td&gt;&lt;td colspan=&quot;2&quot;&gt; &lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt;−&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt; &lt;/div&gt;&lt;/td&gt;&lt;td colspan=&quot;2&quot;&gt; &lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt;−&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;del class=&quot;diffchange diffchange-inline&quot;&gt;David Walley is currently living in Maine and is hard at work on this project and in the future is planning afterwards to be working on a movie about Ernie Kovacs with Bob Cecsa who runs [http://www.campchaos.com/ CampChaos], god help the both of them.&lt;/del&gt;&lt;/div&gt;&lt;/td&gt;&lt;td colspan=&quot;2&quot;&gt; &lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt;−&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt; &lt;/div&gt;&lt;/td&gt;&lt;td colspan=&quot;2&quot;&gt; &lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt;−&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;del class=&quot;diffchange diffchange-inline&quot;&gt;----&lt;/del&gt;&lt;/div&gt;&lt;/td&gt;&lt;td colspan=&quot;2&quot;&gt; &lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt;−&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt; &lt;/div&gt;&lt;/td&gt;&lt;td colspan=&quot;2&quot;&gt; &lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt;−&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;del class=&quot;diffchange diffchange-inline&quot;&gt;From [http://www.walleyswitzend.com/index.php Geli Walley]:&lt;/del&gt;&lt;/div&gt;&lt;/td&gt;&lt;td colspan=&quot;2&quot;&gt; &lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt;−&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt; &lt;/div&gt;&lt;/td&gt;&lt;td colspan=&quot;2&quot;&gt; &lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt;−&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;del class=&quot;diffchange diffchange-inline&quot;&gt;David died August 5, 2006 of a massive coronary. His sudden unexpected death has come as a shock to us all. He would have liked to say good bye to his friends and loved ones&lt;/del&gt;.&lt;/div&gt;&lt;/td&gt;&lt;td colspan=&quot;2&quot;&gt; &lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt;−&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;del class=&quot;diffchange diffchange-inline&quot;&gt;He had &lt;/del&gt;one &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;chapter left &lt;/del&gt;of &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;his new book &lt;/del&gt;to &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;complete&lt;/del&gt;. &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;It will &lt;/del&gt;be &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;published posthumously&lt;/del&gt;.&lt;/div&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;Walley was working on another biography about another American original named Herbert Feis, a Pulitzer Prize-winning economist and diplomatic historian of the Cold War. This story of epic proportions details how a Jewish emigrant from New York&amp;#039;s Lower Eastside against all odds and by dint of incredible drive plus some amazing coincidences rose to be Economic Advisor in the State Department from 1931-1943, a crucial period in American history, to become an observer/participant in some of the most momentous happenings of 20th Century American history. At &lt;/ins&gt;one &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;time Feis was a familiar voice on foreign policy and a frequent anti-Vietnam war speaker on college campuses. His life touched many &lt;/ins&gt;of &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;the important intellectual figures of the 20th century, from Lewis Mumford social historian and philosopher &lt;/ins&gt;to &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;Felix Frankfurter, Franklin Roosevelt, and Louis Brandeis&lt;/ins&gt;. &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;Sample chapters for the book called for the moment&amp;quot; The Shackled Historian: The Life and Times of Herbert Feis can &lt;/ins&gt;be &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;found [http://www.walleyswitzend.com/works-in-progress/ on his website]&lt;/ins&gt;.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt;−&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;He &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;encouraged everyone to follow their passions and think for themselves&lt;/del&gt;. &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;His memory is a blessing to us all&lt;/del&gt;. He &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;was a man ahead &lt;/del&gt;of his &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;times&lt;/del&gt;. &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;If there ever &lt;/del&gt;was &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;a way for someone to correspond from the other side, it would be David. He touched so many people through his books and correspondences&lt;/del&gt;.&lt;/div&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;He &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;passed away in 2006 from a massive coronary. &amp;lt;ref&amp;gt;ttp://www.walleyswitzend.com/index&lt;/ins&gt;.&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;php Geli Walley&amp;lt;/ref&amp;gt;&lt;/ins&gt;. He &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;had one chapter left &lt;/ins&gt;of his &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;new book to complete&lt;/ins&gt;. &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;It &lt;/ins&gt;was &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;published posthumously&lt;/ins&gt;.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;==See Also==&lt;/div&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;==See Also==&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* [[David Walley&amp;#039;s Exclusive Interview]]&lt;/div&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* [[David Walley&amp;#039;s Exclusive Interview]]&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt;−&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[Category:Supporting Cast|Walley]] [[Category:Writers|Walley]]&lt;/div&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[Category:Supporting Cast|Walley]]  &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt; &lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[Category:Writers|Walley]]&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[Category:Journalists|Walley]]&lt;/div&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[Category:Journalists|Walley]]&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[Category:Critics|Walley]]&lt;/div&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[Category:Critics|Walley]]&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt; &lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;[[Category:Editors|Walley]]&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[Category:Celebrity Fans|Walley]]&lt;/div&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[Category:Celebrity Fans|Walley]]&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Spider of Destiny</name></author>
		
	</entry>
	<entry>
		<id>http://wiki.killuglyradio.com/index.php?title=David_Walley&amp;diff=38768&amp;oldid=prev</id>
		<title>Spider of Destiny at 12:54, 14 January 2013</title>
		<link rel="alternate" type="text/html" href="http://wiki.killuglyradio.com/index.php?title=David_Walley&amp;diff=38768&amp;oldid=prev"/>
		<updated>2013-01-14T12:54:25Z</updated>

		<summary type="html">&lt;p&gt;&lt;/p&gt;
&lt;table class=&quot;diff diff-contentalign-left&quot; data-mw=&quot;interface&quot;&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;tr class=&quot;diff-title&quot; lang=&quot;en&quot;&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #222; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #222; text-align: center;&quot;&gt;Revision as of 12:54, 14 January 2013&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l31&quot; &gt;Line 31:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 31:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[Category:Journalists|Walley]]&lt;/div&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[Category:Journalists|Walley]]&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[Category:Critics|Walley]]&lt;/div&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[Category:Critics|Walley]]&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt; &lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;[[Category:Celebrity Fans|Walley]]&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Spider of Destiny</name></author>
		
	</entry>
	<entry>
		<id>http://wiki.killuglyradio.com/index.php?title=David_Walley&amp;diff=38767&amp;oldid=prev</id>
		<title>Spider of Destiny at 12:53, 14 January 2013</title>
		<link rel="alternate" type="text/html" href="http://wiki.killuglyradio.com/index.php?title=David_Walley&amp;diff=38767&amp;oldid=prev"/>
		<updated>2013-01-14T12:53:53Z</updated>

		<summary type="html">&lt;p&gt;&lt;/p&gt;
&lt;table class=&quot;diff diff-contentalign-left&quot; data-mw=&quot;interface&quot;&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;tr class=&quot;diff-title&quot; lang=&quot;en&quot;&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #222; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #222; text-align: center;&quot;&gt;Revision as of 12:53, 14 January 2013&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l1&quot; &gt;Line 1:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 1:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[Image:David_walley.jpg|right|frame|David Walley]]From [http://www.walleyswitzend.com/meet-david-walley.php Meet David Walley]:&lt;/div&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[Image:David_walley.jpg|right|frame|David Walley]]From [http://www.walleyswitzend.com/meet-david-walley.php Meet David Walley]:&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt;−&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[David Walley]] has been a critic, cultural historian and freelance editor for more than 30 years. A graduate of Rutgers University in the late Sixties he began his career as a columnist for Jazz and Pop Magazine which lead to a full-time position at one of the alternative press&amp;#039;s most influential  papers, New York City&amp;#039;s East Village Other. During the late Sixties into the early Eighties, his essays, reviews and columns appeared in such magazines as Zygote, Fusion, and Changes. During a two and a half sojourn in Los Angeles, he distinguished himself as the Arts editor of the LA Free Press. His interviews with Iggy Pop and Detroit&amp;#039;s legendary band, the MC5 are considered classics of their type and for their time. During that period he also ghosted books on Bob Dylan, David Bowie and Bobby Darin, a classic despite itself.&lt;/div&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[David Walley]] &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;(1945-2006) &lt;/ins&gt;has been a critic, cultural historian and freelance editor for more than 30 years. A graduate of Rutgers University in the late Sixties he began his career as a columnist for Jazz and Pop Magazine which lead to a full-time position at one of the alternative press&amp;#039;s most influential  papers, New York City&amp;#039;s East Village Other. During the late Sixties into the early Eighties, his essays, reviews and columns appeared in such magazines as Zygote, Fusion, and Changes. During a two and a half sojourn in Los Angeles, he distinguished himself as the Arts editor of the LA Free Press. His interviews with Iggy Pop and Detroit&amp;#039;s legendary band, the MC5 are considered classics of their type and for their time. During that period he also ghosted books on &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;[[&lt;/ins&gt;Bob Dylan&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;]]&lt;/ins&gt;, &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;[[&lt;/ins&gt;David Bowie&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;]] &lt;/ins&gt;and Bobby Darin, a classic despite itself.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;In 1972, Walley published the first (and only) American biography of the avant garde musician and social critic [[Frank Zappa]] called &amp;quot;[[No Commercial Potential: The Saga of Frank Zappa]]&amp;quot; . After numerous reprints and three revisions,  it is still in print thirty years later available through DeCapo books. David is known as the father of the contemporary rock and roll biography, and his book was characterized by the Village Voice&amp;#039;s Milo Miles as &amp;quot;one of the earliest rock books and unjustly forgotten&amp;quot;. Obviously it no longer is. Continuing his fascination with American originals, in 1975 he released, &amp;quot;Nothing in Moderation: The Ernie Kovacs Story&amp;quot; a seminal and unique biography of television&amp;#039;s first surrealist comedian who became an iconic and inspirational figure to the original crew from [[Saturday Night Live]], as well as comedians like Billy Crystal, Robin Williams, George Carlin and others. Though subsequently published by two other imprints as &amp;quot;The Ernie Kovacs Phile&amp;quot;, and, much to the author&amp;#039;s dismay because he won&amp;#039;t realize one thin dime, this classic can still be purchased at more discriminating on-line used bookstores. He encourages you to seek it out anyway, it won&amp;#039;t hurt and you&amp;#039;ll laugh. Is that so bad?&lt;/div&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;In 1972, Walley published the first (and only) American biography of the avant garde musician and social critic [[Frank Zappa]] called &amp;quot;[[No Commercial Potential: The Saga of Frank Zappa]]&amp;quot; . After numerous reprints and three revisions,  it is still in print thirty years later available through DeCapo books. David is known as the father of the contemporary rock and roll biography, and his book was characterized by the Village Voice&amp;#039;s Milo Miles as &amp;quot;one of the earliest rock books and unjustly forgotten&amp;quot;. Obviously it no longer is. Continuing his fascination with American originals, in 1975 he released, &amp;quot;Nothing in Moderation: The Ernie Kovacs Story&amp;quot; a seminal and unique biography of television&amp;#039;s first surrealist comedian who became an iconic and inspirational figure to the original crew from [[Saturday Night Live]], as well as comedians like Billy Crystal, Robin Williams, George Carlin and others. Though subsequently published by two other imprints as &amp;quot;The Ernie Kovacs Phile&amp;quot;, and, much to the author&amp;#039;s dismay because he won&amp;#039;t realize one thin dime, this classic can still be purchased at more discriminating on-line used bookstores. He encourages you to seek it out anyway, it won&amp;#039;t hurt and you&amp;#039;ll laugh. Is that so bad?&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l7&quot; &gt;Line 7:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 7:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Pursuing his various interests American cultural history, in 1998 Walley brought out &amp;quot;Teenage Nervous Breakdown: Music and Politics in the Post-Elvis Age&amp;quot; which, having survived hardcover hell is currently available in paperback through Perseus Publishing. In a series of interconnected essays Walley examines how and why America has become hostage to the corrosive effects of an increasingly celebrity-driven consumerism, itself the result of the cumulative effects of the commercial exploitation of high school peer group dynamics. Animated by a throbbing rock and roll and hip-hop beat, this virulent form of consumerism has given rise to a multinational, adolescent-driven corporate consciousness in which MTV has become the virtual Voice of America wherein all manner of goods from tranquilizers to tanks, from insurance to politics are sold to an unconscious public. It is a book for thinkers on American culture.&lt;/div&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Pursuing his various interests American cultural history, in 1998 Walley brought out &amp;quot;Teenage Nervous Breakdown: Music and Politics in the Post-Elvis Age&amp;quot; which, having survived hardcover hell is currently available in paperback through Perseus Publishing. In a series of interconnected essays Walley examines how and why America has become hostage to the corrosive effects of an increasingly celebrity-driven consumerism, itself the result of the cumulative effects of the commercial exploitation of high school peer group dynamics. Animated by a throbbing rock and roll and hip-hop beat, this virulent form of consumerism has given rise to a multinational, adolescent-driven corporate consciousness in which MTV has become the virtual Voice of America wherein all manner of goods from tranquilizers to tanks, from insurance to politics are sold to an unconscious public. It is a book for thinkers on American culture.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt;−&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;One Amazon.com reader described it this way: “If you ever had the sneaking suspicion that you never escaped high school, this book explains why ... This is a fascinating, fast-moving series of think pieces without boring the reader to death: Thorsten Veblen meets Camille Paglia, the most subversive book on American culture to be published since Veblen&amp;#039;s &amp;quot;Theory of the Leisure Class.&amp;quot; Recently the book was used as the basis for a Winter Studies course at Williams College called, &amp;quot;Decadent Memories: The Sixties in Theory and Practice&amp;quot;. It took a little while but the students finally got it. He has been a guest lecturer in Sociology at Williams as well.&lt;/div&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;One Amazon.com reader described it this way: “If you ever had the sneaking suspicion that you never escaped high school, this book explains why ... This is a fascinating, fast-moving series of think pieces without boring the reader to death: Thorsten Veblen meets &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;[[&lt;/ins&gt;Camille Paglia&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;]]&lt;/ins&gt;, the most subversive book on American culture to be published since Veblen&amp;#039;s &amp;quot;Theory of the Leisure Class.&amp;quot; Recently the book was used as the basis for a Winter Studies course at Williams College called, &amp;quot;Decadent Memories: The Sixties in Theory and Practice&amp;quot;. It took a little while but the students finally got it. He has been a guest lecturer in Sociology at Williams as well.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;During the Nineties, Walley&amp;#039;s words and ideas have appeared in Cosmik Debris, an on-line music magazine, and more recently in [http://www.newpartisan.com/ New Partisan].&lt;/div&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;During the Nineties, Walley&amp;#039;s words and ideas have appeared in Cosmik Debris, an on-line music magazine, and more recently in [http://www.newpartisan.com/ New Partisan].&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l24&quot; &gt;Line 24:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 24:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;He encouraged everyone to follow their passions and think for themselves. His memory is a blessing to us all. He was a man ahead of his times. If there ever was a way for someone to correspond from the other side, it would be David. He touched so many people through his books and correspondences.&lt;/div&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;He encouraged everyone to follow their passions and think for themselves. His memory is a blessing to us all. He was a man ahead of his times. If there ever was a way for someone to correspond from the other side, it would be David. He touched so many people through his books and correspondences.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt; &lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;==See Also==&lt;/div&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;==See Also==&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* [[David Walley&amp;#039;s Exclusive Interview]]&lt;/div&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* [[David Walley&amp;#039;s Exclusive Interview]]&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt; &lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[Category:Supporting Cast|Walley]] [[Category:Writers|Walley]]&lt;/div&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[Category:Supporting Cast|Walley]] [[Category:Writers|Walley]]&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[Category:Journalists|Walley]]&lt;/div&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[Category:Journalists|Walley]]&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt; &lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;[[Category:Critics|Walley]]&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Spider of Destiny</name></author>
		
	</entry>
	<entry>
		<id>http://wiki.killuglyradio.com/index.php?title=David_Walley&amp;diff=34614&amp;oldid=prev</id>
		<title>Spider of Destiny at 04:22, 24 December 2010</title>
		<link rel="alternate" type="text/html" href="http://wiki.killuglyradio.com/index.php?title=David_Walley&amp;diff=34614&amp;oldid=prev"/>
		<updated>2010-12-24T04:22:07Z</updated>

		<summary type="html">&lt;p&gt;&lt;/p&gt;
&lt;table class=&quot;diff diff-contentalign-left&quot; data-mw=&quot;interface&quot;&gt;
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				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #222; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #222; text-align: center;&quot;&gt;Revision as of 04:22, 24 December 2010&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l26&quot; &gt;Line 26:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 26:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;==See Also==&lt;/div&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;==See Also==&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* [[David Walley&amp;#039;s Exclusive Interview]]&lt;/div&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* [[David Walley&amp;#039;s Exclusive Interview]]&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt;−&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[Category:Supporting Cast]] [[Category:Writers]]&lt;/div&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[Category:Supporting Cast&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;|Walley&lt;/ins&gt;]] [[Category:Writers&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;|Walley]]&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt; &lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;[[Category:Journalists|Walley&lt;/ins&gt;]]&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Spider of Destiny</name></author>
		
	</entry>
	<entry>
		<id>http://wiki.killuglyradio.com/index.php?title=David_Walley&amp;diff=27265&amp;oldid=prev</id>
		<title>Propellerkuh at 05:07, 12 February 2008</title>
		<link rel="alternate" type="text/html" href="http://wiki.killuglyradio.com/index.php?title=David_Walley&amp;diff=27265&amp;oldid=prev"/>
		<updated>2008-02-12T05:07:09Z</updated>

		<summary type="html">&lt;p&gt;&lt;/p&gt;
&lt;table class=&quot;diff diff-contentalign-left&quot; data-mw=&quot;interface&quot;&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
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				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;tr class=&quot;diff-title&quot; lang=&quot;en&quot;&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #222; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #222; text-align: center;&quot;&gt;Revision as of 05:07, 12 February 2008&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l7&quot; &gt;Line 7:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 7:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Pursuing his various interests American cultural history, in 1998 Walley brought out &amp;quot;Teenage Nervous Breakdown: Music and Politics in the Post-Elvis Age&amp;quot; which, having survived hardcover hell is currently available in paperback through Perseus Publishing. In a series of interconnected essays Walley examines how and why America has become hostage to the corrosive effects of an increasingly celebrity-driven consumerism, itself the result of the cumulative effects of the commercial exploitation of high school peer group dynamics. Animated by a throbbing rock and roll and hip-hop beat, this virulent form of consumerism has given rise to a multinational, adolescent-driven corporate consciousness in which MTV has become the virtual Voice of America wherein all manner of goods from tranquilizers to tanks, from insurance to politics are sold to an unconscious public. It is a book for thinkers on American culture.&lt;/div&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Pursuing his various interests American cultural history, in 1998 Walley brought out &amp;quot;Teenage Nervous Breakdown: Music and Politics in the Post-Elvis Age&amp;quot; which, having survived hardcover hell is currently available in paperback through Perseus Publishing. In a series of interconnected essays Walley examines how and why America has become hostage to the corrosive effects of an increasingly celebrity-driven consumerism, itself the result of the cumulative effects of the commercial exploitation of high school peer group dynamics. Animated by a throbbing rock and roll and hip-hop beat, this virulent form of consumerism has given rise to a multinational, adolescent-driven corporate consciousness in which MTV has become the virtual Voice of America wherein all manner of goods from tranquilizers to tanks, from insurance to politics are sold to an unconscious public. It is a book for thinkers on American culture.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt;−&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;One Amazon.com reader described it this way: “If you ever had the sneaking suspicion that you never escaped high school, this book explains why...This is a fascinating, fast-moving series of think pieces without boring the reader to death: Thorsten Veblen meets Camille Paglia, the most subversive book on American culture to be published since Veblen&amp;#039;s &amp;quot;Theory of the Leisure Class.&amp;quot; Recently the book was used as the basis for a Winter Studies course at Williams College called, &amp;quot;Decadent Memories: The Sixties in Theory and Practice&amp;quot;. It took a little while but the students finally got it. He has been a guest lecturer in Sociology at Williams as well.&lt;/div&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;One Amazon.com reader described it this way: “If you ever had the sneaking suspicion that you never escaped high school, this book explains why ... This is a fascinating, fast-moving series of think pieces without boring the reader to death: Thorsten Veblen meets Camille Paglia, the most subversive book on American culture to be published since Veblen&amp;#039;s &amp;quot;Theory of the Leisure Class.&amp;quot; Recently the book was used as the basis for a Winter Studies course at Williams College called, &amp;quot;Decadent Memories: The Sixties in Theory and Practice&amp;quot;. It took a little while but the students finally got it. He has been a guest lecturer in Sociology at Williams as well.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;During the Nineties, Walley&amp;#039;s words and ideas have appeared in Cosmik Debris, an on-line music magazine, and more recently in [http://www.newpartisan.com/ New Partisan].&lt;/div&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;During the Nineties, Walley&amp;#039;s words and ideas have appeared in Cosmik Debris, an on-line music magazine, and more recently in [http://www.newpartisan.com/ New Partisan].&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Propellerkuh</name></author>
		
	</entry>
	<entry>
		<id>http://wiki.killuglyradio.com/index.php?title=David_Walley&amp;diff=27263&amp;oldid=prev</id>
		<title>Maroual at 01:37, 10 February 2008</title>
		<link rel="alternate" type="text/html" href="http://wiki.killuglyradio.com/index.php?title=David_Walley&amp;diff=27263&amp;oldid=prev"/>
		<updated>2008-02-10T01:37:53Z</updated>

		<summary type="html">&lt;p&gt;&lt;/p&gt;
&lt;table class=&quot;diff diff-contentalign-left&quot; data-mw=&quot;interface&quot;&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;tr class=&quot;diff-title&quot; lang=&quot;en&quot;&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #222; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #222; text-align: center;&quot;&gt;Revision as of 01:37, 10 February 2008&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l1&quot; &gt;Line 1:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 1:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[Image:David_walley.jpg|right|frame|David Walley]]From [http://www.walleyswitzend.com/meet-david-walley.php Meet David Walley]:&lt;/div&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[Image:David_walley.jpg|right|frame|David Walley]]From [http://www.walleyswitzend.com/meet-david-walley.php Meet David Walley]:&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt;−&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;David Walley has been a critic, cultural historian and freelance editor for more than 30 years. A graduate of Rutgers University in the late Sixties he began his career as a columnist for Jazz and Pop Magazine which lead to a full-time position at one of the alternative press&amp;#039;s most influential  papers, New York City&amp;#039;s East Village Other. During the late Sixties into the early Eighties, his essays, reviews and columns appeared in such magazines as Zygote, Fusion, and Changes. During a two and a half sojourn in Los Angeles, he distinguished himself as the Arts editor of the LA Free Press. His interviews with Iggy Pop and Detroit&amp;#039;s legendary band, the MC5 are considered classics of their type and for their time. During that period he also ghosted books on Bob Dylan, David Bowie and Bobby Darin, a classic despite itself.&lt;/div&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;[[&lt;/ins&gt;David Walley&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;]] &lt;/ins&gt;has been a critic, cultural historian and freelance editor for more than 30 years. A graduate of Rutgers University in the late Sixties he began his career as a columnist for Jazz and Pop Magazine which lead to a full-time position at one of the alternative press&amp;#039;s most influential  papers, New York City&amp;#039;s East Village Other. During the late Sixties into the early Eighties, his essays, reviews and columns appeared in such magazines as Zygote, Fusion, and Changes. During a two and a half sojourn in Los Angeles, he distinguished himself as the Arts editor of the LA Free Press. His interviews with Iggy Pop and Detroit&amp;#039;s legendary band, the MC5 are considered classics of their type and for their time. During that period he also ghosted books on Bob Dylan, David Bowie and Bobby Darin, a classic despite itself.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt;−&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;In 1972, Walley published the first (and only) American biography of the avant garde musician and social critic Frank Zappa called &amp;quot;[[No Commercial Potential: The Saga of Frank Zappa]]&amp;quot; . After numerous reprints and three revisions,  it is still in print thirty years later available through DeCapo books. David is known as the father of the contemporary rock and roll biography, and his book was characterized by the Village Voice&amp;#039;s Milo Miles as &amp;quot;one of the earliest rock books and unjustly forgotten&amp;quot;. Obviously it no longer is. Continuing his fascination with American originals, in 1975 he released, &amp;quot;Nothing in Moderation: The Ernie Kovacs Story&amp;quot; a seminal and unique biography of television&amp;#039;s first surrealist comedian who became an iconic and inspirational figure to the original crew from Saturday Night Live, as well as comedians like Billy Crystal, Robin Williams, George Carlin and others. Though subsequently published by two other imprints as &amp;quot;The Ernie Kovacs Phile&amp;quot;, and, much to the author&amp;#039;s dismay because he won&amp;#039;t realize one thin dime, this classic can still be purchased at more discriminating on-line used bookstores. He encourages you to seek it out anyway, it won&amp;#039;t hurt and you&amp;#039;ll laugh. Is that so bad?&lt;/div&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;In 1972, Walley published the first (and only) American biography of the avant garde musician and social critic &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;[[&lt;/ins&gt;Frank Zappa&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;]] &lt;/ins&gt;called &amp;quot;[[No Commercial Potential: The Saga of Frank Zappa]]&amp;quot; . After numerous reprints and three revisions,  it is still in print thirty years later available through DeCapo books. David is known as the father of the contemporary rock and roll biography, and his book was characterized by the Village Voice&amp;#039;s Milo Miles as &amp;quot;one of the earliest rock books and unjustly forgotten&amp;quot;. Obviously it no longer is. Continuing his fascination with American originals, in 1975 he released, &amp;quot;Nothing in Moderation: The Ernie Kovacs Story&amp;quot; a seminal and unique biography of television&amp;#039;s first surrealist comedian who became an iconic and inspirational figure to the original crew from &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;[[&lt;/ins&gt;Saturday Night Live&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;]]&lt;/ins&gt;, as well as comedians like Billy Crystal, Robin Williams, George Carlin and others. Though subsequently published by two other imprints as &amp;quot;The Ernie Kovacs Phile&amp;quot;, and, much to the author&amp;#039;s dismay because he won&amp;#039;t realize one thin dime, this classic can still be purchased at more discriminating on-line used bookstores. He encourages you to seek it out anyway, it won&amp;#039;t hurt and you&amp;#039;ll laugh. Is that so bad?&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Pursuing his various interests American cultural history, in 1998 Walley brought out &amp;quot;Teenage Nervous Breakdown: Music and Politics in the Post-Elvis Age&amp;quot; which, having survived hardcover hell is currently available in paperback through Perseus Publishing. In a series of interconnected essays Walley examines how and why America has become hostage to the corrosive effects of an increasingly celebrity-driven consumerism, itself the result of the cumulative effects of the commercial exploitation of high school peer group dynamics. Animated by a throbbing rock and roll and hip-hop beat, this virulent form of consumerism has given rise to a multinational, adolescent-driven corporate consciousness in which MTV has become the virtual Voice of America wherein all manner of goods from tranquilizers to tanks, from insurance to politics are sold to an unconscious public. It is a book for thinkers on American culture.&lt;/div&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Pursuing his various interests American cultural history, in 1998 Walley brought out &amp;quot;Teenage Nervous Breakdown: Music and Politics in the Post-Elvis Age&amp;quot; which, having survived hardcover hell is currently available in paperback through Perseus Publishing. In a series of interconnected essays Walley examines how and why America has become hostage to the corrosive effects of an increasingly celebrity-driven consumerism, itself the result of the cumulative effects of the commercial exploitation of high school peer group dynamics. Animated by a throbbing rock and roll and hip-hop beat, this virulent form of consumerism has given rise to a multinational, adolescent-driven corporate consciousness in which MTV has become the virtual Voice of America wherein all manner of goods from tranquilizers to tanks, from insurance to politics are sold to an unconscious public. It is a book for thinkers on American culture.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Maroual</name></author>
		
	</entry>
	<entry>
		<id>http://wiki.killuglyradio.com/index.php?title=David_Walley&amp;diff=21977&amp;oldid=prev</id>
		<title>Spockie at 15:00, 7 August 2007</title>
		<link rel="alternate" type="text/html" href="http://wiki.killuglyradio.com/index.php?title=David_Walley&amp;diff=21977&amp;oldid=prev"/>
		<updated>2007-08-07T15:00:13Z</updated>

		<summary type="html">&lt;p&gt;&lt;/p&gt;
&lt;table class=&quot;diff diff-contentalign-left&quot; data-mw=&quot;interface&quot;&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;tr class=&quot;diff-title&quot; lang=&quot;en&quot;&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #222; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #222; text-align: center;&quot;&gt;Revision as of 15:00, 7 August 2007&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l19&quot; &gt;Line 19:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 19:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;From [http://www.walleyswitzend.com/index.php Geli Walley]:&lt;/div&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;From [http://www.walleyswitzend.com/index.php Geli Walley]:&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt;−&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;David died August 5, &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;2007 &lt;/del&gt;of a massive coronary. His sudden unexpected death has come as a shock to us all. He would have liked to say good bye to his friends and loved ones.&lt;/div&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;David died August 5, &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;2006 &lt;/ins&gt;of a massive coronary. His sudden unexpected death has come as a shock to us all. He would have liked to say good bye to his friends and loved ones.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;He had one chapter left of his new book to complete. It will be published posthumously.&lt;/div&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;He had one chapter left of his new book to complete. It will be published posthumously.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Spockie</name></author>
		
	</entry>
	<entry>
		<id>http://wiki.killuglyradio.com/index.php?title=David_Walley&amp;diff=18303&amp;oldid=prev</id>
		<title>Spockie at 14:59, 7 August 2007</title>
		<link rel="alternate" type="text/html" href="http://wiki.killuglyradio.com/index.php?title=David_Walley&amp;diff=18303&amp;oldid=prev"/>
		<updated>2007-08-07T14:59:17Z</updated>

		<summary type="html">&lt;p&gt;&lt;/p&gt;
&lt;table class=&quot;diff diff-contentalign-left&quot; data-mw=&quot;interface&quot;&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;tr class=&quot;diff-title&quot; lang=&quot;en&quot;&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #222; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #222; text-align: center;&quot;&gt;Revision as of 14:59, 7 August 2007&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l19&quot; &gt;Line 19:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 19:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;From [http://www.walleyswitzend.com/index.php Geli Walley]:&lt;/div&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;From [http://www.walleyswitzend.com/index.php Geli Walley]:&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt;−&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;David died August 5, &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;2006 &lt;/del&gt;of a massive coronary. His sudden unexpected death has come as a shock to us all. He would have liked to say good bye to his friends and loved ones.&lt;/div&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;David died August 5, &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;2007 &lt;/ins&gt;of a massive coronary. His sudden unexpected death has come as a shock to us all. He would have liked to say good bye to his friends and loved ones.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;He had one chapter left of his new book to complete. It will be published posthumously.&lt;/div&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;He had one chapter left of his new book to complete. It will be published posthumously.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Spockie</name></author>
		
	</entry>
</feed>