Absolutely Free: The Complete Libretto - Revision history

Jason.Kreitzer at 00:57, 6 September 2021

2021-09-06T00:57:29Z

Jason.Kreitzer at 21:47, 20 July 2021

2021-07-20T21:47:10Z

Jason.Kreitzer at 21:45, 14 July 2021

2021-07-14T21:45:01Z

Amount at 19:03, 17 February 2009

2009-02-17T19:03:18Z

Fishbrain: Updated some more links...

2007-12-27T14:42:50Z

Updated some more links...

Maroual at 23:39, 3 October 2007

2007-10-03T23:39:07Z

Propellerkuh at 18:06, 28 April 2007

2007-04-28T18:06:09Z

Propellerkuh at 18:01, 28 April 2007

2007-04-28T18:01:27Z

Propellerkuh: /* Foreword to the "Absolutely Free Libretto" */

2007-04-28T15:27:53Z

Foreword to the "Absolutely Free Libretto"

Propellerkuh at 15:25, 28 April 2007

2007-04-28T15:25:21Z

@@ Line 6: / Line 6: @@
 both complete librettos to accompany the [[Verve Records|VERVE]] recording V/V6-5013 by THE MOTHERS of INVENTION.<br>
 words &amp; music by FRANK ZAPPA<br>
-&copy; 1967 [[Frank Zappa Music|FRANK ZAPPA MUSIC]] BMI, a subsidiary of [[Third Story Music]] BMI<br>
+&copy; 1967 [[Frank Zappa Music|FRANK ZAPPA MUSIC]] BMI, a subsidiary of [https://www.discogs.com/label/268348-Third-Story-Music-Inc Third Story Music] BMI<br>

@@ Line 32: / Line 32: @@
 Some of the terms, abbreviations and colloquial expressions used in the lyrics may not be familiar to Britis [''[[Wikipedia:Sic|sic]]''] listeners. Along with the actual words to the songs this special version of the libretto will include brief technical explanations for you.
-<div align=right>[[Frank Zappa|FRANK ZAPPA]]</div align=right></blockquote>
+<div align=right>[[Biography|FRANK ZAPPA]]</div align=right></blockquote>
 '''No 1 in a series UndergroundOratorios''' [''[[Wikipedia:Sic|sic]]'']<br>

@@ Line 17: / Line 17: @@
 MGM Studios in 5 sessions (about 35 studio hours) the following week. The album was finally released around May 26, 1967 ... the reason for the delay? Partly because of <i>this libretto</i>. The original plan was to include within the album, the words in this brochure. The record company attempted to censor the words and a long involved discussion ensued. We were forced to manufacture this product.
-The music itself took several years to compose ([[America Drinks And Goes Home|AMERICA DRINKS &amp; GOES HOME]] was written in 1964 ... most of the other segments were written before or shortly after [[Freak Out!|FREAK OUT!]], our first album, was released in 1966). We hope that this material will help you to enjoy our work on a more personal level.
+The music itself took several years to compose ([[America Drinks & Goes Home|AMERICA DRINKS & GOES HOME]] was written in 1964 ... most of the other segments were written before or shortly after [[Freak Out!|FREAK OUT!]], our first album, was released in 1966). We hope that this material will help you to enjoy our work on a more personal level.
 Thank you<br>
@@ Line 88: / Line 88: @@
 '''AMERICA DRINKS AND GOES HOME'''<br>
 America Drinks And Goes Home is an unsubtle parody of adult conduct in neighbourhood cocktail lounges in America. The humour is aimed at (1) the type of music your parents like to listen to, (2) the manner in which they like to have it performed (the insincerity of the  night-club crooner in his closing address to the the alcoholics at the bar), (3) the manner in which the audience persists in talking above the level of the music while it is being performed (which belies their disrespect as an art and for anyone involved in the performance of music).
-[Lyrics of [[America Drinks And Goes Home|America Drinks & Goes Home]] follow.]
+[Lyrics of [[America Drinks & Goes Home]] follow.]
 [[Category:Articles by Zappa]]
 [[Category:1967]]

@@ Line 23: / Line 23: @@
 for the <i>MOTHERS of Invention</i><br>
 <br><br><br>
 <blockquote>THESE are words to the songs on our new album "[[Absolutely Free|ABSOLUTELY FREE]]." This is not a reprint of the actual libretto that is published in the United States to accompany this record. It is a hasty attempt to give the Bristish listener a chance to more fully understand the message inherent in the album.<br>
@@ Line 87: / Line 90: @@
 [Lyrics of [[America Drinks And Goes Home|America Drinks & Goes Home]] follow.]
 [[Category:Articles by Zappa]]
 [[Category:1967]]

@@ Line 34: / Line 34: @@
 '''PLASTIC PEOPLE'''<br>
 The insincere ass holes who run almost everybody's country are plastic people. References to Sunset Boulevard, Pandora's Box, CIA, and Laurel Canyon, all relate tothe [''[[Wikipedia:Sic|sic]]''] first youth riots in Los Angeles last year.<br>
-[Lyrics of [[Plastic People]] follow.]<br>
+[Lyrics of [[Plastic People (1966 - Los Angeles)|Plastic People]] follow.]<br>
 '''THE DUKE OF PRUNES'''<br>
 The Duke of Prunes is a surrealistic love song. Euphemistic sexual imagery popular in country blues tunes, with which many of you might already be familiar, is transmuted in this particular piece from the basic " ... me, suck me, till my eyes roll back baby" to "prune me, cheese me, go-kart ... " or something like that. This song is very strange.<br>
-[Lyrics of [[The Duke Of Prunes]] follow.]<br>
+[Lyrics of [[The Duke Of Prunes (1966 - Los Angeles)|The Duke Of Prunes]] follow.]<br>
 '''AMNESIA VIVACE'''<br>
@@ Line 55: / Line 55: @@
 '''CALL ANY VEGETABLE'''<br>
 The best clue to this song might lie in the fact that people who are inactive in a society ... people who do not live up to their responsibilities are vegetables. I feel that these people, even if they are inactive, apathetic or unconcerned at this point, can be motivated toward a more useful sort of existence. I believe that if you call any vegetable it will respond to you.<br>
-[Lyrics of [[Call Any Vegetable]] follow.]<br>
+[Lyrics of [[Call Any Vegetable (1966 - Los Angeles)|Call Any Vegetable]] follow.]<br>
 '''INVOCATION & RITUAL DANCE OF THE YOUNG PUMPKIN'''<br>

@@ Line 54: / Line 54: @@
 '''CALL ANY VEGETABLE'''<br>
-The best clue to this song might lie in the fact that people who are inactive in a society ... people who do not live up to their responsibilities are vegetables. I fell that these people, even if they are inactive, apathetic or unconcerned at this point, can be motivated toward a more useful sort of existence. I believe that if you call any vegetable it will respond to you.<br>
+The best clue to this song might lie in the fact that people who are inactive in a society ... people who do not live up to their responsibilities are vegetables. I feel that these people, even if they are inactive, apathetic or unconcerned at this point, can be motivated toward a more useful sort of existence. I believe that if you call any vegetable it will respond to you.<br>
 [Lyrics of [[Call Any Vegetable]] follow.]<br>
@@ Line 64: / Line 64: @@
 '''AMERICA DRINKS'''<br>
-On this side of the album there are two versions of this set of lyrics. This version which opens side two is in effect an abstraction (in advance of) the set of lyrics which close side two. The opening lines of "One, two, buckle my shoe' and "doopie, doopie' are derived from a time called "Myy Little Red Book".<br>
+On this side of the album there are two versions of this set of lyrics. This version which opens side two is in effect an abstraction (in advance of) the set of lyrics which close side two. The opening lines of "One, two, buckle my shoe' and "doopie, doopie' are derived from a time called "My Little Red Book".<br>
 [Lyrics of [[America Drinks]] follow.]<br>
 '''STATUS BACK BABY'''<br>
-Status Back Baby is a song about young acne America and their daily trials and tribulations. It is unfortunate that many young Americans really do worry about losing status at the high school. De Molay is a religious youth organisation in the United States. A Pom Pom Girl is a young lady who cuts strips of crepe paper all week long after school to make an object known as a pom pom, which is a puffy ball composed of strips of crepe paper. After she has manufactured her own pom pom, she will go to the football game and jump high in the air with her pom pom in her hand shouting, as she does so, these immortal words: "We've got a team that's on the beam, that's really hep to the jive. Come on tigers, let's skin 'em alive." Or, "Push 'em back, push 'em back. We like itz, sissboombah." Then they drink beer and get pregnant in the back of somebody's car.<br>
+Status Back Baby is a song about young acne America and their daily trials and tribulations. It is unfortunate that many young Americans really do worry about losing status at the high school. De Molay is a religious youth organisation in the United States. A Pom Pom Girl is a young lady who cuts strips of crepe paper all week long after school to make an object known as a pom pom, which is a puffy ball composed of strips of crepe paper. After she has manufactured her own pom pom, she will go to the football game and jump high in the air with her pom pom in her hand shouting, as she does so, these immortal words: "We've got a team that's on the beam, that's really hep to the jive. Come on tigers, let's skin 'em alive." Or, "Push 'em back, push 'em back. We like it, sissboombah." Then they drink beer and get pregnant in the back of somebody's car.<br>
 [Lyrics of [[Status Back Baby]] follow.]<br>
@@ Line 76: / Line 76: @@
 '''SON OF SUZY CREAMCHEESE'''<br>
-Son of Suzie Creamcheese is a stirring saga of a young groupie. Her actions are all motivated by a dsire to be "in" at all times. Hence the drug abuse (blowing her mind on too much Kool-aid: acid ... Stealing her boyfriend's stash: a hidden supply of drugs ... and leaving Los Angeles for a protest march in Berkeley).<br>
+Son of Suzie Creamcheese is a stirring saga of a young groupie. Her actions are all motivated by a desire to be "in" at all times. Hence the drug abuse (blowing her mind on too much Kool-aid: acid ... Stealing her boyfriend's stash: a hidden supply of drugs ... and leaving Los Angeles for a protest march in Berkeley).<br>
 [Lyrics of [[Son Of Suzy Creamcheese]] follow.]<br>
 '''BROWN SHOES DON'T MAKE IT'''<br>
-Brown Shoes Don't Make It. It is a song about the people who run the government, the people who makie the laws that keep you from living the kind of life you know you should lead. These unfortunate people manufacture inequitable laws and ordinances, perhaps unaware of the fact that the restrictions they place on the young people in a society are a result of their own hidden sexual frustrations. Dirty old men have no business running your country.<br>
+Brown Shoes Don't Make It. It is a song about the people who run the government, the people who make the laws that keep you from living the kind of life you know you should lead. These unfortunate people manufacture inequitable laws and ordinances, perhaps unaware of the fact that the restrictions they place on the young people in a society are a result of their own hidden sexual frustrations. Dirty old men have no business running your country.<br>
 [Lyrics of [[Brown Shoes Don't Make It]] follow.]<br>

@@ Line 12: / Line 12: @@
 FOREWORD
-Music has always shown how people think and feel, according to [[John Tasker Howard]]. He is probably right. The music of the MOTHERS speaks of the feelings of what might be described as THE VAST MINORITY. The feelings of the people on the <i>fringe</i> of everything... the ones who don't care if they're IN or OUT... don't care if they're HIP, HEP, SWINGIN' or ZORCH. This is the audience the MOTHERS want to reach... those few who have the <i>power within themselves</i> to cause or motiviate <i>social change</i> but have <i>never used it</i> for one reason or another. If you are reading this and understand it (even if you have short hair and watch TV 18 hours a day), it is time that you realized WHO and WHAT <i>YOU</i> ARE. It is time you realized what the words to our songs mean.
+Music has always shown how people think and feel, according to [[John Tasker Howard]]. He is probably right. The music of the MOTHERS speaks of the feelings of what might be described as THE VAST MINORITY. The feelings of the people on the <i>fringe</i> of everything ... the ones who don't care if they're IN or OUT ... don't care if they're HIP, HEP, SWINGIN' or ZORCH. This is the audience the MOTHERS want to reach... those few who have the <i>power within themselves</i> to cause or motiviate <i>social change</i> but have <i>never used it</i> for one reason or another. If you are reading this and understand it (even if you have short hair and watch TV 18 hours a day), it is time that you realized WHO and WHAT <i>YOU</i> ARE. It is time you realized what the words to our songs mean.
 This album was recorded the week before Thanksgiving, November 1966 in Los Angeles at the [[Sunset-Highland Studios|Sunset-Highland Studios of T.T.G. Inc.]], in a series of 4 sessions (about 25 studio hours). It was edited and re-mixed in New York City at the
-MGM Studios in 5 sessions (about 35 studio hours) the following week. The album was finally released around May 26, 1967... the reason for the delay? Partly because of <i>this libretto</i>. The original plan was to include within the album, the words in this brochure. The record company attempted to censor the words and a long involved discussion ensued. We were forced to manufacture this product.
+MGM Studios in 5 sessions (about 35 studio hours) the following week. The album was finally released around May 26, 1967 ... the reason for the delay? Partly because of <i>this libretto</i>. The original plan was to include within the album, the words in this brochure. The record company attempted to censor the words and a long involved discussion ensued. We were forced to manufacture this product.
-The music itself took several years to compose ([[America Drinks & Goes Home|AMERICA DRINKS &amp; GOES HOME]] was written in 1964... most of the other segments were written before or shortly after [[Freak Out!|FREAK OUT!]], our first album, was released in 1966). We hope that this material will help you to enjoy our work on a more personal level.
+The music itself took several years to compose ([[America Drinks & Goes Home|AMERICA DRINKS &amp; GOES HOME]] was written in 1964 ... most of the other segments were written before or shortly after [[Freak Out!|FREAK OUT!]], our first album, was released in 1966). We hope that this material will help you to enjoy our work on a more personal level.
 Thank you<br>